PIERRE SOKOLSKY

PIERRE SOKOLSKY

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Leader in field of Particle Astrophysics
Professor Emeritus of Physics & Astronomy U of Utah
Dean Emeritus of the College of Science

As an administrator for 15 years, I still tried to do science and it was difficult because being a dean, every day there is a problem. Every day you have to solve some personal issues, so it’s difficult to concentrate and what I would do was, whenever there was an opportunity to go to a conference away from the university, particularly in a different country, I would sit in the conference room listening to these lectures. You know how it is with meetings, maybe 10% of the speakers are exciting and interesting. What I found is even when I was not listening because I was in this atmosphere of people talking about physics, my mind was set free and would just start percolating. And all of a sudden ideas would come completely unrelated to what the speaker was talking about, except that they were scientific ideas. And I would jot them down and I found that this was really quite an interesting process because it was kind of an immersion process where you actually are not concentrating on what is exactly in front of you, but it puts you in this mood. The brain turns on a different lode and I think by association other ideas come up.

RON GONEN

RON GONEN

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Founder & CEO of Closed Loop Partners
Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYC

We live in buildings and cities because that’s what generates a living for a lot of people, but where we’re most comfortable as humans is when we’re in nature. Your generation owns this. Don’t let anybody take it from you or damage it because you own it. The next generation is the one that owns it and view it with a sense of ownership and a sense of pride and a sense of protection because there are a lot of benefits you get from nature.


MARGE PIERCY

MARGE PIERCY

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Novelist, Poet & Activist

People who take care of sick people and AIDS and teachers and garbage collectors and people who work in daycare…all the things that have to happen in society we pay shit for. We pay an enormous amount of money to people who can throw a ball through a hoop. We pay an enormous amount of hedge fund people. All the people who take over corporations go in and destroy get immensely rich while the people who do what we actually need doing, what we must have to survive, the people who grow food, the independent farmers that used to exist…

ROBERT DICK

ROBERT DICK

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Award-winning Flutist, Composer, Teacher & Author

I decided that I wanted to explore the flute. I mean really explore the flute. People had known a few multi-phonics where you could play two notes. But they had been basically “special effects”, sort of sprinkled into a traditional line to spice it up. And I thought, why not just go the whole way? So my concept that first of all music is made by people. All art is made by people. Music is not made by instruments. The sound of the flute is silence. The sound of the piano is silence. The mark of a brush is a white canvas until the person makes the mark. So music comes from people. We use instruments.

MARK MENNIN

MARK MENNIN

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Sculptor

I think direct contact with the material should be important to every sculptor because I think once you lose that it becomes a second hand process. It’s one of the reasons the casting process isn’t so interesting to me just because the final product, the final piece has not been touched by the artist. There’s no relationship with the mind that conceived the piece or designed it. I think something is lost when that happens. And it becomes something else.

SEBASTIEN GOKALP

SEBASTIEN GOKALP

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Sébastien Gokalp · Director of France’s National Museum of Immigration
Curator of Exhibitions at Centre Pompidou, Musée d’art Moderne de la Ville de Paris & Louis Vuitton Foundation

We have a motto that says that ‘we want to change the gaze on immigration or to open the eyes on immigration’. We’re not here to make action in society, but we want people who come here to have elements of reflection, perception about the question of immigration. To change a mind, because immigration is about the stories of people who come from another country–they are someone else, basically–by assisting them we want to show how someone else can be great for us and not a stranger, foreigner, nor an enemy, but a friend. Someone who will bring us many things about culture, about work, about a way of meaning, of thinking. We have a historical point of view. We want to show that from the French Revolution until now, so two centuries of stories.

KIRIAKOS SPIROU

KIRIAKOS SPIROU

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Editor, Writer, Curator, Content Creator, Pianist & Composer

This particular exhibition definitely had to do with my close relationship to dance. I have collaborated a lot with choreographers for contemporary dance theater, and I was often advising collaborators, so we would create the tasks and the content of the choreography together. We would exchange the tasks. We would create the score and narrative together. Also, because I’m a pianist, which is a very physically demanding instrument, you have this geography of the piano. I think this exhibitions links to my own experience as a performer and composer for dance and the relationship that music has with the body.

MATS HJELM

MATS HJELM

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Artist, Documentary Filmmaker & Multimedia Installation Creator

Art can be part healing process. There's a lot of research being done. People heal faster a garden rather than a parking lot, for example. The theory is that an opening in the woods with a little bit of water is probably the most healing place. That's the safest because that's what we have built-in as humans as the safe spot. The ocean is not safe, but the little pond. So, what I've done in this particular project with the radiotherapy rooms is that I've taken images from healing wells, partly from Stellenbosch National Park in Capetown, in Rio. I've been filming these water surfaces. I’ve been filming the trees through the water surface basically to create that water pond and the trees around, but from these places that have kind of a healing history.