An Introduction to Literature, Criticism and Theory with NICHOLAS ROYLE - Highlights

An Introduction to Literature, Criticism and Theory with NICHOLAS ROYLE - Highlights

Co-author of An Introduction to Literature, Criticism and Theory
Author of Mother: A Memoir · Managing Editor of Oxford Literary Review

My mother died years ago. What has induced me to write about her after all this time remains mysterious to me. It is connected to the climate crisis. As the natural historian David Attenborough says: 'the collapse of our civilizations and the extinction of much of the natural world is on the horizon.' In ways I cannot pretend to fathom I have found that writing about my mother is bound up with writing about Mother Nature and Mother Earth. And no doubt it has to do also with my own aging and the buried life of mourning. The strange timetables of realization and loss. A memoir is 'a written record of a person's knowledge of events or of a person's own experiences'. 'A record of events written by a person having intimate knowledge of them and based on personal observation.' So the dictionaries tell us. But this memoir of my mother makes no attempt at a comprehensive record.

NICHOLAS ROYLE - Co-author of "An Introduction to Literature, Criticism and Theory" - Author of “Mother: A Memoir”

NICHOLAS ROYLE - Co-author of "An Introduction to Literature, Criticism and Theory" - Author of “Mother: A Memoir”

Co-author of An Introduction to Literature, Criticism and Theory
Author of Mother: A Memoir · Managing Editor of Oxford Literary Review

My mother died years ago. What has induced me to write about her after all this time remains mysterious to me. It is connected to the climate crisis. As the natural historian David Attenborough says: 'the collapse of our civilizations and the extinction of much of the natural world is on the horizon.' In ways I cannot pretend to fathom I have found that writing about my mother is bound up with writing about Mother Nature and Mother Earth. And no doubt it has to do also with my own aging and the buried life of mourning. The strange timetables of realization and loss. A memoir is 'a written record of a person's knowledge of events or of a person's own experiences'. 'A record of events written by a person having intimate knowledge of them and based on personal observation.' So the dictionaries tell us. But this memoir of my mother makes no attempt at a comprehensive record.

Behind the Scenes of Ginny & Georgia, Criminal Minds, Alias with DEBRA J. FISHEER - Highlights

Behind the Scenes of Ginny & Georgia, Criminal Minds, Alias with DEBRA J. FISHEER - Highlights

Showrunner of Netflix’s Ginny & Georgia
Writer · Exec. Producer · Director · Alias · Criminal Minds · The OC · Charmed

I need a balance of light and dark. It can't be just one thing. I want you to be laughing one minute and by the end I want you to be crying. For me, character study is what is the most important. It all comes down to the characters. It's less about action or things like that, which you can have some of that, but it tonally, has to be female-centric and you have to be crying and laughing. There's so many interesting shows that walk that line of light and dark. I want to always live in the gray area with characters. Always. Nothing is ever black or white. It's always a weird gray area.

Debra J. Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

Debra J. Fisher - Showrunner of Netflix’s “Ginny & Georgia” - Writer, Exec. Producer “Criminal Minds” , “Alias”

Showrunner of Netflix’s Ginny & Georgia
Writer · Exec. Producer · Director · Alias · Criminal Minds · The OC · Charmed

I need a balance of light and dark. It can't be just one thing. I want you to be laughing one minute and by the end I want you to be crying. For me, character study is what is the most important. It all comes down to the characters. It's less about action or things like that, which you can have some of that, but it tonally, has to be female-centric and you have to be crying and laughing. There's so many interesting shows that walk that line of light and dark. I want to always live in the gray area with characters. Always. Nothing is ever black or white. It's always a weird gray area.

Inside Out: Writer Director ETGAR KERET on Creativity, Memories of His Mother, Storytelling as a Means of Survival - Highlights

Inside Out: Writer Director ETGAR KERET on Creativity, Memories of His Mother, Storytelling as a Means of Survival - Highlights

Cannes Film Festival Award-winning Director
Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years

For me, there is something about art, it's not a monologue, it's a dialogue. Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language.

Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “Suddenly a Knock on the Door”

Etgar Keret - Cannes Film Festival Award-winning Director - Author of “Fly Already”, “Suddenly a Knock on the Door”

Cannes Film Festival Award-winning Director
Author of Fly Already · Suddenly a Knock on the Door · The Seven Good Years

For me, there is something about art, it's not a monologue, it's a dialogue. Some people, it doesn't matter who they speak to, they will speak in the same way they would speak to a five-year-old or to an intellectual or to somebody who doesn't speak the language very well. They would speak the same way and they don't care because this is what they have to say, but I think that the natural thing in the dialogue is really to look into the eyes of the person you speak to and see when he understands or when she doesn't understand or when she's moved or when he's angry. And basically out of that, kind of create your own language.

Sonnets for Albert with T.S. Eliot Award-winning Writer & Musician ANTHONY JOSEPH - Highlights

Sonnets for Albert with T.S. Eliot Award-winning Writer & Musician ANTHONY JOSEPH - Highlights

Award-winning Poet, Novelist & Musician, Lead vocalist of The Spasm Band
Author of Sonnets for Albert

The life of Caribbean people is not really documented. So this idea of Caribbean life being fragmented is something that I've had in my mind for a long time. So when I came to write this collection for my father, I realized that it was the same process and what I had were fragments, especially with him, because he wasn't around in a physical sense all the time. So all I had were little photographs, scattered memories, and remembrances. They're little parts of his life and parts of my experience with him... I never disliked my father. I always loved him and always was fascinated and captivated by him.

ANTHONY JOSEPH - T. S. Eliot  Award-winning Writer & Musician - Author of Sonnets for Albert

ANTHONY JOSEPH - T. S. Eliot Award-winning Writer & Musician - Author of Sonnets for Albert

Award-winning Poet, Novelist & Musician, Lead vocalist of The Spasm Band
Author of Sonnets for Albert

The life of Caribbean people is not really documented. So this idea of Caribbean life being fragmented is something that I've had in my mind for a long time. So when I came to write this collection for my father, I realized that it was the same process and what I had were fragments, especially with him, because he wasn't around in a physical sense all the time. So all I had were little photographs, scattered memories, and remembrances. They're little parts of his life and parts of my experience with him... I never disliked my father. I always loved him and always was fascinated and captivated by him.

The Magical Language of Others with E.J. KOH - Highlights

The Magical Language of Others with E.J. KOH - Highlights

Award-winning Memoirist & Poet
The Magical Language of Others · A Lesser Love

I had delayed speech, and I had quite a bit of trouble with speaking. I think I must have been five before I was uttering some of my first words and trying to articulate. Simple communication was very difficult for me and my family, especially in a family where we were speaking several languages. They hoped to instill English. It’s the language of survival. There was a lot of frustration and fear in my relationship to language, and the relationship these languages had to each other, that was something I felt very sensitive to since I was young. Since before I could speak.

E.J. KOH - Award-Winning Memoirist & Poet - The Magical Language of Others - A Lesser Love

E.J. KOH - Award-Winning Memoirist & Poet - The Magical Language of Others - A Lesser Love

Award-winning Memoirist & Poet
The Magical Language of Others · A Lesser Love

I had delayed speech, and I had quite a bit of trouble with speaking. I think I must have been five before I was uttering some of my first words and trying to articulate. Simple communication was very difficult for me and my family, especially in a family where we were speaking several languages. They hoped to instill English. It’s the language of survival. There was a lot of frustration and fear in my relationship to language, and the relationship these languages had to each other, that was something I felt very sensitive to since I was young. Since before I could speak.