Novelist · Short Story Writer
What I have done in my career is just try to assess who we are, what we are, why we are here, and how come we, as animals, are able to walk around and wear pants and dresses and talk on the internet, while the other animals are not. It's been my obsession since I was young. I think if I hadn't become a novelist, I might have been happy to be a naturalist or a field biologist.
Ian Buruma is the author of many books, including A Tokyo Romance, The Churchill Complex,Their Promised Land, Year Zero, The China Lover, Murder in Amsterdam, Occidentalism and God’s Dust. He teaches at Bard College and is a columnist for Project Syndicate and contributor to The New Yorker, The New York Times, and other publications. He was awarded the 2008 Erasmus Prize for making "an especially important contribution to European culture" and was voted one of the Top 100 Public Intellectuals
by the Foreign Policy magazine.
This interview was conducted by Mia Funk & Lexi Kayser with the participation of collaborating universities and students. Digital Media Coordinator is Phoebe Brous.
Mia Funk is an artist, interviewer and founder of The Creative Process & One Planet Podcast (Conversations about Climate Change & Environmental Solutions).
Pianist, Musicologist & Concert Curator for Contemporary Music · Onassis Cultural Centre, Athens
As a child, music felt very natural for me. I didn’t feel I needed to put any effort into learning the piano. I wanted to find all the musical information that was there. What was the purpose of studying the piano? Suddenly the whole thing became so creative. I felt that the sound is something malleable and you can have an infinite number of possibilities and ways of phrasing and expressing, so that opened a whole new area of possibilities and I found this just fascinating.
Journalist & PEN Literary Award-Winning Author of Windfall
As a parent and especially through all this reporting, what I’ve tried to do is think through these solutions and these fixes we have for everything and make sure that we’re not forgetting…that we’re thinking about other people. Capitalism won’t do it. Self-interest isn’t going to do this for us. As silly as it is to think that empathy will do or caring about your fellow humans will do it, I don’t know what else there is to hope for. I don’t believe that people do stuff purely out of rational self-interest, this libertarian idea that I was quietly pushing against the entire time in Windfall. That we do things just for ourselves or just to make money–that’s not been the reality of my lifetime.
Dayton Literary Peace Prize Winning Novelist, Poet & Clinical Psychologist
We become the stories we tell ourselves…I started writing around the time I learned English because we moved to the States soon after my fourth birthday, and so I was here for kindergarten into elementary school. I grasped this new language just as I was learning how to also put things onto the page. Those two things really happened at the same time for me. I entered this world where I felt very different and very other, for all intents and purposes I was set to be raised in Kuwait. And then that of course got turned upside down after the invasion by Saddam. I think that so much of my trying to make sense of the world had to do with the displacement, exile and these experiences that my parents had experienced but then that I had as well as we were fleeing the war. It’s hard to know because I think that language was being formed in my brain at the same time that these things were happening.
Dayton Literary Peace Prize Winning Novelist, Poet & Clinical Psychologist
We become the stories we tell ourselves…I started writing around the time I learned English because we moved to the States soon after my fourth birthday, and so I was here for kindergarten into elementary school. I grasped this new language just as I was learning how to also put things onto the page. Those two things really happened at the same time for me. I entered this world where I felt very different and very other, for all intents and purposes I was set to be raised in Kuwait. And then that of course got turned upside down after the invasion by Saddam. I think that so much of my trying to make sense of the world had to do with the displacement, exile and these experiences that my parents had experienced but then that I had as well as we were fleeing the war. It’s hard to know because I think that language was being formed in my brain at the same time that these things were happening.
