(Highlights) AZBY BROWN

(Highlights) AZBY BROWN

/

Author of Just Enough · Small Spaces · Lead Researcher for Safecast
Authority on Japanese Architecture, Design & Environmentalism

In Edo Japan, basically life was pretty good, and they recycled everything. Everything was reused, upcycled. Waste was considered taboo. A person who was wasting was considered an ugly person. So there’s a lot that we could talk about design, the layout, scale. Buildings were rarely taller than two storeys. Very good use of environmental features, microclimates, use of wind for cooling, passive solar heating. Good use of planting, gardens, etc. But regarding cities of the future, I think the main thing is it needs to be a place where people feel like they belong and want to take responsibility.


MERLIN DONALD

MERLIN DONALD

/

Psychologist, Neuroanthropologist & Cognitive Neuroscientist
Author of Origins of the Modern Mind, & A Mind So Rare

Lots of people have written books both optimistic and pessimistic about the Internet. It's a wonderful thing, it gives an opportunity to broaden our experience. I think in many ways the Internet is the only hope if you want to eliminate racism and want to raise the bar across the world, but at the same time, the inequalities are completely ridiculous. They've reached a point of insanity, and we have a moral issue. Is one person ever worth twice as much as another person? Can you justify one human being owning 10 times as much as another person? I don't think you can. I don't think that the president of the biggest cooperation in the world is worth 10 times the poorest person in the world, but that's not what we have. Sometimes he may be “worth” a million times more, a hundred thousand times more. That’s crazy.

EARL K. MILLER, Ph.D.

EARL K. MILLER, Ph.D.

/

Picower Professor of Neuroscience
MIT’s Picower Institute for Learning and Memory & Department of Brain & Cognitive Sciences

There are a lot of distractions in cities. So it's always good to maybe take some time out, be in a quieter place with no distractions so you can let your thoughts run. And that leads into the creative process because new ideas, new thoughts and where they come from. They come from following the garden path of associations in your mind. One thought leads to another, leads to another until your mind is in a new place it's never been before. Or you put two thoughts together that were never together before, but now they are because you managed to somehow follow this garden path of thoughts from one thought to the other. That's where creativity comes from, that's where your ideas come from, seeing things in a new way, seeing things that were never together before. And if you have constant distractions that interferes with that process.

ASHLEY DAWSON

ASHLEY DAWSON

/

Author of People’s Power, Extreme Cities, Extinction
Professor of Postcolonial Studies at City University of New York

The political struggle is really hard today and I feel like we haven't been winning, but I think it's important not to think of this as either we win it, or there's catastrophe and that's the end. We win or lose, and there’s this big tidal wave that kills us all. That's not the way the climate crisis is going to play out. It’s going to be a long, slow, attritional crisis punctuated by forms of natural disaster that will decimate populations, but it's also going to be something that people will be impacted by for generations and that people will continue to mobilize around, so I think it's important to keep that in mind.

DOUGLAS WOLK

DOUGLAS WOLK

/

Author of NYTimes bestseller All of the Marvels, Eisner Award–winning Reading Comics
Host of the Voice of Latveria podcast

I like the idea that your actions in the world can be motivated by both idealism and realism about how to achieve those ideals. I like the idea that morality is not simple. There is this idea that there are the heroes and there's the villains and you can easily tell who's who, and that's not so true as it used to be in comics and that's meaningful. One thing that is interesting about the Marvel story is there’s basically nobody who's just a bad guy to be a bad guy. Everyone has their reasons. Almost everyone is capable of redemption in some way, even the worst of the worst are capable of tremendous heroism and tremendous idealism and genuinely wanting to heal the world make it a better place.

BRUCE PIASECKI, PhD

BRUCE PIASECKI, PhD

/

NYT Bestselling Author of A New Way to Wealth · Doing More with Teams
Founder of AHC Group

Each day you wake up you make decisions that shape your own fate, your ascent, position, your own creativity. I like to think of it as fate is a personal construct. When I was at Cornell they had me teach an Emerson essay called “Freedom and Fate” where he said that fate was so overwhelming in some traditions that it’s as though we were each involved in a shipwreck and we were each thrown off the ship and all we had a chance to do was look at each other. I’ve come to believe is that not only is the future near you can design your own life.

KYLE HARPER

KYLE HARPER

/

Author of Plagues upon the Earth: Disease and the Course of Human History
G.T. & Libby Blankenship Chair in the History of Liberty, Professor of Classics & Letters, University of Oklahoma

Human well-being is both a question of social development in a very holistic sense that people have jobs that provide adequate food and clean water as well as the elimination of dangerous microbes, and so the question is how do societies continue to develop in a way that's globally equitable and sustainable and that's really one of wicked hardest problems on the planet is how do we continue to experience growth without having carbon emissions that make growth and impossible, that continue to hold societies in poverty, and that continue to imperil human health.

ADA LIMÓN

ADA LIMÓN

/

National Book Critics Circle Award-winning Poet & Host of The Slowdown podcast

This poem was written for me when I was having a real moment of reckoning, not that I hadn't had it earlier, but where I was doing some deep reading about the climate crisis and really reckoning with myself, with where we were and what was happening, what the truth was. And I felt like it was so easy to slip down into a darkness, into a sort of numbness, and I didn't think that that numbness and darkness could be useful.

GAURAV GUPTA

GAURAV GUPTA

/

Director of Kotter International · Co-author of Change: How Organizations Achieve Hard to Imagine Results in Uncertain & Volatile Times

How do you get people to have a sense of urgency to actually take action and do something different? What we're finding is the learnings from business very much do apply to other spheres and also more generally do challenges like climate change. We’re facing the question of how do you get more people to actually be willing to take real meaningful action.

ROB NIXON

ROB NIXON

/

Author of Slow Violence and the Environmentalism of the Poor
Professor Environmental Humanities at Princeton

There are some recurrent threads in indigenous cultures across the world. One of those is–We don’t own the land. The land owns us. It’s not seen as property first. It’s seen as inalienable in that sense because you don’t own it in the first place. What we’re seeing now is a kind of movement where more and more indigenous people are living kind of amphibious lives. On the one hand, they have their indigenous cosmologies. And the other hand, in order to increase the likelihood that they can keep out big corporations, mining, logging, and so forth, their presence on the land needs to be bureaucratically recognized is to have recognition that “this is your property.” So in one sense many of these communities I find are both inside and outside private property regimes.

MERLIN SHELDRAKE

MERLIN SHELDRAKE

/

Merlin Sheldrake is a biologist and bestselling author of Entangled Life: How Fungi Make Our Worlds, Change Our Minds, and Shape Our Futures. Merlin received a Ph.D. in tropical ecology from Cambridge University for his work on underground fungal networks in tropical forests in Panama, where he was a predoctoral research fellow of the Smithsonian Tropical Research Institute. Entangled Life won the Wainwright Prize 2021, and has been nominated for a number of other prizes. Merlin is a research associate of the Vrije University Amsterdam, Head of Science and Communications Strategy for the Society for the Protection of Underground Networks, and sits on the advisory board of the Fungi Foundation.

Merlin Sheldrake · Biologist & Bestselling Author of Entangled Life: How Fungi Make Our Worlds(Highl
Climate Change & Environmental Solutions · Creative Process Original Series

MERLIN SHELDRAKE

Humans have been partnering with fungi for an unknowably long time, no doubt for longer than we’ve been humans. Whether as foods, eating mushrooms, as medicines, dosing ourselves with moulds and other mushrooms that might help, parasites or others helpers with infection, mushrooms as tinder or ways to carry a spark, this very important thing that humans needed to do for a very long time, and as agents of fermentation, as in yeasts creating alcohol. So humans have partnered with fungi to solve all sorts of problems and so fungi have found themselves enveloped within human societies and cultures for a long time.

This interview was conducted by Mia Funk & Cooper Berkoff with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Cooper Berkoff. Digital Media Coordinator is Phoebe Brous.

Mia Funk is an artist, interviewer and founder of The Creative Process & One Planet Podcast (Conversations about Climate Change & Environmental Solutions).

DR. FARHANA SULTANA

DR. FARHANA SULTANA

/

Dr. Farhana Sultana is an Associate Professor in the Department of Geography and the Environment at the Maxwell School of Citizenship and Public Affairs of Syracuse University, where she is also the Research Director for Environmental Collaboration and Conflicts at the Program for the Advancement of Research on Conflicts and Collaboration (PARCC).

Dr. Sultana is an internationally recognized interdisciplinary scholar of political ecology, water governance, post‐colonial development, social and environmental justice, climate change, and feminism. Her research and scholar-activism draw from her experiences of having lived and worked on three continents as well as from her backgrounds in the natural sciences, social sciences, and policy experience.

Prior to joining Syracuse, she taught at King’s College London and worked at United Nations Development Programme (UNDP). Author of several dozen publications, her recent books are “The Right to Water: Politics, Governance and Social Struggles” (2012), “Eating, Drinking: Surviving” (2016) and “Water Politics: Governance, Justice, and the Right to Water” (2020). Dr. Sultana graduated Cum Laude from Princeton University (in Geosciences and Environmental Studies) and obtained her Masters and PhD (in Geography) from the University of Minnesota, where she was a John D. and Catherine T. MacArthur Foundation Fellow.

She was awarded the Glenda Laws Award from the American Association of Geographers for “outstanding contributions to geographic research on social issues” in 2019.

Dr. Farhana Sultana · Co-author: Water Politics: Governance, Justice & the Right to Water, Fmr. UNDP
Climate Change & Environmental Solutions · Creative Process Original Series

This interview was conducted by Mia Funk & Mariana Monahan Negron with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Mariana Monahan Negron. Digital Media Coordinator is Phoebe Brous.

Mia Funk is an artist, interviewer and founder of The Creative Process & One Planet Podcast (Conversations about Climate Change & Environmental Solutions).

JERICHO BROWN

JERICHO BROWN

/

Pulitzer Prize-winning Poet
Author of The Tradition & The New Testament

I just want to make the poems like a living being…There are moments that I’m not at the desk, but I’m living life. And living life is actually what leads to writing. You have to have experiences to write about. Whether or not you are aware of those experiences as you are writing them down because if you’re doing music first, maybe you’re not aware of what you’re writing. And yet, those experiences are what come to fruition in your writing. You become aware. Oh, I did come on that roller coaster that time that I haven’t thought about in twenty years. Oh I did make love to that cute person that I haven’t thought about in ten years, but you’ve got to make love, you’ve got to get on roller coasters, you’ve got to get your heart broken. You’ve got to dance. You gotta get out and do things and that, too, is a part of writing. You have to trust you’re a writer by identity. And if you can trust that you’re a writer by identity, then you don’t have to be at a desk.

ANA CASTILLO

ANA CASTILLO

/

Award-winning Xicana Activist, Editor, Poet, Novelist, Artist
Author of My Book of the Dead
One of the things of the things that is dying is our planet. We hear these sirens every single day. We’re being warned daily by experts and concerned people how vast that squandering is going. It’s a case of urgency and it’s astounding and a very sad, a very pathetic comment on modern life that most people are ignoring those signs. As a poet, it seems to me that one of the tasks that the poet takes on, it’s a vocation that’s born with it, it’s this consciousness, this serving as witness.