Founder, Director & Co-Visionary of Fairhaven Farm
What's trending now with beginning farmers is that it is creating this kind of community connection. It's bringing people to the farm. It's connecting them to their food source. That creates community. It helps cultivate culture and connectivity, and so I think overall, it's like the landscape and agriculture as a whole is shifting towards a different direction.
Professor of Cognitive Sciences, UC Irvine
Author of The case against reality: Why evolution hid the truth from our eyes
This is really what life, I think, is about - learning to not believe your thoughts. Watch your thoughts, see their patterns and learn that you are not at the whim and beck and call of your thoughts. You can watch your thoughts, and you can choose to let go of thoughts and just be present and let go of the complaints. And that then opens up a level of creativity that's surprising. It could be in dance, science, it could be in music, or art. Wherever you have creative expression, letting go of thought and having this balance between thinking and no thinking, going into complete silence and then pulling ideas back for your art, your science, your dance, whatever it might be, is really the dance of life.
Nobel Prize-winning Climate Scientist · Lead Author of IPCC Assessment Reports
Author of The Changing Flow of Energy Through the Climate System
This is an intergenerational problem. The response to climate change relates very much to value systems. And one of the questions people ask, or should ask is: How much do you value the future generations? How much do you value the world that you're leaving your children and your grandchildren? And what kind of a climate you're leaving them with? And some people don't care, and some people don't have children. And they say, "Eh, it's not an issue for me. It's not one of my values." And so this is part of the problem, but if you're thinking about peoples as a whole, all of the community that you're leaving behind, this is a collective problem.
Psychiatrist, Explorer, Aviator of the First Round-the-World Solar-powered Flight
Founder and Chairman of Solar Impulse Foundation: 1000+ Profitable Climate Solutions
United Nations Goodwill Ambassador for the Environment
So this is why I prefer to speak with a really down to earth language. So maybe the people who love nature are going to say, “Oh, Bertrand Piccard, now he is too down to earth. He's speaking about profitable solutions. He's speaking to the industries that are polluting,” but we have to speak to the industries that are polluting and bring them profitable solutions, otherwise the world will never change, or humankind will never change. And don't forget one thing, what we are damaging is not the beauty of nature. What is being damaged is the quality of life of human beings on Earth because we can still have beautiful things to see, but if we have climate change, if we have tropical disease in Europe, if we have heat waves, floods, droughts, millions of climate refugees, life will be miserable, even if nature is still beautiful.
Earth System Scientist, Climate Sciences Department, Lawrence Berkeley National Laboratory
Lead Author on the IPCC Report
Looking into the future, as a scientist, what I've learned how to do is hold multiple futures in my head at the same time because we just don't know. We don't know what the future holds. We need to fight for the futures that we want, and against the futures that we don't want. All I can really say is that it's up to us. It's up to us to fight and advocate for the future we want, and what does that look like, and how do we get there?
Grammy & Emmy Award-winning Producer, Engineer, Composer
We all are looking for a little magic in our lives, and I think that's what art and the creative process allow for, above all. In a world that can be either way too predictable and mundane and create tedium, the creative mind, for me, is the curious mind and the mind that's always learning and allowing yourself to make mistakes. To generate from your core, from your soul, and from your experience something new and experimental and something that is unique to yourself.
Claudia Forestieri (Creator) & Brigitte Muñoz-Liebowitz (Showrunner)
Gordita Chronicles
When you immigrate, it's kind of like you're going through adolescence because you're in a new place. You feel weird in your own skin. You're learning new things. Everything is changing. You feel awkward. So that also helped us connect the adult stories to the children's stories.
Florian Hoffmeister · Emmy & BAFTA Award-winning Director of Photography
Pachinko · Great Expectations · Official Secrets
Every time I ask, ‘What do you need? What do I want? What does the director want? How do we collaborate? What is generated during the collaboration? What ideas, questions come across? And then I can start constructing something like a look.
Lead Author of Climate Change Biology, and Defending Biodiversity: Environmental Science and Ethics
Vice President of Research, Wilfrid Laurier University
Climate change is certainly going to affect biodiversity. Some species will benefit from climate change, but others will not, and we'll have different ecosystems, different biotic communities as a result of this. I think the impacts that are likely are pretty clear, and I think that's a pretty good reason to do all those things we can do without completely destroying our economies and our communities because those things have moral value as well. It's not just the environment that we think is important. We also think humans are important, then doing the things we can do now, do the less painful things first. We should have done them already, and we should be now thinking about how to do the harder things.
Author of Learning to Die in the Anthropocene & We’re Doomed, Now What?
Director of the Notre Dame Environmental Humanities Initiative
It seems irresponsible to me to downplay the possible consequences of climate change. It seems irresponsible to assume that we're going to fix it. And so I think it's absolutely a responsibility for the people who are talking about it and thinking about it, to look at the worst-case scenario and to look at the current trajectories, absent technologies for carbon scrubbers, to look at where we're actually headed, the worst-case scenarios, and address that and bring that to each other and to our children and to our students. When you really look at the situation, it's scary and terrifying, and it upends everything that we've been told to make sense of life.
Director of Globalization Studies University of Albany at SUNY
Author of The City Authentic: How the Attention Economy Builds Urban America (forthcoming)
I think that is often what tourism is starting to move towards. Is this existential authentic? And what that means is that you're not even really looking to meet expectations or validate that the thing in front of you is what it says it is. You are trying to recreate who you think you should be in a time that is disconnected from your usual life. Because we're a pretty jaded and suspicious society now. “Is it a deep fake?”We live in this world of make-believe and fakeness, and you want to get to something that's real. And what's more real than yourself and the story that you tell to yourself about yourself. And if you can really connect to that, you'll feel really good.
Member of Web Collective degrowth.info
Master of Environmental Studies candidate, University of Pennsylvania
Degrowth as an idea has intellectual roots in the environmental critiques of the sixties and seventies found in landmark works like Rachel Carson's Silent Spring, the Club of Rome's Limits to Growth report, Nicholas Georgescu-Roegen's The Entropy Law and the Economic Process, which was a seminal piece of economic theory that applied the laws of thermodynamics to the economy and was very influential for ecological economics, which is intertwined with degrowth. Degrowth was first formulated in 1972 by French philosopher André Gorz in a public debate where he used the term décroissance to question whether planetary stability was compatible with capitalism.
Director of the Climate Hazards Center at UC Santa Barbara
Author of Drought, Flood, Fire: How Climate Change Contributes to Recent Catastrophes
The work that we're doing here at the Climate Hazards Center is trying to build out the science to cope with a two-degree world. And I think that we can do that. It's not going to be easy, but I think that's definitely within our capabilities, and it is already making human beings be smarter together in very empowering ways. And these are examples of people in Boulder, Colorado getting ready for the next big flood event and having conversations between the National Weather Service and local communities, or me on a zoom call at seven in the morning with my friends in East Africa as they're getting ready to cope with the next extreme. There are great examples of radio clubs in Niger who are working with their meteorological agencies and local farming communities that are pulling data that we're producing here in Santa Barbara, precipitation estimates, but then using them to decide whether they should fertilize their millet crops or not. And so there are ways that we can counter climate hazards and weather hazards by being smarter.
Director of Lingua Franca & Under the Banner of Heaven
Before coming on board Under the Banner of Heaven, I had very little knowledge of Mormonism, but having read the script by Academy Award-winning screenwriter Dustin Lance Black, who is also the showrunner for the show, I resonated deeply with Jeb Pyre (played by Andrew Garfield) when it comes to his growing ambivalence and his crisis of faith. And the more he learned about the gruesome, grisly history of the founding Mormonism, and also about the case that he was investigating, the more disillusioned and disenchanted he was becoming. And that resonated with me because I was raised Catholic in the Philippines, but as I grew older, actually went to Catholic schools and universities from kindergarten until college, and then the more I learned about the history of the Catholic Church and the atrocities and the injustices that it has committed, especially in the name of colonialist and imperialist pursuits in the Middle ages, the more I questioned its control over me and my life.
Human & Girls’ Rights Activist
Founder & Executive Director of Foundation for Girls Leadership
One thing that we should remember as young people is that everything allowed us is political by nature. We shouldn't be really scared of getting ourselves into different political aspects of issues around us. Be bold enough to speak out on the biggest challenges that are around you. And at the same time, it's in us to understand what kind of environment I am in? What is it that I can contribute to the problems that I am facing? That young people or people in general facing? So just go on. Be a part of that, and you'll be surprised that you will be the biggest game-changer.
Chief of Growth at Terraformation · Silicon Valley Entrepreneur
We're trying to help the world's forestry organizations collectively plant a trillion trees in the next decade and cover 3 billion acres of net new forest. That's a very, very large number. Some of the very largest tree-planting organizations in the world collectively plant something like half a billion to three-quarters of a billion trees per year. And even that number sounds large, too, but then you realize that's actually three full orders of magnitude smaller than the actual number we need to hit in the next decade. So we actually need to take all of the world's largest forestry organizations as a group and multiply by a thousand their efforts. So that's a very large undertaking, and I just can't underscore enough the scale at which we as a human species seeks to operate when we talk about tree-planting and forestry operations.
Author of Another World is Possible: How to Reignite Social & Political Imagination
Professor of Collective Intelligence, Public Policy & Social Innovation at University College London
The great thing about a complex society is there is space for lots of different kinds of people. There's space for wildly visionary poets and accountants and actuaries and engineers. And they all have a slightly different outlook, but it's the combination of this huge diversity, which makes our societies work. But what we probably do need a bit more of are the bilingual people, the trilingual people who are as at ease spending a day, a week, a year designing how a criminal justice system could look in 50 years and then getting back to perhaps working in a real court or real lawyer's office.
Author of Trans Kids: Being Gendered in the Twenty-First Century
Assistant Professor of Sociology, Columbia University
Co-editor of Other Please Specify: Queer Methods in Sociology
So while there is no kind of one size fits all story, there are plenty of times when...kind of like clusters of activity. And some kids don't come out as trans. They come out as wanting to begin a process of exploration around gender, wanting to sort of bend things a little bit or begin to present themselves in slightly different ways without a concrete cross-identification.
Artist
I think to pursue mystery and beauty, these things are a bit subjective, so you can't really tell people exactly what it shouldn't be about. And also I have to preserve these things for myself. I primarily make the work for myself, so if I don't have some questions that are unanswered, even for me, then there's not really an interest to like keep going otherwise. So it's also sort of protection and a preservation mindset that I have about leaving things really open for other people and for myself.
Co-founder & CEO of The Best Bees Company
Largest Beekeeping service in the US
I was originally drawn to bees because they're social creatures. And as humans, I always wanted to know about ourselves and how we can be our healthiest selves and our healthiest society. Bees and wasps, and all of these organisms have been around for so long. Bees especially have been around for 100 million years.
