Free the Land: How We Can Fight Poverty & Climate Chaos with AUDREA LIM

Free the Land: How We Can Fight Poverty & Climate Chaos with AUDREA LIM

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Environmental Journalist & Author

When I first started writing this book, it really foregrounded the problems within our land ownership system, which treats land as a commodity. The way we talk about land and issues like racial and food justice reflects this. We tend to focus on the problems, attaching big concepts to them, such as racial justice or environmental justice. I realized that my job primarily consists of going around and talking to activists and community groups about their work. I’m interested not just in the very big problems we face as a society, economy, and political system, but also in how people are trying to think through solutions or approaches to those problems.

"Carbon is really a flow that animates everything we love, everything that's alive on this planet." - PAUL HAWKEN - Highlights

"Carbon is really a flow that animates everything we love, everything that's alive on this planet." - PAUL HAWKEN - Highlights

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Environmentalist · Entrepreneur
Author of Carbon: The Book of Life
Founder of Project Regeneration & Project Drawdown

We have 1.2 trillion carbon molecules in every cell. We have around 30 trillion cells, and that’s us. So carbon is really a flow that animates everything we love, enjoy, eat, and all plant life, all sea life—everything that's alive on this planet—is animated by the flow of carbon. We want to see the situation we're in as that, as a flow. Where are the flows coming from, and why are we interfering with them? Why are we crushing them? Why are we killing them? For sure. But also, we need to see the wonder, the awe, the astonishment of life itself and to have that sensibility as the overriding narrative of how we act in the world, how we live, and how we talk to each other. Unless we change the conversation about climate into something that's a conversation about more life—better conditions for people in terms of social justice, restoring so much of what we've lost—then we won’t get anywhere.

CARBON: The Book of Life with PAUL HAWKEN

CARBON: The Book of Life with PAUL HAWKEN

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Environmentalist · Entrepreneur
Founder of Project Regeneration & Project Drawdown

We have 1.2 trillion carbon molecules in every cell. We have around 30 trillion cells, and that’s us. So carbon is really a flow that animates everything we love, enjoy, eat, and all plant life, all sea life—everything that's alive on this planet—is animated by the flow of carbon. We want to see the situation we're in as that, as a flow. Where are the flows coming from, and why are we interfering with them? Why are we crushing them? Why are we killing them? For sure. But also, we need to see the wonder, the awe, the astonishment of life itself and to have that sensibility as the overriding narrative of how we act in the world, how we live, and how we talk to each other. Unless we change the conversation about climate into something that's a conversation about more life—better conditions for people in terms of social justice, restoring so much of what we've lost—then we won’t get anywhere.

A Life in Climbing: ALAIN ROBERT Climbs with No Fear, No Ropes, No Safety Net - Highlights

A Life in Climbing: ALAIN ROBERT Climbs with No Fear, No Ropes, No Safety Net - Highlights

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Famous Rock & Urban Climber ALAIN ROBERT
Known for Free Solo Climbing 200+ of the World’s Tallest Skyscrapers using no Climbing Equipment

you are fighting to stay alive. You are fully in the present moment; you don't have time to think about being afraid. You are focused on what you are doing. You struggle to pass another window, then another, and you don't have time to think about your problems. The only thing you are concerned about deep down in the back of your mind is that you need to stay alive, and for that, you need to remain calm and focused.

Overcoming Your Fears to Achieve the Impossible w/ Free Solo Climber ALAIN ROBERT on Climbing 200+ World’s Tallest Skyscrapers

Overcoming Your Fears to Achieve the Impossible w/ Free Solo Climber ALAIN ROBERT on Climbing 200+ World’s Tallest Skyscrapers

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Famous Rock & Urban Climber ALAIN ROBERT
Known for Free Solo Climbing 200+ of the World’s Tallest Skyscrapers using no Climbing Equipment

you are fighting to stay alive. You are fully in the present moment; you don't have time to think about being afraid. You are focused on what you are doing. You struggle to pass another window, then another, and you don't have time to think about your problems. The only thing you are concerned about deep down in the back of your mind is that you need to stay alive, and for that, you need to remain calm and focused.

Who Defends the Defenders? UN Special Rapporteur on Environmental Defenders MICHEL FORST

Who Defends the Defenders? UN Special Rapporteur on Environmental Defenders MICHEL FORST

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UN Special Rapporteur on Environmental Defenders MICHEL FORST on Protecting Environmental Activists

My mandate focuses on the protection of those trying to protect the planet. Protection of defenders is my main topic. When I'm speaking to states or companies, it's always related to cases of defenders facing threats, attacks, or penalization by companies or governments, like the recent case of Paul Watson (founder of Sea Shepherd) in Denmark… When I travel to places like Peru, Colombia, or Honduras and meet Indigenous people, I realize they have a relationship with nature that we don't have anymore. They express that the food they eat, the water they drink, and the air they breathe goes beyond just air and food; it represents what they call Pachamama or Mother Earth. This is a cosmovision shared across various communities, not only in Latin America but globally.

LOVE in a F*cked-Up World: DEAN SPADE on How to Build Relationships, Hook Up & Raise Hell Together

LOVE in a F*cked-Up World: DEAN SPADE on How to Build Relationships, Hook Up & Raise Hell Together

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This book has a lot of the wisdom of things that feminists and queers have learned in the community about sexuality, but the book is really for anybody who is political, even those just starting out and beginning to realize that there is something wrong with the systems they live under. I want to be in movements. Our movements are made of relationships. So, if you're just getting into our movements, or if you've been here for years and have been watching the ways we hurt each other and fall apart relationally, this book is about identifying these common patterns.

How Does Art Shape Our Lives? Musicians, Writers, Filmmakers & Actors Share Their Stories

How Does Art Shape Our Lives? Musicians, Writers, Filmmakers & Actors Share Their Stories

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Musicians, Writers, Filmmakers & Actors Share Their Stories

How do the arts help us find purpose and meaning? What role do stories play in helping us preserve memories, connect us to each other, and answer life’s big questions? Max Richter, Etgar Keret, Athony Joseph, Claudia Forestieri, Brigitte Muñoz-Liebowitz Johnjoe McFadden, Sheehan Karunatilaka, Catherine Curtin, Kate Mueth explore the importance of creativity and the arts.

Voices for the Planet: Scientists, Activists, Farmers & Filmmakers Speak Out

Voices for the Planet: Scientists, Activists, Farmers & Filmmakers Speak Out

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Scientists, Activists, Farmers & Filmmakers Speak Out

PETA Founder Ingrid Newkirk, Cave Diver Jill Heinerth, IPCC Lead Author Joëlle Gergis, Director of the European Commission’s DG for Energy Paula Pinho, Co-Founder of The Best Bees Company Noah Wilson-Rich, Ecologist Carl Safina, Founder of The Ocean Agency Richard Vevers, Founding Father of the Circular Economy Walter Stahel, Founder of Advocacy Group F Minus, CEO of Legacy Agripartners Colin Steen, President of Source Global Neil Grimmer

JULIAN LENNON on Art, Empathy & Creativity - Highlights

JULIAN LENNON on Art, Empathy & Creativity - Highlights

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Singer-songwriter · Documentary Filmmaker · Founder of The White Feather Foundation
Photographer/Author of Life’s Fragile Moments
I think a lot of joy comes from helping others. One of the things that I've been really focusing on is finding that balance in life, what’s real and what’s true and what makes you happy. How can you help other people feel the same and have a happier life? I think whatever that takes. So if that's charity, if that's photography, if that's documentary, if that's music, and I can do it, then I'm going to do it.

Life’s Fragile Moments with JULIAN LENNON - Photographer, Musician, Documentary Filmmaker

Life’s Fragile Moments with JULIAN LENNON - Photographer, Musician, Documentary Filmmaker

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Singer-songwriter · Documentary Filmmaker · Founder of The White Feather Foundation
Photographer/Author of Life’s Fragile Moments
I think a lot of joy comes from helping others. One of the things that I've been really focusing on is finding that balance in life, what’s real and what’s true and what makes you happy. How can you help other people feel the same and have a happier life? I think whatever that takes. So if that's charity, if that's photography, if that's documentary, if that's music, and I can do it, then I'm going to do it.

Connecting with the Earth: Changemakers, Scientists, Writers & Educators on Regenerating Earth’s Ecosystems

Connecting with the Earth: Changemakers, Scientists, Writers & Educators on Regenerating Earth’s Ecosystems

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How and when will we transition to a clean energy future? How have wetlands become both crucial carbon sinks and colossal methane emitters in a warming world? What lessons can we learn from non-human animals about living in greater harmony with nature?

What Does It Mean to Live a Good Life? Artists, Writers, Visionaries & Educators Share their Stories

What Does It Mean to Live a Good Life? Artists, Writers, Visionaries & Educators Share their Stories

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Artists, Writers, Visionaries & Educators Share their Stories

How can the arts help us learn to speak the language of the Earth and cultivate our intuitive intelligence? What is the power of mentorship for forging character and creative vision? How can we hold onto our cultural heritage and traditions, while preparing students for the needs of the 21st century?

LOVE - What is love? Filmmakers, poets, aviators, musicians, cave divers, environmentalists, writers, and artists explore what love means to them

LOVE - What is love? Filmmakers, poets, aviators, musicians, cave divers, environmentalists, writers, and artists explore what love means to them

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Filmmakers, poets, aviators, musicians, cave divers, environmentalists, writers, and artists explore what love means to them

Highlights - Debra Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

Highlights - Debra Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

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Showrunner of Netflix’s Ginny & Georgia
Writer · Exec. Producer · Director · Alias · Criminal Minds · The OC · Charmed

I need a balance of light and dark. It can't be just one thing. I want you to be laughing one minute and by the end I want you to be crying. For me, character study is what is the most important. It all comes down to the characters. It's less about action or things like that, which you can have some of that, but it tonally, has to be female-centric and you have to be crying and laughing. There's so many interesting shows that walk that line of light and dark. I want to always live in the gray area with characters. Always. Nothing is ever black or white. It's always a weird gray area.

Debra J. Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

Debra J. Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

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Showrunner of Netflix’s Ginny & Georgia
Writer · Exec. Producer · Director · Alias · Criminal Minds · The OC · Charmed

I need a balance of light and dark. It can't be just one thing. I want you to be laughing one minute and by the end I want you to be crying. For me, character study is what is the most important. It all comes down to the characters. It's less about action or things like that, which you can have some of that, but it tonally, has to be female-centric and you have to be crying and laughing. There's so many interesting shows that walk that line of light and dark. I want to always live in the gray area with characters. Always. Nothing is ever black or white. It's always a weird gray area.

Highlights - Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “The Seven Good Years”

Highlights - Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “The Seven Good Years”

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Cannes Film Festival Award-winning Director
Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years

For me, there is something about art, it's not a monologue, it's a dialogue. Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language.

Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “Suddenly a Knock on the Door”

Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “Suddenly a Knock on the Door”

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Cannes Film Festival Award-winning Director
Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years

For me, there is something about art, it's not a monologue, it's a dialogue. Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language.

Highlights - Mathis Wackernagel - Founder, Pres., Global Footprint Network - World Sustainability Award Winner

Highlights - Mathis Wackernagel - Founder, Pres., Global Footprint Network - World Sustainability Award Winner

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Founder & President of Global Footprint Network
Winner of the World Sustainability Award · IAIA Global Environment Award

So shooting for one planet just means you would be totally dominant, and leave no space for other species. Ecologists say to maintain 85% of preindustrial biodiversity, it would take about at least half the planet left on its own. That would mean getting to half-planet. And now we use at least 1.75. I say at least because our assessments with about 15,000 data points per country in a year are based on UN statistics, and their demand side is probably an underestimate because not all demands are included. And also on the supply side or the regeneration side, the UN is very production oriented, so it's the FAO numbers, for example, look at agricultural production, and the depletion side or the destruction side is not factored in adequately. So that's why it's an underestimate. And still, it shows we use about 1.75 Earths, and that's more than three times half an Earth. So that's kind of the difference. But we also know overshoot will end one way or another. The question is do we choose to end it? Do we choose it by design, or do we let nature take the lead and end overshoot by disaster? So it's really ending overshoot by design or disaster. That's the big choice we need to make.

Mathis Wackernagel - Founder, President, Global Footprint Network - World Sustainability Award Winner

Mathis Wackernagel - Founder, President, Global Footprint Network - World Sustainability Award Winner

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Founder & President of Global Footprint Network
Winner of the World Sustainability Award · IAIA Global Environment Award

So shooting for one planet just means you would be totally dominant, and leave no space for other species. Ecologists say to maintain 85% of preindustrial biodiversity, it would take about at least half the planet left on its own. That would mean getting to half-planet. And now we use at least 1.75. I say at least because our assessments with about 15,000 data points per country in a year are based on UN statistics, and their demand side is probably an underestimate because not all demands are included. And also on the supply side or the regeneration side, the UN is very production oriented, so it's the FAO numbers, for example, look at agricultural production, and the depletion side or the destruction side is not factored in adequately. So that's why it's an underestimate. And still, it shows we use about 1.75 Earths, and that's more than three times half an Earth. So that's kind of the difference. But we also know overshoot will end one way or another. The question is do we choose to end it? Do we choose it by design, or do we let nature take the lead and end overshoot by disaster? So it's really ending overshoot by design or disaster. That's the big choice we need to make.