Highlights - SHEHAN KARUNATILAKA - Booker Prize-winning Author of The Seven Moons of Maali Almeida

Highlights - SHEHAN KARUNATILAKA - Booker Prize-winning Author of The Seven Moons of Maali Almeida

Booker Prize-winning Author
The Seven Moons of Maali Almeida
Chinaman: The Legend of Pradeep Mathew

So this was the decision to write in the second person. A lot of people ask me: why? There are not many examples of this technique. The reason I opted for that is I was trying to figure out interviewing a ghost. And one of the challenges was: what does a disembodied voice sound like? The narrator's body has been chopped up and chucked in a lake. So, I figured that if anything survives the death of your body, it's perhaps the voice in your head. The voice in my head is in the second person. I don't know about your head or anyone else's head, but in mine, it's the second person. 

JEANNIE VANASCO -  Award-Winning Memoirist, Educator, Author of "Things We Didn't Talk About When I Was a Girl"

JEANNIE VANASCO - Award-Winning Memoirist, Educator, Author of "Things We Didn't Talk About When I Was a Girl"

Award-Winning Memoirist, Author & Educator

What interested me about this particular experience is that I didn’t have the language to attach to it in the way I had the language to attach to a later experience that I would have no trouble calling rape, but happened to me and I call Mark in the book. I didn’t know what to call that for the longest time, so I didn’t know what to feel about it, and so as a writer that interests me. When I don’t have the words for something, when I sense that inevitably I’m going to fail.


AZBY BROWN - Leading authority on Japanese architecture, design & environment reads “Just Enough”

AZBY BROWN - Leading authority on Japanese architecture, design & environment reads “Just Enough”

Author of Just Enough · Small Spaces · Lead Researcher for Safecast
Authority on Japanese Architecture, Design & Environmentalism

In Edo Japan, basically life was pretty good, and they recycled everything. Everything was reused, upcycled. Waste was considered taboo. A person who was wasting was considered an ugly person. So there’s a lot that we could talk about design, the layout, scale. Buildings were rarely taller than two storeys. Very good use of environmental features, microclimates, use of wind for cooling, passive solar heating. Good use of planting, gardens, etc. But regarding cities of the future, I think the main thing is it needs to be a place where people feel like they belong and want to take responsibility.