DAVID SIMON

DAVID SIMON

David Simon is Professor of Development Geography and Director for External Engagement in the School of Life Sciences and the Environment, Royal Holloway, University of London. He was also Director of Mistra Urban Futures, Gothenburg, Sweden from 2014–2019. A former Rhodes Scholar, he specialises in cities, climate change and sustainability, and the relationships between theory, policy and practice, on all of which he has published extensively. At Mistra Urban Futures, he led the pioneering methodological research on comparative transdisciplinary co-production. His extensive experience includes sub-Saharan Africa, South and Southeast Asia, the UK, Sweden and USA. From 2020-21, served as a Commissioner on the international Commission on Sustainable Agricultural Intensification (CoSAI), 2020-21. His most recent books as author, editor or co-editor are Rethinking Sustainable Cities: Accessible, green and fair (Policy Press, 2016), Urban Planet (Cambridge Univ Press, 2018), Holocaust Escapees and Global Development: Hidden histories (Zed Books, 2019), Key Thinkers on Development (2nd edn, Routledge, 2019), Comparative Urban Research from Theory to Practice: Co-production for sustainability (Policy Press, 2020), and Transdisciplinary Knowledge Co-production for Sustainable Cities: a Guide (Practical Action Publishing, 2021).

David Simon · Editor of “Rethinking Sustainable Cities” · Professor of Development Geography & Direc
Future Cities · Climate Change & Environmental Solutions · One Planet Original Series

This interview was conducted by Mia Funk & Eric Rosin with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Jacob A. Preisler & Eric Rosin. Digital Media Coordinators are Jacob A. Preisler and Megan Hegenbarth.  

Mia Funk is an artist, interviewer and founder of The Creative Process & One Planet Podcast (Conversations about Climate Change & Environmental Solutions).

(Highlights) JON YATES

(Highlights) JON YATES

Executive Director of Youth Endowment Fund
Author of Fractured: How We Learn to Live Together

I think humans really need to feel valued and loved. The question is where do you get your value from? And I try to get my value from–faith plays a big part of my life, but not everyone has that way of thinking about the world, so I'm not going to major on that, but that's only part of it, the sense that I believe there's a God who thinks I'm of worth, but it's more than that. I believe that my closest friends and my family think I'm of worth. And so I think that's probably made me more comfortable in saying if I start a charity and it fails, and I have started things that fell apart, it's not the end of the world.

JON YATES

JON YATES

Executive Director of Youth Endowment Fund
Author of Fractured: How We Learn to Live Together

I think humans really need to feel valued and loved. The question is where do you get your value from? And I try to get my value from–faith plays a big part of my life, but not everyone has that way of thinking about the world, so I'm not going to major on that, but that's only part of it, the sense that I believe there's a God who thinks I'm of worth, but it's more than that. I believe that my closest friends and my family think I'm of worth. And so I think that's probably made me more comfortable in saying if I start a charity and it fails, and I have started things that fell apart, it's not the end of the world.

DR. G. SAMANTHA ROSENTHAL
(Highlights) ASHLEY DAWSON

(Highlights) ASHLEY DAWSON

Author of People’s Power, Extreme Cities, Extinction
Professor of Postcolonial Studies at City University of New York

The political struggle is really hard today and I feel like we haven't been winning, but I think it's important not to think of this as either we win it, or there's catastrophe and that's the end. We win or lose, and there’s this big tidal wave that kills us all. That's not the way the climate crisis is going to play out. It’s going to be a long, slow, attritional crisis punctuated by forms of natural disaster that will decimate populations, but it's also going to be something that people will be impacted by for generations and that people will continue to mobilize around, so I think it's important to keep that in mind.

ASHLEY DAWSON

ASHLEY DAWSON

Author of People’s Power, Extreme Cities, Extinction
Professor of Postcolonial Studies at City University of New York

The political struggle is really hard today and I feel like we haven't been winning, but I think it's important not to think of this as either we win it, or there's catastrophe and that's the end. We win or lose, and there’s this big tidal wave that kills us all. That's not the way the climate crisis is going to play out. It’s going to be a long, slow, attritional crisis punctuated by forms of natural disaster that will decimate populations, but it's also going to be something that people will be impacted by for generations and that people will continue to mobilize around, so I think it's important to keep that in mind.

JEFFREY D. SACHS

JEFFREY D. SACHS

President of UN Sustainable Development Solutions Network
Director of Center for Sustainable Development, Columbia University

If we’re badly educated, we’re not going to make it on this planet. If I had to put my finger on one Sustainable Development Goal above all else, it is let’s empower young people so that they know the future. They know the world that they’re going to be leading soon. They can do something about it…If you’re in elementary school up to university, you should be learning–What is climate change? What is biodiversity? What can we do about it? And this kind of learning is not only book learning, but is also experiential learning.

(Highlights) GEORGE ELLIS

(Highlights) GEORGE ELLIS

Cosmologist, Theoretical physicist & Star of South Africa Medal Recipient

Artistic creativity and it’s crucial to artistic creativity amongst many other things. In artistic creativity, from my viewpoint, is that you start off with an idea and you’re shaping and you’re totally in control and it doesn’t matter if it's music or sculpture or painting or a novel, eventually the thing sparks its own life, becomes itself, and at that point, the role of the artist is to stand back and let it become what its got to become. And that’s where you get the great art.

GEORGE ELLIS

GEORGE ELLIS

Cosmologist, Theoretical physicist & Star of South Africa Medal Recipient

Artistic creativity and it’s crucial to artistic creativity amongst many other things. In artistic creativity, from my viewpoint, is that you start off with an idea and you’re shaping and you’re totally in control and it doesn’t matter if it's music or sculpture or painting or a novel, eventually the thing sparks its own life, becomes itself, and at that point, the role of the artist is to stand back and let it become what its got to become. And that’s where you get the great art.

(Highlights) ROB NIXON

(Highlights) ROB NIXON

Author of Slow Violence and the Environmentalism of the Poor
Professor Environmental Humanities at Princeton

There are some recurrent threads in indigenous cultures across the world. One of those is–We don’t own the land. The land owns us. It’s not seen as property first. It’s seen as inalienable in that sense because you don’t own it in the first place. What we’re seeing now is a kind of movement where more and more indigenous people are living kind of amphibious lives. On the one hand, they have their indigenous cosmologies. And the other hand, in order to increase the likelihood that they can keep out big corporations, mining, logging, and so forth, their presence on the land needs to be bureaucratically recognized is to have recognition that “this is your property.” So in one sense many of these communities I find are both inside and outside private property regimes.

ROB NIXON

ROB NIXON

Rob Nixon is a nonfiction writer and the Barron Family Professor in Environmental Humanities at Princeton University. He is the author of four books, most recently Slow Violence and the Environmentalism of the Poor. Nixon is currently writing a book on environmental martyrs and the defense of the great tropical forests. He writes frequently for the New York Times. His writing has also appeared in The New Yorker, Atlantic Monthly, The Guardian, The Nation, London Review of Books, The Village Voice, Aeon and elsewhere. Much of his writing engages environmental justice struggles in the global South. He has a particular interest in understanding the roles that artists can play in effecting change at the interface with social movements.

Rob Nixon · Author of Slow Violence and the Environmentalism of the Poor & Professor Environmental
Climate Change & Environmental Solutions · Creative Process Original Series

ROB NIXON

There are some recurrent threads in indigenous cultures across the world. One of those is–We don’t own the land. The land owns us. It’s not seen as property first. It’s seen as inalienable in that sense because you don’t own it in the first place. What we’re seeing now is a kind of movement where more and more indigenous people are living kind of amphibious lives. On the one hand, they have their indigenous cosmologies. And the other hand, in order to increase the likelihood that they can keep out big corporations, mining, logging, and so forth, their presence on the land needs to be bureaucratically recognized is to have recognition that “this is your property.” So in one sense many of these communities I find are both inside and outside private property regimes.

This interview was conducted by Mia Funk & Phil Kehoe with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Phil Kehoe. Digital Media Coordinator is Phoebe Brous.

Mia Funk is an artist, interviewer and founder of The Creative Process & One Planet Podcast (Conversations about Climate Change & Environmental Solutions).

(Highlights) IAN BURUMA

(Highlights) IAN BURUMA

Ian Buruma is the author of many books, including A Tokyo Romance, The Churchill Complex,Their Promised Land, Year Zero, The China Lover, Murder in Amsterdam, Occidentalism and God’s Dust. He teaches at Bard College and is a columnist for Project Syndicate and contributor to The New Yorker, The New York Times, and other publications. He was awarded the 2008 Erasmus Prize for making "an especially important contribution to European culture" and was voted one of the Top 100 Public Intellectuals
by the Foreign Policy magazine.

Ian Buruma · Public Intellectual & Erasmus Prize-Winning Author of A Tokyo Romance, The Churchill...
The Creative Process Podcast · Arts, Culture & Society

This interview was conducted by Mia Funk & Lexi Kayser with the participation of collaborating universities and students. Digital Media Coordinator is Phoebe Brous.

Mia Funk is an artist, interviewer and founder of The Creative Process & One Planet Podcast (Conversations about Climate Change & Environmental Solutions).

IAN BURUMA

IAN BURUMA

Ian Buruma is the author of many books, including A Tokyo Romance, The Churchill Complex,Their Promised Land, Year Zero, The China Lover, Murder in Amsterdam, Occidentalism and God’s Dust. He teaches at Bard College and is a columnist for Project Syndicate and contributor to The New Yorker, The New York Times, and other publications. He was awarded the 2008 Erasmus Prize for making "an especially important contribution to European culture" and was voted one of the Top 100 Public Intellectuals
by the Foreign Policy magazine.

Ian Buruma · Public Intellectual & Erasmus Prize-Winning Author of The Churchill Complex...(54 mins)
The Creative Process Podcast · Arts, Culture & Society

This interview was conducted by Mia Funk & Lexi Kayser with the participation of collaborating universities and students. Digital Media Coordinator is Phoebe Brous.

Mia Funk is an artist, interviewer and founder of The Creative Process & One Planet Podcast (Conversations about Climate Change & Environmental Solutions).

(Highlights) RICHARD D. WOLFF

(Highlights) RICHARD D. WOLFF

Founder of Democracy at Work · Host of Economic Update
Author of The Sickness is the System: When Capitalism Fails to Save Us from Pandemics or Itself

You can criticize many things in the United States, but there are taboos and the number one taboo is that you cannot criticize Capitalism. That is equated with disloyalty…This story about Capitalism being wonderful. This story is fading. You can’t do that anymore. The Right Wing cannot rally its troops around Capitalism. That’s why it doesn’t do it anymore. It rallies the troops around being hateful towards immigrants. It rallies the troops around “fake elections”, around the right to buy a gun, around White Supremacists. Those issues can get some support, but “Let’s get together for Capitalism!” That is bad. They can’t do anything with that. They have to sneak the Capitalism in behind those other issues because otherwise, they have no mass political support.

RICHARD D. WOLFF

RICHARD D. WOLFF

Founder of Democracy at Work · Host of Economic Update
Author of The Sickness is the System: When Capitalism Fails to Save Us from Pandemics or Itself

You can criticize many things in the United States, but there are taboos and the number one taboo is that you cannot criticize Capitalism. That is equated with disloyalty…This story about Capitalism being wonderful. This story is fading. You can’t do that anymore. The Right Wing cannot rally its troops around Capitalism. That’s why it doesn’t do it anymore. It rallies the troops around being hateful towards immigrants. It rallies the troops around “fake elections”, around the right to buy a gun, around White Supremacists. Those issues can get some support, but “Let’s get together for Capitalism!” That is bad. They can’t do anything with that. They have to sneak the Capitalism in behind those other issues because otherwise, they have no mass political support.

(Highlights) GAIA VINCE

(Highlights) GAIA VINCE

Science Writer, Broadcaster & Author
Transcendence: How Humans Evolved Through Fire, Language, Beauty & Time · Adventures in the Anthropocene

The good thing about our species is that we create our own environment. What we’ve been doing so far is creating an environment where we’re much more successful. We live a lot longer, we’re much healthier than we have been in the past. There are many, many more of us, so we’re very successful as a species and that’s been at the expense of other ecosystems, but what’s happened is we are now dominating the planet to a dangerous degree, but we are also self-aware. We’re capable of understanding that.

GAIA VINCE

GAIA VINCE

Science Writer, Broadcaster & Author
Transcendence: How Humans Evolved Through Fire, Language, Beauty & Time · Adventures in the Anthropocene

The good thing about our species is that we create our own environment. What we’ve been doing so far is creating an environment where we’re much more successful. We live a lot longer, we’re much healthier than we have been in the past. There are many, many more of us, so we’re very successful as a species and that’s been at the expense of other ecosystems, but what’s happened is we are now dominating the planet to a dangerous degree, but we are also self-aware. We’re capable of understanding that.

(Highlights) MARY EDNA FRASER & ORRIN H. PILKEY
MARY EDNA FRASER & ORRIN H. PILKEY
(Highlights) JANE MADGWICK

(Highlights) JANE MADGWICK

Ecologist & CEO of Wetlands International
Co-author of Water Lands: A vision for the world’s wetlands and their people
Wetlands naturally absorb twice the amount of carbon than all the world’s forests combined.
I think everybody at school learns about the water cycle. That rings a bell with everybody. Maybe this is a good hook to show the place of wetlands in capturing and purifying and the story of water. And then in turn how this links to what we’re seeing every year: droughts, floods, fires, heat waves which are devastating and life-threatening. I think this may be one of the easiest routes in educating people, connecting wetlands with water and the direct impact of that.