How Can Activism Shape Our Planet’s Future? JENNIFER MORGAN - Exec. Director, Greenpeace International - Highlights

How Can Activism Shape Our Planet’s Future? JENNIFER MORGAN - Exec. Director, Greenpeace International - Highlights

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Executive Director of Greenpeace International

I have always hoped and dreamt to work with young people because I’ve always felt that it is their future. It’s so inspiring to be working with young people all around the world. I feel that we are in the midst of transformational change and that working together around these key moments where you can see those shifts happening – unimaginable things that you never thought were going to happen can happen. That would be my other advice to young activists that just when you aren’t expecting it, something will happen and you’ll be like, “I can’t believe they just decided that! Holy cow!” And then you’ve got to celebrate.

JENNIFER MORGAN - Executive Director - Greenpeace International

JENNIFER MORGAN - Executive Director - Greenpeace International

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Executive Director of Greenpeace International

I have always hoped and dreamt to work with young people because I’ve always felt that it is their future. It’s so inspiring to be working with young people all around the world. I feel that we are in the midst of transformational change and that working together around these key moments where you can see those shifts happening – unimaginable things that you never thought were going to happen can happen. That would be my other advice to young activists that just when you aren’t expecting it, something will happen and you’ll be like, “I can’t believe they just decided that! Holy cow!” And then you’ve got to celebrate.

From Pompidou to the National Museum of Immigration: SÉBASTIEN GOKALP on Curating Art & History

From Pompidou to the National Museum of Immigration: SÉBASTIEN GOKALP on Curating Art & History

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Sébastien Gokalp · Director of France’s National Museum of Immigration
Curator of Exhibitions at Centre Pompidou, Musée d’art Moderne de la Ville de Paris & Louis Vuitton Foundation

We have a motto that says that ‘we want to change the gaze on immigration or to open the eyes on immigration’. We’re not here to make action in society, but we want people who come here to have elements of reflection, perception about the question of immigration. To change a mind, because immigration is about the stories of people who come from another country–they are someone else, basically–by assisting them we want to show how someone else can be great for us and not a stranger, foreigner, nor an enemy, but a friend. Someone who will bring us many things about culture, about work, about a way of meaning, of thinking. We have a historical point of view. We want to show that from the French Revolution until now, so two centuries of stories.

GAVIN JAMES CREEL - Tony & Olivier Award-Winning Actor, Singer & Songwriter - Highlights

GAVIN JAMES CREEL - Tony & Olivier Award-Winning Actor, Singer & Songwriter - Highlights

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Tony & Olivier Award-Winning Actor, Singer & Songwriter

To not honor that we are all creative, beautiful, interesting deep, rich individuals. We’re not zeros and ones on a spreadsheet. We’re not scientifically explained. We are not mathematically judged. We are imperfect blobs of emotion and bone and spirit and life and when we come together there is nothing greater than the chemistry and the alchemy of musical theater… There’s a joy, there’s a bounce, there’s an effervescence that’s part of that music. I had a great teacher in college, the head of our program Brent Wagner said, 'With lyrics, I can tell you to open the door, but with music I can tell you how.’ Lyrics are information and music is emotion.

GAVIN JAMES CREEL - A Tony-Winning Journey from The Book of Mormon to Hello, Dolly!

GAVIN JAMES CREEL - A Tony-Winning Journey from The Book of Mormon to Hello, Dolly!

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Tony & Olivier Award-Winning Actor, Singer & Songwriter

To not honor that we are all creative, beautiful, interesting deep, rich individuals. We’re not zeros and ones on a spreadsheet. We’re not scientifically explained. We are not mathematically judged. We are imperfect blobs of emotion and bone and spirit and life and when we come together there is nothing greater than the chemistry and the alchemy of musical theater… There’s a joy, there’s a bounce, there’s an effervescence that’s part of that music. I had a great teacher in college, the head of our program Brent Wagner said, 'With lyrics, I can tell you to open the door, but with music I can tell you how.’ Lyrics are information and music is emotion.

From Campus to Community - JESS WILBER on Citizens’ Climate Lobby - Highlights

From Campus to Community - JESS WILBER on Citizens’ Climate Lobby - Highlights

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International Outreach Citizens’ Climate Lobby
Coordinator, Senior Stewards Acting for the Environment

When I was in highschool, I recognized that climate change was going to be the largest problem facing my generation and future generations, and I couldn’t help but feel like there was nothing I could do in the face of such an impending problem. So I was actively looking at different organizations that I could become involved with that would help me develop the skills and knowledge I needed to be an effective climate advocate.

JESS WILBER

JESS WILBER

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International Outreach Citizens’ Climate Lobby
Coordinator, Senior Stewards Acting for the Environment

When I was in highschool, I recognized that climate change was going to be the largest problem facing my generation and future generations, and I couldn’t help but feel like there was nothing I could do in the face of such an impending problem. So I was actively looking at different organizations that I could become involved with that would help me develop the skills and knowledge I needed to be an effective climate advocate.

Curating Change: ELISSA AUTHER - Avant-Garde Art, Feminism & Craft at Museum of Arts & Design - Highlights

Curating Change: ELISSA AUTHER - Avant-Garde Art, Feminism & Craft at Museum of Arts & Design - Highlights

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Deputy Director of Curatorial Affairs & Chief Curator Museum of Arts and Design

So the Museum of Arts and Design historically, for me, is part of a New York avantgarde scene. It's just that it was dedicated to artists working in these historically-marginalized materials. And it continues to do that. That mission has never changed.

ELISSA AUTHER - Deputy Director of Curatorial Affairs at Museum of Arts and Design

ELISSA AUTHER - Deputy Director of Curatorial Affairs at Museum of Arts and Design

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Deputy Director of Curatorial Affairs & Chief Curator Museum of Arts and Design

So the Museum of Arts and Design historically, for me, is part of a New York avantgarde scene. It's just that it was dedicated to artists working in these historically-marginalized materials. And it continues to do that. That mission has never changed.

Animalkind: Remarkable Discoveries About Animals & Revolutionary New Ways to Show Them Compassion w/ PETA Founder INGRID NEWKIRK - Highlights

Animalkind: Remarkable Discoveries About Animals & Revolutionary New Ways to Show Them Compassion w/ PETA Founder INGRID NEWKIRK - Highlights

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Founder & President of People for the Ethical Treatment of Animals (PETA)

They’re not human traits. They’re all shared traits because, of course, we all love. We all love our families, or not. We all grieve if somebody we love disappears or dies. A family dog, perhaps. A grandfather. We all feel loneliness, we all feel joy. We all really value our freedom. And so I think, if anything, looking into the eyes of the animal, even online, you see a person in there. There’s a someone in whatever the shape or the physical properties of that individual are. And that lesson is that I am you. You are me, only different. We are all the same in all the ways that count…Any living being teaches you– Look into my eyes. And there you are, the reflection of yourself.

INGRID NEWKIRK - Founder, President of PETA - People for the Ethical Treatment of Animals

INGRID NEWKIRK - Founder, President of PETA - People for the Ethical Treatment of Animals

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Founder & President of People for the Ethical Treatment of Animals (PETA)

They’re not human traits. They’re all shared traits because, of course, we all love. We all love our families, or not. We all grieve if somebody we love disappears or dies. A family dog, perhaps. A grandfather. We all feel loneliness, we all feel joy. We all really value our freedom. And so I think, if anything, looking into the eyes of the animal, even online, you see a person in there. There’s a someone in whatever the shape or the physical properties of that individual are. And that lesson is that I am you. You are me, only different. We are all the same in all the ways that count…Any living being teaches you– Look into my eyes. And there you are, the reflection of yourself.

MIKE DAVIS: Power, Corruption & the Fight for Global Justice w/ MIKE DAVIS - CEO of Global Witness - Highlights

MIKE DAVIS: Power, Corruption & the Fight for Global Justice w/ MIKE DAVIS - CEO of Global Witness - Highlights

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CEO of Global Witness

As an organization, Global Witness has to take security risks extremely seriously. We encounter quite a range of threats to our work and some of those take the form of cyberattacks, we’re regularly threatened with lawsuits by powerful companies and individuals who don’t like the scrutiny we place them under, but far and away the most serious category of threats is to those we work with in fragile and sometimes dangerous parts of the world.

MIKE DAVIS - CEO of Global Witness on Exposing Corruption & Defending the Climate

MIKE DAVIS - CEO of Global Witness on Exposing Corruption & Defending the Climate

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CEO of Global Witness

As an organization, Global Witness has to take security risks extremely seriously. We encounter quite a range of threats to our work and some of those take the form of cyberattacks, we’re regularly threatened with lawsuits by powerful companies and individuals who don’t like the scrutiny we place them under, but far and away the most serious category of threats is to those we work with in fragile and sometimes dangerous parts of the world.

A Movement for Change: KATHLEEN ROGERS on the Evolution of Earth Day and Global Environmental Action – Highlights

A Movement for Change: KATHLEEN ROGERS on the Evolution of Earth Day and Global Environmental Action – Highlights

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President · EARTHDAY.ORG

On the Importance of Climate Literacy & Training Programs
Not a single country in the world makes–probably one of the most important skills you’ll ever have–which is understanding the planet, a requirement. Nobody graduates from our high schools having those skills.

Earth Day’s Legacy: KATHLEEN ROGERS, President of EARTHDAY.ORG on Civic Engagement & Environmental Advocacy

Earth Day’s Legacy: KATHLEEN ROGERS, President of EARTHDAY.ORG on Civic Engagement & Environmental Advocacy

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President · EARTH DAY.org


On the Importance of Climate Literacy & Training Programs
Not a single country in the world makes–probably one of the most important skills you’ll ever have–which is understanding the planet, a requirement. Nobody graduates from our high schools having those skills.

Behind the Lens: JONATHAN FURMANSKI on Filming Search Party, Good Boys, Inside Amy Schumer - Highlights

Behind the Lens: JONATHAN FURMANSKI on Filming Search Party, Good Boys, Inside Amy Schumer - Highlights

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Cinematographer Jonathan Furmanski’s credits include the film Good Boys. For TV, he’s lensed the cult crime comedy Search Party, Inside Amy Schumer, and The Detour. He’s shot on massive glaciers, active volcanos, and in international combat zones. His documentary feature films include The Zen Diaries of Garry Shandling, May It Last: A Portrait of the Avett Brothers, 30 for 30: Doc & Darryl, Big Men and The Family Business: Trump and Taxes.

Behind the Lens: JONATHAN FURMANSKI on Filming Search Party, Good Boys, Inside Amy Schumer
The Creative Process Podcast

JONATHAN FURMANSKI

Directing is its own art form, so I have great respect and appreciation for directing and all the directors that I’ve had an opportunity to work with, but I just know that’s not me. So I’m happy that cinematography found me or I found it. I appreciate what you said about how cinematography, obviously is its own art form and can function as a character in a project and in the audience’s experience of watching that project. I think cinematography can–I don’t want to say make or break a project–because I think ultimately the writing and the performances are the foundation of any good project, but I think that cinematography can either elevate or undermine both the writing or the performances, depending on how it’s treated and how it’s executed. So, to me, it’s a fundamental part of the process.

This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Leni Sperry-Fromm. Digital Media Coordinator is Yu Young Lee. 

mia-funk-painting-the-creative-process-abstract-david-hollander copy.jpg

Mia Funk is an artist, interviewer and founder of The Creative Process. 

The Art of Cinematography: JONATHAN FURMANSKI From Search Party to The Zen Diaries of Garry Shandling

The Art of Cinematography: JONATHAN FURMANSKI From Search Party to The Zen Diaries of Garry Shandling

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Cinematographer Jonathan Furmanski’s credits include the film Good Boys. For TV, he’s lensed the cult crime comedy Search Party, Inside Amy Schumer, and The Detour. He’s shot on massive glaciers, active volcanos, and in international combat zones. His documentary feature films include The Zen Diaries of Garry Shandling, May It Last: A Portrait of the Avett Brothers, 30 for 30: Doc & Darryl, Big Men and The Family Business: Trump and Taxes.

The Art of Cinematography: JONATHAN FURMANSKI From Search Party to The Zen Diaries of Garry Shandlin
The Creative Process Podcast

JONATHAN FURMANSKI

Directing is its own art form, so I have great respect and appreciation for directing and all the directors that I’ve had an opportunity to work with, but I just know that’s not me. So I’m happy that cinematography found me or I found it. I appreciate what you said about how cinematography, obviously is its own art form and can function as a character in a project and in the audience’s experience of watching that project. I think cinematography can–I don’t want to say make or break a project–because I think ultimately the writing and the performances are the foundation of any good project, but I think that cinematography can either elevate or undermine both the writing or the performances, depending on how it’s treated and how it’s executed. So, to me, it’s a fundamental part of the process.

This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Leni Sperry-Fromm. Digital Media Coordinator is Yu Young Lee. 



mia-funk-painting-the-creative-process-abstract-david-hollander copy.jpg

Mia Funk is an artist, interviewer and founder of The Creative Process. 

Chilean singer-songwriter & activist NANO STERN On Tradition, Innovation & the Power of Song - Highlights

Chilean singer-songwriter & activist NANO STERN On Tradition, Innovation & the Power of Song - Highlights

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Musician and Songwriter

There is a metaphor to every single word that we say, we're just not aware. But if we were aware, then it would become very interesting. And that's the quest for me to be constantly more and more aware because it's so beautiful. It's a quest for beauty as well.

The Intersection of Music, Culture & Activism with NANO STERN

The Intersection of Music, Culture & Activism with NANO STERN

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Musician and Songwriter

There is a metaphor to every single word that we say, we're just not aware. But if we were aware, then it would become very interesting. And that's the quest for me to be constantly more and more aware because it's so beautiful. It's a quest for beauty as well.

Love, Loss & The Art of Writing with DELIA EPHRON - Highlights

Love, Loss & The Art of Writing with DELIA EPHRON - Highlights

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Author, Screenwriter and Producer

So the great thing about being a writer is you can take the pain of your life and make something out of it. And you can mix it up with the happier parts and make something even better out of it. I mean, it's kind of all these things end up being gifts when you're older.