Gloria Pacis - Artist

Gloria Pacis - Artist

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Artist

I just feel there is already a connection, something I have to come to, but that I'm trying to search it out or see what's already there. I feel that we are truly connected as a world. And I'm just trying to make people aware of an existing connection we already have, to send that message out there. And I like to do it in the form of...I guess you'd call it a mundane image, where it's not really about bells and whistles, but it's about something in it makes you want to look, and you want to know why. And it's because you've been there before, regardless of whether you are a dancer or that particular guy in the subway, you know you've been in his head in that mood that he's experiencing.

Petra Cortright · Digital Artist

Petra Cortright · Digital Artist

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Artist

I think to pursue mystery and beauty, these things are a bit subjective, so you can't really tell people exactly what it shouldn't be about. And also I have to preserve these things for myself. I primarily make the work for myself, so if I don't have some questions that are unanswered, even for me, then there's not really an interest to like keep going otherwise. So it's also sort of protection and a preservation mindset that I have about leaving things really open for other people and for myself.

Anthony Gardner · Prof. Contemporary Art History, Oxford · Fmr. Head, Ruskin School of Art

Anthony Gardner · Prof. Contemporary Art History, Oxford · Fmr. Head, Ruskin School of Art

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Professor of Contemporary Art History, University of Oxford
Fmr. Head, Ruskin School of Art · Co-author of Biennials, Triennials and documenta: The Exhibitions That Created Contemporary Art

I think art can engage with the body, the mind, and the imagination in so many different ways that can compliment modes of thinking, other modes of creating and thinking through and working through and devising.
I was thinking about this in relation to the last 18 months and how the sciences have rightly been heralded as the great way of getting ourselves out of this pandemic, but culture is the way and art is the way that we've been getting through the pandemic.

Ami Vitale · Award-winning Photographer, Filmmaker & Exec. Director of Vital Impacts

Ami Vitale · Award-winning Photographer, Filmmaker & Exec. Director of Vital Impacts

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Award-Winning Photographer & Filmmaker
Executive Director of Vital Impacts

When are we all going to start to care about one another? Because all of our individual choices do have impacts. And I just think the demands that we place on this planet, on the ecosystems, are what are driving conflict and human suffering. In some cases, it's really the scarcity of resources, just like water. In others, it's the changing climate and the loss of fertile lands to be able to grow food. But in the end, it's always the people living in these places that really suffer the most. All of my work today, it’s not really about wildlife, and it's not just about people either. It's about how deeply interconnected all of those things are. People and the human condition are the backdrop of every one of the stories on this planet.

IAIN McGILCHRIST

IAIN McGILCHRIST

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Author of The Matter with Things · The Master and his Emissary: The Divided Brain and the Making of the Western World Psychiatrist, Neuroscience Researcher, Philosopher & Literary Scholar

The heart also reports to the brain and receives from the brain. So our bodies are in dialogue with the brain. And we don't really know where consciousness is, we sort of imagine it's somewhere in the head. We have no real reason to suppose that it's just we identify it with our sight and we, therefore, think it must be somewhere up there behind the eyes, but it's something that takes in the whole of us and to which the whole of us contributes.

JOHN POWERS

JOHN POWERS

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Sculptor

The figure in my work is me. The figure in my work is you. It's me placing objects. It’s me putting things together. It’s you standing near it. It’s you in proximity moving back and forth, moving around it. It’s us. One of the reasons I make the things I do the way I make them is because I can't imagine them. I make things that I couldn't draw or even think about clearly. I can only look at them. I enjoy the complexity that I make because I'm striving to see it.

(Highlights) AZBY BROWN

(Highlights) AZBY BROWN

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Author of Just Enough · Small Spaces · Lead Researcher for Safecast
Authority on Japanese Architecture, Design & Environmentalism

In Edo Japan, basically life was pretty good, and they recycled everything. Everything was reused, upcycled. Waste was considered taboo. A person who was wasting was considered an ugly person. So there’s a lot that we could talk about design, the layout, scale. Buildings were rarely taller than two storeys. Very good use of environmental features, microclimates, use of wind for cooling, passive solar heating. Good use of planting, gardens, etc. But regarding cities of the future, I think the main thing is it needs to be a place where people feel like they belong and want to take responsibility.


In Memory of TONY WALTON · 1934-2022 (Part 1)

In Memory of TONY WALTON · 1934-2022 (Part 1)

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Art and Theater Director, Costume Designer

Creativity is perhaps the ultimate mystery. I veer wildly between opposing views on it and have different feelings depending on whether the creator is isolated or a collaborator.

DOUGLAS WOLK

DOUGLAS WOLK

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Author of NYTimes bestseller All of the Marvels, Eisner Award–winning Reading Comics
Host of the Voice of Latveria podcast

I like the idea that your actions in the world can be motivated by both idealism and realism about how to achieve those ideals. I like the idea that morality is not simple. There is this idea that there are the heroes and there's the villains and you can easily tell who's who, and that's not so true as it used to be in comics and that's meaningful. One thing that is interesting about the Marvel story is there’s basically nobody who's just a bad guy to be a bad guy. Everyone has their reasons. Almost everyone is capable of redemption in some way, even the worst of the worst are capable of tremendous heroism and tremendous idealism and genuinely wanting to heal the world make it a better place.

ETINOSA YVONNE

ETINOSA YVONNE

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Photographer & Videographer
Winner of the World Press Photo 6*6 Global talent in Africa 2020

I’m not just taking beautiful pictures. I’m collecting their voices, collecting their movement, collecting different aspects, and preserving this moment because they will not always be here. I don’t just see myself as a photographer, an artist. I also see myself as an archiver. Someone who is archiving as a researcher.

CLAUDIA BUENO

CLAUDIA BUENO

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Artist in Light, Sculpture & Sound

Nature is my home because. It doesn't matter where I am. It’s available and it's there and it's always giving me the same sort of nourishment. All of us have had to develop a sense of home elsewhere. With me in particular, I've been traveling and living in different countries for the last 20 years since I was 22, so it's not even that I've had a geographical place that is my new home because I've moved around every four years. I'm in a new place a new community and new friends, so nature is my home.

IAN BURUMA

IAN BURUMA

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Ian Buruma is the author of many books, including A Tokyo Romance, The Churchill Complex,Their Promised Land, Year Zero, The China Lover, Murder in Amsterdam, Occidentalism and God’s Dust. He teaches at Bard College and is a columnist for Project Syndicate and contributor to The New Yorker, The New York Times, and other publications. He was awarded the 2008 Erasmus Prize for making "an especially important contribution to European culture" and was voted one of the Top 100 Public Intellectuals
by the Foreign Policy magazine.

Ian Buruma · Public Intellectual & Erasmus Prize-Winning Author of A Tokyo Romance, The Churchill...
The Creative Process Podcast · Arts, Culture & Society

This interview was conducted by Mia Funk & Lexi Kayser with the participation of collaborating universities and students. Digital Media Coordinator is Phoebe Brous.

Mia Funk is an artist, interviewer and founder of The Creative Process & One Planet Podcast (Conversations about Climate Change & Environmental Solutions).

MARY EDNA FRASER & ORRIN H. PILKEY (Copy)
ANA CASTILLO

ANA CASTILLO

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Award-winning Xicana Activist, Editor, Poet, Novelist, Artist
Author of My Book of the Dead
One of the things of the things that is dying is our planet. We hear these sirens every single day. We’re being warned daily by experts and concerned people how vast that squandering is going. It’s a case of urgency and it’s astounding and a very sad, a very pathetic comment on modern life that most people are ignoring those signs. As a poet, it seems to me that one of the tasks that the poet takes on, it’s a vocation that’s born with it, it’s this consciousness, this serving as witness.