Highlights - JANE ALEXANDER - Tony & Emmy Award-Winning Actress, Conservationist, Author

Highlights - JANE ALEXANDER - Tony & Emmy Award-Winning Actress, Conservationist, Author

Tony & Emmy Award-Winning Actress · Conservationist
Chairman of the National Endowment for the Arts 1993-97

I did not seek out these roles like All the President's Men. I know that I was very interested in social and political issues from childhood. I don't know whether there was something in me that translated that I was politically and socially conscious when I was a young actress because these roles came to me. I didn't go out begging for them. And I was so grateful to have them because I thought they had a depth to them.

JANE ALEXANDER- Tony & Emmy Award-Winning Actress, Conservationist, Author

JANE ALEXANDER- Tony & Emmy Award-Winning Actress, Conservationist, Author

Tony & Emmy Award-Winning Actress, Conservationist, Author
Chairman of the National Endowment for the Arts 1993-97

I did not seek out these roles like All the President's Men. I know that I was very interested in social and political issues from childhood. I don't know whether there was something in me that translated that I was politically and socially conscious when I was a young actress because these roles came to me. I didn't go out begging for them. And I was so grateful to have them because I thought they had a depth to them.

Highlights - Claudia Forestieri - Brigitte Muñoz-Liebowitz - “Gordita Chronicles”on HBO Max

Highlights - Claudia Forestieri - Brigitte Muñoz-Liebowitz - “Gordita Chronicles”on HBO Max

Claudia Forestieri (Creator) & Brigitte Muñoz-Liebowitz (Showrunner)
Gordita Chronicles

When you immigrate, it's kind of like you're going through adolescence because you're in a new place. You feel weird in your own skin. You're learning new things. Everything is changing. You feel awkward. So that also helped us connect the adult stories to the children's stories.

Claudia Forestieri - Brigitte Muñoz-Liebowitz (Creator - Showrunner) “Gordita Chronicles”

Claudia Forestieri - Brigitte Muñoz-Liebowitz (Creator - Showrunner) “Gordita Chronicles”

Claudia Forestieri (Creator) & Brigitte Muñoz-Liebowitz (Showrunner)
Gordita Chronicles

When you immigrate, it's kind of like you're going through adolescence because you're in a new place. You feel weird in your own skin. You're learning new things. Everything is changing. You feel awkward. So that also helped us connect the adult stories to the children's stories.

(Highlights) Ellen Rapoport · Creator, Exec. Producer & Showrunner of “Minx” for HBO Max

(Highlights) Ellen Rapoport · Creator, Exec. Producer & Showrunner of “Minx” for HBO Max

Creator, Executive Producer & Showrunner of Minx
starring Ophelia Lovibond & Jake Johnson

What drew me to the time period of the 70s was the real story of these magazines Playgirl, Viva, Foxy Lady, all the magazines that existed in this period. So it was a natural outgrowth of trying to tell a story that was inspired by, to some extent, real-life events. When I started developing Minx, what struck me about the 70s, in particular, is just how similar it was to our time. It seems like the magazines were covering all the same issues that we're now talking about. Obviously, we all saw with the leaked decision in Roe vs. Wade just how close we are to that time period and how far we haven't come.

Ellen Rapoport · Creator, Exec. Producer & Showrunner of “Minx” for HBO Max

Ellen Rapoport · Creator, Exec. Producer & Showrunner of “Minx” for HBO Max

Creator, Executive Producer & Showrunner of Minx
starring Ophelia Lovibond & Jake Johnson

What drew me to the time period of the 70s was the real story of these magazines Playgirl, Viva, Foxy Lady, all the magazines that existed in this period. So it was a natural outgrowth of trying to tell a story that was inspired by, to some extent, real-life events. When I started developing Minx, what struck me about the 70s, in particular, is just how similar it was to our time. It seems like the magazines were covering all the same issues that we're now talking about. Obviously, we all saw with the leaked decision in Roe vs. Wade just how close we are to that time period and how far we haven't come.

(Highlights) DOUGLAS WOLK

(Highlights) DOUGLAS WOLK

Author of NYTimes bestseller All of the Marvels, Eisner Award–winning Reading Comics
Host of the Voice of Latveria podcast

I like the idea that your actions in the world can be motivated by both idealism and realism about how to achieve those ideals. I like the idea that morality is not simple. There is this idea that there are the heroes and there's the villains and you can easily tell who's who, and that's not so true as it used to be in comics and that's meaningful. One thing that is interesting about the Marvel story is there’s basically nobody who's just a bad guy to be a bad guy. Everyone has their reasons. Almost everyone is capable of redemption in some way, even the worst of the worst are capable of tremendous heroism and tremendous idealism and genuinely wanting to heal the world make it a better place.

DOUGLAS WOLK

DOUGLAS WOLK

Author of NYTimes bestseller All of the Marvels, Eisner Award–winning Reading Comics
Host of the Voice of Latveria podcast

I like the idea that your actions in the world can be motivated by both idealism and realism about how to achieve those ideals. I like the idea that morality is not simple. There is this idea that there are the heroes and there's the villains and you can easily tell who's who, and that's not so true as it used to be in comics and that's meaningful. One thing that is interesting about the Marvel story is there’s basically nobody who's just a bad guy to be a bad guy. Everyone has their reasons. Almost everyone is capable of redemption in some way, even the worst of the worst are capable of tremendous heroism and tremendous idealism and genuinely wanting to heal the world make it a better place.

(Highlights) DELIA EPHRON

(Highlights) DELIA EPHRON

Author, Screenwriter and Producer

So the great thing about being a writer is you can take the pain of your life and make something out of it. And you can mix it up with the happier parts and make something even better out of it. I mean, it's kind of all these things end up being gifts when you're older.

DELIA EPHRON

DELIA EPHRON

Author, Screenwriter and Producer

So the great thing about being a writer is you can take the pain of your life and make something out of it. And you can mix it up with the happier parts and make something even better out of it. I mean, it's kind of all these things end up being gifts when you're older.

ANA CASTILLO

ANA CASTILLO

Award-winning Xicana Activist, Editor, Poet, Novelist, Artist
Author of My Book of the Dead
One of the things of the things that is dying is our planet. We hear these sirens every single day. We’re being warned daily by experts and concerned people how vast that squandering is going. It’s a case of urgency and it’s astounding and a very sad, a very pathetic comment on modern life that most people are ignoring those signs. As a poet, it seems to me that one of the tasks that the poet takes on, it’s a vocation that’s born with it, it’s this consciousness, this serving as witness.

CINDY CHUPACK

CINDY CHUPACK

Writer · Producer · Director
Sex and the City, Modern Family, Everybody Loves Raymond, Otherhood

It was a long journey because I think I've been writing television now twenty-five years. I never really had the directing bug. I always loved writing and I like being behind the scenes and, in television, writers have so much control anyway to rise up the ranks and run the show and hire the directors, so I mostly had just great collaborations with directors.

(Highlights) HOWARD RODMAN

(Highlights) HOWARD RODMAN

Howard A. Rodman is a screenwriter, author and educator. His novels include The Great Eastern and Destiny Express. As a screenwriter, Rodman wrote Savage Grace, with Julianne Moore and Eddie Redmayne, nominated for Best Screenplay at the 2009 Spirit Awards, and AUGUST, starring Josh Hartnett and David Bowie. He also wrote Joe Gould’s Secret, the opening night film of the Sundance Film Festival, based on the memoir by iconic New Yorker writer Joseph Mitchell. He is the past president of the Writers Guild of America West; professor of screenwriting at USC's School of Cinematic Arts; a member of the National Film Preservation Board; and an artistic director of the Sundance Screenwriting Labs. 

Howard Rodman · Screenwriter, Author and Educator (Highlights)
The Creative Process Podcast

This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Bret Young. Digital Media Coordinator is Yu Young Lee. “Winter Time” was composed by Nikolas Anadolis and performed by the Athenian Trio.

Mia Funk is an artist, interviewer and founder of The Creative Process & One Planet Podcast (Conversations about Climate Change & Environmental Solutions).

HOWARD RODMAN

HOWARD RODMAN

Howard A. Rodman is a screenwriter, author and educator. His novels include The Great Eastern and Destiny Express. As a screenwriter, Rodman wrote Savage Grace, with Julianne Moore and Eddie Redmayne, nominated for Best Screenplay at the 2009 Spirit Awards, and AUGUST, starring Josh Hartnett and David Bowie. He also wrote Joe Gould’s Secret, the opening night film of the Sundance Film Festival, based on the memoir by iconic New Yorker writer Joseph Mitchell. He is the past president of the Writers Guild of America West; professor of screenwriting at USC's School of Cinematic Arts; a member of the National Film Preservation Board; and an artistic director of the Sundance Screenwriting Labs. 

Howard Rodman · Screenwriter, Author and Educator (1hr27mins)
The Creative Process Podcast

This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Bret Young. Digital Media Coordinator is Yu Young Lee. “Winter Time” was composed by Nikolas Anadolis and performed by the Athenian Trio.

(Highlights) MICHAEL MAREN

(Highlights) MICHAEL MAREN

Michael Maren is a journalist, filmmaker and former aid worker. He’s written scripts for HBO, Sony Pictures, and many independent producers. His film, A Short History of Decay was a funny and moving examination of a writer  Bryan Greenberg visiting his ailing parents, played by Linda Lavin and  Harris Yulin. His forthcoming film is an adaptation of Chris Belden’s novel Shriver. It’s a comedy set at a writers conference and stars Michael Shannon, Kate Hudson, Don Johnson, and Zach Braff.  Maren has taught screenwriting at Wesleyan University, Provincetown Fine Arts Work Center, Taos Summer Writers’ Workshop, and co-directs the Sirenland Writers Conference. He created the film screening/discussion series Under the Influence: Writers on Film.

Michael Maren · Screenwriter, filmmaker, journalist (Highlights)
The Creative Process Podcast

THE CREATIVE PROCESS

I don't know how you like to define yourself, you're a writer, you're a director. You came up as a foreign war correspondent, as a volunteer. It's quite an interesting trajectory, I think, for anyone who might want to become a director. Could you describe how you fell in love with telling stories?

MICHAEL MAREN

When I was in fifth grade. We used to have a little creative writing class, and people would write stories. And I don't know why I did this, but I remember when I was in the class, they started their student stories with–so I woke up in the morning and I went to the... I just thought, I'm nine years old, I just cut to the chase and talked about being in the air with the go-cart rolling over, and the teacher was blown away. In fifth grade, she said, "You're a really good writer." And I never forgot that.

-

So, I'm very, very much a natural journalist in that way. I had a lot of opportunities to get involved in things overseas, whether it was to stay in aid work or to work for, when I got out of graduate school, offers to like join financial institutions and World Bank kind of stuff or investment banking. I have a masters from Columbia, but I took a job for seventeen thousand dollars a year writing for this little magazine about Africa.

And it gave me the opportunity to keep traveling and keep reporting. And I just loved it. I loved it for years and years. And part of my interest in Africa came from watching movies set in Africa as a kid. And I actually tried my hand at writing screenplays during the 1980s a couple of times just by myself and actually trying to option them. I was reporting out of Uganda in the mid-80s when Yoweri Museveni, who's now the president, was still a guerrilla leader fighting against the regime.

And during that time, I was sort of sleeping outside and doing a lot of stuff. I read a copy of Patricia Highsmith's The Talented Mr. Ripley, and I thought, "Wow, this would make a great movie." When I got back to New York, I at one point I called, but I ended up realizing that the rights had been owned for many, many years, and I wasn't about to get the rights to make the screenplay.

My mentor in journalism was it was a guy named Richard Ben Cramer, one of the great journalists of all time. And I met Richard in Africa in the early 1980s. And Richard taught me one thing. He said every five minutes as a journalist, stop and ask yourself, what's the story? What's the story? And the point is, you can walk into any world and kind of get lost in the details. But when you know the story you're trying to tell, you know what the details are and pay attention to them.

This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Katherine Vasiliev. Digital Media Coordinator is Yu Young Lee. “Winter Time” was composed by Nikolas Anadolis* and performed by the Athenian Trio.

Mia Funk is an artist, interviewer and founder of The Creative Process.

 
MICHAEL MAREN

MICHAEL MAREN

Michael Maren is a journalist, filmmaker and former aid worker. He’s written scripts for HBO, Sony Pictures, and many independent producers. His film, A Short History of Decay was a funny and moving examination of a writer  Bryan Greenberg visiting his ailing parents, played by Linda Lavin and  Harris Yulin. His forthcoming film is an adaptation of Chris Belden’s novel Shriver. It’s a comedy set at a writers conference and stars Michael Shannon, Kate Hudson, Don Johnson, and Zach Braff.  Maren has taught screenwriting at Wesleyan University, Provincetown Fine Arts Work Center, Taos Summer Writers’ Workshop, and co-directs the Sirenland Writers Conference. He created the film screening/discussion series Under the Influence: Writers on Film.

Michael Maren · Screenwriter, filmmaker, journalist (1hr25mins)
The Creative Process Podcast

THE CREATIVE PROCESS

I don't know how you like to define yourself, you're a writer, you're a director. You came up as a foreign war correspondent, as a volunteer. It's quite an interesting trajectory, I think, for anyone who might want to become a director. Could you describe how you fell in love with telling stories?

MICHAEL MAREN

When I was in fifth grade. We used to have a little creative writing class, and people would write stories. And I don't know why I did this, but I remember when I was in the class, they started their student stories with–so I woke up in the morning and I went to the... I just thought, I'm nine years old, I just cut to the chase and talked about being in the air with the go-cart rolling over, and the teacher was blown away. In fifth grade, she said, "You're a really good writer." And I never forgot that.

-

So, I'm very, very much a natural journalist in that way. I had a lot of opportunities to get involved in things overseas, whether it was to stay in aid work or to work for, when I got out of graduate school, offers to like join financial institutions and World Bank kind of stuff or investment banking. I have a masters from Columbia, but I took a job for seventeen thousand dollars a year writing for this little magazine about Africa.

And it gave me the opportunity to keep traveling and keep reporting. And I just loved it. I loved it for years and years. And part of my interest in Africa came from watching movies set in Africa as a kid. And I actually tried my hand at writing screenplays during the 1980s a couple of times just by myself and actually trying to option them. I was reporting out of Uganda in the mid-80s when Yoweri Museveni, who's now the president, was still a guerrilla leader fighting against the regime.

And during that time, I was sort of sleeping outside and doing a lot of stuff. I read a copy of Patricia Highsmith's The Talented Mr. Ripley, and I thought, "Wow, this would make a great movie." When I got back to New York, I at one point I called, but I ended up realizing that the rights had been owned for many, many years, and I wasn't about to get the rights to make the screenplay.

My mentor in journalism was it was a guy named Richard Ben Cramer, one of the great journalists of all time. And I met Richard in Africa in the early 1980s. And Richard taught me one thing. He said every five minutes as a journalist, stop and ask yourself, what's the story? What's the story? And the point is, you can walk into any world and kind of get lost in the details. But when you know the story you're trying to tell, you know what the details are and pay attention to them.

This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Katherine Vasiliev. Digital Media Coordinator is Yu Young Lee. “Winter Time” was composed by Nikolas Anadolis* and performed by the Athenian Trio.

Mia Funk is an artist, interviewer and founder of The Creative Process.