KYLE HARPER

KYLE HARPER

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Author of Plagues upon the Earth: Disease and the Course of Human History
G.T. & Libby Blankenship Chair in the History of Liberty, Professor of Classics & Letters, University of Oklahoma

Human well-being is both a question of social development in a very holistic sense that people have jobs that provide adequate food and clean water as well as the elimination of dangerous microbes, and so the question is how do societies continue to develop in a way that's globally equitable and sustainable and that's really one of wicked hardest problems on the planet is how do we continue to experience growth without having carbon emissions that make growth and impossible, that continue to hold societies in poverty, and that continue to imperil human health.

GEORGE ELLIS

GEORGE ELLIS

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Cosmologist, Theoretical physicist & Star of South Africa Medal Recipient

Artistic creativity and it’s crucial to artistic creativity amongst many other things. In artistic creativity, from my viewpoint, is that you start off with an idea and you’re shaping and you’re totally in control and it doesn’t matter if it's music or sculpture or painting or a novel, eventually the thing sparks its own life, becomes itself, and at that point, the role of the artist is to stand back and let it become what its got to become. And that’s where you get the great art.

E.J. KOH

E.J. KOH

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Award-winning Memoirist & Poet
The Magical Language of Others · A Lesser Love

I had delayed speech, and I had quite a bit of trouble with speaking. I think I must have been five before I was uttering some of my first words and trying to articulate. Simple communication was very difficult for me and my family, especially in a family where we were speaking several languages. They hoped to instill English. It’s the language of survival. There was a lot of frustration and fear in my relationship to language, and the relationship these languages had to each other, that was something I felt very sensitive to since I was young. Since before I could speak.

ADA LIMÓN

ADA LIMÓN

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National Book Critics Circle Award-winning Poet & Host of The Slowdown podcast

This poem was written for me when I was having a real moment of reckoning, not that I hadn't had it earlier, but where I was doing some deep reading about the climate crisis and really reckoning with myself, with where we were and what was happening, what the truth was. And I felt like it was so easy to slip down into a darkness, into a sort of numbness, and I didn't think that that numbness and darkness could be useful.

GAURAV GUPTA

GAURAV GUPTA

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Director of Kotter International · Co-author of Change: How Organizations Achieve Hard to Imagine Results in Uncertain & Volatile Times

How do you get people to have a sense of urgency to actually take action and do something different? What we're finding is the learnings from business very much do apply to other spheres and also more generally do challenges like climate change. We’re facing the question of how do you get more people to actually be willing to take real meaningful action.

ROB NIXON

ROB NIXON

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Author of Slow Violence and the Environmentalism of the Poor
Professor Environmental Humanities at Princeton

There are some recurrent threads in indigenous cultures across the world. One of those is–We don’t own the land. The land owns us. It’s not seen as property first. It’s seen as inalienable in that sense because you don’t own it in the first place. What we’re seeing now is a kind of movement where more and more indigenous people are living kind of amphibious lives. On the one hand, they have their indigenous cosmologies. And the other hand, in order to increase the likelihood that they can keep out big corporations, mining, logging, and so forth, their presence on the land needs to be bureaucratically recognized is to have recognition that “this is your property.” So in one sense many of these communities I find are both inside and outside private property regimes.

ROB PRINGLE

ROB PRINGLE

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Ecology & Evolutionary Biology Professor Princeton University · Pringle Lab

For nature and natural beauty to survive, people have to want it. If they don’t ever experience it, why should they want it? What could see of value in it, something that you not only have never experienced but don’t ever expect to. We intellectually know that the Amazon is an important thing because it stores carbon and it’s home to many species, but I’ve been there. That’s a different thing entirely to be able to appreciate it on that level and care about it for the sheer beauty and magic and joy of being in a place that’s still so big and so wild. So that I think is the most important thing for the next generation.

IAN BURUMA

IAN BURUMA

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Ian Buruma is the author of many books, including A Tokyo Romance, The Churchill Complex,Their Promised Land, Year Zero, The China Lover, Murder in Amsterdam, Occidentalism and God’s Dust. He teaches at Bard College and is a columnist for Project Syndicate and contributor to The New Yorker, The New York Times, and other publications. He was awarded the 2008 Erasmus Prize for making "an especially important contribution to European culture" and was voted one of the Top 100 Public Intellectuals
by the Foreign Policy magazine.

Ian Buruma · Public Intellectual & Erasmus Prize-Winning Author of A Tokyo Romance, The Churchill...
The Creative Process Podcast · Arts, Culture & Society

This interview was conducted by Mia Funk & Lexi Kayser with the participation of collaborating universities and students. Digital Media Coordinator is Phoebe Brous.

Mia Funk is an artist, interviewer and founder of The Creative Process & One Planet Podcast (Conversations about Climate Change & Environmental Solutions).

SETH M. SIEGEL

SETH M. SIEGEL

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Entrepreneur, Public Speaker & NYTimes Bestselling Author
Let There Be Water: Israel’s Solution for a Water-Starved World · Troubled Water: What's Wrong with What We Drink

On average in advanced societies, about 70% of freshwater that’s consumed is consumed by agriculture. In less developed countries, sometimes as high as 95% of the freshwater goes to agriculture, which means that you’re depleting the amount of water available for the environment. You’re depleting amount of groundwater to preserve for the future, especially in dry times, and it creates a stress for the future…What are you going to do when you have hundreds of millions of water refugees coming from places where there used to be enough water where there’s now just not enough water? What is the world going to do then?

RICHARD D. WOLFF

RICHARD D. WOLFF

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Founder of Democracy at Work · Host of Economic Update
Author of The Sickness is the System: When Capitalism Fails to Save Us from Pandemics or Itself

You can criticize many things in the United States, but there are taboos and the number one taboo is that you cannot criticize Capitalism. That is equated with disloyalty…This story about Capitalism being wonderful. This story is fading. You can’t do that anymore. The Right Wing cannot rally its troops around Capitalism. That’s why it doesn’t do it anymore. It rallies the troops around being hateful towards immigrants. It rallies the troops around “fake elections”, around the right to buy a gun, around White Supremacists. Those issues can get some support, but “Let’s get together for Capitalism!” That is bad. They can’t do anything with that. They have to sneak the Capitalism in behind those other issues because otherwise, they have no mass political support.

GAIA VINCE

GAIA VINCE

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Science Writer, Broadcaster & Author
Transcendence: How Humans Evolved Through Fire, Language, Beauty & Time · Adventures in the Anthropocene

The good thing about our species is that we create our own environment. What we’ve been doing so far is creating an environment where we’re much more successful. We live a lot longer, we’re much healthier than we have been in the past. There are many, many more of us, so we’re very successful as a species and that’s been at the expense of other ecosystems, but what’s happened is we are now dominating the planet to a dangerous degree, but we are also self-aware. We’re capable of understanding that.

MARY EDNA FRASER & ORRIN H. PILKEY (Copy)
JANE MADGWICK

JANE MADGWICK

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Ecologist & CEO of Wetlands International
Co-author of Water Lands: A vision for the world’s wetlands and their people
Wetlands naturally absorb twice the amount of carbon than all the world’s forests combined.
I think everybody at school learns about the water cycle. That rings a bell with everybody. Maybe this is a good hook to show the place of wetlands in capturing and purifying and the story of water. And then in turn how this links to what we’re seeing every year: droughts, floods, fires, heat waves which are devastating and life-threatening. I think this may be one of the easiest routes in educating people, connecting wetlands with water and the direct impact of that.

DR. JOERI ROGELJ

DR. JOERI ROGELJ

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Director of Research at Grantham Institute, Imperial College
Author on UN Environment Programme & Intergovernmental Panel on Climate Change

A key part of how I go about doing my research is being involved in policy discussions, policy conversations, and also by following the international climate negotiations very closely. Actually, I started my research career as a part of the Presidency of the International Climate Negotiations in 2009. After that I remained an advisor to country delegations in the international negotiations, particularly small island development states or least developed countries. That really helped me to get a sense of what the real questions are that they are struggling with.

OSPREY ORIELLE LAKE

OSPREY ORIELLE LAKE

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Founder & Executive Director of the Women's Earth & Climate Action Network International

Author of Uprisings for the Earth: Reconnecting Culture with Nature & Artist

There’s a wide range of reasons that we really need to understand the root causes of a lot of our social ills and environmental ills. I think we need to continue to come back to this question of how we heal this imposed divide between the natural world and human social constructs. And that healing is key to how we’re going to really unwind the perilous moment that we face right now. How do we reconnect with the natural world? Not just intellectually, but in a very embodied way.

MERLIN SHELDRAKE

MERLIN SHELDRAKE

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Merlin Sheldrake is a biologist and bestselling author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures. Merlin received a Ph.D. in tropical ecology from Cambridge University for his work on underground fungal networks in tropical forests in Panama, where he was a predoctoral research fellow of the Smithsonian Tropical Research Institute. Entangled Life won the Wainwright Prize 2021, and has been nominated for a number of other prizes. Merlin is a research associate of the Vrije University Amsterdam, Head of Science and Communications Strategy for the Society for the Protection of Underground Networks, and sits on the advisory board of the Fungi Foundation.

Merlin Sheldrake · Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds(Highl
Climate Change & Environmental Solutions · Creative Process Original Series

MERLIN SHELDRAKE

Humans have been partnering with fungi for an unknowably long time, no doubt for longer than we’ve been humans. Whether as foods, eating mushrooms, as medicines, dosing ourselves with moulds and other mushrooms that might help, parasites or others helpers with infection, mushrooms as tinder or ways to carry a spark, this very important thing that humans needed to do for a very long time, and as agents of fermentation, as in yeasts creating alcohol. So humans have partnered with fungi to solve all sorts of problems and so fungi have found themselves enveloped within human societies and cultures for a long time.

This interview was conducted by Mia Funk & Cooper Berkoff with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Cooper Berkoff. Digital Media Coordinator is Phoebe Brous.

Mia Funk is an artist, interviewer and founder of The Creative Process & One Planet Podcast (Conversations about Climate Change & Environmental Solutions).

DR. FARHANA SULTANA

DR. FARHANA SULTANA

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Dr. Farhana Sultana is an Associate Professor in the Department of Geography and the Environment at the Maxwell School of Citizenship and Public Affairs of Syracuse University, where she is also the Research Director for Environmental Collaboration and Conflicts at the Program for the Advancement of Research on Conflicts and Collaboration (PARCC).

Dr. Sultana is an internationally recognized interdisciplinary scholar of political ecology, water governance, post‐colonial development, social and environmental justice, climate change, and feminism. Her research and scholar-activism draw from her experiences of having lived and worked on three continents as well as from her backgrounds in the natural sciences, social sciences, and policy experience.

Prior to joining Syracuse, she taught at King’s College London and worked at United Nations Development Programme (UNDP). Author of several dozen publications, her recent books are “The Right to Water: Politics, Governance and Social Struggles” (2012), “Eating, Drinking: Surviving” (2016) and “Water Politics: Governance, Justice, and the Right to Water” (2020). Dr. Sultana graduated Cum Laude from Princeton University (in Geosciences and Environmental Studies) and obtained her Masters and PhD (in Geography) from the University of Minnesota, where she was a John D. and Catherine T. MacArthur Foundation Fellow.

She was awarded the Glenda Laws Award from the American Association of Geographers for “outstanding contributions to geographic research on social issues” in 2019.

Dr. Farhana Sultana · Co-author: Water Politics: Governance, Justice & the Right to Water, Fmr. UNDP
Climate Change & Environmental Solutions · Creative Process Original Series

This interview was conducted by Mia Funk & Mariana Monahan Negron with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Mariana Monahan Negron. Digital Media Coordinator is Phoebe Brous.

Mia Funk is an artist, interviewer and founder of The Creative Process & One Planet Podcast (Conversations about Climate Change & Environmental Solutions).

JERICHO BROWN

JERICHO BROWN

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Pulitzer Prize-winning Poet
Author of The Tradition & The New Testament

I just want to make the poems like a living being…There are moments that I’m not at the desk, but I’m living life. And living life is actually what leads to writing. You have to have experiences to write about. Whether or not you are aware of those experiences as you are writing them down because if you’re doing music first, maybe you’re not aware of what you’re writing. And yet, those experiences are what come to fruition in your writing. You become aware. Oh, I did come on that roller coaster that time that I haven’t thought about in twenty years. Oh I did make love to that cute person that I haven’t thought about in ten years, but you’ve got to make love, you’ve got to get on roller coasters, you’ve got to get your heart broken. You’ve got to dance. You gotta get out and do things and that, too, is a part of writing. You have to trust you’re a writer by identity. And if you can trust that you’re a writer by identity, then you don’t have to be at a desk.

ANA CASTILLO

ANA CASTILLO

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Award-winning Xicana Activist, Editor, Poet, Novelist, Artist
Author of My Book of the Dead
One of the things of the things that is dying is our planet. We hear these sirens every single day. We’re being warned daily by experts and concerned people how vast that squandering is going. It’s a case of urgency and it’s astounding and a very sad, a very pathetic comment on modern life that most people are ignoring those signs. As a poet, it seems to me that one of the tasks that the poet takes on, it’s a vocation that’s born with it, it’s this consciousness, this serving as witness.

REBECCA WALKER

REBECCA WALKER

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Award-Winning Writer, Producer & Co-founder of Third Wave Fund

The idea of writing memoir is about listening carefully. The way to find a story or, at least the story that needs to be told is that moment that you’re writing is the emerges from a deep kind of inner listening and finding the memories that are charged that don’t want to leave that have a certain kind of energy to them and, if you listen to them, and you allow them to be born in the writing, you discover your own story because your story is basically made up of all the memories that continue to hold the charge for you. All the memories that are lodged in your mind that you’ve secreted away and when you can excavate that story and you can write it down, then you can make sense of it and you can understand why you’re living the way you’re living and why you feel the way you feel. And you can also decide to to release those memories so that you can have new memories that can define and can shape your life.