The Midnight Sky & Collaborating with GEORGE CLOONEY - MARTIN RUHE on The Art of Cinematography - Highlights

The Midnight Sky & Collaborating with GEORGE CLOONEY - MARTIN RUHE on The Art of Cinematography - Highlights

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.

Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe’s meticulously arranged shots helped to build the tone of The American, while reviews applauded the film’s beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009’s Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.

MARTIN RUHE

Early on in my career, I met a cameraman called Mike Southon. When I was working as a runner in London, on weekends I would try to go to shoots and see as many shoots as I could. Mike once told me our job would be. 10% is craft, 10% is talent, and 80% would be diplomacy. It’s actually interesting because quite often we caught in-between producers telling you, “Oh, you can’t have this.” Or, you have to do this. Or this is the framework. And then directors telling you, “I want to see the whole world at night.” And you go, “That’s a lot of money...” So, I think that’s one interesting thing I learned early on.

There are many people you meet along the way and you pick up things from them. I loved when I started working with Anton Corbijn. His photography is so…he mainly uses one lens. One camera. It’s not complicated, but he gets intimate with people in the way he is with them. That’s why his portrait photography is so stunning. Over the years, it’s relevant because he’s curious, he’s open, and he just allows things to happen. I love that. I love creative things.

Early on, I did some workshops with some of the great DPs like Robby Müller. And then you watch films, you read, you listen to what people have to say about them.


This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Bret Young. Digital Media Coordinator is Yu Young Lee. 

mia-funk-artist-writer-smiling-Limage.jpg

Mia Funk is an artist, interviewer and founder of The Creative Process.

Find us on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict, Pocket Casts, Breaker, Castbox, TuneIn, Overcast, RadioPublic, Podtail, and Listen Notes, among others. 

From Berlin to Hollywood: MARTIN RUHE on The Midnight Sky, Catch-22, Harry Brown & Other Films

From Berlin to Hollywood: MARTIN RUHE on The Midnight Sky, Catch-22, Harry Brown & Other Films

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.

Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe’s meticulously arranged shots helped to build the tone of The American, while reviews applauded the film’s beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009’s Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.

MARTIN RUHE

Early on in my career, I met a cameraman called Mike Southon. When I was working as a runner in London, on weekends I would try to go to shoots and see as many shoots as I could. Mike once told me our job would be. 10% is craft, 10% is talent, and 80% would be diplomacy. It’s actually interesting because quite often we caught in-between producers telling you, “Oh, you can’t have this.” Or, you have to do this. Or this is the framework. And then directors telling you, “I want to see the whole world at night.” And you go, “That’s a lot of money...” So, I think that’s one interesting thing I learned early on.

There are many people you meet along the way and you pick up things from them. I loved when I started working with Anton Corbijn. His photography is so…he mainly uses one lens. One camera. It’s not complicated, but he gets intimate with people in the way he is with them. That’s why his portrait photography is so stunning. Over the years, it’s relevant because he’s curious, he’s open, and he just allows things to happen. I love that. I love creative things.

Early on, I did some workshops with some of the great DPs like Robby Müller. And then you watch films, you read, you listen to what people have to say about them.


This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Bret Young. Digital Media Coordinator is Yu Young Lee. 

mia-funk-artist-writer-smiling-Limage.jpg

Mia Funk is an artist, interviewer and founder of The Creative Process.

Find us on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict, Pocket Casts, Breaker, Castbox, TuneIn, Overcast, RadioPublic, Podtail, and Listen Notes, among others. 

Chilean singer-songwriter & activist NANO STERN On Tradition, Innovation & the Power of Song - Highlights

Chilean singer-songwriter & activist NANO STERN On Tradition, Innovation & the Power of Song - Highlights

Musician and Songwriter

There is a metaphor to every single word that we say, we're just not aware. But if we were aware, then it would become very interesting. And that's the quest for me to be constantly more and more aware because it's so beautiful. It's a quest for beauty as well.

The Intersection of Music, Culture & Activism with NANO STERN

The Intersection of Music, Culture & Activism with NANO STERN

Musician and Songwriter

There is a metaphor to every single word that we say, we're just not aware. But if we were aware, then it would become very interesting. And that's the quest for me to be constantly more and more aware because it's so beautiful. It's a quest for beauty as well.

From Edward Scissorhands to The Addams Family - CAROLINE THOMPSON - Screenwriter & Novelist - Highlights

From Edward Scissorhands to The Addams Family - CAROLINE THOMPSON - Screenwriter & Novelist - Highlights

Award-Winning Screenwriter & Novelist

Tim Burton had just Pee-wee’s Big Adventure. He was at some point in the making of Beetlejuice. Our agency didn’t know what to do with either of us with our off-kilter sensibility, so they introduced us, and we immediately felt a kinship and became friends. It was pretty clear from pretty early on that we wanted to work together. We threw out ideas. Among the ideas we talked about Tim mentioned to me a drawing he had made in high school of a character who had scissors instead of hands. And I said, ‘Stop right there!; First of all, this may surprise you, it was the stupidest thing I’d ever heard in my life, so I knew it was brilliant. It was so simple and so stupid and such an obvious metaphor, I knew that it had power beyond belief. I said, ‘Stop, I know exactly what to do with that!’

Horror, Fantasy & the Art of Screenwriting with CAROLINE THOMPSON

Horror, Fantasy & the Art of Screenwriting with CAROLINE THOMPSON

Award-Winning Screenwriter & Novelist

Tim Burton had just Pee-wee’s Big Adventure. He was at some point in the making of Beetlejuice. Our agency didn’t know what to do with either of us with our off-kilter sensibility, so they introduced us, and we immediately felt a kinship and became friends. It was pretty clear from pretty early on that we wanted to work together. We threw out ideas. Among the ideas we talked about Tim mentioned to me a drawing he had made in high school of a character who had scissors instead of hands. And I said, ‘Stop right there!; First of all, this may surprise you, it was the stupidest thing I’d ever heard in my life, so I knew it was brilliant. It was so simple and so stupid and such an obvious metaphor, I knew that it had power beyond belief. I said, ‘Stop, I know exactly what to do with that!’

Oscar Nominee MATTHEW LIBATIQUE on A Star is Born, Black Swan & The Art of Cinematography - Highlights

Oscar Nominee MATTHEW LIBATIQUE on A Star is Born, Black Swan & The Art of Cinematography - Highlights

Cinematographer

As a cinematographer what you're trying to do is portray the story in the proper way. Of course, there is going to be an aesthetic that you place based on your own taste and what you believe in, maybe some of the things you're attracted to, inspired by, but ultimately everything, all the decisions are made with the narrative in mind. And that entails doing deep dives into research with photographs and art and music and things that you see in life and things that you remember from your past that sort of inform the things that you choose to do.

Visual Storytelling: MATTHEW LIBATIQUE on Collaborating w/ Bradley Cooper & Darren Aronofsky - Highlights

Visual Storytelling: MATTHEW LIBATIQUE on Collaborating w/ Bradley Cooper & Darren Aronofsky - Highlights

Cinematographer

As a cinematographer what you're trying to do is portray the story in the proper way. Of course, there is going to be an aesthetic that you place based on your own taste and what you believe in, maybe some of the things you're attracted to, inspired by, but ultimately everything, all the decisions are made with the narrative in mind. And that entails doing deep dives into research with photographs and art and music and things that you see in life and things that you remember from your past that sort of inform the things that you choose to do.

Love, Loss & The Art of Writing with DELIA EPHRON - Highlights

Love, Loss & The Art of Writing with DELIA EPHRON - Highlights

Author, Screenwriter and Producer

So the great thing about being a writer is you can take the pain of your life and make something out of it. And you can mix it up with the happier parts and make something even better out of it. I mean, it's kind of all these things end up being gifts when you're older.

From Siracusa to You've Got Mail with Author, Screenwriter, Producer DELIA EPHRON

From Siracusa to You've Got Mail with Author, Screenwriter, Producer DELIA EPHRON

Author, Screenwriter and Producer

So the great thing about being a writer is you can take the pain of your life and make something out of it. And you can mix it up with the happier parts and make something even better out of it. I mean, it's kind of all these things end up being gifts when you're older.

The Mysterious World of Lemony Snicket: Daniel Handler on Storytelling for All Ages - Highlights

The Mysterious World of Lemony Snicket: Daniel Handler on Storytelling for All Ages - Highlights

Writer

I think what is most exciting is that it is a very passionate readership. You never love a book the way you love a book when you are ten. And I think to be a part of that sacred space and that kind of sacred exchange between a reader and literature is very exciting.

A Series of Unfortunate Events author Lemony Snicket/Daniel Handler on The Art of Writing

A Series of Unfortunate Events author Lemony Snicket/Daniel Handler on The Art of Writing

Writer

I think what is most exciting is that it is a very passionate readership. You never love a book the way you love a book when you are ten. And I think to be a part of that sacred space and that kind of sacred exchange between a reader and literature is very exciting.

Composer JOHN POWELL: From Star Wars to How to Train Your Dragon - Highlights

Composer JOHN POWELL: From Star Wars to How to Train Your Dragon - Highlights

Composer

I can't draw a line between language, really, and music. It's too disparate, but there are so many levels of human communication in it that I hear. Feelings, obviously, imagery, a sort of indescribable warmth, chills. All of these kinds of words we try to use to explain the feelings, but the communication is very clear when music is good. It's very clear. You hear a story that is a four-dimensional story.

Emmy & Annie Award-winning Composer JOHN POWELL on Telling Stories through Sound

Emmy & Annie Award-winning Composer JOHN POWELL on Telling Stories through Sound

Composer

I can't draw a line between language, really, and music. It's too disparate, but there are so many levels of human communication in it that I hear. Feelings, obviously, imagery, a sort of indescribable warmth, chills. All of these kinds of words we try to use to explain the feelings, but the communication is very clear when music is good. It's very clear. You hear a story that is a four-dimensional story.

ROXANE GAY on Writing, Activism, Feminism & Social Justice - Highlights

ROXANE GAY on Writing, Activism, Feminism & Social Justice - Highlights

Writer

As seductive as the virtual world can be – where there are fewer boundaries, where you can be anything, and you can be anyone – there's something very important about the tactile world and being grounded in the tactile world. And so far humanity has not lost sight of that collectively. And I do not think that we will.

Feminism, Identity, Gender & Culture with ROXANE GAY

Feminism, Identity, Gender & Culture with ROXANE GAY

Writer

As seductive as the virtual world can be – where there are fewer boundaries, where you can be anything, and you can be anyone – there's something very important about the tactile world and being grounded in the tactile world. And so far humanity has not lost sight of that collectively. And I do not think that we will.

The Redemptive Power of Books w/ Novelist, Showrunner (The Wire, The Deuce) Highlights

The Redemptive Power of Books w/ Novelist, Showrunner (The Wire, The Deuce) Highlights

George Pelecanos is an award-winning author, essayist, screenwriter and producer from Washington, D.C. He has written over 20 novels and four series in the crime and detective fiction genre. He is also a recipient of the Los Angeles Times Book prize, the Raymond Chandler Award, the Hammett Prize, the Barry Award, the Gumshoe Award, and the Grand Prix Du Roman Noir Award. Pelecanos worked as a screenwriter for HBO’s The Wire, where his writing earned him an Emmy nomination as well as an Edgar and Writers Guild of America Award. Other shows he has written and/or produced for are The Pacific, The Deuce, and Treme.

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Mia Funk is an artist, interviewer and founder of The Creative Process. 

GEORGE PELECANOS - Award-Winning Writer, Producer, Showrunner - The Wire - The Deuce - We Own This City

GEORGE PELECANOS - Award-Winning Writer, Producer, Showrunner - The Wire - The Deuce - We Own This City

George Pelecanos is an award-winning author, essayist, screenwriter and producer from Washington, D.C. He has written over 20 novels and four series in the crime and detective fiction genre. He is also a recipient of the Los Angeles Times Book prize, the Raymond Chandler Award, the Hammett Prize, the Barry Award, the Gumshoe Award, and the Grand Prix Du Roman Noir Award. Pelecanos worked as a screenwriter for HBO’s The Wire, where his writing earned him an Emmy nomination as well as an Edgar and Writers Guild of America Award. Other shows he has written and/or produced for are The Pacific, The Deuce, and Treme.

mia-funk-painting-lotus-eaters-blue.png

Mia Funk is an artist, interviewer and founder of The Creative Process. 

From Charlotte's Web to Fried Green Tomatoes: Bringing Beloved Classics to Screen w/ Producer JORDAN KERNER - Highlights

From Charlotte's Web to Fried Green Tomatoes: Bringing Beloved Classics to Screen w/ Producer JORDAN KERNER - Highlights

Jordan Kerner is a widely acclaimed film and television producer. He is president and founder of The Kerner Entertainment Company, which is committed to high quality, value-oriented, provocative entertainment. Most recently, Kerner was engaged to develop and produce a film adaptation of Clifford the Big Red Dog. His previous films include The Smurfs, Charlotte’s Web, The Mighty Ducks, Fried Green Tomatoes, and When A Man Loves A Woman. Kerner is also a dedicated custodian of his community-- he is involved with such organizations as Planned Parenthood, RiverLA, and the Starbright Foundation.

mia-funk-dance-paris.jpg

Mia Funk is an artist, interviewer and founder of The Creative Process. 

JORDAN KERNER - Award-Winning Film & TV Producer

JORDAN KERNER - Award-Winning Film & TV Producer

Jordan Kerner is a widely acclaimed film and television producer. He is president and founder of The Kerner Entertainment Company, which is committed to high quality, value-oriented, provocative entertainment. Most recently, Kerner was engaged to develop and produce a film adaptation of Clifford the Big Red Dog. His previous films include The Smurfs, Charlotte’s Web, The Mighty Ducks, Fried Green Tomatoes, and When A Man Loves A Woman. Kerner is also a dedicated custodian of his community - he is involved with such organizations as Planned Parenthood, RiverLA, and the Starbright Foundation.

mia-funk-painting-the-creative-process-new-york-david-hollander.jpg

Mia Funk is an artist, interviewer and founder of The Creative Process.