From Conflict Zones to Wildlife Conservation: AMI VITALE - Nat Geo Photographer & Filmmaker - Highlights

From Conflict Zones to Wildlife Conservation: AMI VITALE - Nat Geo Photographer & Filmmaker - Highlights

Award-Winning Photographer & Filmmaker
Executive Director of Vital Impacts

When are we all going to start to care about one another? Because all of our individual choices do have impacts. And I just think the demands that we place on this planet, on the ecosystems, are what are driving conflict and human suffering. In some cases, it's really the scarcity of resources, just like water. In others, it's the changing climate and the loss of fertile lands to be able to grow food. But in the end, it's always the people living in these places that really suffer the most. All of my work today, it’s not really about wildlife, and it's not just about people either. It's about how deeply interconnected all of those things are. People and the human condition are the backdrop of every one of the stories on this planet.

Documenting Hope & Survival - AMI VITALE - National Geographic Photographer & Filmmaker

Documenting Hope & Survival - AMI VITALE - National Geographic Photographer & Filmmaker

Award-Winning Photographer & Filmmaker
Executive Director of Vital Impacts

When are we all going to start to care about one another? Because all of our individual choices do have impacts. And I just think the demands that we place on this planet, on the ecosystems, are what are driving conflict and human suffering. In some cases, it's really the scarcity of resources, just like water. In others, it's the changing climate and the loss of fertile lands to be able to grow food. But in the end, it's always the people living in these places that really suffer the most. All of my work today, it’s not really about wildlife, and it's not just about people either. It's about how deeply interconnected all of those things are. People and the human condition are the backdrop of every one of the stories on this planet.

Bet on Yourself with ANN HIATT - Leadership Strategist - Highlights

Bet on Yourself with ANN HIATT - Leadership Strategist - Highlights

Leadership Strategist
Author of Bet on Yourself & Host of the Bet on Yourself podcast

I am very concerned that the future seems to be consolidated among the 10 wealthiest, most powerful people in the world who are all white guys. And they're great. I know most of them personally. I have mad respect for them, but it's really concerning when a private individual can buy Twitter. It's very concerning when a billionaire can own one of the most important news organizations in the United States…So my major deliverable and really the motivation behind writing Bet on Yourself was to democratize success. I want more people participating because what concerns me most about globalization is it's being controlled by about 10 people.

ANN HIATT - Leadership Strategist & Author of Bet On Yourself

ANN HIATT - Leadership Strategist & Author of Bet On Yourself

Leadership Strategist
Author of Bet on Yourself & Host of the Bet on Yourself podcast

I am very concerned that the future seems to be consolidated among the 10 wealthiest, most powerful people in the world who are all white guys. And they're great. I know most of them personally. I have mad respect for them, but it's really concerning when a private individual can buy Twitter. It's very concerning when a billionaire can own one of the most important news organizations in the United States…So my major deliverable and really the motivation behind writing Bet on Yourself was to democratize success. I want more people participating because what concerns me most about globalization is it's being controlled by about 10 people.

DANIEL SHERRELL - Author of Warmth: Coming of Age at the End of Our World - Campaign Director, Climate Jobs National Resource Center

DANIEL SHERRELL - Author of Warmth: Coming of Age at the End of Our World - Campaign Director, Climate Jobs National Resource Center

Author of Warmth: Coming of Age at the End of Our World
Organizer · Campaign Director Climate Jobs National Resource Center

It felt to me that if I wasn't able to figure out a way to orchestrate a genuine emotional encounter for myself with the enormity of this thing I was meant to be taking action on, then something in me was going to break, and I just wouldn't be able to keep doing the work. So, there was never a point where it's like, I'm going to write a book, but I did turn to the written word, almost little diary entries, to make psychological and spiritual sense of the crisis that I was dealing with in a thin way every day.

"We become the stories we tell ourselves." - Poet, Novelist, Psychologist HALA ALYAN - Highlights

"We become the stories we tell ourselves." - Poet, Novelist, Psychologist HALA ALYAN - Highlights

Dayton Literary Peace Prize Winning Novelist, Poet & Clinical Psychologist

We become the stories we tell ourselves…I started writing around the time I learned English because we moved to the States soon after my fourth birthday, and so I was here for kindergarten into elementary school. I grasped this new language just as I was learning how to also put things onto the page. Those two things really happened at the same time for me. I entered this world where I felt very different and very other, for all intents and purposes I was set to be raised in Kuwait. And then that of course got turned upside down after the invasion by Saddam. I think that so much of my trying to make sense of the world had to do with the displacement, exile and these experiences that my parents had experienced but then that I had as well as we were fleeing the war. It’s hard to know because I think that language was being formed in my brain at the same time that these things were happening.

HALA ALYAN - Dayton Literary Peace Prize-Winning Novelist, Poet, Clinical Psychologist

HALA ALYAN - Dayton Literary Peace Prize-Winning Novelist, Poet, Clinical Psychologist

Dayton Literary Peace Prize Winning Novelist, Poet & Clinical Psychologist

We become the stories we tell ourselves…I started writing around the time I learned English because we moved to the States soon after my fourth birthday, and so I was here for kindergarten into elementary school. I grasped this new language just as I was learning how to also put things onto the page. Those two things really happened at the same time for me. I entered this world where I felt very different and very other, for all intents and purposes I was set to be raised in Kuwait. And then that of course got turned upside down after the invasion by Saddam. I think that so much of my trying to make sense of the world had to do with the displacement, exile and these experiences that my parents had experienced but then that I had as well as we were fleeing the war. It’s hard to know because I think that language was being formed in my brain at the same time that these things were happening.

Our Towns: A 100,000-Mile Journey into the Heart of America w/ JAMES & DEBORAH FALLOWS

Our Towns: A 100,000-Mile Journey into the Heart of America w/ JAMES & DEBORAH FALLOWS

Journalists
Co-authors of Our Towns · Founders of Our Towns Civic Foundation

It was the accumulation of a month or two of travel in South Dakota and then in rural Vermont, and rural Michigan. We thought, we're seeing things that we never read about, that just by following the newspapers, we know all about New York and D.C., but we don't know anything about Sioux Falls.

We don't know anything about Howell, Michigan, and it's so interesting. And I think what I'm building to on the timeliness, it was and is, I think, a moment in American history where people have a sort of caricatured view of the America that's not directly in their experience. They think, okay, where I am is all right, but those people out there are crazy. Those people out there are extreme. Those people out there, we don't understand them.


The Magical Language of Others with E.J. KOH - Highlights

The Magical Language of Others with E.J. KOH - Highlights

Award-winning Memoirist & Poet
The Magical Language of Others · A Lesser Love

I had delayed speech, and I had quite a bit of trouble with speaking. I think I must have been five before I was uttering some of my first words and trying to articulate. Simple communication was very difficult for me and my family, especially in a family where we were speaking several languages. They hoped to instill English. It’s the language of survival. There was a lot of frustration and fear in my relationship to language, and the relationship these languages had to each other, that was something I felt very sensitive to since I was young. Since before I could speak.

E.J. KOH - Award-Winning Memoirist & Poet - The Magical Language of Others - A Lesser Love

E.J. KOH - Award-Winning Memoirist & Poet - The Magical Language of Others - A Lesser Love

Award-winning Memoirist & Poet
The Magical Language of Others · A Lesser Love

I had delayed speech, and I had quite a bit of trouble with speaking. I think I must have been five before I was uttering some of my first words and trying to articulate. Simple communication was very difficult for me and my family, especially in a family where we were speaking several languages. They hoped to instill English. It’s the language of survival. There was a lot of frustration and fear in my relationship to language, and the relationship these languages had to each other, that was something I felt very sensitive to since I was young. Since before I could speak.

 The Secret of Happy Children w/ Bestselling Educator & Author STEVE BIDDULPH

The Secret of Happy Children w/ Bestselling Educator & Author STEVE BIDDULPH

Parent Educator & Bestselling Author of The Secret of Happy Children
Raising Boys, The New Manhood
, and 10 Things Girls Need Most

We drastically misuse our mind and have neglected a very important part of the way our mind works in the modern world. I think preindustrial people and our ancestors used this very well. And that is that we have a whole right hemisphere of our brain which doesn't think in words, which takes in the holistic picture of everything around us. Anyone who is listening to this podcast will be aware that sometimes you have got feelings about things. They are signals that are sent from the right hemisphere of the brain, picking up things that we can't consciously interpret or read. It goes through our amygdala, which is our alarm system, and straight down the vagus nerve, and we feel it down in the middle of our body. What the books argue, if you want to be able to parent effectively, and live your life effectively, is to stay in touch with that. Include those signals as part of your mental checking out. Expand your awareness because you can read that every few seconds all the time. And your life will be very different. There are feelings below your feelings. They are not always right, but they're always worth listening to.

STEVE BIDDULPH - Educator & Bestselling Author of The Secret of Happy Children, Raising Boys, The New Manhood, and 10 Things Girls Need Most

STEVE BIDDULPH - Educator & Bestselling Author of The Secret of Happy Children, Raising Boys, The New Manhood, and 10 Things Girls Need Most

Parent Educator & Bestselling Author of The Secret of Happy Children
Raising Boys, The New Manhood
, and 10 Things Girls Need Most

We drastically misuse our mind and have neglected a very important part of the way our mind works in the modern world. I think preindustrial people and our ancestors used this very well. And that is that we have a whole right hemisphere of our brain which doesn't think in words, which takes in the holistic picture of everything around us. Anyone who is listening to this podcast will be aware that sometimes you have got feelings about things. They are signals that are sent from the right hemisphere of the brain, picking up things that we can't consciously interpret or read. It goes through our amygdala, which is our alarm system, and straight down the vagus nerve, and we feel it down in the middle of our body. What the books argue, if you want to be able to parent effectively, and live your life effectively, is to stay in touch with that. Include those signals as part of your mental checking out. Expand your awareness because you can read that every few seconds all the time. And your life will be very different. There are feelings below your feelings. They are not always right, but they're always worth listening to.

Uncommon Measure: A Journey Through Music, Performance, &
the Science of Time - NATALIE HODGES - Highlights

Uncommon Measure: A Journey Through Music, Performance, &
the Science of Time - NATALIE HODGES - Highlights

Author of Uncommon Measure A Journey Through Music, Performance, and
the Science of Time
· Fmr. Classical Violinist

There's a real decrease in functional connectivity between regions of the brain that modulate the ego and a sense of self for Gabriela Montero when she's improvising. That's not a region of the brain in particular, it’s the connections between a lot of them and that together as well and also our sense of self and also our conscious memory and our ability to anticipate and plan for the future. So our knowledge of ourselves in these different spheres of time, the light of that activity is dimmed during improvisation. There really is a biological reason behind her feeling that she gets out of the way and something else comes to the fore. The study asks why are her improvisations still so coherent, why did they hold together in time. They refer to it as this form of embodied creativity or embodied cognition, where it’s a deeper kind of memory. a more physical memory in her fingers in her body that know how to play and kind of takes over and allows for ego to kind of dissolve in that moment as she performs.

NATALIE HODGES - Author of Uncommon Measure A Journey Through Music, Performance & 
the Science of Time - Fmr. Classical Violinist

NATALIE HODGES - Author of Uncommon Measure A Journey Through Music, Performance & 
the Science of Time - Fmr. Classical Violinist

Author of Uncommon Measure A Journey Through Music, Performance, and
the Science of Time
· Fmr. Classical Violinist

There's a real decrease in functional connectivity between regions of the brain that modulate the ego and a sense of self for Gabriela Montero when she's improvising. That's not a region of the brain in particular, it’s the connections between a lot of them and that together as well and also our sense of self and also our conscious memory and our ability to anticipate and plan for the future. So our knowledge of ourselves in these different spheres of time, the light of that activity is dimmed during improvisation. There really is a biological reason behind her feeling that she gets out of the way and something else comes to the fore. The study asks why are her improvisations still so coherent, why did they hold together in time. They refer to it as this form of embodied creativity or embodied cognition, where it’s a deeper kind of memory. a more physical memory in her fingers in her body that know how to play and kind of takes over and allows for ego to kind of dissolve in that moment as she performs.

The Matter With Things: Our Brains, Our Delusions & the Unmaking of the World - DR. IAIN McGILCHRIST - Highlights

The Matter With Things: Our Brains, Our Delusions & the Unmaking of the World - DR. IAIN McGILCHRIST - Highlights

Author of The Matter with Things · The Master and his Emissary: The Divided Brain and the Making of the Western World Psychiatrist, Neuroscience Researcher, Philosopher & Literary Scholar

The heart also reports to the brain and receives from the brain. So our bodies are in dialogue with the brain. And we don't really know where consciousness is, we sort of imagine it's somewhere in the head. We have no real reason to suppose that it's just we identify it with our sight and we, therefore, think it must be somewhere up there behind the eyes, but it's something that takes in the whole of us and to which the whole of us contributes.

DR. IAIN McGILCHRIST - Author of The Matter with Things - Psychiatrist, Neuroscience Researcher, Philosopher & Literary Scholar

DR. IAIN McGILCHRIST - Author of The Matter with Things - Psychiatrist, Neuroscience Researcher, Philosopher & Literary Scholar

Author of The Matter with Things · The Master and his Emissary: The Divided Brain and the Making of the Western World Psychiatrist, Neuroscience Researcher, Philosopher & Literary Scholar

The heart also reports to the brain and receives from the brain. So our bodies are in dialogue with the brain. And we don't really know where consciousness is, we sort of imagine it's somewhere in the head. We have no real reason to suppose that it's just we identify it with our sight and we, therefore, think it must be somewhere up there behind the eyes, but it's something that takes in the whole of us and to which the whole of us contributes.

Cradle to Cradle: Remaking the Way We Make Things - WILLIAM McDONOUGH - Architect & Leader in Sustainable Design

Cradle to Cradle: Remaking the Way We Make Things - WILLIAM McDONOUGH - Architect & Leader in Sustainable Design

Leader in Sustainable Design & Development
Architect, Co-author of Cradle to Cradle: Remaking the Way We Make Things

I think believing in something is also part of the responsibility of the believer to sift through these things. So there are a lot of people saying I'm green because they do something less badly. So for me, it’s not green yet, it's just less bad. It's not really good yet. It's not really fabulous, but that just means there's an opportunity to keep going to share information and help each other because in the end, I think what we're dealing with now is the recognition that the world has a very serious issue with climate, that's very clear now. So how can we help each other? The question is no longer what is wrong with the way you're doing it. The real question now is how can I help you?

WILLIAM McDONOUGH - Leader in Sustainable Design & Development - Architect - Co-author of Cradle to Cradle: Remaking the Way We Make Things

WILLIAM McDONOUGH - Leader in Sustainable Design & Development - Architect - Co-author of Cradle to Cradle: Remaking the Way We Make Things

Leader in Sustainable Design & Development
Architect, Co-author of Cradle to Cradle: Remaking the Way We Make Things

I think believing in something is also part of the responsibility of the believer to sift through these things. So there are a lot of people saying I'm green because they do something less badly. So for me, it’s not green yet, it's just less bad. It's not really good yet. It's not really fabulous, but that just means there's an opportunity to keep going to share information and help each other because in the end, I think what we're dealing with now is the recognition that the world has a very serious issue with climate, that's very clear now. So how can we help each other? The question is no longer what is wrong with the way you're doing it. The real question now is how can I help you?

Reinventing Museums - YVES WINKIN on Cultural Anthropology & Communication - Highlights

Reinventing Museums - YVES WINKIN on Cultural Anthropology & Communication - Highlights

Yves Winkin is Distinguished Emeritus Professor at the University of Liège and Honorary Professor at the Conservatoire national des arts et métiers. He proposed an "anthropology of communication" based on an ethnographic approach. He was deputy director of the École normale supérieure de Lyon, director of the French Institute of Education and director of the musée des Arts et Métiers. He is the author of several books, most recently Réinventer les musées?

Reinventing Museums - YVES WINKIN on Cultural Anthropology & Communication - Highlights
The Creative Process Podcast

This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Sophie Mackin. Digital Media Coordinator is Yu Young Lee. “Winter Time” was composed by Nikolas Anadolis and performed by the Athenian Trio.

YVES WINKIN - Writer, Anthropologist, Fmr. Director of Musée des Arts et Métiers

YVES WINKIN - Writer, Anthropologist, Fmr. Director of Musée des Arts et Métiers

Yves Winkin is Distinguished Emeritus Professor at the University of Liège and Honorary Professor at the Conservatoire national des arts et métiers. He proposed an "anthropology of communication" based on an ethnographic approach. He was deputy director of the École normale supérieure de Lyon, director of the French Institute of Education and director of the musée des Arts et Métiers. He is the author of several books, most recently Réinventer les musées?

YVES WINKIN - Writer, Anthropologist, Fmr. Director of Musée des Arts et Métiers
The Creative Process Podcast

This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Sophie Mackin. Digital Media Coordinator is Yu Young Lee. “Winter Time” was composed by Nikolas Anadolis and performed by the Athenian Trio.