How Can Investment Propel Climate Restoration? IBRAHIM ALHUSSEINI - Founder & CEO of FullCycle - Highlights

How Can Investment Propel Climate Restoration? IBRAHIM ALHUSSEINI - Founder & CEO of FullCycle - Highlights

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Founder and CEO of FullCycle Fund

Is it okay that you benefit at the expense of everyone and everything else? Is that a way that you really feel like you are winning at life? If not, then reconsider what you’re doing and just realize that we all live in this inextricably connected closed sphere in the middle of space. Anything that harms one area harms every area. There is nobody who can escape dirty air, dirty water, dirty food, economic political disruptions, etc. We’re all in this together. So don’t fool yourself by thinking somehow you’re going to come out this unscathed and having ‘won’ while everybody else loses.

What Role Does Venture Capital Play in a Sustainable Future? IBRAHIM ALHUSSEINI - Founder & CEO of FullCycle, Environmental Advocate

What Role Does Venture Capital Play in a Sustainable Future? IBRAHIM ALHUSSEINI - Founder & CEO of FullCycle, Environmental Advocate

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Ibrahim AlHusseini was born in Jordan and raised in Saudi Arabia by parents who are Palestinian refugees. He emigrated to the United States in the 1990s to attend college at the University of Washington and he currently resides in Los Angeles. 

AlHusseini is a venture capitalist, sustainability-focused entrepreneur, and environmentalist. He is the founder and CEO of FullCycle, an investment company accelerating the deployment of climate-restoring technologies. AlHusseini is also the founder and managing partner of The Husseini Group.

What Role Does Venture Capital Play in a Sustainable Future? IBRAHIM ALHUSSEINI - Founder & CEO...
One Planet Podcast · Creative Process Original Series

This interview was conducted by Mia Funk, Justin Hayes & Daniel Soroudi with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Daniel Soroudi. Digital Media Coordinator is Hannah Story Brown.

Mia Funk is an artist, interviewer and founder of The Creative Process.

Windfall: The Booming Business of Global Warming w/ McKENZIE FUNK - Highlights

Windfall: The Booming Business of Global Warming w/ McKENZIE FUNK - Highlights

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Journalist & PEN Literary Award-Winning Author of Windfall

As a parent and especially through all this reporting, what I’ve tried to do is think through these solutions and these fixes we have for everything and make sure that we’re not forgetting…that we’re thinking about other people. Capitalism won’t do it. Self-interest isn’t going to do this for us. As silly as it is to think that empathy will do or caring about your fellow humans will do it, I don’t know what else there is to hope for. I don’t believe that people do stuff purely out of rational self-interest, this libertarian idea that I was quietly pushing against the entire time in Windfall. That we do things just for ourselves or just to make money–that’s not been the reality of my lifetime.

McKENZIE FUNK - Journalist & PEN Literary Award-Winning Author of Windfall

McKENZIE FUNK - Journalist & PEN Literary Award-Winning Author of Windfall

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Journalist & PEN Literary Award-Winning Author of Windfall

As a parent and especially through all this reporting, what I’ve tried to do is think through these solutions and these fixes we have for everything and make sure that we’re not forgetting…that we’re thinking about other people. Capitalism won’t do it. Self-interest isn’t going to do this for us. As silly as it is to think that empathy will do or caring about your fellow humans will do it, I don’t know what else there is to hope for. I don’t believe that people do stuff purely out of rational self-interest, this libertarian idea that I was quietly pushing against the entire time in Windfall. That we do things just for ourselves or just to make money–that’s not been the reality of my lifetime.

How Can Literature Illuminate Climate Change?" KAREN PINKUS - Prof. of Italian & Comparative Literature, Cornell - Highlights

How Can Literature Illuminate Climate Change?" KAREN PINKUS - Prof. of Italian & Comparative Literature, Cornell - Highlights

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Author of Fuel: A Speculative Dictionary
Professor of Italian & Comparative Literature, Cornell University

For many years I wrote, taught, and published about climate change from a more philosophical, existential point of view, especially thinking about deep time, but I did come back to fuels with my Fuel book in part for the fact that so much of the press and so much of public discourse confuses fuel and energy, and it’s still happening today. I thought about this so long and the same themes, the same tropes are still being recycled.

Narrative, Climate Change & Culture with KAREN PINKUS

Narrative, Climate Change & Culture with KAREN PINKUS

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Author of Fuel: A Speculative Dictionary
Professor of Italian & Comparative Literature, Cornell University

For many years I wrote, taught, and published about climate change from a more philosophical, existential point of view, especially thinking about deep time, but I did come back to fuels with my Fuel book in part for the fact that so much of the press and so much of public discourse confuses fuel and energy, and it’s still happening today. I thought about this so long and the same themes, the same tropes are still being recycled.

What Can Cosmic Rays Teach Us About the Universe? Panofsky Prize-Winning Astrophysicist PIERRE SOKOLSKY - Highlights

What Can Cosmic Rays Teach Us About the Universe? Panofsky Prize-Winning Astrophysicist PIERRE SOKOLSKY - Highlights

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Leader in field of Particle Astrophysics
Professor Emeritus of Physics & Astronomy U of Utah
Dean Emeritus of the College of Science

As an administrator for 15 years, I still tried to do science and it was difficult because being a dean, every day there is a problem. Every day you have to solve some personal issues, so it’s difficult to concentrate and what I would do was, whenever there was an opportunity to go to a conference away from the university, particularly in a different country, I would sit in the conference room listening to these lectures. You know how it is with meetings, maybe 10% of the speakers are exciting and interesting. What I found is even when I was not listening because I was in this atmosphere of people talking about physics, my mind was set free and would just start percolating. And all of a sudden ideas would come completely unrelated to what the speaker was talking about, except that they were scientific ideas. And I would jot them down and I found that this was really quite an interesting process because it was kind of an immersion process where you actually are not concentrating on what is exactly in front of you, but it puts you in this mood. The brain turns on a different lode and I think by association other ideas come up.

On Astrophysics, Education & Cultivating Creativity - PIERRE SOKOLSKY

On Astrophysics, Education & Cultivating Creativity - PIERRE SOKOLSKY

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Leader in field of Particle Astrophysics
Professor Emeritus of Physics & Astronomy U of Utah
Dean Emeritus of the College of Science

As an administrator for 15 years, I still tried to do science and it was difficult because being a dean, every day there is a problem. Every day you have to solve some personal issues, so it’s difficult to concentrate and what I would do was, whenever there was an opportunity to go to a conference away from the university, particularly in a different country, I would sit in the conference room listening to these lectures. You know how it is with meetings, maybe 10% of the speakers are exciting and interesting. What I found is even when I was not listening because I was in this atmosphere of people talking about physics, my mind was set free and would just start percolating. And all of a sudden ideas would come completely unrelated to what the speaker was talking about, except that they were scientific ideas. And I would jot them down and I found that this was really quite an interesting process because it was kind of an immersion process where you actually are not concentrating on what is exactly in front of you, but it puts you in this mood. The brain turns on a different lode and I think by association other ideas come up.

The Secret of Turning Your Moments into Miracles w/ MITCH HOROWITZ - Highlights

The Secret of Turning Your Moments into Miracles w/ MITCH HOROWITZ - Highlights

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Historian of Alternative Spirituality & PEN Award-Winning Author

I’ve always considered myself a believing historian and, in fact, most historians of religion are actually believing historians. Very frequently they emerge from the congregations that they’re writing about, whether new religious movements or traditional religions, this is true of Kabbalistic scholar Gershom Scholem, it’s true of people who have written probably the most important biographies of more recent religious figures like Mary Baker Eddy or Joseph Smith, a Mormon prophet. Although, historians don’t frequently acknowledge being believing historians because they feel that it might seem to compromise their capacity for critical judgement, but my impression is different. My impression is that being in very direct proximity to the nature of the philosophical, religious, ethical, therapeutic movements that you’re writing about can heighten your critical acumen.

MITCH HOROWITZ - Historian of Alternative Spirituality & PEN Award-Winning Author of Occult America

MITCH HOROWITZ - Historian of Alternative Spirituality & PEN Award-Winning Author of Occult America

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Historian of Alternative Spirituality & PEN Award-Winning Author

I’ve always considered myself a believing historian and, in fact, most historians of religion are actually believing historians. Very frequently they emerge from the congregations that they’re writing about, whether new religious movements or traditional religions, this is true of Kabbalistic scholar Gershom Scholem, it’s true of people who have written probably the most important biographies of more recent religious figures like Mary Baker Eddy or Joseph Smith, a Mormon prophet. Although, historians don’t frequently acknowledge being believing historians because they feel that it might seem to compromise their capacity for critical judgement, but my impression is different. My impression is that being in very direct proximity to the nature of the philosophical, religious, ethical, therapeutic movements that you’re writing about can heighten your critical acumen.

Feminist Perspectives in Performance & Art with MICOL HEBRON - Highlights

Feminist Perspectives in Performance & Art with MICOL HEBRON - Highlights

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Interdisciplinary Artist, Curator & Feminist Activist

Now I think we’re in another culture war. I think we’re in, as we see the realm of cancel culture in social media and this very polarising war between the liberal left and the conservative right. I think that we’re in another culture and a lot of it is centering around gender and race. If you look at what’s happened to black women athletes in the last couples of months, the censuring of their bodies either because of hormones in the case of Caster Semenya or Naomi Osaka, there’s a lot of ways that our society has found to police black bodies for being too exceptional in a lot of ways. For performing in exceptional ways, and the white patriarchy doesn’t like to see that because it starts to diminish their power.


MICOL HEBRON - Interdisciplinary Artist, Curator & Feminist Activist

MICOL HEBRON - Interdisciplinary Artist, Curator & Feminist Activist

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Interdisciplinary Artist, Curator & Feminist Activist

Now I think we’re in another culture war. I think we’re in, as we see the realm of cancel culture in social media and this very polarising war between the liberal left and the conservative right. I think that we’re in another culture and a lot of it is centering around gender and race. If you look at what’s happened to black women athletes in the last couples of months, the censuring of their bodies either because of hormones in the case of Caster Semenya or Naomi Osaka, there’s a lot of ways that our society has found to police black bodies for being too exceptional in a lot of ways. For performing in exceptional ways, and the white patriarchy doesn’t like to see that because it starts to diminish their power.


Alice Brooks - Cinematographer of In The Heights, Tick, Tick…Boom!…- Highlights

Alice Brooks - Cinematographer of In The Heights, Tick, Tick…Boom!…- Highlights

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Award-winning Cinematographer
In The Heights, Tick, Tick…Boom!

There’s this children’s book called Miss Rumphius, and I’ve carried it around with me my entire life. It’s about a woman who grandfather tells her three things, and the last one is the most difficult thing of all and that’s to fill the world with beauty. And I give this book to every one of my friends who are having babies, I have a copy with me almost at all times, and I’m reminded of that feeling that Jonathan Larson had in Tick, Tick…Boom! Of how much time do we have to do something great.

ALICE BROOKS - Cinematographer of In The Heights, Tick, Tick…Boom!…

ALICE BROOKS - Cinematographer of In The Heights, Tick, Tick…Boom!…

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Award-winning Cinematographer
In The Heights, Tick, Tick…Boom!

There’s this children’s book called Miss Rumphius, and I’ve carried it around with me my entire life. It’s about a woman who grandfather tells her three things, and the last one is the most difficult thing of all and that’s to fill the world with beauty. And I give this book to every one of my friends who are having babies, I have a copy with me almost at all times, and I’m reminded of that feeling that Jonathan Larson had in Tick, Tick…Boom! Of how much time do we have to do something great.

Bridging Art & Culture in Athens: Inside the MUSEUM HERAKLEIDON - Highlights

Bridging Art & Culture in Athens: Inside the MUSEUM HERAKLEIDON - Highlights

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General Manager & Communications Director
Herakleidon Museum, Athens

Art, Culture & History: MUSEUM HERAKLEIDON, Athens

Art, Culture & History: MUSEUM HERAKLEIDON, Athens

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General Manager & Communications Director
Herakleidon Museum, Athens

A Sculptor's Life: The Monumental Art of MARK MENNIN - Highlights

A Sculptor's Life: The Monumental Art of MARK MENNIN - Highlights

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Sculptor

I think direct contact with the material should be important to every sculptor because I think once you lose that it becomes a second hand process. It’s one of the reasons the casting process isn’t so interesting to me just because the final product, the final piece has not been touched by the artist. There’s no relationship with the mind that conceived the piece or designed it. I think something is lost when that happens. And it becomes something else.

MARK MENNIN - Sculpture, History, Landscape

MARK MENNIN - Sculpture, History, Landscape

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Sculptor

I think direct contact with the material should be important to every sculptor because I think once you lose that it becomes a second hand process. It’s one of the reasons the casting process isn’t so interesting to me just because the final product, the final piece has not been touched by the artist. There’s no relationship with the mind that conceived the piece or designed it. I think something is lost when that happens. And it becomes something else.

From Pompidou to the National Museum of Immigration: SÉBASTIEN GOKALP on Curating Art & History

From Pompidou to the National Museum of Immigration: SÉBASTIEN GOKALP on Curating Art & History

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Sébastien Gokalp · Director of France’s National Museum of Immigration
Curator of Exhibitions at Centre Pompidou, Musée d’art Moderne de la Ville de Paris & Louis Vuitton Foundation

We have a motto that says that ‘we want to change the gaze on immigration or to open the eyes on immigration’. We’re not here to make action in society, but we want people who come here to have elements of reflection, perception about the question of immigration. To change a mind, because immigration is about the stories of people who come from another country–they are someone else, basically–by assisting them we want to show how someone else can be great for us and not a stranger, foreigner, nor an enemy, but a friend. Someone who will bring us many things about culture, about work, about a way of meaning, of thinking. We have a historical point of view. We want to show that from the French Revolution until now, so two centuries of stories.

Things We Didn't Talk About When I Was a Girl w/ JEANNIE VANASCO - Highlights

Things We Didn't Talk About When I Was a Girl w/ JEANNIE VANASCO - Highlights

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Award-Winning Memoirist, Author & Educator

What interested me about this particular experience is that I didn’t have the language to attach to it in the way I had the language to attach to a later experience that I would have no trouble calling rape, but happened to me and I call Mark in the book. I didn’t know what to call that for the longest time, so I didn’t know what to feel about it, and so as a writer that interests me. When I don’t have the words for something, when I sense that inevitably I’m going to fail.