How Can Activism Shape Our Planet’s Future? JENNIFER MORGAN - Exec. Director, Greenpeace International - Highlights

How Can Activism Shape Our Planet’s Future? JENNIFER MORGAN - Exec. Director, Greenpeace International - Highlights

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Executive Director of Greenpeace International

I have always hoped and dreamt to work with young people because I’ve always felt that it is their future. It’s so inspiring to be working with young people all around the world. I feel that we are in the midst of transformational change and that working together around these key moments where you can see those shifts happening – unimaginable things that you never thought were going to happen can happen. That would be my other advice to young activists that just when you aren’t expecting it, something will happen and you’ll be like, “I can’t believe they just decided that! Holy cow!” And then you’ve got to celebrate.

JENNIFER MORGAN - Executive Director - Greenpeace International

JENNIFER MORGAN - Executive Director - Greenpeace International

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Executive Director of Greenpeace International

I have always hoped and dreamt to work with young people because I’ve always felt that it is their future. It’s so inspiring to be working with young people all around the world. I feel that we are in the midst of transformational change and that working together around these key moments where you can see those shifts happening – unimaginable things that you never thought were going to happen can happen. That would be my other advice to young activists that just when you aren’t expecting it, something will happen and you’ll be like, “I can’t believe they just decided that! Holy cow!” And then you’ve got to celebrate.

Alice Brooks - Cinematographer of In The Heights, Tick, Tick…Boom!…- Highlights

Alice Brooks - Cinematographer of In The Heights, Tick, Tick…Boom!…- Highlights

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Award-winning Cinematographer
In The Heights, Tick, Tick…Boom!

There’s this children’s book called Miss Rumphius, and I’ve carried it around with me my entire life. It’s about a woman who grandfather tells her three things, and the last one is the most difficult thing of all and that’s to fill the world with beauty. And I give this book to every one of my friends who are having babies, I have a copy with me almost at all times, and I’m reminded of that feeling that Jonathan Larson had in Tick, Tick…Boom! Of how much time do we have to do something great.

ALICE BROOKS - Cinematographer of In The Heights, Tick, Tick…Boom!…

ALICE BROOKS - Cinematographer of In The Heights, Tick, Tick…Boom!…

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Award-winning Cinematographer
In The Heights, Tick, Tick…Boom!

There’s this children’s book called Miss Rumphius, and I’ve carried it around with me my entire life. It’s about a woman who grandfather tells her three things, and the last one is the most difficult thing of all and that’s to fill the world with beauty. And I give this book to every one of my friends who are having babies, I have a copy with me almost at all times, and I’m reminded of that feeling that Jonathan Larson had in Tick, Tick…Boom! Of how much time do we have to do something great.

RICK MOODY: From The Ice Storm to The Long Accomplishment – A Literary Journey

RICK MOODY: From The Ice Storm to The Long Accomplishment – A Literary Journey

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Novelist & Memoirist

Words are the oldest information storage and retrieval system ever devised…The written word will remain, scribbled on collapsed highway overpasses, as a testament to love and rage, as evidence of the wanderers in the ruin.

Academy Award Nominee BENH ZEITLIN on Directing Beasts of the Southern Wild & Wendy

Academy Award Nominee BENH ZEITLIN on Directing Beasts of the Southern Wild & Wendy

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Writer, Director & Composer

I think it goes to this feeling of freedom, looking how freedom changes as you grow, being a very particular type of freedom that children have just by the nature of not having learned what the rules are. As we grow, we start to limit what we believe is possible. When you’re a kid, there isn’t a delineation between this is real, and this is my imagination. It’s all real. That’s your life experience.

Writer, Director ETGAR KERET on Dreams, Memory & Writing as a Healing Process - Highlights

Writer, Director ETGAR KERET on Dreams, Memory & Writing as a Healing Process - Highlights

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Writer and Director

When I compare novelists to short story writers or very short story writers, I can’t compare them, but one thing for sure, the purpose is different. I think that someone who writes tries to create or document a world. And when you write very short fiction you try to document a motion, some kind of movement.

Writer/Filmmaker ETGAR KERET: A Voice for Humanity, Culture & Creativity

Writer/Filmmaker ETGAR KERET: A Voice for Humanity, Culture & Creativity

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Writer and Director

When I compare novelists to short story writers or very short story writers, I can’t compare them, but one thing for sure, the purpose is different. I think that someone who writes tries to create or document a world. And when you write very short fiction you try to document a motion, some kind of movement.

Tony Award Winner JOHN BENJAMIN HICKEY on The Normal Heart, The Big C & Beyond - Highlights

Tony Award Winner JOHN BENJAMIN HICKEY on The Normal Heart, The Big C & Beyond - Highlights

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Actor and Director

If you are thinking about too much, you're probably not doing it right. Some nights you do it and you're just like, that just felt like it was ten minutes long and I just was on cloud nine. What was I doing? A great, great American actor George C. Scott had a great quote once, he said, "Every actor worth their salt has one good show a week and spends those other seven shows wondering what they did that made them so good that night." And nobody knows. If you could figure that out and if you could bottle that then, of course, everybody could do it.

JOHN BENJAMIN HICKEY - Tony & Obie Award-Winning Actor & Director

JOHN BENJAMIN HICKEY - Tony & Obie Award-Winning Actor & Director

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Actor and Director

I've been so fortunate to work with such great actors over the years. Laura Linney, Joe Mantello and the entire company of The Normal Heart, Nathan Lane, who I consider one of my great educators. He was a real mentor to me. He was such a professional and he was so devoted to the character and worked tirelessly to make the character in the show as good as it could possibly be. Nathan never ever did it sitting down. He's always full steam ahead and there was a great lesson in that for me to watch somebody's work ethic. It taught me my work ethic.

Remembering PAUL AUSTER - Writer, Director (1947-2024)

Remembering PAUL AUSTER - Writer, Director (1947-2024)

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Writer · Director 1947-2024

What happens is a space is created. And maybe it’s the only space of its kind in the world in which two absolute strangers can meet each other on terms of absolute intimacy. I think this is what is at the heart of the experience and why once you become a reader that you want to repeat that experience, that very deep total communication with that invisible stranger who has written the book that you’re holding in your hands. And that’s why I think, in spite of everything, novels are not going to stop being written, no matter what the circumstances. We need stories. We’re all human beings, and it’s stories from the moment we’re able to talk.

ETGAR KERET - Award-Winning Writer, Director - Highlights

ETGAR KERET - Award-Winning Writer, Director - Highlights

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Writer and Director

When I compare novelists to short story writers or very short story writers, I can’t compare them, but one thing for sure, the purpose is different. I think that someone who writes tries to create or document a world. And when you write very short fiction you try to document a motion, some kind of movement.

Writer/Filmmaker ETGAR KERET: A Voice for Humanity, Culture & Creativity

Writer/Filmmaker ETGAR KERET: A Voice for Humanity, Culture & Creativity

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Writer and Director

When I compare novelists to short story writers or very short story writers, I can’t compare them, but one thing for sure, the purpose is different. I think that someone who writes tries to create or document a world. And when you write very short fiction you try to document a motion, some kind of movement.