Alison Clancy

Alison Clancy

Art helps me love people. Everyone looks beautiful when they are dancing. The process of creating art invites one to explore themselves, their values, instincts, and aesthetics and develop sensitivity as to how we interact with the world around us. Viewing art invites audiences to be curious about other perspectives. Through art, we can better understand how and why people do what they do. It develops our sensitivity to subtext and context. Art enhances empathy for ourselves and each other.

Silvia Poloto

Silvia Poloto

The Creative Process resonates with me because it aligns with the values of preserving and celebrating the richness of human creativity and culture. By exploring the arts and humanities, we can foster deeper connections between people and communities, encouraging shared experiences and dialogue across cultures and generations.

3 poems
Figures In Spaces #21

Figures In Spaces #21

S.A. Aguillón-Mata is a Mexican-American author and artist inspired by tradition, circumstance, and whim. He has published the fiction and prose volumes Quién escribe (Paisajista) (IZC, 2004), Tratado (De una zona privada) (Pictographia, 2014), and Envés (UANL, 2016). His work also features in numerous anthologies, compilations, and literary magazines, both printed and web-based, in Mexico and the USA. He has both curated and participated in contemporary art shows in Cincinnati, OH, where he resides.

Rachelmauricio Castro

Rachelmauricio Castro

The arts are fundamental to humanity’s existence and survival on the planet because, in addition to showcasing creations and teaching techniques on how to create, they broaden human perception and thought. Through techniques and methods of thought, one can better perceive the directions of the world and gain an idea of ​​how to act or anticipate situations with previous experiences from other ancient but similar eras. One can also increasingly explore the techniques of effects and technology, which are increasingly present in the arts and in humanity’s daily life.

 Book Two: CHORUS as Elegy for the Lost Daugher
The nature of love, the love of nature

The nature of love, the love of nature

In my reality, Nature is the purest expression of God (not in a religious way). As we are an integral part of Nature, it acts as a mirror to our inner world, revealing at every moment its profound intelligence, beauty, and infinite mystery. Nature teaches us how to dance with life, embrace uncertainty, and move gracefully within the chaos of change.

Carl Scharwath
Maria Louceiro
Earth, Sky & Water

Earth, Sky & Water

The arts and The Creative Process are important because they allow us to connect. Art is a byproduct of the artist connecting with something bigger than themselves. In my case, I connect with nature, and the outcome is a painting. If the connection is complete, then the resulting picture contains a record of that, and a discerning viewer will perceive that and make yet another connection, completing the cycle. Art is a shared energy, and the artist is a conduit.

Glowing Stellium

Glowing Stellium

In light of our world's exponential growth through AI and technology in general, the arts and humanities have never been more critical to our continued growth as a species. Without the arts and humanities to bring us into stillness and contemplation, we would be left with purely materialistic, physicalist views and miss out on the truth of our oneness.

Title: Boy and violin
Olga Rokhmanyuk

Olga Rokhmanyuk

On a physical level, we have the ability to influence only as long as we are alive.
We are alive as long as we are in an environment that can support our life.
By destroying the environment, which is a necessary condition for our existence, we deprive ourselves of the ability to influence.

The Passion and The Restraint

The Passion and The Restraint

My work is driven by spontaneity and intuition and I have to restrain myself sometimes from throwing everything at the painting. However, I also like to paint purely for the act of painting, and the tension I feel between the two is where I need to find the right balance, hence the name of this painting.

The Crossing
HIS HOLINESS THE EMPEROR

HIS HOLINESS THE EMPEROR

Setting and historical note: The following story takes place in 1st century Rome, during the reign of Gaius Julius Caesar, colloquially known as Caligula. The year is approximately 38 CE.
SCENE I.
NARRATOR: With a swift, anxious tread, comely Drusilla proceeded through the lavish halls and chambers of the new mansion on Palatine Hill. Under other circumstances, she might have been waylaid by any one of the two-score retainers that her brother the emperor routinely kept on hand. Most everyone knew that Gaius Caesar’s second sister was by far the gentlest member of the imperial family. Her sweet and indulgent smile drew petitioners like moths to a flame. But that morning she strode more quickly and frowned more deeply than usual. Even Agrippinilla, with all her quiet authority, struggled a moment to secure the girl’s undivided attention.

Untitled, London

Untitled, London

I am drawn to The Creative Process because it resonates with my belief that art is both personal expression and an evolving conversation. I believe that images are not merely representations, but catalysts for introspection, provoking reflection and challenging perception. This project feels like a natural extension of that pursuit: an opportunity to share my vision with others who, like me, value the subtleties of individual perception over the noise of passing trends. It might also be interesting to consider how different perspectives shape the narrative of the human experience.

The Child With the Big Face

The Child With the Big Face

It turned out that she was a relative, a cousin of her reclusive uncle, an intellectual, obsessed with books, whom the Nazis had deported him to a concentration camp. A man of honour, he had been made the heir of his Jewish publisher when the latter’s firm had been ‘Aryanized’, but had neglected to reinstate the owner afterwards. This part of the legend surrounding the company had passed into oblivion however, leaving only his own tale of hardship.

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Small Deaths

Small Deaths

Since I’m demanding honesty from racists, I must confess that part of my Marechera question was projection. I’ve been selfish. I’ve been more grateful for the personal fury of changes that the Fallists churned up and mirrored inside me than for the actual movement itself. Even if I was as presumptuous as Brenda Marechera in her political metaphor, I don’t know if I’d call my leaving Joburg for Cape Town a personal exile. The only other way I can explain it is as a form of masochism.

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Dusty Edge of Insanity

Dusty Edge of Insanity

The light in the window must give you a courage,
lights are not faded away yet, children shine in streets,
the Western wind will color them gold, every mother
feels her child as the rays feel the way out of darkness,
mother’s voice echoes in the dark: Where are you, Lord?
Where is my son? Where is my daughter? Where is their kingdom?!