FABRIZIO MANCINELLI - Composer, Songwriter, Conductor

FABRIZIO MANCINELLI - Composer, Songwriter, Conductor

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Composer · Songwriter · Conductor
The Land of Dreams ·The Snow Queen 3 · The Boat · Food 2050 · Green Book

I'm always trying to find my place here because, yes, I'm American. I'm an immigrant. I don't want to talk about the difficulties I face in my coming here, but it was not easy. So when I was writing the song called “Give Up”, and it's like a song that I'm singing to myself. Those are things, like there is a lot of personal experience. I was a luxury immigrant on a Fulbright grant on a J-1 Sponsor Visa, you know, with a solid family I could go back to in Italy in case anything went wrong. But at the same time, it was not easy. I want to do my job with a smile on my face, and it brought me to write the lyrics like: 'It's my turn. My time is now.' It's like something that I'm trying, we all try to get our turn to be our moment, to shine our moment. We're all waiting. We don't know if it will happen, but we need to try at least. We need to grab our life with our hands and make it work one way or another. So that's what I mean in my song “Orlando Dreams.”

(Highlights) PETER WELLER

(Highlights) PETER WELLER

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Peter Weller is a renowned theater and Hollywood actor. His performance in films such as Robocop and Naked Lunch garnering him much critical and commercial success over the years. Unbeknownst to most, Weller has spent much of his time over the decades, honing his appreciation for the visual and musical arts through his studies of the Renaissance era. Earning a Masters in  Roman architecture from Syracuse University before moving onto a PHD in Renaissance art from UCLA, Weller has even penned numerous academic papers covering the era’s influence on modern art. Recently, Weller has even returned to the setting of RoboCop in Detroit, Michigan to deliver a lecture on “The Crisis in Beauty”. Peter has also contributed an essay to a music anthology The Creative Process has co-curated for Routledge Press. Weller’s essay details his memories of the late Miles Davis, who was both a friend and an inspiration.

Peter Weller · Actor, Art Historian, and Director (Highlights)
The Creative Process Podcast
PETER WELLER

PETER WELLER

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Peter Weller is a renowned theater and Hollywood actor. His performance in films such as Robocop and Naked Lunch garnering him much critical and commercial success over the years. Unbeknownst to most, Weller has spent much of his time over the decades, honing his appreciation for the visual and musical arts through his studies of the Renaissance era. Earning a Masters in  Roman architecture from Syracuse University before moving onto a PHD in Renaissance art from UCLA, Weller has even penned numerous academic papers covering the era’s influence on modern art. Recently, Weller has even returned to the setting of RoboCop in Detroit, Michigan to deliver a lecture on “The Crisis in Beauty”. Peter has also contributed an essay to a music anthology The Creative Process has co-curated for Routledge Press. Weller’s essay details his memories of the late Miles Davis, who was both a friend and an inspiration.

Peter Weller · Actor, Art Historian & Director (1hr18min)
The Creative Process Podcast

Photo by Steve Granitz - © WireImage.com

In Memory of TONY WALTON · 1934-2022 (Part 2)

In Memory of TONY WALTON · 1934-2022 (Part 2)

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Art and Theater Director, Costume Designer

Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator.

In Memory of TONY WALTON · 1934-2022 (Part 1)

In Memory of TONY WALTON · 1934-2022 (Part 1)

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Art and Theater Director, Costume Designer

Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator.

(Highlights) MORGAN NEVILLE

(Highlights) MORGAN NEVILLE

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Documentary Filmmaker

I think it's interesting because I feel like in scripted films people are trying to infuse a spontaneity and a reality and a being in the moment into something that's very artificial. And I feel a lot of what we do as documentarians is try and impose a structure or a form on something that is utterly real and alive and in the moment and uncategorizable in many ways. So, we're kind of the opposite, coming from opposite ends of the same goal, which is to kind of create something that is or feels authentic to a certain truth, an emotional truth, or a literal truth.

MORGAN NEVILLE

MORGAN NEVILLE

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Documentary Filmmaker

I think it's interesting because I feel like in scripted films people are trying to infuse a spontaneity and a reality and a being in the moment into something that's very artificial. And I feel a lot of what we do as documentarians is try and impose a structure or a form on something that is utterly real and alive and in the moment and uncategorizable in many ways. So, we're kind of the opposite, coming from opposite ends of the same goal, which is to kind of create something that is or feels authentic to a certain truth, an emotional truth, or a literal truth.