Highlights - Johnjoe McFadden - Author of “Life is Simple” - Prof. Molecular Genetics, Assoc. Dean - U of Surrey

Highlights - Johnjoe McFadden - Author of “Life is Simple” - Prof. Molecular Genetics, Assoc. Dean - U of Surrey

Author of Life is Simple: How Occam’s Razor Set Science Free and Shapes the Universe
Co-author of Life on the Edge: The Coming of Age of Quantum Biology
Professor of Molecular Genetics & Assoc. Dean (Int’l) · University of Surrey

I think that's what art is all about is communicating these big, complex objects, which are ideas inside our head, but in a non-dissected way in which the object isn't completely dissected, or it's dissected in such a way it can be reassembled in somebody else's mind. So you get a full experience of what the artist had or as close as he or she can make it. So I think that to me is what art does. It's a way of communicating these wonderful ideas and feelings that we have inside our heads. And they're trapped there, and art allows you - by playing music or painting, or writing poetry... - it allows you to communicate this in this holistic kind of way.

Johnjoe McFadden - Author of “Life is Simple: How Occam’s Razor Set Science Free and Shapes the Universe”

Johnjoe McFadden - Author of “Life is Simple: How Occam’s Razor Set Science Free and Shapes the Universe”

Author of Life is Simple: How Occam’s Razor Set Science Free and Shapes the Universe
Co-author of Life on the Edge: The Coming of Age of Quantum Biology
Professor of Molecular Genetics & Assoc. Dean (Int’l) · University of Surrey

I think that's what art is all about is communicating these big, complex objects, which are ideas inside our head, but in a non-dissected way in which the object isn't completely dissected, or it's dissected in such a way it can be reassembled in somebody else's mind. So you get a full experience of what the artist had or as close as he or she can make it. So I think that to me is what art does. It's a way of communicating these wonderful ideas and feelings that we have inside our heads. And they're trapped there, and art allows you - by playing music or painting, or writing poetry... - it allows you to communicate this in this holistic kind of way.

Highlights - Bruce Mau - Award-winning Designer, Author of “Mau MC24…24 Principles for Designing Massive Change”

Highlights - Bruce Mau - Award-winning Designer, Author of “Mau MC24…24 Principles for Designing Massive Change”

Award-winning Designer, Artist & Educator
Co-founder & CEO of Massive Change Network
Author/Co-author of Mau MC24 · The Nexus · S, M, L, XL

I would like them to know just how powerful they are, that they have the power to shape the world. At some point, I realized that the world is produced. The world is designed and produced, and since we designed and produced it, we can redesign it. And you can play a part in designing it. You can play a part in that production. It doesn't have to happen to you. And I think, for too many people, too much power and too much control is concentrated in too few hands. People need to have the power to control and design their own life.

Bruce Mau - Author of "Mau MC24…24 Principles for Designing Massive Change in Your Life and Work”

Bruce Mau - Author of "Mau MC24…24 Principles for Designing Massive Change in Your Life and Work”

Award-winning Designer, Artist & Educator
Co-founder & CEO of Massive Change Network
Author/Co-author of Mau MC24 · The Nexus · S, M, L, XL

I would like them to know just how powerful they are, that they have the power to shape the world. At some point, I realized that the world is produced. The world is designed and produced, and since we designed and produced it, we can redesign it. And you can play a part in designing it. You can play a part in that production. It doesn't have to happen to you. And I think, for too many people, too much power and too much control is concentrated in too few hands. People need to have the power to control and design their own life.

Highlights - Victor Lopez-Carmen - Co-Chair, UN Global Indigenous Youth Caucus - Dakota - Yaqui Writer, Health Advocate

Highlights - Victor Lopez-Carmen - Co-Chair, UN Global Indigenous Youth Caucus - Dakota - Yaqui Writer, Health Advocate

Dakota & Yaqui Writer, Health Advocate · Co-Chair, UN Global Indigenous Youth Caucus
Founder of Translations for our Nations · Co-founder Ohiyesa Premedical Program

My mom and my dad would often go to protests. They would organize movements. They'd be part of multilateral indigenous people's movements, not only nationally, but internationally, that were operating at the grassroots level. Activism, it’s a tradition in my family for indigenous rights. I have aunts and uncles that were very involved as well. So as a kid, I was often at those protests. I was running around as a little Native kid with all the other little Native kids, when our parents would be in meetings discussing how to move forward discussing indigenous rights.

Victor Lopez-Carmen - Dakota - Yaqui Writer, Health Advocate - Co-Chair, UN Global Indigenous Youth Caucus

Victor Lopez-Carmen - Dakota - Yaqui Writer, Health Advocate - Co-Chair, UN Global Indigenous Youth Caucus

Dakota & Yaqui Writer, Health Advocate · Co-Chair, UN Global Indigenous Youth Caucus
Founder of Translations for our Nations · Co-founder Ohiyesa Premedical Program

My mom and my dad would often go to protests. They would organize movements. They'd be part of multilateral indigenous people's movements, not only nationally, but internationally, that were operating at the grassroots level. Activism, it’s a tradition in my family for indigenous rights. I have aunts and uncles that were very involved as well. So as a kid, I was often at those protests. I was running around as a little Native kid with all the other little Native kids, when our parents would be in meetings discussing how to move forward discussing indigenous rights.

Highlights - Cynthia Daniels - Grammy - Emmy Award-winning Producer, Engineer, Composer

Highlights - Cynthia Daniels - Grammy - Emmy Award-winning Producer, Engineer, Composer

Grammy & Emmy Award-winning Producer, Engineer, Composer

We all are looking for a little magic in our lives, and I think that's what art and the creative process allow for, above all. In a world that can be either way too predictable and mundane and create tedium, the creative mind, for me, is the curious mind and the mind that's always learning and allowing yourself to make mistakes. To generate from your core, from your soul, and from your experience something new and experimental and something that is unique to yourself.

Cynthia Daniels - Grammy and Emmy Award-winning Producer, Engineer, Composer

Cynthia Daniels - Grammy and Emmy Award-winning Producer, Engineer, Composer

Grammy & Emmy Award-winning Producer, Engineer, Composer

We all are looking for a little magic in our lives, and I think that's what art and the creative process allow for, above all. In a world that can be either way too predictable and mundane and create tedium, the creative mind, for me, is the curious mind and the mind that's always learning and allowing yourself to make mistakes. To generate from your core, from your soul, and from your experience something new and experimental and something that is unique to yourself.

Highlights - KC Legacion on Degrowth, Technology and Social Media

Highlights - KC Legacion on Degrowth, Technology and Social Media

Member of Web Collective degrowth.info
Master of Environmental Studies candidate, University of Pennsylvania

Degrowth as an idea has intellectual roots in the environmental critiques of the sixties and seventies found in landmark works like Rachel Carson's Silent Spring, the Club of Rome's Limits to Growth report, Nicholas Georgescu-Roegen's The Entropy Law and the Economic Process, which was a seminal piece of economic theory that applied the laws of thermodynamics to the economy and was very influential for ecological economics, which is intertwined with degrowth. Degrowth was first formulated in 1972 by French philosopher André Gorz in a public debate where he used the term décroissance to question whether planetary stability was compatible with capitalism.

KC Legacion on Degrowth, Technology and Social Media

KC Legacion on Degrowth, Technology and Social Media

Member of Web Collective degrowth.info
Master of Environmental Studies candidate, University of Pennsylvania

Degrowth as an idea has intellectual roots in the environmental critiques of the sixties and seventies found in landmark works like Rachel Carson's Silent Spring, the Club of Rome's Limits to Growth report, Nicholas Georgescu-Roegen's The Entropy Law and the Economic Process, which was a seminal piece of economic theory that applied the laws of thermodynamics to the economy and was very influential for ecological economics, which is intertwined with degrowth. Degrowth was first formulated in 1972 by French philosopher André Gorz in a public debate where he used the term décroissance to question whether planetary stability was compatible with capitalism.

(Highlights) Candace Fujikane · Author of "Mapping Abundance for a Planetary Future”

(Highlights) Candace Fujikane · Author of "Mapping Abundance for a Planetary Future”

Author of Mapping Abundance for a Planetary Future
Professor of English at the University of the Hawaiʻi at Manoa

The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranforma- tion will enable them to survive what capital cannot.

Candace Fujikane - Author of "Mapping Abundance for a Planetary Future"

Candace Fujikane - Author of "Mapping Abundance for a Planetary Future"

Author of Mapping Abundance for a Planetary Future
Professor of English at the University of the Hawaiʻi at Manoa

The struggle for a planetary future calls for a profound epistemological shift. Indigenous ancestral knowledges are now providing a foundation for our work against climate change, one based on what I refer to as Indigenous economies of abundance—as opposed to capitalist economies of scarcity. Rather than seeing climate change as apocalyptic, we can see that climate change is bringing about the demise of capital, making way for Indigenous lifeways that center familial relationships with the earth and elemental forms. Kānaka Maoli are restoring the worlds where their attunement to climatic change and their capacity for kilo adaptation, regeneration, and tranforma- tion will enable them to survive what capital cannot.

(Highlights) STEVE BIDDULPH

(Highlights) STEVE BIDDULPH

Parent Educator & Bestselling Author of The Secret of Happy Children
Raising Boys, The New Manhood
, and 10 Things Girls Need Most

We drastically misuse our mind and have neglected a very important part of the way our mind works in the modern world. I think preindustrial people and our ancestors used this very well. And that is that we have a whole right hemisphere of our brain which doesn't think in words, which takes in the holistic picture of everything around us. Anyone who is listening to this podcast will be aware that sometimes you have got feelings about things. They are signals that are sent from the right hemisphere of the brain, picking up things that we can't consciously interpret or read. It goes through our amygdala, which is our alarm system, and straight down the vagus nerve, and we feel it down in the middle of our body. What the books argue, if you want to be able to parent effectively, and live your life effectively, is to stay in touch with that. Include those signals as part of your mental checking out. Expand your awareness because you can read that every few seconds all the time. And your life will be very different. There are feelings below your feelings. They are not always right, but they're always worth listening to.

STEVE BIDDULPH

STEVE BIDDULPH

Parent Educator & Bestselling Author of The Secret of Happy Children
Raising Boys, The New Manhood
, and 10 Things Girls Need Most

We drastically misuse our mind and have neglected a very important part of the way our mind works in the modern world. I think preindustrial people and our ancestors used this very well. And that is that we have a whole right hemisphere of our brain which doesn't think in words, which takes in the holistic picture of everything around us. Anyone who is listening to this podcast will be aware that sometimes you have got feelings about things. They are signals that are sent from the right hemisphere of the brain, picking up things that we can't consciously interpret or read. It goes through our amygdala, which is our alarm system, and straight down the vagus nerve, and we feel it down in the middle of our body. What the books argue, if you want to be able to parent effectively, and live your life effectively, is to stay in touch with that. Include those signals as part of your mental checking out. Expand your awareness because you can read that every few seconds all the time. And your life will be very different. There are feelings below your feelings. They are not always right, but they're always worth listening to.

(Highlights) IAIN McGILCHRIST

(Highlights) IAIN McGILCHRIST

Author of The Matter with Things · The Master and his Emissary: The Divided Brain and the Making of the Western World Psychiatrist, Neuroscience Researcher, Philosopher & Literary Scholar

The heart also reports to the brain and receives from the brain. So our bodies are in dialogue with the brain. And we don't really know where consciousness is, we sort of imagine it's somewhere in the head. We have no real reason to suppose that it's just we identify it with our sight and we, therefore, think it must be somewhere up there behind the eyes, but it's something that takes in the whole of us and to which the whole of us contributes.

IAIN McGILCHRIST

IAIN McGILCHRIST

Author of The Matter with Things · The Master and his Emissary: The Divided Brain and the Making of the Western World Psychiatrist, Neuroscience Researcher, Philosopher & Literary Scholar

The heart also reports to the brain and receives from the brain. So our bodies are in dialogue with the brain. And we don't really know where consciousness is, we sort of imagine it's somewhere in the head. We have no real reason to suppose that it's just we identify it with our sight and we, therefore, think it must be somewhere up there behind the eyes, but it's something that takes in the whole of us and to which the whole of us contributes.

(Highlights) JON YATES

(Highlights) JON YATES

Executive Director of Youth Endowment Fund
Author of Fractured: How We Learn to Live Together

I think humans really need to feel valued and loved. The question is where do you get your value from? And I try to get my value from–faith plays a big part of my life, but not everyone has that way of thinking about the world, so I'm not going to major on that, but that's only part of it, the sense that I believe there's a God who thinks I'm of worth, but it's more than that. I believe that my closest friends and my family think I'm of worth. And so I think that's probably made me more comfortable in saying if I start a charity and it fails, and I have started things that fell apart, it's not the end of the world.

JON YATES

JON YATES

Executive Director of Youth Endowment Fund
Author of Fractured: How We Learn to Live Together

I think humans really need to feel valued and loved. The question is where do you get your value from? And I try to get my value from–faith plays a big part of my life, but not everyone has that way of thinking about the world, so I'm not going to major on that, but that's only part of it, the sense that I believe there's a God who thinks I'm of worth, but it's more than that. I believe that my closest friends and my family think I'm of worth. And so I think that's probably made me more comfortable in saying if I start a charity and it fails, and I have started things that fell apart, it's not the end of the world.

(Highlights) JOHN POWERS

(Highlights) JOHN POWERS

Sculptor

The figure in my work is me. The figure in my work is you. It's me placing objects. It’s me putting things together. It’s you standing near it. It’s you in proximity moving back and forth, moving around it. It’s us. One of the reasons I make the things I do the way I make them is because I can't imagine them. I make things that I couldn't draw or even think about clearly. I can only look at them. I enjoy the complexity that I make because I'm striving to see it.

JOHN POWERS

JOHN POWERS

Sculptor

The figure in my work is me. The figure in my work is you. It's me placing objects. It’s me putting things together. It’s you standing near it. It’s you in proximity moving back and forth, moving around it. It’s us. One of the reasons I make the things I do the way I make them is because I can't imagine them. I make things that I couldn't draw or even think about clearly. I can only look at them. I enjoy the complexity that I make because I'm striving to see it.