(Highlights) IAIN McGILCHRIST

(Highlights) IAIN McGILCHRIST

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Author of The Matter with Things · The Master and his Emissary: The Divided Brain and the Making of the Western World Psychiatrist, Neuroscience Researcher, Philosopher & Literary Scholar

The heart also reports to the brain and receives from the brain. So our bodies are in dialogue with the brain. And we don't really know where consciousness is, we sort of imagine it's somewhere in the head. We have no real reason to suppose that it's just we identify it with our sight and we, therefore, think it must be somewhere up there behind the eyes, but it's something that takes in the whole of us and to which the whole of us contributes.

IAIN McGILCHRIST

IAIN McGILCHRIST

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Author of The Matter with Things · The Master and his Emissary: The Divided Brain and the Making of the Western World Psychiatrist, Neuroscience Researcher, Philosopher & Literary Scholar

The heart also reports to the brain and receives from the brain. So our bodies are in dialogue with the brain. And we don't really know where consciousness is, we sort of imagine it's somewhere in the head. We have no real reason to suppose that it's just we identify it with our sight and we, therefore, think it must be somewhere up there behind the eyes, but it's something that takes in the whole of us and to which the whole of us contributes.

(Highlights) WILLIAM McDONOUGH

(Highlights) WILLIAM McDONOUGH

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Leader in Sustainable Design & Development
Architect, Co-author of Cradle to Cradle: Remaking the Way We Make Things

I think believing in something is also part of the responsibility of the believer to sift through these things. So there are a lot of people saying I'm green because they do something less badly. So for me, it’s not green yet, it's just less bad. It's not really good yet. It's not really fabulous, but that just means there's an opportunity to keep going to share information and help each other because in the end, I think what we're dealing with now is the recognition that the world has a very serious issue with climate, that's very clear now. So how can we help each other? The question is no longer what is wrong with the way you're doing it. The real question now is how can I help you?

WILLIAM McDONOUGH

WILLIAM McDONOUGH

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Leader in Sustainable Design & Development
Architect, Co-author of Cradle to Cradle: Remaking the Way We Make Things

I think believing in something is also part of the responsibility of the believer to sift through these things. So there are a lot of people saying I'm green because they do something less badly. So for me, it’s not green yet, it's just less bad. It's not really good yet. It's not really fabulous, but that just means there's an opportunity to keep going to share information and help each other because in the end, I think what we're dealing with now is the recognition that the world has a very serious issue with climate, that's very clear now. So how can we help each other? The question is no longer what is wrong with the way you're doing it. The real question now is how can I help you?

(Highlights) AZBY BROWN

(Highlights) AZBY BROWN

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Author of Just Enough · Small Spaces · Lead Researcher for Safecast
Authority on Japanese Architecture, Design & Environmentalism

In Edo Japan, basically life was pretty good, and they recycled everything. Everything was reused, upcycled. Waste was considered taboo. A person who was wasting was considered an ugly person. So there’s a lot that we could talk about design, the layout, scale. Buildings were rarely taller than two storeys. Very good use of environmental features, microclimates, use of wind for cooling, passive solar heating. Good use of planting, gardens, etc. But regarding cities of the future, I think the main thing is it needs to be a place where people feel like they belong and want to take responsibility.


AZBY BROWN

AZBY BROWN

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Author of Just Enough · Small Spaces · Lead Researcher for Safecast
Authority on Japanese Architecture, Design & Environmentalism

In Edo Japan, basically life was pretty good, and they recycled everything. Everything was reused, upcycled. Waste was considered taboo. A person who was wasting was considered an ugly person. So there’s a lot that we could talk about design, the layout, scale. Buildings were rarely taller than two storeys. Very good use of environmental features, microclimates, use of wind for cooling, passive solar heating. Good use of planting, gardens, etc. But regarding cities of the future, I think the main thing is it needs to be a place where people feel like they belong and want to take responsibility.


(Highlights) EARL K. MILLER, Ph.D.

(Highlights) EARL K. MILLER, Ph.D.

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Picower Professor of Neuroscience
MIT’s Picower Institute for Learning and Memory & Department of Brain & Cognitive Sciences

There are a lot of distractions in cities. So it's always good to maybe take some time out, be in a quieter place with no distractions so you can let your thoughts run. And that leads into the creative process because new ideas, new thoughts and where they come from. They come from following the garden path of associations in your mind. One thought leads to another, leads to another until your mind is in a new place it's never been before. Or you put two thoughts together that were never together before, but now they are because you managed to somehow follow this garden path of thoughts from one thought to the other. That's where creativity comes from, that's where your ideas come from, seeing things in a new way, seeing things that were never together before. And if you have constant distractions that interferes with that process.

EARL K. MILLER, Ph.D.

EARL K. MILLER, Ph.D.

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Picower Professor of Neuroscience
MIT’s Picower Institute for Learning and Memory & Department of Brain & Cognitive Sciences

There are a lot of distractions in cities. So it's always good to maybe take some time out, be in a quieter place with no distractions so you can let your thoughts run. And that leads into the creative process because new ideas, new thoughts and where they come from. They come from following the garden path of associations in your mind. One thought leads to another, leads to another until your mind is in a new place it's never been before. Or you put two thoughts together that were never together before, but now they are because you managed to somehow follow this garden path of thoughts from one thought to the other. That's where creativity comes from, that's where your ideas come from, seeing things in a new way, seeing things that were never together before. And if you have constant distractions that interferes with that process.

(Highlights) MERLIN DONALD

(Highlights) MERLIN DONALD

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Psychologist, Neuroanthropologist & Cognitive Neuroscientist
Author of Origins of the Modern Mind, & A Mind So Rare

Lots of people have written books both optimistic and pessimistic about the Internet. It's a wonderful thing, it gives an opportunity to broaden our experience. I think in many ways the Internet is the only hope if you want to eliminate racism and want to raise the bar across the world, but at the same time, the inequalities are completely ridiculous. They've reached a point of insanity, and we have a moral issue. Is one person ever worth twice as much as another person? Can you justify one human being owning 10 times as much as another person? I don't think you can. I don't think that the president of the biggest cooperation in the world is worth 10 times the poorest person in the world, but that's not what we have. Sometimes he may be “worth” a million times more, a hundred thousand times more. That’s crazy.

MERLIN DONALD

MERLIN DONALD

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Psychologist, Neuroanthropologist & Cognitive Neuroscientist
Author of Origins of the Modern Mind, & A Mind So Rare

Lots of people have written books both optimistic and pessimistic about the Internet. It's a wonderful thing, it gives an opportunity to broaden our experience. I think in many ways the Internet is the only hope if you want to eliminate racism and want to raise the bar across the world, but at the same time, the inequalities are completely ridiculous. They've reached a point of insanity, and we have a moral issue. Is one person ever worth twice as much as another person? Can you justify one human being owning 10 times as much as another person? I don't think you can. I don't think that the president of the biggest cooperation in the world is worth 10 times the poorest person in the world, but that's not what we have. Sometimes he may be “worth” a million times more, a hundred thousand times more. That’s crazy.

(Highlights) DAVID PALUMBO-LIU

(Highlights) DAVID PALUMBO-LIU

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Writer, Activist, Comparative Literature Professor
Author of Speaking Out of Place: Getting Our Political Voices Back

To explore different worlds. That’s what literature has taught me. Reading has taught me how difficult it is to write well, to do you something other than the mundane or the expected, so all those things point to a kind of human creativity and a human capacity to both create and also to learn. To learn about life in different ways and to pass on those lessons to other people. One thing I think great teachers do is to embody what they talk about, the values that they profess, the things they feel are important in their everyday lives outside of the literature. So when I become involved in politics or a cause, it’s a reflection of what I've learned through any number of things including literature. Literature doesn’t stand alone. Literature is part of the world.

DAVID PALUMBO-LIU

DAVID PALUMBO-LIU

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Writer, Activist, Comparative Literature Professor
Author of Speaking Out of Place: Getting Our Political Voices Back

To explore different worlds. That’s what literature has taught me. Reading has taught me how difficult it is to write well, to do you something other than the mundane or the expected, so all those things point to a kind of human creativity and a human capacity to both create and also to learn. To learn about life in different ways and to pass on those lessons to other people. One thing I think great teachers do is to embody what they talk about, the values that they profess, the things they feel are important in their everyday lives outside of the literature. So when I become involved in politics or a cause, it’s a reflection of what I've learned through any number of things including literature. Literature doesn’t stand alone. Literature is part of the world.

(Highlights) JEFFREY D. SACHS

(Highlights) JEFFREY D. SACHS

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President of UN Sustainable Development Solutions Network
Director of Center for Sustainable Development, Columbia University

If we’re badly educated, we’re not going to make it on this planet. If I had to put my finger on one Sustainable Development Goal above all else, it is let’s empower young people so that they know the future. They know the world that they’re going to be leading soon. They can do something about it…If you’re in elementary school up to university, you should be learning–What is climate change? What is biodiversity? What can we do about it? And this kind of learning is not only book learning, but is also experiential learning.

JEFFREY D. SACHS

JEFFREY D. SACHS

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President of UN Sustainable Development Solutions Network
Director of Center for Sustainable Development, Columbia University

If we’re badly educated, we’re not going to make it on this planet. If I had to put my finger on one Sustainable Development Goal above all else, it is let’s empower young people so that they know the future. They know the world that they’re going to be leading soon. They can do something about it…If you’re in elementary school up to university, you should be learning–What is climate change? What is biodiversity? What can we do about it? And this kind of learning is not only book learning, but is also experiential learning.

(Highlights) GEORGE ELLIS

(Highlights) GEORGE ELLIS

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Cosmologist, Theoretical physicist & Star of South Africa Medal Recipient

Artistic creativity and it’s crucial to artistic creativity amongst many other things. In artistic creativity, from my viewpoint, is that you start off with an idea and you’re shaping and you’re totally in control and it doesn’t matter if it's music or sculpture or painting or a novel, eventually the thing sparks its own life, becomes itself, and at that point, the role of the artist is to stand back and let it become what its got to become. And that’s where you get the great art.

GEORGE ELLIS

GEORGE ELLIS

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Cosmologist, Theoretical physicist & Star of South Africa Medal Recipient

Artistic creativity and it’s crucial to artistic creativity amongst many other things. In artistic creativity, from my viewpoint, is that you start off with an idea and you’re shaping and you’re totally in control and it doesn’t matter if it's music or sculpture or painting or a novel, eventually the thing sparks its own life, becomes itself, and at that point, the role of the artist is to stand back and let it become what its got to become. And that’s where you get the great art.

(Highlights) SIRI HUSTVEDT

(Highlights) SIRI HUSTVEDT

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Novelist and Essayist

The reason I think you should read in these other disciplines is because it will help you in your own work. Now I really mean that. I think what has happened with the fragmentation of disciplines is that when problems arise. ...the people working in the discipline are unable to see avenues out of the problem that they would easily see if they had worked through problems in other disciplines.

SIRI HUSTVEDT

SIRI HUSTVEDT

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Novelist and Essayist

The reason I think you should read in these other disciplines is because it will help you in your own work. Now I really mean that. I think what has happened with the fragmentation of disciplines is that when problems arise. ...the people working in the discipline are unable to see avenues out of the problem that they would easily see if they had worked through problems in other disciplines.

DIMITRIOS PANDERMALIS

DIMITRIOS PANDERMALIS

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President of the Acropolis Museum

I think that contact with ancient civilizations is very important because we get to have in our life a third dimension. If we live only in the present, we don't understand what happened many thousand years ago. We don't realize what the development of humanity really is.

(Highlights) IAN BURUMA

(Highlights) IAN BURUMA

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Ian Buruma is the author of many books, including A Tokyo Romance, The Churchill Complex,Their Promised Land, Year Zero, The China Lover, Murder in Amsterdam, Occidentalism and God’s Dust. He teaches at Bard College and is a columnist for Project Syndicate and contributor to The New Yorker, The New York Times, and other publications. He was awarded the 2008 Erasmus Prize for making "an especially important contribution to European culture" and was voted one of the Top 100 Public Intellectuals
by the Foreign Policy magazine.

This interview was conducted by Mia Funk & Lexi Kayser with the participation of collaborating universities and students. Digital Media Coordinator is Phoebe Brous.

Mia Funk is an artist, interviewer and founder of The Creative Process & One Planet Podcast (Conversations about Climate Change & Environmental Solutions).