My Blurred Poems
/I am sinking into a lake
So cold, it aches
Whatever I say People hold it against me and my brain
They expect me to say
What they hear
And not something they can't hear.
I am sinking into a lake
So cold, it aches
Whatever I say People hold it against me and my brain
They expect me to say
What they hear
And not something they can't hear.
The dead writes on the dead’s body.
He inks the pilgrimage to find sanctuary
From that dull, dismissive, charcoal night
Toward the afternoons of extravagant delight…
Glacier Bay is surrounded on three sides by a horseshoe-shaped rim of high mountains: Glaciers still form on these mountains and flow slowly down to the new sea. Nowhere else in the world are there so many tidewater glaciers. Nowhere else are the glaciers in such rapid retreat. A warming trend that started at the beginning of this century has made Glacier Bay a master of the ice.
The sound of the ocean, its roar, is the leitmotif of my childhood.
The ocean seethed like molten lead. It could disfigure your heart. In the sand, your feet became roots of water and of iodine, your bones accretions of silicon and salt.
In December of 1944, the German army attacked Allied troops in Bastogne, Belgium, igniting the Battle of the Bulge. My father was a paratrooper with the 82nd Airborne Division. I‘d always assumed he had killed people. He’d never talked about it, and I’d never asked him. I’d never had the nerve.
It was the ancient love for fire seared the hearts of the
first humans—In the middle of kindling they found
each other. Inside a cave was born
all sense of belonging.
The creases on the man’s forehead are shadowed in the firelight but the skin over his cheekbones is smooth, the color of caramel. He begins to speak in the language of his own Berber tribe, sounds rolling up through his throat. He punctuates the end of his sentences sharply and lifts his chin for emphasis. When he leans forward on his cane, his cape flurries, then settles on his shoulders.
Spilling over the ranges near the coast, the sun sets the valley floor awash in gentle morning light. As though roused from slumber by a refreshing splash of cool water, the arid countryside comes alive with a thousand hues.
Spanish poet Federico García Lorca spoke of duende: “A mysterious power which everyone senses and no philosopher explains. There are neither maps nor exercises to help us find the duende. We only know that he burns the blood like a poultice of broken glass.”
The raft hits the first wave hard and straight. We break through that first crucible and power through the V of the second wave. Several 8-foot-high waves curl over our boat; then we hit a wall of whitewater as the bow rises.
I stood at midnight by railroad tracks on the island of Sri Lanka, looking at a sky full of stars. The moon was gone, the darkness so complete I could barely see the outlines of the surrounding forest. Above, pinpricks of light so filled the sky that I felt I could see in three dimensions, into the depth of the cosmos, layer upon layer of stars. A trickle of sweat meandered down my spine and I wondered if it was caused by the tropical heat or the awareness of my utter insignificance.
A Saga of Three Generations of Balkan Woman
Safety was unfortunately transitory. Yugoslavia fell apart in World War II, pulled back together for forty years, then tore itself up in bitter wars at the end of the 20th century. My grandparents and their descendants repeatedly lost everything because of the endless conflicts that just wouldn’t let go of their homelands.
To the old man with the gentle gaze in the corner of the souk in the medina of Fez, Morocco: May a drop of the love with which you serve your spiced coffee to strangers be returned, overflowing, to you.
A white crescent moon passes behind the long slope of Sultan Ahmet’s mosque, glazing ancient Istanbul with silver light. The medieval stone archway in the pine-bowered garden frames the six needle-shaped minarets and twenty-four blue tiled domes like a border in an illuminated manuscript.
A dark silhouette looms ahead in the sea, floating a dozen feet high, undulating. As I coast toward it, I begin to see the creatures within—hundreds of shimmering silver graybar and yellow spottail grunts, moving en mass like an underwater planet. I swim into the cloud, engulfed in tails and beady eyes. Currents of fish stream above, below and beside me as I snicker bubbles out of my dive regulator. Jacques Cousteau called Baja’s Sea of Cortez “The World’s Aquarium.” In Cabo Pulmo, the aquarium is interactive.
José Luis keeps pulling us to the dance floor. He is vibrant, joyful, smart and funny, wrinkled around the eyes and missing a tooth or two. He looks older than 66, but he’s undeniably younger than his years—and at last, at last, so are we.
As a young man, Paul Cézanne painted directly upon the walls of the oval-shaped salon in Jas de Bouffan, the house where he grew up in Aix-en-Provence, between tall windows, allegories of the four seasons, landscapes of Aix, to gain the attention of his father. This was written on my visit there, after a series of slides were projected upon the walls.
I put my head down and scribble into my notepad, hoping no one can tell that I’m rattled. As part of my story, I’m supposed to ride with Mariam and the team on the same highway where she was attacked. But after hearing about her assault, combined with the Taliban having launched their spring offensive, I’m losing confidence.
We drove to Nyamata, the church where ten thousand Tutsi were murdered in the place they had gone to seek protection. The below-ground crypts were stacked top to bottom, end to end with bones. Upstairs, the clothes the victims were wearing were stacked limply on the pews. On the side of the church was a statue of Mary, looking helplessly down from her perch.
The Creative Process: Podcast Interviews & Portraits of the World’s Leading Authors & Creative Thinkers
Inspiring Students – Encouraging Reading - Connecting through Stories
The Creative Process exhibition is traveling to universities and museums. The Creative Process exhibition consists of interviews with over 100 esteemed writers, including Joyce Carol Oates, Hilary Mantel, Neil Gaiman, Viet Thanh Nguyen, Tobias Wolff, Richard Ford, Junot Díaz, Marie Darrieussecq, Michel Faber, T.C. Boyle, Jay McInerney, George Saunders, Geoff Dyer, Etgar Keret, Douglas Kennedy, Sam Lipsyte, and Yiyun Li, among others. Artist and interviewer: Mia Funk.