Dr. Charles D. Koven - Earth System Scientist - Lead Author on the IPCC Report

Dr. Charles D. Koven - Earth System Scientist - Lead Author on the IPCC Report

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Earth System Scientist, Climate Sciences Department, Lawrence Berkeley National Laboratory
Lead Author on the IPCC Report

Looking into the future, as a scientist, what I've learned how to do is hold multiple futures in my head at the same time because we just don't know. We don't know what the future holds. We need to fight for the futures that we want, and against the futures that we don't want. All I can really say is that it's up to us. It's up to us to fight and advocate for the future we want, and what does that look like, and how do we get there?

Highlights - Cynthia Daniels - Grammy - Emmy Award-winning Producer, Engineer, Composer

Highlights - Cynthia Daniels - Grammy - Emmy Award-winning Producer, Engineer, Composer

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Grammy & Emmy Award-winning Producer, Engineer, Composer

We all are looking for a little magic in our lives, and I think that's what art and the creative process allow for, above all. In a world that can be either way too predictable and mundane and create tedium, the creative mind, for me, is the curious mind and the mind that's always learning and allowing yourself to make mistakes. To generate from your core, from your soul, and from your experience something new and experimental and something that is unique to yourself.

Cynthia Daniels - Grammy and Emmy Award-winning Producer, Engineer, Composer

Cynthia Daniels - Grammy and Emmy Award-winning Producer, Engineer, Composer

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Grammy & Emmy Award-winning Producer, Engineer, Composer

We all are looking for a little magic in our lives, and I think that's what art and the creative process allow for, above all. In a world that can be either way too predictable and mundane and create tedium, the creative mind, for me, is the curious mind and the mind that's always learning and allowing yourself to make mistakes. To generate from your core, from your soul, and from your experience something new and experimental and something that is unique to yourself.

Highlights - Claudia Forestieri - Brigitte Muñoz-Liebowitz - “Gordita Chronicles”on HBO Max

Highlights - Claudia Forestieri - Brigitte Muñoz-Liebowitz - “Gordita Chronicles”on HBO Max

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Claudia Forestieri (Creator) & Brigitte Muñoz-Liebowitz (Showrunner)
Gordita Chronicles

When you immigrate, it's kind of like you're going through adolescence because you're in a new place. You feel weird in your own skin. You're learning new things. Everything is changing. You feel awkward. So that also helped us connect the adult stories to the children's stories.

Claudia Forestieri - Brigitte Muñoz-Liebowitz (Creator - Showrunner) “Gordita Chronicles”

Claudia Forestieri - Brigitte Muñoz-Liebowitz (Creator - Showrunner) “Gordita Chronicles”

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Claudia Forestieri (Creator) & Brigitte Muñoz-Liebowitz (Showrunner)
Gordita Chronicles

When you immigrate, it's kind of like you're going through adolescence because you're in a new place. You feel weird in your own skin. You're learning new things. Everything is changing. You feel awkward. So that also helped us connect the adult stories to the children's stories.

Highlights - Jonathan Newman - VP, Research, Wilfrid Laurier University

Highlights - Jonathan Newman - VP, Research, Wilfrid Laurier University

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Lead Author of Climate Change Biology, and Defending Biodiversity: Environmental Science and Ethics
Vice President of Research, Wilfrid Laurier University

Climate change is certainly going to affect biodiversity. Some species will benefit from climate change, but others will not, and we'll have different ecosystems, different biotic communities as a result of this. I think the impacts that are likely are pretty clear, and I think that's a pretty good reason to do all those things we can do without completely destroying our economies and our communities because those things have moral value as well. It's not just the environment that we think is important. We also think humans are important, then doing the things we can do now, do the less painful things first. We should have done them already, and we should be now thinking about how to do the harder things.

Jonathan Newman - Lead Author, “Defending Biodiversity: Environmental Science and Ethics”

Jonathan Newman - Lead Author, “Defending Biodiversity: Environmental Science and Ethics”

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Lead Author of Climate Change Biology, and Defending Biodiversity: Environmental Science and Ethics
Vice President of Research, Wilfrid Laurier University

Climate change is certainly going to affect biodiversity. Some species will benefit from climate change, but others will not, and we'll have different ecosystems, different biotic communities as a result of this. I think the impacts that are likely are pretty clear, and I think that's a pretty good reason to do all those things we can do without completely destroying our economies and our communities because those things have moral value as well. It's not just the environment that we think is important. We also think humans are important, then doing the things we can do now, do the less painful things first. We should have done them already, and we should be now thinking about how to do the harder things.

Highlights - Florian Hoffmeister - Award-winning DP, “Pachinko”, “Great Expectations”

Highlights - Florian Hoffmeister - Award-winning DP, “Pachinko”, “Great Expectations”

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Florian Hoffmeister · Emmy & BAFTA Award-winning Director of Photography
Pachinko · Great Expectations · Official Secrets

Every time I ask, ‘What do you need? What do I want? What does the director want? How do we collaborate? What is generated during the collaboration? What ideas, questions come across? And then I can start constructing something like a look.

Florian Hoffmeister - Emmy - BAFTA Award-winning Director of Photography

Florian Hoffmeister - Emmy - BAFTA Award-winning Director of Photography

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Florian Hoffmeister · Emmy & BAFTA Award-winning Director of Photography
Pachinko · Great Expectations · Official Secrets

Every time I ask, ‘What do you need? What do I want? What does the director want? How do we collaborate? What is generated during the collaboration? What ideas, questions come across? And then I can start constructing something like a look.

Highlights - Roy Scranton - Author of “Learning to Die in the Anthropocene”

Highlights - Roy Scranton - Author of “Learning to Die in the Anthropocene”

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Author of Learning to Die in the Anthropocene & We’re Doomed, Now What?
Director of the Notre Dame Environmental Humanities Initiative

It seems irresponsible to me to downplay the possible consequences of climate change. It seems irresponsible to assume that we're going to fix it. And so I think it's absolutely a responsibility for the people who are talking about it and thinking about it, to look at the worst-case scenario and to look at the current trajectories, absent technologies for carbon scrubbers, to look at where we're actually headed, the worst-case scenarios, and address that and bring that to each other and to our children and to our students. When you really look at the situation, it's scary and terrifying, and it upends everything that we've been told to make sense of life.

Roy Scranton - Author of “Learning to Die in the Anthropocene” - “We’re Doomed, Now What?”

Roy Scranton - Author of “Learning to Die in the Anthropocene” - “We’re Doomed, Now What?”

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Author of Learning to Die in the Anthropocene & We’re Doomed, Now What?
Director of the Notre Dame Environmental Humanities Initiative

It seems irresponsible to me to downplay the possible consequences of climate change. It seems irresponsible to assume that we're going to fix it. And so I think it's absolutely a responsibility for the people who are talking about it and thinking about it, to look at the worst-case scenario and to look at the current trajectories, absent technologies for carbon scrubbers, to look at where we're actually headed, the worst-case scenarios, and address that and bring that to each other and to our children and to our students. When you really look at the situation, it's scary and terrifying, and it upends everything that we've been told to make sense of life.

Highlights - David A. Banks - Dir. of Globalization Studies - SUNY Albany

Highlights - David A. Banks - Dir. of Globalization Studies - SUNY Albany

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Director of Globalization Studies University of Albany at SUNY
Author of The City Authentic: How the Attention Economy Builds Urban America (forthcoming)

I think that is often what tourism is starting to move towards. Is this existential authentic? And what that means is that you're not even really looking to meet expectations or validate that the thing in front of you is what it says it is. You are trying to recreate who you think you should be in a time that is disconnected from your usual life. Because we're a pretty jaded and suspicious society now. “Is it a deep fake?”We live in this world of make-believe and fakeness, and you want to get to something that's real. And what's more real than yourself and the story that you tell to yourself about yourself. And if you can really connect to that, you'll feel really good.

David A. Banks - Dir. of Globalization Studies - SUNY Albany - Author of “The City Authentic”

David A. Banks - Dir. of Globalization Studies - SUNY Albany - Author of “The City Authentic”

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Director of Globalization Studies University of Albany at SUNY
Author of The City Authentic: How the Attention Economy Builds Urban America (forthcoming)

Author of “The City Authentic”I think that is often what tourism is starting to move towards. Is this existential authentic? And what that means is that you're not even really looking to meet expectations or validate that the thing in front of you is what it says it is. You are trying to recreate who you think you should be in a time that is disconnected from your usual life. Because we're a pretty jaded and suspicious society now. “Is it a deep fake?” We live in this world of make-believe and fakeness, and you want to get to something that's real. And what's more real than yourself and the story that you tell to yourself about yourself. And if you can really connect to that, you'll feel really good.

Highlights - KC Legacion on Degrowth, Technology and Social Media

Highlights - KC Legacion on Degrowth, Technology and Social Media

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Member of Web Collective degrowth.info
Master of Environmental Studies candidate, University of Pennsylvania

Degrowth as an idea has intellectual roots in the environmental critiques of the sixties and seventies found in landmark works like Rachel Carson's Silent Spring, the Club of Rome's Limits to Growth report, Nicholas Georgescu-Roegen's The Entropy Law and the Economic Process, which was a seminal piece of economic theory that applied the laws of thermodynamics to the economy and was very influential for ecological economics, which is intertwined with degrowth. Degrowth was first formulated in 1972 by French philosopher André Gorz in a public debate where he used the term décroissance to question whether planetary stability was compatible with capitalism.

KC Legacion on Degrowth, Technology and Social Media

KC Legacion on Degrowth, Technology and Social Media

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Member of Web Collective degrowth.info
Master of Environmental Studies candidate, University of Pennsylvania

Degrowth as an idea has intellectual roots in the environmental critiques of the sixties and seventies found in landmark works like Rachel Carson's Silent Spring, the Club of Rome's Limits to Growth report, Nicholas Georgescu-Roegen's The Entropy Law and the Economic Process, which was a seminal piece of economic theory that applied the laws of thermodynamics to the economy and was very influential for ecological economics, which is intertwined with degrowth. Degrowth was first formulated in 1972 by French philosopher André Gorz in a public debate where he used the term décroissance to question whether planetary stability was compatible with capitalism.

Highlights - Chris Funk - Dir., Climate Hazards Center - Author of “Drought, Flood, Fire…”

Highlights - Chris Funk - Dir., Climate Hazards Center - Author of “Drought, Flood, Fire…”

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Director of the Climate Hazards Center at UC Santa Barbara
Author of Drought, Flood, Fire: How Climate Change Contributes to Recent Catastrophes

The work that we're doing here at the Climate Hazards Center is trying to build out the science to cope with a two-degree world. And I think that we can do that. It's not going to be easy, but I think that's definitely within our capabilities, and it is already making human beings be smarter together in very empowering ways. And these are examples of people in Boulder, Colorado getting ready for the next big flood event and having conversations between the National Weather Service and local communities, or me on a zoom call at seven in the morning with my friends in East Africa as they're getting ready to cope with the next extreme. There are great examples of radio clubs in Niger who are working with their meteorological agencies and local farming communities that are pulling data that we're producing here in Santa Barbara, precipitation estimates, but then using them to decide whether they should fertilize their millet crops or not. And so there are ways that we can counter climate hazards and weather hazards by being smarter.

(Highlights) Mario Alberto Zambrano · Dancer, Writer, Assoc. Dir. of Dance, The Juilliard School

(Highlights) Mario Alberto Zambrano · Dancer, Writer, Assoc. Dir. of Dance, The Juilliard School

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Dancer, Writer, Choreographer
Associate Director of Dance at The Juilliard School, NYC

In both writing a first draft and in the improvisation of a dancing body, what is so key and relevant and exposed is voice. That internal voice of the artist of what they're writing on the page or what they're writing in space. If you go to fiction workshop, you talk about plot, structure, and you talk about character development, but there are very few classes within a dance curriculum where you break down an improvisation and you talk about voice, point of view, metaphor, or musical composition within a phrase. The lifespan of a phrase. And so this realisation is helping me understand that a one minute post of improvisation or even a ten-minute span of improvisation if it’s recorded is very similar to a first draft of creative writing, where then the artist is in a position to evaluate those 10 minutes and identify what is the setting? What is the voice that has come out of my experience of writing this first draft of an improvisation? And how can I give it structure? How can I give it form?

Mario Alberto Zambrano - Dancer, Writer, Assoc. Director of Dance, The Juilliard School

Mario Alberto Zambrano - Dancer, Writer, Assoc. Director of Dance, The Juilliard School

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Dancer, Writer, Choreographer
Associate Director of Dance at The Juilliard School, NYC

In both writing a first draft and in the improvisation of a dancing body, what is so key and relevant and exposed is voice. That internal voice of the artist of what they're writing on the page or what they're writing in space. If you go to fiction workshop, you talk about plot, structure, and you talk about character development, but there are very few classes within a dance curriculum where you break down an improvisation and you talk about voice, point of view, metaphor, or musical composition within a phrase. The lifespan of a phrase. And so this realisation is helping me understand that a one minute post of improvisation or even a ten-minute span of improvisation if it’s recorded is very similar to a first draft of creative writing, where then the artist is in a position to evaluate those 10 minutes and identify what is the setting? What is the voice that has come out of my experience of writing this first draft of an improvisation? And how can I give it structure? How can I give it form?

Chris Funk - Director, Climate Hazards Center - Author of “Drought, Flood, Fire…”

Chris Funk - Director, Climate Hazards Center - Author of “Drought, Flood, Fire…”

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Director of the Climate Hazards Center at UC Santa Barbara
Author of Drought, Flood, Fire: How Climate Change Contributes to Recent Catastrophes

The work that we're doing here at the Climate Hazards Center is trying to build out the science to cope with a two-degree world. And I think that we can do that. It's not going to be easy, but I think that's definitely within our capabilities, and it is already making human beings be smarter together in very empowering ways. And these are examples of people in Boulder, Colorado getting ready for the next big flood event and having conversations between the National Weather Service and local communities, or me on a zoom call at seven in the morning with my friends in East Africa as they're getting ready to cope with the next extreme. There are great examples of radio clubs in Niger who are working with their meteorological agencies and local farming communities that are pulling data that we're producing here in Santa Barbara, precipitation estimates, but then using them to decide whether they should fertilize their millet crops or not. And so there are ways that we can counter climate hazards and weather hazards by being smarter.

Highlights-Sir Geoff Mulgan, Author of “Another World is Possible”

Highlights-Sir Geoff Mulgan, Author of “Another World is Possible”

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Author of Another World is Possible: How to Reignite Social & Political Imagination
Professor of Collective Intelligence, Public Policy & Social Innovation at University College London

The great thing about a complex society is there is space for lots of different kinds of people. There's space for wildly visionary poets and accountants and actuaries and engineers. And they all have a slightly different outlook, but it's the combination of this huge diversity, which makes our societies work. But what we probably do need a bit more of are the bilingual people, the trilingual people who are as at ease spending a day, a week, a year designing how a criminal justice system could look in 50 years and then getting back to perhaps working in a real court or real lawyer's office.