JULIE ANDREWS - PAUL SCHRADER - JULIAN SCHNABEL on Filmmaking & Creative Process

JULIE ANDREWS - PAUL SCHRADER - JULIAN SCHNABEL on Filmmaking & Creative Process

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“Taxi Driver, the first script I wrote, it is very much a young man's film. And it's full of, the anger of a young man. And the striking out. And also it's full of the pathology of suicidal glory.”

”Tony Walton, when he was designing the costumes, he said, ‘I think somehow Mary Poppins has a bit of a secret life. She's a bit naughty..’ And it was a great clue for me because that little wicked thing that she has occasionally. And then while doing and thinking and talking to the director, you do form certain things like flying with the feet turned out and the way she walked. I tried to make her walk almost as if she weren't quite touching the ground.”

“I think that the truth of the movie is maybe as true as I could tell the story. What I thought was possible. It's a movie. And in working with actors. I mean, what are we doing when we're doing that?…A story can be true to whatever narrative, but it can be very boring to watch. I think that Willem's performance is probably the best performance he gave in his life.”

Highlights - ARNOLD SCHWARZENEGGER: Athlete, Actor, American, Activist - Conversation with Editor DIAN HANSON

Highlights - ARNOLD SCHWARZENEGGER: Athlete, Actor, American, Activist - Conversation with Editor DIAN HANSON

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ATHLETE · ACTOR · AMERICAN · ACTIVIST
DIAN HANSON discusses photographic homage to ARNOLD SCHWARZENEGGER

Why I was different from all the other boys in my town I cannot tell you. I was simply born with the gift of vision.
– ARNOLD SCHWARZENEGGER

It's not just that he grew up in a rural environment too. He was born on July 30th, 1947. And most of us today don't have any understanding or relationship to what Europe was like right after World War II. The winter of 1946/1947 in Austria was the most brutal in decades. The people already had too little food. They were in an occupied country. The summer potato crops failed. As Arnold has said, his mother had to go from farm to farm to farm, begging for food to be able to feed her children. His father, like all the men in the village, was defeated by the war. And he saw them all physically, emotionally, intellectually defeated and taking it out on their wives and children, that he was beaten and his mother was beaten. All the neighbor kids were beaten, and they were beaten into a kind of placid defeat. And he alone would not accept that. He could not see that life for himself. And so he wanted out of that. And as a poor boy, he had nothing but his body to work with. That was it. There was not going to be any college. There was not going to be any of that. There was going to be some kind of menial job, or he could use what he had - his body - to get him out of there.

ARNOLD SCHWARZENEGGER: Athlete, Actor, American, Activist - Conversation with Editor DIAN HANSON

ARNOLD SCHWARZENEGGER: Athlete, Actor, American, Activist - Conversation with Editor DIAN HANSON

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ATHLETE · ACTOR · AMERICAN · ACTIVIST
DIAN HANSON discusses photographic homage to ARNOLD SCHWARZENEGGER

Why I was different from all the other boys in my town I cannot tell you. I was simply born with the gift of vision.
– ARNOLD SCHWARZENEGGER

It's not just that he grew up in a rural environment too. He was born on July 30th, 1947. And most of us today don't have any understanding or relationship to what Europe was like right after World War II. The winter of 1946/1947 in Austria was the most brutal in decades. The people already had too little food. They were in an occupied country. The summer potato crops failed. As Arnold has said, his mother had to go from farm to farm to farm, begging for food to be able to feed her children. His father, like all the men in the village, was defeated by the war. And he saw them all physically, emotionally, intellectually defeated and taking it out on their wives and children, that he was beaten and his mother was beaten. All the neighbor kids were beaten, and they were beaten into a kind of placid defeat. And he alone would not accept that. He could not see that life for himself. And so he wanted out of that. And as a poor boy, he had nothing but his body to work with. That was it. There was not going to be any college. There was not going to be any of that. There was going to be some kind of menial job, or he could use what he had - his body - to get him out of there.

Highlights - JANE ALEXANDER - Tony & Emmy Award-Winning Actress, Conservationist, Author

Highlights - JANE ALEXANDER - Tony & Emmy Award-Winning Actress, Conservationist, Author

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Tony & Emmy Award-Winning Actress · Conservationist
Chairman of the National Endowment for the Arts 1993-97

I did not seek out these roles like All the President's Men. I know that I was very interested in social and political issues from childhood. I don't know whether there was something in me that translated that I was politically and socially conscious when I was a young actress because these roles came to me. I didn't go out begging for them. And I was so grateful to have them because I thought they had a depth to them.

JANE ALEXANDER- Tony & Emmy Award-Winning Actress, Conservationist, Author

JANE ALEXANDER- Tony & Emmy Award-Winning Actress, Conservationist, Author

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Tony & Emmy Award-Winning Actress, Conservationist, Author
Chairman of the National Endowment for the Arts 1993-97

I did not seek out these roles like All the President's Men. I know that I was very interested in social and political issues from childhood. I don't know whether there was something in me that translated that I was politically and socially conscious when I was a young actress because these roles came to me. I didn't go out begging for them. And I was so grateful to have them because I thought they had a depth to them.

In Memory of TONY WALTON · 1934-2022 (Part 2)

In Memory of TONY WALTON · 1934-2022 (Part 2)

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Art and Theater Director, Costume Designer

Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator.

In Memory of TONY WALTON · 1934-2022 (Part 1)

In Memory of TONY WALTON · 1934-2022 (Part 1)

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Art and Theater Director, Costume Designer

Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator.

(Highlights) HARRIS YULIN

(Highlights) HARRIS YULIN

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Emmy & SAG Award Nominated Actor & Director with roles in Ozark, Billions & Scarface

I really know theater because that's where I started. I went at it in a very haphazard way. It was not orderly at all. I didn't go to a proper school or anything like that. I did a little bit of studying here or there...Jeff Corey (and at one class in New York) someone said something that helped me a great deal. And then I just learned by doing it.

HARRIS YULIN

HARRIS YULIN

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Emmy & SAG Award Nominated Actor & Director with roles in Ozark, Billions & Scarface

I really know theater because that's where I started. I went at it in a very haphazard way. It was not orderly at all. I didn't go to a proper school or anything like that. I did a little bit of studying here or there...Jeff Corey (and at one class in New York) someone said something that helped me a great deal. And then I just learned by doing it.

(Highlights) JOHN BENJAMIN HICKEY

(Highlights) JOHN BENJAMIN HICKEY

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Actor and Director

If you are thinking about too much, you're probably not doing it right. Some nights you do it and you're just like, that just felt like it was ten minutes long and I just was on cloud nine. What was I doing? A great, great American actor George C. Scott had a great quote once, he said, "Every actor worth their salt has one good show a week and spends those other seven shows wondering what they did that made them so good that night." And nobody knows. If you could figure that out and if you could bottle that then, of course, everybody could do it.

JOHN BENJAMIN HICKEY

JOHN BENJAMIN HICKEY

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Actor and Director

I've been so fortunate to work with such great actors over the years. Laura Linney, Joe Mantello and the entire company of The Normal Heart, Nathan Lane, who I consider one of my great educators. He was a real mentor to me. He was such a professional and he was so devoted to the character and worked tirelessly to make the character in the show as good as it could possibly be. Nathan never ever did it sitting down. He's always full steam ahead and there was a great lesson in that for me to watch somebody's work ethic. It taught me my work ethic.

(Highlights) DELIA EPHRON

(Highlights) DELIA EPHRON

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Author, Screenwriter and Producer

So the great thing about being a writer is you can take the pain of your life and make something out of it. And you can mix it up with the happier parts and make something even better out of it. I mean, it's kind of all these things end up being gifts when you're older.

DELIA EPHRON

DELIA EPHRON

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Author, Screenwriter and Producer

So the great thing about being a writer is you can take the pain of your life and make something out of it. And you can mix it up with the happier parts and make something even better out of it. I mean, it's kind of all these things end up being gifts when you're older.

(Highlights) TEMA STAIG & ALLISON VANORE

(Highlights) TEMA STAIG & ALLISON VANORE

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Tema Staig · Women in Media Executive Director & Art Director
Allison Vanore · WIM Secretary & Emmy-Winning Producer of After Forever

I started Women in Media in 2010 as a sort of community group. We talked about women above and below the line because there weren’t any organizations or conversations really happening about women in the below the line positions, meaning women in the crew who are in the camera, art, grip and electronics departments. There were only conversations happening about more women directors and, being a scenic artist and production designer, I knew that there are so many women in the crew and there’s only one director. So if we only aimed for one, we would never get to parity and there would never be room like myself who wanted to advance from these crew positions.

TEMA STAIG & ALLISON VANORE

TEMA STAIG & ALLISON VANORE

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Tema Staig · Women in Media Executive Director & Art Director
Allison Vanore · WIM Secretary & Emmy-Winning Producer of After Forever

I started Women in Media in 2010 as a sort of community group. We talked about women above and below the line because there weren’t any organizations or conversations really happening about women in the below the line positions, meaning women in the crew who are in the camera, art, grip and electronics departments. There were only conversations happening about more women directors and, being a scenic artist and production designer, I knew that there are so many women in the crew and there’s only one director. So if we only aimed for one, we would never get to parity and there would never be room like myself who wanted to advance from these crew positions.

(Highlights) JACK THORNE

(Highlights) JACK THORNE

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Jack Thorne is an internationally acclaimed playwright and BAFTA award-winning screenwriter. His adaptation of Philip Pullman’s His Dark Materials is currently airing on HBO and the BBC, and his new series The Eddy was recently released for Netflix. Thorne’s screenwriting career began on the Channel 4 series Shameless and BBC series Skins. Later this year, his feature adaptation of The Secret Garden will be released and feature films Enola Holmes and Swimmers are on the way. Thorne’s films include The Aeronauts, starring Eddie Redmayne and Felicity Jones, Wonder, starring Julia Roberts and A Long Way Down starring Toni Collette. As a playwright, Jack’s credits include the Tony and Olivier award-winning West End and Broadway hit Harry Potter and the Cursed Child.

Jack Thorne · BAFTA, Tony, Olivier Award-Winning Screenwriter & Playwright (Highlights)
The Creative Process Podcast

Photo by Gage Skidmore

(Highlights) JOE MANTEGNA

(Highlights) JOE MANTEGNA

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Tony Award-winning Actor and Director

When I read Mamet, to me, it was almost like–Yeah! I get it. This is a language I understand. It felt very comfortable to me. And I know he has told me that he has written characters with my voice in his mind as he wrote them, and so, again how lucky for me that that's the case. I feel very lucky that it's worked out that way that he's the writer that I ended up hooking up with.

JOE MANTEGNA

JOE MANTEGNA

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Actor and Director

When I read Mamet, to me, it was almost like–Yeah! I get it. This is a language I understand. It felt very comfortable to me. And I know he has told me that he has written characters with my voice in his mind as he wrote them, and so, again how lucky for me that that's the case. I feel very lucky that it's worked out that way that he's the writer that I ended up hooking up with.

TRISH SIE

TRISH SIE

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Trish Sie is a multi-talented director whose work spans the realms of music videos, commercials, and short and feature films. After spending a decade as a professional dancer, championship ballroom competitor and choreographer, she built a successful and championed career in filmmaking. The first music video that she produced, “Here it Goes Again” for the band OK Go,  won her a Grammy award. Her success expands to the world of films, where she has directed the likes of PItch Perfect 3 and Step Up: All In, using her dance and choreography experience to make magic happen on camera. Along with the Grammy, Trish has won a number of awards such as the Youtube award for most creative video, the smithsonian ingenuity award, and multiple accolades for best short film at various film festivals. 

Trish Sie · Filmmaker, Choreographer, Dancer (65 mins)
The Creative Process Podcast
(Highlights) JOSH PAIS

(Highlights) JOSH PAIS

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Joshua Pais has appeared in over a hundred movies and TV shows, including recurring roles in Ray Donovan, Mrs. Fletcher, The Good Wife, Maniac, The Sopranos, and Law and Order: SVU. His film work includes Motherless Brooklyn, Joker, Touchy Feely, Teenage Mutant Ninja Turtles, Music of the Heart, Assassination of a High School President, and I Saw the Light. The son of holocaust survivor and theoretical physicist Abraham Pais, Josh is the founder of Committed Impulse, a comprehensive acting technique which involves creating from the energetic (atomic) truth in the body.

Josh Pais · Actor, Writer, Producer & Committed Impulse Founder (Highlights)
The Creative Process Podcast

This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Emma Ryan. Digital Media Coordinator is Hannah Story Brown.

Mia Funk is an artist, interviewer and founder of The Creative Process.