What are we willing to give up to find meaning & a sense of belonging? - TARA ISABELLA BURTON

What are we willing to give up to find meaning & a sense of belonging? - TARA ISABELLA BURTON

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Author of Here in Avalon · Social Creature
Strange Rites: New Religions for a Godless World 
Self-Made: Curating Our Image from Da Vinci to the Kardashians
So this idea that we can present ourselves as works of art, that we can create ourselves has always had a particular sort of aristocratic coding, historically associated with monarchs, who create their public image and their public persona, including through fashion. Today, if we don't self-promote, self-create, and self-brand, will we find the right partner? Get into the right college? Even secure the best job?

RUPERT SHELDRAKE - Biologist & Author of The Science Delusion, The Presence of the Past

RUPERT SHELDRAKE - Biologist & Author of The Science Delusion, The Presence of the Past

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Biologist · Author
The Science Delusion · The Presence of the Past · Ways to Go Beyond and Why They Work.

The idea that the laws of nature are fixed is taken for granted by almost all scientists and within physics, within cosmology, it leads to an enormous realm of speculation, which I think is totally unnecessary. We're assuming the laws of nature are fixed. Most of science assumes this, but is it really so in an evolving universe? Why shouldn't the laws evolve? And if we think about that, then we realize that actually, the whole idea of a law of nature is a metaphor. It's based on human laws. I mean, after all, dogs and cats don't obey laws. And in tribes, they don't even have laws. They have customs. So it's only in civilized societies that you have laws.

And then if we think through that metaphor, then actually the laws do change.

All artists are influenced by other artists and by things in the collective culture, and I think that morphic resonance as collective memory would say that all of us draw unconsciously as well as consciously on a collective memory and all animals draw on a collective memory of their kind as well. We don't know where it comes from, but there's true creativity involved in evolution, both human and natural.

FLORIAN HOFFMEISTER - Cinematographer - True Detective: Night Country starring Jodie Foster & Kali Reis

FLORIAN HOFFMEISTER - Cinematographer - True Detective: Night Country starring Jodie Foster & Kali Reis

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Academy Award-nominated Cinematographer
HBO’s True Detective: Night Country starring Jodie Foster · Kali Reis · Fiona Shaw

I drove for like a half an hour into absolute nothingness, and I left the car. It was three o'clock in the morning. It was minus 17 degrees and it was absolutely still. I've never experienced stillness such as that. I mean, it's like you feel like you can feel your atoms move or not move because it's so cold. And the sky is full of the Northern Lights. So you are already in a remote place, but you want to go further. And I think maybe those themes of going out into the wilderness are motivated by the urge to connect. And I think Issa López has really incorporated it beautifully into the script. And the show tells of this great disconnect between people. So not only are we disconnected from our environment, but we are disconnected from each other.

ANDREW KLAVAN - Edgar Award-winning Author of The House of Love and Death - True Crime - Don’t Say a Word

ANDREW KLAVAN - Edgar Award-winning Author of The House of Love and Death - True Crime - Don’t Say a Word

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Edgar Award-winning Author of The House of Love and Death
True Crime dir. Clint Eastwood · Don’t Say a Word starring Michael Douglas
Journalist & Podcast Host

I think that the modern sensibility and certainly the post-modern sensibility tells us that everything is self-referential. That if we have a certain feeling, it's because of our chemistry, it's because of our sexuality or urges that come within ourselves. But the older way of thinking is that we're in a relationship with a world that actually is reflected in our mind. And I think that that older sensibility is probably closer to the truth. It explains a lot more. It makes a lot more sense of things.

So every writer knows this, that he's not actually drawing so much from himself as some kind of literal inspiration, some kind of breathing into him that connects him, his own experiences, his childhood experiences, life experiences, his mental experiences with something that is very real outside him. And what he's trying to do in art, I think, is communicate that experience to other people in the only way possible. You can't describe it, you can't put adjectives into it. You have to dramatize it or paint a picture of it or write a song about it. That's the way human beings communicate the experience of being human.

SHEHAN KARUNATILAKA - Booker Prize-winning Author of The Seven Moons of Maali Almeida

SHEHAN KARUNATILAKA - Booker Prize-winning Author of The Seven Moons of Maali Almeida

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Booker Prize-winning Author
The Seven Moons of Maali Almeida
Chinaman: The Legend of Pradeep Mathew

So this was the decision to write in the second person. A lot of people ask me: why? There are not many examples of this technique. The reason I opted for that is I was trying to figure out interviewing a ghost. And one of the challenges was: what does a disembodied voice sound like? The narrator's body has been chopped up and chucked in a lake. So, I figured that if anything survives the death of your body, it's perhaps the voice in your head. The voice in my head is in the second person. I don't know about your head or anyone else's head, but in mine, it's the second person. 

MARCIA DeSANCTIS - Author of “A Hard Place to Leave: Stories from a Restless Life"

MARCIA DeSANCTIS - Author of “A Hard Place to Leave: Stories from a Restless Life"

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Journalist, Essayist, Author of A Hard Place to Leave: Stories from a Restless Life
100 Places in France Every Woman Should Go

I started looking over the stories that I had done. I would say the majority of the essays were not really about travel. They were more about aging and marriage and memory and all of those things, but I did find in the travel essays those kernels of things that I wanted to explore - bigger kernels of things that were sort of scratching at me from the inside like a piece of sand in my pocket that was irritating me and that I wanted to explore. What I found was that the theme of coming and going, the theme of arrivals and departures, the theme of entrances and exits, and the theme of home and away seemed to repeat itself. I felt that whenever I was somewhere, there was always a tide home. And when I was home, there was always the urge for going. And so I just weeded out and weeded out and really wanted to keep this theme of home and away.

BROCK BASTIAN - Author of The Other Side of Happiness: Embracing a More Fearless Approach to Living

BROCK BASTIAN - Author of The Other Side of Happiness: Embracing a More Fearless Approach to Living

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Author of The Other Side of Happiness: Embracing a More Fearless Approach to Living
Professor at University of Melbourne’s School of Psychological Sciences

In today's world, feeling happy is no longer simply a state of mind. It's become a marker of mental health and success. On the flip side, pain and sadness are viewed as signals of failure and sickness. If we're not happy, then there is something wrong with us, and we need to fix it. It is no wonder that the painkiller and antidepressant markets, already worth billions of dollars, continue their rapid expansion. We've come to treat even commonplace experiences of pain and sadness as pathological, as things that need to be medicated and eradicated.

Debra J. Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

Debra J. Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

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Showrunner of Netflix’s Ginny & Georgia
Writer · Exec. Producer · Director · Alias · Criminal Minds · The OC · Charmed

I need a balance of light and dark. It can't be just one thing. I want you to be laughing one minute and by the end I want you to be crying. For me, character study is what is the most important. It all comes down to the characters. It's less about action or things like that, which you can have some of that, but it tonally, has to be female-centric and you have to be crying and laughing. There's so many interesting shows that walk that line of light and dark. I want to always live in the gray area with characters. Always. Nothing is ever black or white. It's always a weird gray area.

Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “Suddenly a Knock on the Door”

Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “Suddenly a Knock on the Door”

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Cannes Film Festival Award-winning Director
Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years

For me, there is something about art, it's not a monologue, it's a dialogue. Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language.

Johnjoe McFadden - Author of “Life is Simple: How Occam’s Razor Set Science Free and Shapes the Universe”

Johnjoe McFadden - Author of “Life is Simple: How Occam’s Razor Set Science Free and Shapes the Universe”

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Author of Life is Simple: How Occam’s Razor Set Science Free and Shapes the Universe
Co-author of Life on the Edge: The Coming of Age of Quantum Biology
Professor of Molecular Genetics & Assoc. Dean (Int’l) · University of Surrey

I think that's what art is all about is communicating these big, complex objects, which are ideas inside our head, but in a non-dissected way in which the object isn't completely dissected, or it's dissected in such a way it can be reassembled in somebody else's mind. So you get a full experience of what the artist had or as close as he or she can make it. So I think that to me is what art does. It's a way of communicating these wonderful ideas and feelings that we have inside our heads. And they're trapped there, and art allows you - by playing music or painting, or writing poetry... - it allows you to communicate this in this holistic kind of way.

Vitaliy Katsenelson - Author of “Soul in the Game: The Art of a Meaningful Life” - CEO of IMA

Vitaliy Katsenelson - Author of “Soul in the Game: The Art of a Meaningful Life” - CEO of IMA

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Author of Soul in the Game: The Art of a Meaningful Life
CEO of IMA - Investment Management Associates

There are four modes of communicating: preacher, prosecutor, politician, and scientist. So those three Ps are very important modes, but if you spend all your time in these modes, you will learn very little because all of them are kind of outward-looking modes. You're trying to convince others, and you don't learn very much when you're in those modes. Now, I would argue that most of us need to spend a good chunk of our time in a scientist mode. If you are in a scientist mode, then you are doing what Seneca said, "time discovers truth.

Bruce Mau - Award-winning Designer, Author of “Mau MC24…24 Principles for Designing Massive Change”

Bruce Mau - Award-winning Designer, Author of “Mau MC24…24 Principles for Designing Massive Change”

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Award-winning Designer, Artist & Educator
Co-founder & CEO of Massive Change Network
Author/Co-author of Mau MC24 · The Nexus · S, M, L, XL

I would like them to know just how powerful they are, that they have the power to shape the world. At some point, I realized that the world is produced. The world is designed and produced, and since we designed and produced it, we can redesign it. And you can play a part in designing it. You can play a part in that production. It doesn't have to happen to you. And I think, for too many people, too much power and too much control is concentrated in too few hands. People need to have the power to control and design their own life.

Marcia DeSanctis - Author of “A Hard Place to Leave: Stories from a Restless Life"

Marcia DeSanctis - Author of “A Hard Place to Leave: Stories from a Restless Life"

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Journalist, Essayist, Author of A Hard Place to Leave: Stories from a Restless Life
100 Places in France Every Woman Should Go

I started looking over the stories that I had done. I would say the majority of the essays were not really about travel. They were more about aging and marriage and memory and all of those things, but I did find in the travel essays those kernels of things that I wanted to explore - bigger kernels of things that were sort of scratching at me from the inside like a piece of sand in my pocket that was irritating me and that I wanted to explore. What I found was that the theme of coming and going, the theme of arrivals and departures, the theme of entrances and exits, and the theme of home and away seemed to repeat itself. I felt that whenever I was somewhere, there was always a tide home. And when I was home, there was always the urge for going. And so I just weeded out and weeded out and really wanted to keep this theme of home and away.

William Irvine - Author of “The Stoic Challenge”, “A Guide to the Good Life”

William Irvine - Author of “The Stoic Challenge”, “A Guide to the Good Life”

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Author of The Stoic Challenge & A Guide to the Good Life: The Ancient Art of Stoic Joy

Happiness is another interesting thing. I've been thinking about this lately. You know, people take aim at happiness. I don't know if you can actually do that, if you can have a recipe for attaining happiness. Happiness is something that just happens as a byproduct of something else going on in your life, and that is having a day where you're experiencing equanimity. You don't have this abundance of negative emotions, where you value the things you've already got, where you value the relationships you've got, where you feel good inside your own body. You like being who you are. And I think, if all that happens, then suddenly, you know, it'll dawn on me. 'Gosh, I guess I'm happy...'

Donald Hoffman - Prof. of Cognitive Sciences, UC Irvine - Author of “The case against reality”

Donald Hoffman - Prof. of Cognitive Sciences, UC Irvine - Author of “The case against reality”

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Professor of Cognitive Sciences, UC Irvine
Author of The case against reality: Why evolution hid the truth from our eyes

This is really what life, I think, is about - learning to not believe your thoughts. Watch your thoughts, see their patterns and learn that you are not at the whim and beck and call of your thoughts. You can watch your thoughts, and you can choose to let go of thoughts and just be present and let go of the complaints. And that then opens up a level of creativity that's surprising. It could be in dance, science, it could be in music, or art. Wherever you have creative expression, letting go of thought and having this balance between thinking and no thinking, going into complete silence and then pulling ideas back for your art, your science, your dance, whatever it might be, is really the dance of life.

Ami Vitale · Award-winning Photographer, Filmmaker & Exec. Director of Vital Impacts

Ami Vitale · Award-winning Photographer, Filmmaker & Exec. Director of Vital Impacts

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Award-Winning Photographer & Filmmaker
Executive Director of Vital Impacts

When are we all going to start to care about one another? Because all of our individual choices do have impacts. And I just think the demands that we place on this planet, on the ecosystems, are what are driving conflict and human suffering. In some cases, it's really the scarcity of resources, just like water. In others, it's the changing climate and the loss of fertile lands to be able to grow food. But in the end, it's always the people living in these places that really suffer the most. All of my work today, it’s not really about wildlife, and it's not just about people either. It's about how deeply interconnected all of those things are. People and the human condition are the backdrop of every one of the stories on this planet.

JOHN POWERS

JOHN POWERS

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Sculptor

The figure in my work is me. The figure in my work is you. It's me placing objects. It’s me putting things together. It’s you standing near it. It’s you in proximity moving back and forth, moving around it. It’s us. One of the reasons I make the things I do the way I make them is because I can't imagine them. I make things that I couldn't draw or even think about clearly. I can only look at them. I enjoy the complexity that I make because I'm striving to see it.

MASTER SHI HENG YI

MASTER SHI HENG YI

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35th Generation of Shaolin Masters
Headmaster of the Shaolin Temple Europe

Just getting to know what is Buddhism, which is the foundation of every monastery. The Shaolin Temple is in the core, first of all, it’s a Buddhist monastery and when you are starting to read about Buddhism, one of the key sentences, in the beginning, is: With your thoughts, you are creating the world…So it’s very rarely clearly stated that it is the thoughts that are creating the world. Nevertheless, if you are now looking at the practices that the Shaolin Temple offers, that is quite physical. There is a lot of physicality in there, so you might think but why are you saying with thoughts you create the world, but you have so many different physical activities. It is because if you want to have mental freedom. If you want to approach freedom, you cannot just approach freedom by doing things or trying to chase freedom. The freedom that we are looking for is the type of freedom that is derived and that is very closely related to its counterpart, which is very hard restriction or very hard structure. So if you want to experience what freedom is, look at the restrictions of your life.

DR. EBEN ALEXANDER

DR. EBEN ALEXANDER

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Neurosurgeon
Author of NYTimes #1 Bestseller Proof of Heaven, Seeking Heaven, The Map of Heaven & Living in a Mindful Universe.

Take care of yourself. Bring that love and kindness and compassion into your dealings with self and others. And this world will change dramatically. I think you’ll find great reason for optimism and hope and viewing the way our world can go, but it absolutely involves a change from the status quo from our current direction.

JESSA REED

JESSA REED

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Comedian & Host of Awakening Orientation Dept. & Soberish

That’s just always been something that’s been inspiring to me which is helping people from the wrong side of the tracks, the misunderstood, the addicted, helping people step into their power and believe in themselves.