Highlights - JANE ALEXANDER - Tony & Emmy Award-Winning Actress, Conservationist, Author

Highlights - JANE ALEXANDER - Tony & Emmy Award-Winning Actress, Conservationist, Author

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Tony & Emmy Award-Winning Actress · Conservationist
Chairman of the National Endowment for the Arts 1993-97

I did not seek out these roles like All the President's Men. I know that I was very interested in social and political issues from childhood. I don't know whether there was something in me that translated that I was politically and socially conscious when I was a young actress because these roles came to me. I didn't go out begging for them. And I was so grateful to have them because I thought they had a depth to them.

JANE ALEXANDER- Tony & Emmy Award-Winning Actress, Conservationist, Author

JANE ALEXANDER- Tony & Emmy Award-Winning Actress, Conservationist, Author

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Tony & Emmy Award-Winning Actress, Conservationist, Author
Chairman of the National Endowment for the Arts 1993-97

I did not seek out these roles like All the President's Men. I know that I was very interested in social and political issues from childhood. I don't know whether there was something in me that translated that I was politically and socially conscious when I was a young actress because these roles came to me. I didn't go out begging for them. And I was so grateful to have them because I thought they had a depth to them.

Highlights - Debra Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

Highlights - Debra Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

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Showrunner of Netflix’s Ginny & Georgia
Writer · Exec. Producer · Director · Alias · Criminal Minds · The OC · Charmed

I need a balance of light and dark. It can't be just one thing. I want you to be laughing one minute and by the end I want you to be crying. For me, character study is what is the most important. It all comes down to the characters. It's less about action or things like that, which you can have some of that, but it tonally, has to be female-centric and you have to be crying and laughing. There's so many interesting shows that walk that line of light and dark. I want to always live in the gray area with characters. Always. Nothing is ever black or white. It's always a weird gray area.

Debra J. Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

Debra J. Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

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Showrunner of Netflix’s Ginny & Georgia
Writer · Exec. Producer · Director · Alias · Criminal Minds · The OC · Charmed

I need a balance of light and dark. It can't be just one thing. I want you to be laughing one minute and by the end I want you to be crying. For me, character study is what is the most important. It all comes down to the characters. It's less about action or things like that, which you can have some of that, but it tonally, has to be female-centric and you have to be crying and laughing. There's so many interesting shows that walk that line of light and dark. I want to always live in the gray area with characters. Always. Nothing is ever black or white. It's always a weird gray area.

Highlights - Etgar Keret - Author - Cannes Film Festival Award-winning Director of “Jellyfish”, “The Middleman”

Highlights - Etgar Keret - Author - Cannes Film Festival Award-winning Director of “Jellyfish”, “The Middleman”

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Cannes Film Festival Award-winning Director
Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years

For me, there is something about art, it's not a monologue, it's a dialogue. Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language.

Etgar Keret - Author - Cannes Film Festival Award-winning Director of “Jellyfish”, “The Middleman”

Etgar Keret - Author - Cannes Film Festival Award-winning Director of “Jellyfish”, “The Middleman”

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Cannes Film Festival Award-winning Director
Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years

For me, there is something about art, it's not a monologue, it's a dialogue. Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language.

Highlights - Karen McManus - Author of “One of Us is Lying” - Peacock, Netflix

Highlights - Karen McManus - Author of “One of Us is Lying” - Peacock, Netflix

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NYTimes Bestselling Author of Nothing More to Tell, One of Us is Lying

Well, I had a wonderful teacher in second grade who kind of inspired me to start writing and really stuck with me through elementary school and beyond as I made attempts to find my voice, but think part of the reason it never really went anywhere for me as a young person was because I was too afraid to share that with anyone except for that one teacher. I never showed friends. I didn't even really show family. I just always felt that it wasn't quite good enough. And so the thing I always tell writers now if they ask for, you know, "What's one tip?" It's let someone else tell you no, because I just told myself no for pretty much my entire young adulthood. And once I let other people tell me no, they did a lot, you know, but that is how I got better.

Karen McManus - NYTimes Bestselling Author of “One of Us is Lying” - Peacock, Netflix

Karen McManus - NYTimes Bestselling Author of “One of Us is Lying” - Peacock, Netflix

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NYTimes Bestselling Author of Nothing More to Tell, One of Us is Lying

Well, I had a wonderful teacher in second grade who kind of inspired me to start writing and really stuck with me through elementary school and beyond as I made attempts to find my voice, but think part of the reason it never really went anywhere for me as a young person was because I was too afraid to share that with anyone except for that one teacher. I never showed friends. I didn't even really show family. I just always felt that it wasn't quite good enough. And so the thing I always tell writers now if they ask for, you know, "What's one tip?" It's let someone else tell you no, because I just told myself no for pretty much my entire young adulthood. And once I let other people tell me no, they did a lot, you know, but that is how I got better.

Highlights - Jack Horner - Renowned Paleontologist - Technical Advisor, Jurassic Park/World Films

Highlights - Jack Horner - Renowned Paleontologist - Technical Advisor, Jurassic Park/World Films

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Renowned Dinosaur Paleontologist
Technical Advisor on all Jurassic Park / Jurassic World Films

I found my first fossil when I was six years old. And I found my first dinosaur bone when I was eight, my first dinosaur skeleton when I was 13. When I was a kid, I knew I wanted to be a paleontologist, and I didn't think there was much hope for it, though. I was doing very poorly in school. I think I was always a pretty positive kid. And so even though I wasn't doing well in school, I was really happy about the fact that I was finding all these cool fossils, and I was making collections. I don't know when it came to me that I would do this, but I think I just was born this way.

Jack Horner - Renowned Dinosaur Paleontologist - Technical Advisor, Jurassic Park/World Films

Jack Horner - Renowned Dinosaur Paleontologist - Technical Advisor, Jurassic Park/World Films

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Renowned Dinosaur Paleontologist
Technical Advisor on all Jurassic Park / Jurassic World Films

I found my first fossil when I was six years old. And I found my first dinosaur bone when I was eight, my first dinosaur skeleton when I was 13. When I was a kid, I knew I wanted to be a paleontologist, and I didn't think there was much hope for it, though. I was doing very poorly in school. I think I was always a pretty positive kid. And so even though I wasn't doing well in school, I was really happy about the fact that I was finding all these cool fossils, and I was making collections. I don't know when it came to me that I would do this, but I think I just was born this way.

In Memory of TONY WALTON · 1934-2022 (Part 2)

In Memory of TONY WALTON · 1934-2022 (Part 2)

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Art and Theater Director, Costume Designer

Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator.

In Memory of TONY WALTON · 1934-2022 (Part 1)

In Memory of TONY WALTON · 1934-2022 (Part 1)

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Art and Theater Director, Costume Designer

Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator.

(Highlights) DOUGLAS WOLK

(Highlights) DOUGLAS WOLK

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Author of NYTimes bestseller All of the Marvels, Eisner Award–winning Reading Comics
Host of the Voice of Latveria podcast

I like the idea that your actions in the world can be motivated by both idealism and realism about how to achieve those ideals. I like the idea that morality is not simple. There is this idea that there are the heroes and there's the villains and you can easily tell who's who, and that's not so true as it used to be in comics and that's meaningful. One thing that is interesting about the Marvel story is there’s basically nobody who's just a bad guy to be a bad guy. Everyone has their reasons. Almost everyone is capable of redemption in some way, even the worst of the worst are capable of tremendous heroism and tremendous idealism and genuinely wanting to heal the world make it a better place.

DOUGLAS WOLK

DOUGLAS WOLK

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Author of NYTimes bestseller All of the Marvels, Eisner Award–winning Reading Comics
Host of the Voice of Latveria podcast

I like the idea that your actions in the world can be motivated by both idealism and realism about how to achieve those ideals. I like the idea that morality is not simple. There is this idea that there are the heroes and there's the villains and you can easily tell who's who, and that's not so true as it used to be in comics and that's meaningful. One thing that is interesting about the Marvel story is there’s basically nobody who's just a bad guy to be a bad guy. Everyone has their reasons. Almost everyone is capable of redemption in some way, even the worst of the worst are capable of tremendous heroism and tremendous idealism and genuinely wanting to heal the world make it a better place.

(Highlights) JP OUELLETTE & DYLAN MATLOCK

(Highlights) JP OUELLETTE & DYLAN MATLOCK

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Producers of the Award-Winning Mass starring Reed Birney, Ann Dowd, Jason Isaacs & Martha Plimpton

“Usually we just see the soundbites and the news and then there's a new one or a new story, the politics that takes away from what these families are going. These people in these towns are just glossed over, looked over. And that's not the case in real life. They live with this trauma forever…What I hope the next generation takes us just to absorb everything from our generation and our parents’ generation. There are a lot of living generations right now. The longevity of people and the young families, it’s amazing. I had five generations of my family alive at one point in my life, and it was just the most amazing I've ever been a part of.” –JP Ouellette

JP OUELLETTE & DYLAN MATLOCK

JP OUELLETTE & DYLAN MATLOCK

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Producers of the Award-Winning Mass starring Reed Birney, Ann Dowd, Jason Isaacs & Martha Plimpton

“Usually we just see the soundbites and the news and then there's a new one or a new story, the politics that takes away from what these families are going. These people in these towns are just glossed over, looked over. And that's not the case in real life. They live with this trauma forever…What I hope the next generation takes us just to absorb everything from our generation and our parents’ generation. There are a lot of living generations right now. The longevity of people and the young families, it’s amazing. I had five generations of my family alive at one point in my life, and it was just the most amazing I've ever been a part of.” –JP Ouellette