Inside the Mind of PETER WELLER, Actor, Art Historian, Director, Musician, Author - Highlights

Inside the Mind of PETER WELLER, Actor, Art Historian, Director, Musician, Author - Highlights

/

Art transcends time and culture—the beauty of it. People worry about the world now. I remind them to go live in 1968, a time of preparing to go to the moon while people died for their beliefs. This is a difficult time in a republic that’s supposed to be free, but music was leading the way. Whether it was Miles, Coltrane, Aretha, Leonard Cohen, Dylan, the music was extraordinarily influential and cutting-edge… Leon Battista Alberti is an interesting figure because he was a poet, painter, architect, and particularly an architect, writer, and humanist. He wrote this amazing book on painting that everyone has to read.

From RoboCop to the Renaissance w/ Actor, Art Historian, Director, Musician, Author PETER WELLER

From RoboCop to the Renaissance w/ Actor, Art Historian, Director, Musician, Author PETER WELLER

/

Art transcends time and culture—the beauty of it. People worry about the world now. I remind them to go live in 1968, a time of preparing to go to the moon while people died for their beliefs. This is a difficult time in a republic that’s supposed to be free, but music was leading the way. Whether it was Miles, Coltrane, Aretha, Leonard Cohen, Dylan, the music was extraordinarily influential and cutting-edge… Leon Battista Alberti is an interesting figure because he was a poet, painter, architect, and particularly an architect, writer, and humanist. He wrote this amazing book on painting that everyone has to read.

The Transformative Power of Writing with ANDRE DUBUS III - Highlights

The Transformative Power of Writing with ANDRE DUBUS III - Highlights

/

NYTimes Bestselling Author
House of Sand and Fog · The Garden of Last Days · Ghost Dogs · Townie

All creative writing is that act of reaching for the pieces to put it back together again. And with the memoir, the essay, it's human memory. Your memory for your own existence. With fiction, it’s a dream world where you're reaching for the shards. Writing is a free fall into the writer's psyche, and if you want some clarity on what you believe, just write something sincere and emotionally naked and read it back to yourself, and you'll see a lot of what you believe, what you think, what you fear, regret, and desire, etc.

Exploring Trauma, Healing & Redemption w/ ANDRE DUBUS III - Author of House of Sand & Fog

Exploring Trauma, Healing & Redemption w/ ANDRE DUBUS III - Author of House of Sand & Fog

/

NYTimes Bestselling Author
House of Sand and Fog · The Garden of Last Days · Ghost Dogs · Townie

All creative writing is that act of reaching for the pieces to put it back together again. And with the memoir, the essay, it's human memory. Your memory for your own existence. With fiction, it’s a dream world where you're reaching for the shards. Writing is a free fall into the writer's psyche, and if you want some clarity on what you believe, just write something sincere and emotionally naked and read it back to yourself, and you'll see a lot of what you believe, what you think, what you fear, regret, and desire, etc.

Highlights - JULIAN LENNON - Doc Filmmaker, Exec. Producer of Common Ground, Musician, Photographer

Highlights - JULIAN LENNON - Doc Filmmaker, Exec. Producer of Common Ground, Musician, Photographer

/

Singer-songwriter · Photographer · Documentary Filmmaker
Founder of The White Feather Foundation
Executive Producer of Common Ground

I thought, wow, how are they going to bring this across in a way that isn't shoving things down people's throats? It's presenting information in a way that is creative, but also in a way that drives your curiosity into understanding, number one, why are we in the position that we're in? And number two, how can we fix this? What can we do to change all of this? And so, I initially got involved as an executive producer on Kiss the Ground, and I was blown away by how that film came out at the end. How well rounded it was, the flow of the film, the storytelling, and really feeding me information that I didn't even know previously. And so also watching that become a platform around the world was jaw-dropping. I mean, the fact that the belief and the understanding and the wisdom that came out of that project has touched so many hearts, minds, and souls around the world, that people are really single-handedly almost making change for the better around the world. Now, when Common Ground was presented, I did love that concept because Kiss the Ground had been very much a broad approach and about America, for the majority, really, and Common Ground was a much more...I mean, we're still dealing with the same subject matter obviously, but I think it felt great to come from a more personal aspect." 

JULIAN LENNON - Exec. Producer of Common Ground, Doc Filmmaker, Singer-songwriter, Photographer

JULIAN LENNON - Exec. Producer of Common Ground, Doc Filmmaker, Singer-songwriter, Photographer

/

Singer-songwriter · Photographer · Documentary Filmmaker
Founder of The White Feather Foundation
Executive Producer of Common Ground

I thought, wow, how are they going to bring this across in a way that isn't shoving things down people's throats? It's presenting information in a way that is creative, but also in a way that drives your curiosity into understanding, number one, why are we in the position that we're in? And number two, how can we fix this? What can we do to change all of this? And so, I initially got involved as an executive producer on Kiss the Ground, and I was blown away by how that film came out at the end. How well rounded it was, the flow of the film, the storytelling, and really feeding me information that I didn't even know previously. And so also watching that become a platform around the world was jaw-dropping. I mean, the fact that the belief and the understanding and the wisdom that came out of that project has touched so many hearts, minds, and souls around the world, that people are really single-handedly almost making change for the better around the world. Now, when Common Ground was presented, I did love that concept because Kiss the Ground had been very much a broad approach and about America, for the majority, really, and Common Ground was a much more...I mean, we're still dealing with the same subject matter obviously, but I think it felt great to come from a more personal aspect." 

Highlights - MARK GOTTLIEB - Vice President & Literary Agent at Trident Media Group

Highlights - MARK GOTTLIEB - Vice President & Literary Agent at Trident Media Group

/

Vice President & Literary Agent at Trident Media Group

There's a lot of apprenticeship in our industry because historically it had to be that way, otherwise what you would have in publishing - there's still a lot of this - is a bunch of English majors trying to make sense of how to run a business, right?Because book publishing or working at a literary agency - a talent agency for authors like I do - is at the crossroads of creative and business. And if you didn't have that kind of apprenticeship, someone to learn from at the company where you work, then we would all just be English majors just trying to feel our way in the dark.

I think that the important thing for people to really know about storytelling is that books are sort of like the oil paintings of the new media. It's a very fine art form, an old art form, and a story exists in everything, whether it's a photograph, a painting, a song, or a movie, it all began with a story. And stories have been here from the dawn of time. They're going to forever be in our existence, but I think people should just always have curious minds and seek out stories and storytelling and try to see the story in everything, not just look at things for face value.

MARK GOTTLIEB - Vice President & Literary Agent at Trident Media Group

MARK GOTTLIEB - Vice President & Literary Agent at Trident Media Group

/

Vice President & Literary Agent at Trident Media Group

There's a lot of apprenticeship in our industry because historically it had to be that way, otherwise what you would have in publishing - there's still a lot of this - is a bunch of English majors trying to make sense of how to run a business, right?Because book publishing or working at a literary agency - a talent agency for authors like I do - is at the crossroads of creative and business. And if you didn't have that kind of apprenticeship, someone to learn from at the company where you work, then we would all just be English majors just trying to feel our way in the dark.

I think that the important thing for people to really know about storytelling is that books are sort of like the oil paintings of the new media. It's a very fine art form, an old art form, and a story exists in everything, whether it's a photograph, a painting, a song, or a movie, it all began with a story. And stories have been here from the dawn of time. They're going to forever be in our existence, but I think people should just always have curious minds and seek out stories and storytelling and try to see the story in everything, not just look at things for face value.

Highlights - JANE ALEXANDER - Tony & Emmy Award-Winning Actress, Conservationist, Author

Highlights - JANE ALEXANDER - Tony & Emmy Award-Winning Actress, Conservationist, Author

/

Tony & Emmy Award-Winning Actress · Conservationist
Chairman of the National Endowment for the Arts 1993-97

I did not seek out these roles like All the President's Men. I know that I was very interested in social and political issues from childhood. I don't know whether there was something in me that translated that I was politically and socially conscious when I was a young actress because these roles came to me. I didn't go out begging for them. And I was so grateful to have them because I thought they had a depth to them.

JANE ALEXANDER- Tony & Emmy Award-Winning Actress, Conservationist, Author

JANE ALEXANDER- Tony & Emmy Award-Winning Actress, Conservationist, Author

/

Tony & Emmy Award-Winning Actress, Conservationist, Author
Chairman of the National Endowment for the Arts 1993-97

I did not seek out these roles like All the President's Men. I know that I was very interested in social and political issues from childhood. I don't know whether there was something in me that translated that I was politically and socially conscious when I was a young actress because these roles came to me. I didn't go out begging for them. And I was so grateful to have them because I thought they had a depth to them.

Highlights - Debra Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

Highlights - Debra Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

/

Showrunner of Netflix’s Ginny & Georgia
Writer · Exec. Producer · Director · Alias · Criminal Minds · The OC · Charmed

I need a balance of light and dark. It can't be just one thing. I want you to be laughing one minute and by the end I want you to be crying. For me, character study is what is the most important. It all comes down to the characters. It's less about action or things like that, which you can have some of that, but it tonally, has to be female-centric and you have to be crying and laughing. There's so many interesting shows that walk that line of light and dark. I want to always live in the gray area with characters. Always. Nothing is ever black or white. It's always a weird gray area.

Debra J. Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

Debra J. Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

/

Showrunner of Netflix’s Ginny & Georgia
Writer · Exec. Producer · Director · Alias · Criminal Minds · The OC · Charmed

I need a balance of light and dark. It can't be just one thing. I want you to be laughing one minute and by the end I want you to be crying. For me, character study is what is the most important. It all comes down to the characters. It's less about action or things like that, which you can have some of that, but it tonally, has to be female-centric and you have to be crying and laughing. There's so many interesting shows that walk that line of light and dark. I want to always live in the gray area with characters. Always. Nothing is ever black or white. It's always a weird gray area.

Highlights - Etgar Keret - Author - Cannes Film Festival Award-winning Director of “Jellyfish”, “The Middleman”

Highlights - Etgar Keret - Author - Cannes Film Festival Award-winning Director of “Jellyfish”, “The Middleman”

/

Cannes Film Festival Award-winning Director
Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years

For me, there is something about art, it's not a monologue, it's a dialogue. Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language.

Etgar Keret - Author - Cannes Film Festival Award-winning Director of “Jellyfish”, “The Middleman”

Etgar Keret - Author - Cannes Film Festival Award-winning Director of “Jellyfish”, “The Middleman”

/

Cannes Film Festival Award-winning Director
Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years

For me, there is something about art, it's not a monologue, it's a dialogue. Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language.

Highlights - Karen McManus - Author of “One of Us is Lying” - Peacock, Netflix

Highlights - Karen McManus - Author of “One of Us is Lying” - Peacock, Netflix

/

NYTimes Bestselling Author of Nothing More to Tell, One of Us is Lying

Well, I had a wonderful teacher in second grade who kind of inspired me to start writing and really stuck with me through elementary school and beyond as I made attempts to find my voice, but think part of the reason it never really went anywhere for me as a young person was because I was too afraid to share that with anyone except for that one teacher. I never showed friends. I didn't even really show family. I just always felt that it wasn't quite good enough. And so the thing I always tell writers now if they ask for, you know, "What's one tip?" It's let someone else tell you no, because I just told myself no for pretty much my entire young adulthood. And once I let other people tell me no, they did a lot, you know, but that is how I got better.

Karen McManus - NYTimes Bestselling Author of “One of Us is Lying” - Peacock, Netflix

Karen McManus - NYTimes Bestselling Author of “One of Us is Lying” - Peacock, Netflix

/

NYTimes Bestselling Author of Nothing More to Tell, One of Us is Lying

Well, I had a wonderful teacher in second grade who kind of inspired me to start writing and really stuck with me through elementary school and beyond as I made attempts to find my voice, but think part of the reason it never really went anywhere for me as a young person was because I was too afraid to share that with anyone except for that one teacher. I never showed friends. I didn't even really show family. I just always felt that it wasn't quite good enough. And so the thing I always tell writers now if they ask for, you know, "What's one tip?" It's let someone else tell you no, because I just told myself no for pretty much my entire young adulthood. And once I let other people tell me no, they did a lot, you know, but that is how I got better.

Highlights - Jack Horner - Renowned Paleontologist - Technical Advisor, Jurassic Park/World Films

Highlights - Jack Horner - Renowned Paleontologist - Technical Advisor, Jurassic Park/World Films

/

Renowned Dinosaur Paleontologist
Technical Advisor on all Jurassic Park / Jurassic World Films

I found my first fossil when I was six years old. And I found my first dinosaur bone when I was eight, my first dinosaur skeleton when I was 13. When I was a kid, I knew I wanted to be a paleontologist, and I didn't think there was much hope for it, though. I was doing very poorly in school. I think I was always a pretty positive kid. And so even though I wasn't doing well in school, I was really happy about the fact that I was finding all these cool fossils, and I was making collections. I don't know when it came to me that I would do this, but I think I just was born this way.

Jack Horner - Renowned Dinosaur Paleontologist - Technical Advisor, Jurassic Park/World Films

Jack Horner - Renowned Dinosaur Paleontologist - Technical Advisor, Jurassic Park/World Films

/

Renowned Dinosaur Paleontologist
Technical Advisor on all Jurassic Park / Jurassic World Films

I found my first fossil when I was six years old. And I found my first dinosaur bone when I was eight, my first dinosaur skeleton when I was 13. When I was a kid, I knew I wanted to be a paleontologist, and I didn't think there was much hope for it, though. I was doing very poorly in school. I think I was always a pretty positive kid. And so even though I wasn't doing well in school, I was really happy about the fact that I was finding all these cool fossils, and I was making collections. I don't know when it came to me that I would do this, but I think I just was born this way.

Highlights - Ken Cheng - Writer/Producer of “Easter Sunday” - Co-Founder - Crab Club, Inc.

Highlights - Ken Cheng - Writer/Producer of “Easter Sunday” - Co-Founder - Crab Club, Inc.

/

Writer & Executive Producer of Easter Sunday starring Jo Koy, Jimmy O’Yang, Tia Carrere, Tiffany Haddish
Co-Founder of Crab Club, Inc.

I think there's this belief that creativity requires our ability to think outward and extrapolate beyond our own experiences and think of the world in imaginative new ways - which is true in a lot of cases - but I also believe in creativity as the ability to access inward and look introspectively at our own personal experiences and mine those experiences in ways that aren't necessarily one to one copies of our lives, but that we can extrapolate themes and lessons, comedy, drama, humor...into new works.

Ken Cheng - Writer/Producer of “Easter Sunday” starring Jo Koy - Co-Founder - Crab Club, Inc.

Ken Cheng - Writer/Producer of “Easter Sunday” starring Jo Koy - Co-Founder - Crab Club, Inc.

/

Writer & Executive Producer of Easter Sunday starring Jo Koy, Jimmy O’Yang, Tia Carrere, Tiffany Haddish
Co-Founder of Crab Club, Inc.

I think there's this belief that creativity requires our ability to think outward and extrapolate beyond our own experiences and think of the world in imaginative new ways - which is true in a lot of cases - but I also believe in creativity as the ability to access inward and look introspectively at our own personal experiences and mine those experiences in ways that aren't necessarily one to one copies of our lives, but that we can extrapolate themes and lessons, comedy, drama, humor...into new works.