Environmentalists, writers, artists, activists, and public policy makers explore the interconnectedness of living beings and ecosystems. They highlight the importance of conservation, promote climate education, advocate for sustainable development, and underscore the vital role of creative and educational communities in driving positive change. Music courtesy of composer Max Richter.
Climate Change, Education, Mental Health & Advocacy for Nature
Climate change gives us a chance to re-imagine the world in a way that every single human being can participate in. And so whether you're in a remote part of the United States or some other country, when you learn about climate change, it shouldn't just be the science. It should be the opportunity. –Kathleen Rogers, President of EarthDay·ORG
The natural world has its own sonic language. Its own fingerprints. And that's one of the beautiful things about being out here. There is another acoustic environment, another sort of sonic fingerprint, and it is always changing. Every day is a sort of a different sound picture. I walk out the door and you do hear it changing over time. The leaves are coming in now, different kinds of bird song. The wind sounds different. Tt's a wonderful thing to be around and experience.
—Max Richter
Nature’s Songwriter
Producer · Multi-instrumentalist · Composer of Folded Landscapes
Music has the ability to transport you to a place and create a sort of internal landscape. And we all have life-changing things that happened to us. And I remember I made it as a way to kind of ease a busy mind. And perhaps I was missing home. I still call Orkney home, even though I'm not there every day. I'm a thousand miles away today, and I still call Orkney home. For example, when I hear the voice of the curlew, it transports me back to Orkney with such a jolt. In a heartbeat. And music can do that too. It's very transformative. Visual arts have the ability to do that too. And you could stare at a Rothko painting and cry and not quite know why. It can take days to figure out perhaps certain meanings from it. But music I think is quite instant. It can really do that.
Nature’s Songwriter
Producer · Multi-instrumentalist · Composer of Folded Landscapes
Music has the ability to transport you to a place and create a sort of internal landscape. And we all have life-changing things that happened to us. And I remember I made it as a way to kind of ease a busy mind. And perhaps I was missing home. I still call Orkney home, even though I'm not there every day. I'm a thousand miles away today, and I still call Orkney home. For example, when I hear the voice of the curlew, it transports me back to Orkney with such a jolt. In a heartbeat. And music can do that too. It's very transformative. Visual arts have the ability to do that too. And you could stare at a Rothko painting and cry and not quite know why. It can take days to figure out perhaps certain meanings from it. But music I think is quite instant. It can really do that.
Environmentalists, Artists, Students & Teachers share their Love for the Planet
Today we’re streaming voices of environmentalists, artists, students, and teachers with music courtesy of composer Max Richter.
T.S. Eliot Award-winning Poet, Novelist & Musician, Lead vocalist of The Spasm Band
Author of Sonnets for Albert
The life of Caribbean people is not really documented. So this idea of Caribbean life being fragmented is something that I've had in my mind for a long time. So when I came to write this collection for my father, I realized that it was the same process and what I had were fragments, especially with him, because he wasn't around in a physical sense all the time. So all I had were little photographs, scattered memories, and remembrances. They're little parts of his life and parts of my experience with him... I never disliked my father. I always loved him and always was fascinated and captivated by him.
Environmentalists, Artists, Students & Teachers share their Love for the Planet
Today we’re streaming voices of environmentalists, artists, students, and teachers with music courtesy of composer Max Richter.
Environmentalists, Artists, Students & Teachers share their Love for the Planet
Today we’re streaming voices of environmentalists, artists, students, and teachers with music courtesy of composer Max Richter.
Environmentalists, Artists, Students & Teachers share their Love for the Planet
Today we’re streaming voices of environmentalists, artists, students, and teachers with music courtesy of composer Max Richter.
Environmentalists, Artists, Students & Teachers share their Love for the Planet
Today we’re streaming voices of environmentalists, artists, students, and teachers with music courtesy of composer Max Richter.
Award-winning Composer & Pianist
His album Sleep is the most streamed classical album of all time
Film & TV scores for Ad Astra · Black Mirror · Shutter Island · The Leftovers · Arrival · Taboo
For me, the creative process is a sort of a continuous thing in the sense that I'm writing kind of all the time, at some level. And that doesn't mean I'm sitting at my desk all the time, but it does mean that I've got a continuous thought process, a continuous engagement with the material I'm trying to shape. And it's many different kinds of processes. First of all, obviously an intention. You need to have an intention. What is it I'm trying to do? But then you get a process of making things, and then you get into a process of dialogue with the things you've made where they start to take on properties and it feels like the material has intentions of its own.
So then you are trying to - it's like herding cats, you know? - sort of corralling this material into some kind of structure, some kind of formed object. Then it becomes like a sculptural process on the large scale.
Award-winning Composer & Pianist
His album Sleep is the most streamed classical album of all time
Film & TV scores for Ad Astra · Black Mirror · Shutter Island · The Leftovers · Arrival · Taboo
For me, the creative process is a sort of a continuous thing in the sense that I'm writing kind of all the time, at some level. And that doesn't mean I'm sitting at my desk all the time, but it does mean that I've got a continuous thought process, a continuous engagement with the material I'm trying to shape. And it's many different kinds of processes. First of all, obviously an intention. You need to have an intention. What is it I'm trying to do? But then you get a process of making things, and then you get into a process of dialogue with the things you've made where they start to take on properties and it feels like the material has intentions of its own.
So then you are trying to - it's like herding cats, you know? - sort of corralling this material into some kind of structure, some kind of formed object. Then it becomes like a sculptural process on the large scale.
Co-Executive Directors of DJC Records
I took this class on genocide that had a huge impact on me, and it also coincided, just the timing, with the Occupy Wall Street movement. So then two years later in 2013, I was reading The New Jim Crow by Michelle Alexander, and the book is about how mass incarceration is like a modern-day racial caste system. And I just got the idea to do an album, because I was listening to a lot of concept albums like Pink Floyd, The Wall. And it started from there, just a little seed and a spark of just this idea for this one album. And then over time, it just evolved into an EP, and then a record label and a nonprofit. –Fury Young
I think in the end, what our mission is, is to dismantle stereotypes around race and prison. But maybe from listening to that album, and you see this guy, he applied for your job, and he has a drug charge or something. Maybe you're not looking at it so crazy anymore. It's like, know what? I'll give him an interview. I'll see. And that interview may change, you know, your life and that person's life. So that's like the ideal scenario. – B.L. Shirelle
Co-Executive Directors of DJC Records
I took this class on genocide that had a huge impact on me, and it also coincided, just the timing, with the Occupy Wall Street movement. So then two years later in 2013, I was reading The New Jim Crow by Michelle Alexander, and the book is about how mass incarceration is like a modern-day racial caste system. And I just got the idea to do an album, because I was listening to a lot of concept albums like Pink Floyd, The Wall. And it started from there, just a little seed and a spark of just this idea for this one album. And then over time, it just evolved into an EP, and then a record label and a nonprofit. –Fury Young
I think in the end, what our mission is, is to dismantle stereotypes around race and prison. But maybe from listening to that album, and you see this guy, he applied for your job, and he has a drug charge or something. Maybe you're not looking at it so crazy anymore. It's like, know what? I'll give him an interview. I'll see. And that interview may change, you know, your life and that person's life. So that's like the ideal scenario. – BL Shirelle
President of Mad Solar · Creative Confidante & Industry Catalyst for Scott Mescudi a.k.a. Kid Cudi
Exec. Producer: Entergalactic starring Mescudi, Jessica Williams & Timothée Chalamet
Pearl · X starring Mia Goth
And what was so moving was when we went into Netflix to the theater to screen the finished product for the first time. You're sitting there and at the end of it, Scott was crying, and I looked over - it made me cry low-key - but Scott was crying and he said – This completely blows my mind because this is the first time I had a vision up here in my head and tried to express it, and then had to trust all 300 plus people, all around the world, working in different time zones, in different places, and each of them putting a hand to it and seeing exactly that vision. And then watching the product, and it is the best version of anything I could have ever possibly had in my head.
So, to us, that's the purest, most beautiful... Again, how fortunate that every hand was moving in tandem and moving in lockstep, and all of it. But that was the beauty of collaboration, this opportunity for a small vision to touch so many hands and become the big vision.
President of Mad Solar · Creative Confidante & Industry Catalyst for Scott Mescudi a.k.a. Kid Cudi
Exec. Producer: Entergalactic starring Mescudi, Jessica Williams & Timothée Chalamet
Pearl · X starring Mia Goth
And what was so moving was when we went into Netflix to the theater to screen the finished product for the first time. You're sitting there and at the end of it, Scott was crying, and I looked over - it made me cry low-key - but Scott was crying and he said – This completely blows my mind because this is the first time I had a vision up here in my head and tried to express it, and then had to trust all 300 plus people, all around the world, working in different time zones, in different places, and each of them putting a hand to it and seeing exactly that vision. And then watching the product, and it is the best version of anything I could have ever possibly had in my head.
So, to us, that's the purest, most beautiful... Again, how fortunate that every hand was moving in tandem and moving in lockstep, and all of it. But that was the beauty of collaboration, this opportunity for a small vision to touch so many hands and become the big vision.
Artist, Musician, Poet
Author of Jean-Michel Basquiat: Crossroads
Jean-Michel Basquiat's combination of words and images, this visual poetry, just from a cultural standpoint has been so important. When I met him in 1983, black people were not allowed in the art market, pretty much. And you see that he broke down this barrier, which opened the door for all this multiculturalism within the art market. And you can't diminish the importance of that at all. It's helped to give a voice and an audience to all these incredible artists that might not have had that.
Artist, Musician, Poet
Author of Jean-Michel Basquiat: Crossroads
Jean-Michel Basquiat's combination of words and images, this visual poetry, just from a cultural standpoint has been so important. When I met him in 1983, black people were not allowed in the art market, pretty much. And you see that he broke down this barrier, which opened the door for all this multiculturalism within the art market. And you can't diminish the importance of that at all. It's helped to give a voice and an audience to all these incredible artists that might not have had that.
Award-winning Poet, Novelist & Musician, Lead vocalist of The Spasm Band
Author of Sonnets for Albert
The life of Caribbean people is not really documented. So this idea of Caribbean life being fragmented is something that I've had in my mind for a long time. So when I came to write this collection for my father, I realized that it was the same process and what I had were fragments, especially with him, because he wasn't around in a physical sense all the time. So all I had were little photographs, scattered memories, and remembrances. They're little parts of his life and parts of my experience with him... I never disliked my father. I always loved him and always was fascinated and captivated by him.
