MITCH HOROWITZ

MITCH HOROWITZ

Historian of Alternative Spirituality & PEN Award-Winning Author

I’ve always considered myself a believing historian and, in fact, most historians of religion are actually believing historians. Very frequently they emerge from the congregations that they’re writing about, whether new religious movements or traditional religions, this is true of Kabbalistic scholar Gershom Scholem, it’s true of people who have written probably the most important biographies of more recent religious figures like Mary Baker Eddy or Joseph Smith, a Mormon prophet. Although, historians don’t frequently acknowledge being believing historians because they feel that it might seem to compromise their capacity for critical judgement, but my impression is different. My impression is that being in very direct proximity to the nature of the philosophical, religious, ethical, therapeutic movements that you’re writing about can heighten your critical acumen.

ROWIN SNIJDER

ROWIN SNIJDER

Founder of Le Compostier, Creator of “Worm Hotels” for Community Composting

Know first of all that we are not separate from nature, but that we are part of it. To not even think of what is the benefit for me from it. I find it a very beautiful the concept of the food forest. Like you're actually building soil, and then the surplus is that you get some food back. To focus more on giving than on taking, especially for children.

What I like to teach my children–really look at what is your talent, what drives you and how you think you can use that to improve and to create more harmony. I think is very important. Do not think so much about what others expect from you, but what is really driving you? I think that's very important to find out and go for it.

IAN SEABROOK

IAN SEABROOK

Award-Winning Underwater Director of Photography

It’s about leaving the planet in a better condition than it is currently. What you’re witnessing is years of neglect. It’s the humans who have screwed it all up, and the warming of the earth is no different. The oceans are changing. The topography is changing. Mussels are being fried when the tides recede. This is all unnatural. Or maybe it’s natural. I think it’s Mother Nature just being pissed off and saying, “This is what you get.” And so it’s up to everyone to change their ways. Their shopping habits, their eating habits, how much gas they use. All that stuff which people think “that can’t affect anything.” Well, you’re seeing the result of it now.

MICOL HEBRON

MICOL HEBRON

Interdisciplinary Artist, Curator & Feminist Activist

Now I think we’re in another culture war. I think we’re in, as we see the realm of cancel culture in social media and this very polarising war between the liberal left and the conservative right. I think that we’re in another culture and a lot of it is centering around gender and race. If you look at what’s happened to black women athletes in the last couples of months, the censuring of their bodies either because of hormones in the case of Caster Semenya or Naomi Osaka, there’s a lot of ways that our society has found to police black bodies for being too exceptional in a lot of ways. For performing in exceptional ways, and the white patriarchy doesn’t like to see that because it starts to diminish their power.


PETER SUTORIS

PETER SUTORIS

Anthropologist, Educator, Writer & Filmmaker

As a culture, how do we approach the environment? How do we approach the planet? Within our education systems are we emphasizing our arrogance? Or are we emphasizing our humility in the face of planetary-scale challenges? I think at the moment, from what I’ve seen in a number of countries, this huge focus on the natural sciences, hard science as a way of mastering nature. And perhaps less of a focus on social sciences, humanities that allow us to reflect a bit more deeply on our relationship more fundamentally with the planet.

MARK MENNIN

MARK MENNIN

Sculptor

I think direct contact with the material should be important to every sculptor because I think once you lose that it becomes a second hand process. It’s one of the reasons the casting process isn’t so interesting to me just because the final product, the final piece has not been touched by the artist. There’s no relationship with the mind that conceived the piece or designed it. I think something is lost when that happens. And it becomes something else.

MELISSA CRISTINA MARQUEZ

MELISSA CRISTINA MARQUEZ

Shark Scientist, Science Communicator, TV Presenter & Author

A lot of people when you think of sharks, you think of hammerheads, great white sharks, tiger sharks, but there’s so much more diversity than just that. There’s over 500 different species and on average we’re discovering new species every two weeks, not just of sharks, but also their cousins, the stingrays, skates and sometimes the chimeras as well. And so knowing that diversity exists, for me it’s really important to get that message out there.