SONNET L'ABBÉ - Award-winning Poet, Songwriter, Author of Sonnet’s Shakespeare

SONNET L'ABBÉ - Award-winning Poet, Songwriter, Author of Sonnet’s Shakespeare

Award-winning Poet · Songwriter · Author of Sonnet’s Shakespeare
Editor of Best Canadian Poetry in English

Sonnet’s Shakespeare itself came out of thinking about the form of erasure, what working in that form could do and mean… And I was looking at critical writing about it, and I couldn't find anything that talked about the role of the poet who is doing that as censorial or as somehow violencing the original text. I was thinking about my resonance with the word erasure and thinking about censoring and deleting what somebody else has already said resonates with me as an analogy for being black, being mixed race, being racialized, and non-European in spaces that are predominantly Anglo-Canadian. One tries very hard. At least I did as a child, as a teenager, to just try to fit in and make my visible difference as minimal, as invisible as possible. So it's a way of thinking about erasing the self. And so I took that theme and thought, How do I show through a poetic erasure this dynamic of self-erasure and feeling erased?

Sonnets for Albert with T.S. Eliot Award-winning Writer & Musician ANTHONY JOSEPH - Highlights

Sonnets for Albert with T.S. Eliot Award-winning Writer & Musician ANTHONY JOSEPH - Highlights

Award-winning Poet, Novelist & Musician, Lead vocalist of The Spasm Band
Author of Sonnets for Albert

The life of Caribbean people is not really documented. So this idea of Caribbean life being fragmented is something that I've had in my mind for a long time. So when I came to write this collection for my father, I realized that it was the same process and what I had were fragments, especially with him, because he wasn't around in a physical sense all the time. So all I had were little photographs, scattered memories, and remembrances. They're little parts of his life and parts of my experience with him... I never disliked my father. I always loved him and always was fascinated and captivated by him.

ANTHONY JOSEPH - T. S. Eliot  Award-winning Writer & Musician - Author of Sonnets for Albert

ANTHONY JOSEPH - T. S. Eliot Award-winning Writer & Musician - Author of Sonnets for Albert

Award-winning Poet, Novelist & Musician, Lead vocalist of The Spasm Band
Author of Sonnets for Albert

The life of Caribbean people is not really documented. So this idea of Caribbean life being fragmented is something that I've had in my mind for a long time. So when I came to write this collection for my father, I realized that it was the same process and what I had were fragments, especially with him, because he wasn't around in a physical sense all the time. So all I had were little photographs, scattered memories, and remembrances. They're little parts of his life and parts of my experience with him... I never disliked my father. I always loved him and always was fascinated and captivated by him.

Asian-American Cinema - KEN CHENG on Breaking Barriers in Hollywood - Highlights

Asian-American Cinema - KEN CHENG on Breaking Barriers in Hollywood - Highlights

Writer & Executive Producer of Easter Sunday starring Jo Koy, Jimmy O’Yang, Tia Carrere, Tiffany Haddish
Co-Founder of Crab Club, Inc.

I think there's this belief that creativity requires our ability to think outward and extrapolate beyond our own experiences and think of the world in imaginative new ways - which is true in a lot of cases - but I also believe in creativity as the ability to access inward and look introspectively at our own personal experiences and mine those experiences in ways that aren't necessarily one to one copies of our lives, but that we can extrapolate themes and lessons, comedy, drama, humor...into new works.

KEN CHENG - Writer/Producer of Easter Sunday starring Jo Koy - Co-Founder - Crab Club, Inc.

KEN CHENG - Writer/Producer of Easter Sunday starring Jo Koy - Co-Founder - Crab Club, Inc.

Writer & Executive Producer of Easter Sunday starring Jo Koy, Jimmy O’Yang, Tia Carrere, Tiffany Haddish
Co-Founder of Crab Club, Inc.

I think there's this belief that creativity requires our ability to think outward and extrapolate beyond our own experiences and think of the world in imaginative new ways - which is true in a lot of cases - but I also believe in creativity as the ability to access inward and look introspectively at our own personal experiences and mine those experiences in ways that aren't necessarily one to one copies of our lives, but that we can extrapolate themes and lessons, comedy, drama, humor...into new works.

Footprints: In Search of Future Fossils with DAVID FARRIER - Highlights

Footprints: In Search of Future Fossils with DAVID FARRIER - Highlights

Author of Footprints: In Search of Future Fossils · Anthropocene Poetics
Professor of Literature & the Environment · University of Edinburgh.

Just thinking about how our actions play out over multiple generations who will have to live with the consequences of these decisions. I think we need to stretch our sense of time, and within that stretch our sense of empathy. The philosopher Roman Krznaric talks about that in his book The Good Ancestor, that we need a more elastic sense of empathy that can encompass not just those close to us or living alongside us, but those who have yet to be born will have to inherit the world that we passed down to them. But I think in stretching that sense of empathy and stretching that sense of the times that we touch, if you like, because all of us are engaged in activities that will lead long legacies, long tails, in terms of the fossil fuels we're consuming. And so, alongside that, I think we need to accept that the time we live in is a strange one, and time itself is doing strange things in the anthropocene.

DAVID FARRIER - Author of Footprints: In Search of Future Fossils - Prof. U of Edinburgh

DAVID FARRIER - Author of Footprints: In Search of Future Fossils - Prof. U of Edinburgh

Author of Footprints: In Search of Future Fossils · Anthropocene Poetics
Professor of Literature & the Environment · University of Edinburgh.

Just thinking about how our actions play out over multiple generations who will have to live with the consequences of these decisions. I think we need to stretch our sense of time, and within that stretch our sense of empathy. The philosopher Roman Krznaric talks about that in his book The Good Ancestor, that we need a more elastic sense of empathy that can encompass not just those close to us or living alongside us, but those who have yet to be born will have to inherit the world that we passed down to them. But I think in stretching that sense of empathy and stretching that sense of the times that we touch, if you like, because all of us are engaged in activities that will lead long legacies, long tails, in terms of the fossil fuels we're consuming. And so, alongside that, I think we need to accept that the time we live in is a strange one, and time itself is doing strange things in the anthropocene.

A Guide to the Good Life: The Ancient Art of Stoic Joy with WILLIAM IRVINE - Highlights

A Guide to the Good Life: The Ancient Art of Stoic Joy with WILLIAM IRVINE - Highlights

Author of The Stoic Challenge & A Guide to the Good Life: The Ancient Art of Stoic Joy

Happiness is another interesting thing. I've been thinking about this lately. You know, people take aim at happiness. I don't know if you can actually do that, if you can have a recipe for attaining happiness. Happiness is something that just happens as a byproduct of something else going on in your life, and that is having a day where you're experiencing equanimity. You don't have this abundance of negative emotions, where you value the things you've already got, where you value the relationships you've got, where you feel good inside your own body. You like being who you are. And I think, if all that happens, then suddenly, you know, it'll dawn on me. 'Gosh, I guess I'm happy...'

WILLIAM IRVINE - Author of The Stoic Challenge & A Guide to the Good Life

WILLIAM IRVINE - Author of The Stoic Challenge & A Guide to the Good Life

Author of The Stoic Challenge & A Guide to the Good Life: The Ancient Art of Stoic Joy

Happiness is another interesting thing. I've been thinking about this lately. You know, people take aim at happiness. I don't know if you can actually do that, if you can have a recipe for attaining happiness. Happiness is something that just happens as a byproduct of something else going on in your life, and that is having a day where you're experiencing equanimity. You don't have this abundance of negative emotions, where you value the things you've already got, where you value the relationships you've got, where you feel good inside your own body. You like being who you are. And I think, if all that happens, then suddenly, you know, it'll dawn on me. 'Gosh, I guess I'm happy...'

Why evolution hid the truth from our eyes with Cognitive Scientist DONALD HOFFMAN - Highlights

Why evolution hid the truth from our eyes with Cognitive Scientist DONALD HOFFMAN - Highlights

Professor of Cognitive Sciences, UC Irvine
Author of The case against reality: Why evolution hid the truth from our eyes

This is really what life, I think, is about - learning to not believe your thoughts. Watch your thoughts, see their patterns and learn that you are not at the whim and beck and call of your thoughts. You can watch your thoughts, and you can choose to let go of thoughts and just be present and let go of the complaints. And that then opens up a level of creativity that's surprising. It could be in dance, science, it could be in music, or art. Wherever you have creative expression, letting go of thought and having this balance between thinking and no thinking, going into complete silence and then pulling ideas back for your art, your science, your dance, whatever it might be, is really the dance of life.

DONALD HOFFMAN - Prof. of Cognitive Sciences, UC Irvine - Author of The case against reality

DONALD HOFFMAN - Prof. of Cognitive Sciences, UC Irvine - Author of The case against reality

Professor of Cognitive Sciences, UC Irvine
Author of The case against reality: Why evolution hid the truth from our eyes

This is really what life, I think, is about - learning to not believe your thoughts. Watch your thoughts, see their patterns and learn that you are not at the whim and beck and call of your thoughts. You can watch your thoughts, and you can choose to let go of thoughts and just be present and let go of the complaints. And that then opens up a level of creativity that's surprising. It could be in dance, science, it could be in music, or art. Wherever you have creative expression, letting go of thought and having this balance between thinking and no thinking, going into complete silence and then pulling ideas back for your art, your science, your dance, whatever it might be, is really the dance of life.

Storytelling, Resilience & Latinx Representation with Emmy-winner Claudia Forestieri & Brigitte Muñoz-Liebowitz - Highlights

Storytelling, Resilience & Latinx Representation with Emmy-winner Claudia Forestieri & Brigitte Muñoz-Liebowitz - Highlights

Claudia Forestieri (Creator) & Brigitte Muñoz-Liebowitz (Showrunner)
Gordita Chronicles

When you immigrate, it's kind of like you're going through adolescence because you're in a new place. You feel weird in your own skin. You're learning new things. Everything is changing. You feel awkward. So that also helped us connect the adult stories to the children's stories.

CLAUDIA FORESTIERI - BRIGITTE MUÑOZ LIEBOWITZ (Creator - Showrunner) on Gordita Chronicles

CLAUDIA FORESTIERI - BRIGITTE MUÑOZ LIEBOWITZ (Creator - Showrunner) on Gordita Chronicles

Claudia Forestieri (Creator) & Brigitte Muñoz-Liebowitz (Showrunner)
Gordita Chronicles

When you immigrate, it's kind of like you're going through adolescence because you're in a new place. You feel weird in your own skin. You're learning new things. Everything is changing. You feel awkward. So that also helped us connect the adult stories to the children's stories.

Learning to Die in the Anthropocene: Reflections on the End of a Civilization w/ ROY SCRANTON - Highlights

Learning to Die in the Anthropocene: Reflections on the End of a Civilization w/ ROY SCRANTON - Highlights

Author of Learning to Die in the Anthropocene & We’re Doomed, Now What?
Director of the Notre Dame Environmental Humanities Initiative

It seems irresponsible to me to downplay the possible consequences of climate change. It seems irresponsible to assume that we're going to fix it. And so I think it's absolutely a responsibility for the people who are talking about it and thinking about it, to look at the worst-case scenario and to look at the current trajectories, absent technologies for carbon scrubbers, to look at where we're actually headed, the worst-case scenarios, and address that and bring that to each other and to our children and to our students. When you really look at the situation, it's scary and terrifying, and it upends everything that we've been told to make sense of life.

ROY SCRANTON - Author of “Learning to Die in the Anthropocene” - “We’re Doomed, Now What?”

ROY SCRANTON - Author of “Learning to Die in the Anthropocene” - “We’re Doomed, Now What?”

Author of Learning to Die in the Anthropocene & We’re Doomed, Now What?
Director of the Notre Dame Environmental Humanities Initiative

It seems irresponsible to me to downplay the possible consequences of climate change. It seems irresponsible to assume that we're going to fix it. And so I think it's absolutely a responsibility for the people who are talking about it and thinking about it, to look at the worst-case scenario and to look at the current trajectories, absent technologies for carbon scrubbers, to look at where we're actually headed, the worst-case scenarios, and address that and bring that to each other and to our children and to our students. When you really look at the situation, it's scary and terrifying, and it upends everything that we've been told to make sense of life.

Dance, Literature, Music & the Interdisciplinary Arts with MARIO ALBERTO ZAMBRANO - Highlights

Dance, Literature, Music & the Interdisciplinary Arts with MARIO ALBERTO ZAMBRANO - Highlights

Dancer, Writer, Choreographer
Associate Director of Dance at The Juilliard School, NYC

In both writing a first draft and in the improvisation of a dancing body, what is so key and relevant and exposed is voice. That internal voice of the artist of what they're writing on the page or what they're writing in space. If you go to fiction workshop, you talk about plot, structure, and you talk about character development, but there are very few classes within a dance curriculum where you break down an improvisation and you talk about voice, point of view, metaphor, or musical composition within a phrase. The lifespan of a phrase. And so this realisation is helping me understand that a one minute post of improvisation or even a ten-minute span of improvisation if it’s recorded is very similar to a first draft of creative writing, where then the artist is in a position to evaluate those 10 minutes and identify what is the setting? What is the voice that has come out of my experience of writing this first draft of an improvisation? And how can I give it structure? How can I give it form?

MARIO ALBERTO ZAMBRANO - Dancer, Writer, Assoc. Director of Dance, The Juilliard School

MARIO ALBERTO ZAMBRANO - Dancer, Writer, Assoc. Director of Dance, The Juilliard School

Dancer, Writer, Choreographer
Associate Director of Dance at The Juilliard School, NYC

In both writing a first draft and in the improvisation of a dancing body, what is so key and relevant and exposed is voice. That internal voice of the artist of what they're writing on the page or what they're writing in space. If you go to fiction workshop, you talk about plot, structure, and you talk about character development, but there are very few classes within a dance curriculum where you break down an improvisation and you talk about voice, point of view, metaphor, or musical composition within a phrase. The lifespan of a phrase. And so this realisation is helping me understand that a one minute post of improvisation or even a ten-minute span of improvisation if it’s recorded is very similar to a first draft of creative writing, where then the artist is in a position to evaluate those 10 minutes and identify what is the setting? What is the voice that has come out of my experience of writing this first draft of an improvisation? And how can I give it structure? How can I give it form?

The Evolutionary Origins of a Good Society w/ NICHOLAS CHRISTAKIS - Dir. - Human Nature Lab, Yale - Highlights

The Evolutionary Origins of a Good Society w/ NICHOLAS CHRISTAKIS - Dir. - Human Nature Lab, Yale - Highlights

Author of Blueprint: The Evolutionary Origins of a Good Society
Director of the Human Nature Lab at Yale · Co-director of the Yale Institute for Network Science

So these kinds of problems in what I call hybrid systems of humans and machines are a key focus of my lab right now. Margaret Traeger, who's now at Notre Dame, she did a wonderful project in which we made these groups of three humans and a humanoid robot work together to solve a problem.

We manipulated the humanity of the robot. For example, sometimes we had the robot tell stupid dad jokes, like corny jokes. Or we had the robot break the ice by saying, "You know, robots can make mistakes, too." This kind of stuff. And what we found was that the human interactions could be changed by the simple programming of the robot.

NICHOLAS CHRISTAKIS - Author of Blueprint: The Evolutionary Origins of a Good Society

NICHOLAS CHRISTAKIS - Author of Blueprint: The Evolutionary Origins of a Good Society

Author of Blueprint: The Evolutionary Origins of a Good Society
Director of the Human Nature Lab at Yale · Co-director of the Yale Institute for Network Science

We're not attempting to invent super smart AI to replace human cognition. We are inventing dumb AI to supplement human interaction. Are there simple forms of artificial intelligence, simple programming of bots, such that when they are added to groups of humans – because those humans are smart or otherwise positively inclined - that help the humans to help themselves? Can we get groups of people to work better together, for instance, to confront climate change, or to reduce racism online, or to foster innovation within firms?

Can we have simple forms of AI that are added into our midst that make us work better together? And the work we're doing in that part of my lab shows that abundantly that's the case. And we published a stream of papers showing that we can do that.

The Feminist Evolution: ELLEN RAPOPORT on HBO Max's MINX - Highlights

The Feminist Evolution: ELLEN RAPOPORT on HBO Max's MINX - Highlights

Creator, Executive Producer & Showrunner of Minx
starring Ophelia Lovibond & Jake Johnson

What drew me to the time period of the 70s was the real story of these magazines Playgirl, Viva, Foxy Lady, all the magazines that existed in this period. So it was a natural outgrowth of trying to tell a story that was inspired by, to some extent, real-life events. When I started developing Minx, what struck me about the 70s, in particular, is just how similar it was to our time. It seems like the magazines were covering all the same issues that we're now talking about. Obviously, we all saw with the leaked decision in Roe vs. Wade just how close we are to that time period and how far we haven't come.