JON YATES

JON YATES

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Executive Director of Youth Endowment Fund
Author of Fractured: How We Learn to Live Together

I think humans really need to feel valued and loved. The question is where do you get your value from? And I try to get my value from–faith plays a big part of my life, but not everyone has that way of thinking about the world, so I'm not going to major on that, but that's only part of it, the sense that I believe there's a God who thinks I'm of worth, but it's more than that. I believe that my closest friends and my family think I'm of worth. And so I think that's probably made me more comfortable in saying if I start a charity and it fails, and I have started things that fell apart, it's not the end of the world.

DR. G. SAMANTHA ROSENTHAL
(Highlights) DAVID PALUMBO-LIU

(Highlights) DAVID PALUMBO-LIU

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Writer, Activist, Comparative Literature Professor
Author of Speaking Out of Place: Getting Our Political Voices Back

To explore different worlds. That’s what literature has taught me. Reading has taught me how difficult it is to write well, to do you something other than the mundane or the expected, so all those things point to a kind of human creativity and a human capacity to both create and also to learn. To learn about life in different ways and to pass on those lessons to other people. One thing I think great teachers do is to embody what they talk about, the values that they profess, the things they feel are important in their everyday lives outside of the literature. So when I become involved in politics or a cause, it’s a reflection of what I've learned through any number of things including literature. Literature doesn’t stand alone. Literature is part of the world.

DAVID PALUMBO-LIU

DAVID PALUMBO-LIU

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Writer, Activist, Comparative Literature Professor
Author of Speaking Out of Place: Getting Our Political Voices Back

To explore different worlds. That’s what literature has taught me. Reading has taught me how difficult it is to write well, to do you something other than the mundane or the expected, so all those things point to a kind of human creativity and a human capacity to both create and also to learn. To learn about life in different ways and to pass on those lessons to other people. One thing I think great teachers do is to embody what they talk about, the values that they profess, the things they feel are important in their everyday lives outside of the literature. So when I become involved in politics or a cause, it’s a reflection of what I've learned through any number of things including literature. Literature doesn’t stand alone. Literature is part of the world.

(Highlights) ASHLEY DAWSON

(Highlights) ASHLEY DAWSON

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Author of People’s Power, Extreme Cities, Extinction
Professor of Postcolonial Studies at City University of New York

The political struggle is really hard today and I feel like we haven't been winning, but I think it's important not to think of this as either we win it, or there's catastrophe and that's the end. We win or lose, and there’s this big tidal wave that kills us all. That's not the way the climate crisis is going to play out. It’s going to be a long, slow, attritional crisis punctuated by forms of natural disaster that will decimate populations, but it's also going to be something that people will be impacted by for generations and that people will continue to mobilize around, so I think it's important to keep that in mind.

ASHLEY DAWSON

ASHLEY DAWSON

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Author of People’s Power, Extreme Cities, Extinction
Professor of Postcolonial Studies at City University of New York

The political struggle is really hard today and I feel like we haven't been winning, but I think it's important not to think of this as either we win it, or there's catastrophe and that's the end. We win or lose, and there’s this big tidal wave that kills us all. That's not the way the climate crisis is going to play out. It’s going to be a long, slow, attritional crisis punctuated by forms of natural disaster that will decimate populations, but it's also going to be something that people will be impacted by for generations and that people will continue to mobilize around, so I think it's important to keep that in mind.

JEFFREY D. SACHS

JEFFREY D. SACHS

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President of UN Sustainable Development Solutions Network
Director of Center for Sustainable Development, Columbia University

If we’re badly educated, we’re not going to make it on this planet. If I had to put my finger on one Sustainable Development Goal above all else, it is let’s empower young people so that they know the future. They know the world that they’re going to be leading soon. They can do something about it…If you’re in elementary school up to university, you should be learning–What is climate change? What is biodiversity? What can we do about it? And this kind of learning is not only book learning, but is also experiential learning.

(Highlights) GEORGE ELLIS

(Highlights) GEORGE ELLIS

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Cosmologist, Theoretical physicist & Star of South Africa Medal Recipient

Artistic creativity and it’s crucial to artistic creativity amongst many other things. In artistic creativity, from my viewpoint, is that you start off with an idea and you’re shaping and you’re totally in control and it doesn’t matter if it's music or sculpture or painting or a novel, eventually the thing sparks its own life, becomes itself, and at that point, the role of the artist is to stand back and let it become what its got to become. And that’s where you get the great art.

GEORGE ELLIS

GEORGE ELLIS

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Cosmologist, Theoretical physicist & Star of South Africa Medal Recipient

Artistic creativity and it’s crucial to artistic creativity amongst many other things. In artistic creativity, from my viewpoint, is that you start off with an idea and you’re shaping and you’re totally in control and it doesn’t matter if it's music or sculpture or painting or a novel, eventually the thing sparks its own life, becomes itself, and at that point, the role of the artist is to stand back and let it become what its got to become. And that’s where you get the great art.

(Highlights) JUNG CHANG

(Highlights) JUNG CHANG

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Historian & Author of International Bestseller Wild Swans

Writing Wild Swans was the thing that resolved the trauma for me. When I first came to Britain in 1978, I was one of the first people to leave China and come to the West. I wrote about the experience in Wild Swans. And for many years I had nightmares of the horrible things I saw and experienced. Writing Wild Swans made all these nightmares disappear. It was a wonderful process. The writing process turned trauma in memory. I am now able to talk to you about my book, my life, to read it without too much pain. I think this is a luxury people in China still don’t have.

JUNG CHANG

JUNG CHANG

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Historian & Author of International Bestseller Wild Swans

Writing Wild Swans was the thing that resolved the trauma for me. When I first came to Britain in 1978, I was one of the first people to leave China and come to the West. I wrote about the experience in Wild Swans. And for many years I had nightmares of the horrible things I saw and experienced. Writing Wild Swans made all these nightmares disappear. It was a wonderful process. The writing process turned trauma in memory. I am now able to talk to you about my book, my life, to read it without too much pain. I think this is a luxury people in China still don’t have.

(Highlights) ROB NIXON

(Highlights) ROB NIXON

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Author of Slow Violence and the Environmentalism of the Poor
Professor Environmental Humanities at Princeton

There are some recurrent threads in indigenous cultures across the world. One of those is–We don’t own the land. The land owns us. It’s not seen as property first. It’s seen as inalienable in that sense because you don’t own it in the first place. What we’re seeing now is a kind of movement where more and more indigenous people are living kind of amphibious lives. On the one hand, they have their indigenous cosmologies. And the other hand, in order to increase the likelihood that they can keep out big corporations, mining, logging, and so forth, their presence on the land needs to be bureaucratically recognized is to have recognition that “this is your property.” So in one sense many of these communities I find are both inside and outside private property regimes.

ROB NIXON

ROB NIXON

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Rob Nixon is a nonfiction writer and the Barron Family Professor in Environmental Humanities at Princeton University. He is the author of four books, most recently Slow Violence and the Environmentalism of the Poor. Nixon is currently writing a book on environmental martyrs and the defense of the great tropical forests. He writes frequently for the New York Times. His writing has also appeared in The New Yorker, Atlantic Monthly, The Guardian, The Nation, London Review of Books, The Village Voice, Aeon and elsewhere. Much of his writing engages environmental justice struggles in the global South. He has a particular interest in understanding the roles that artists can play in effecting change at the interface with social movements.

Rob Nixon · Author of Slow Violence and the Environmentalism of the Poor & Professor Environmental
Climate Change & Environmental Solutions · Creative Process Original Series

ROB NIXON

There are some recurrent threads in indigenous cultures across the world. One of those is–We don’t own the land. The land owns us. It’s not seen as property first. It’s seen as inalienable in that sense because you don’t own it in the first place. What we’re seeing now is a kind of movement where more and more indigenous people are living kind of amphibious lives. On the one hand, they have their indigenous cosmologies. And the other hand, in order to increase the likelihood that they can keep out big corporations, mining, logging, and so forth, their presence on the land needs to be bureaucratically recognized is to have recognition that “this is your property.” So in one sense many of these communities I find are both inside and outside private property regimes.

This interview was conducted by Mia Funk & Phil Kehoe with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Phil Kehoe. Digital Media Coordinator is Phoebe Brous.

Mia Funk is an artist, interviewer and founder of The Creative Process & One Planet Podcast (Conversations about Climate Change & Environmental Solutions).

(Highlights) IAN BURUMA

(Highlights) IAN BURUMA

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Ian Buruma is the author of many books, including A Tokyo Romance, The Churchill Complex,Their Promised Land, Year Zero, The China Lover, Murder in Amsterdam, Occidentalism and God’s Dust. He teaches at Bard College and is a columnist for Project Syndicate and contributor to The New Yorker, The New York Times, and other publications. He was awarded the 2008 Erasmus Prize for making "an especially important contribution to European culture" and was voted one of the Top 100 Public Intellectuals
by the Foreign Policy magazine.

Ian Buruma · Public Intellectual & Erasmus Prize-Winning Author of A Tokyo Romance, The Churchill...
The Creative Process Podcast · Arts, Culture & Society

This interview was conducted by Mia Funk & Lexi Kayser with the participation of collaborating universities and students. Digital Media Coordinator is Phoebe Brous.

Mia Funk is an artist, interviewer and founder of The Creative Process & One Planet Podcast (Conversations about Climate Change & Environmental Solutions).

IAN BURUMA

IAN BURUMA

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Ian Buruma is the author of many books, including A Tokyo Romance, The Churchill Complex,Their Promised Land, Year Zero, The China Lover, Murder in Amsterdam, Occidentalism and God’s Dust. He teaches at Bard College and is a columnist for Project Syndicate and contributor to The New Yorker, The New York Times, and other publications. He was awarded the 2008 Erasmus Prize for making "an especially important contribution to European culture" and was voted one of the Top 100 Public Intellectuals
by the Foreign Policy magazine.

Ian Buruma · Public Intellectual & Erasmus Prize-Winning Author of The Churchill Complex...(54 mins)
The Creative Process Podcast · Arts, Culture & Society

This interview was conducted by Mia Funk & Lexi Kayser with the participation of collaborating universities and students. Digital Media Coordinator is Phoebe Brous.

Mia Funk is an artist, interviewer and founder of The Creative Process & One Planet Podcast (Conversations about Climate Change & Environmental Solutions).

(Highlights) RICHARD D. WOLFF

(Highlights) RICHARD D. WOLFF

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Founder of Democracy at Work · Host of Economic Update
Author of The Sickness is the System: When Capitalism Fails to Save Us from Pandemics or Itself

You can criticize many things in the United States, but there are taboos and the number one taboo is that you cannot criticize Capitalism. That is equated with disloyalty…This story about Capitalism being wonderful. This story is fading. You can’t do that anymore. The Right Wing cannot rally its troops around Capitalism. That’s why it doesn’t do it anymore. It rallies the troops around being hateful towards immigrants. It rallies the troops around “fake elections”, around the right to buy a gun, around White Supremacists. Those issues can get some support, but “Let’s get together for Capitalism!” That is bad. They can’t do anything with that. They have to sneak the Capitalism in behind those other issues because otherwise, they have no mass political support.

RICHARD D. WOLFF

RICHARD D. WOLFF

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Founder of Democracy at Work · Host of Economic Update
Author of The Sickness is the System: When Capitalism Fails to Save Us from Pandemics or Itself

You can criticize many things in the United States, but there are taboos and the number one taboo is that you cannot criticize Capitalism. That is equated with disloyalty…This story about Capitalism being wonderful. This story is fading. You can’t do that anymore. The Right Wing cannot rally its troops around Capitalism. That’s why it doesn’t do it anymore. It rallies the troops around being hateful towards immigrants. It rallies the troops around “fake elections”, around the right to buy a gun, around White Supremacists. Those issues can get some support, but “Let’s get together for Capitalism!” That is bad. They can’t do anything with that. They have to sneak the Capitalism in behind those other issues because otherwise, they have no mass political support.

(Highlights) GAIA VINCE

(Highlights) GAIA VINCE

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Science Writer, Broadcaster & Author
Transcendence: How Humans Evolved Through Fire, Language, Beauty & Time · Adventures in the Anthropocene

The good thing about our species is that we create our own environment. What we’ve been doing so far is creating an environment where we’re much more successful. We live a lot longer, we’re much healthier than we have been in the past. There are many, many more of us, so we’re very successful as a species and that’s been at the expense of other ecosystems, but what’s happened is we are now dominating the planet to a dangerous degree, but we are also self-aware. We’re capable of understanding that.

GAIA VINCE

GAIA VINCE

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Science Writer, Broadcaster & Author
Transcendence: How Humans Evolved Through Fire, Language, Beauty & Time · Adventures in the Anthropocene

The good thing about our species is that we create our own environment. What we’ve been doing so far is creating an environment where we’re much more successful. We live a lot longer, we’re much healthier than we have been in the past. There are many, many more of us, so we’re very successful as a species and that’s been at the expense of other ecosystems, but what’s happened is we are now dominating the planet to a dangerous degree, but we are also self-aware. We’re capable of understanding that.

(Highlights) MARY EDNA FRASER & ORRIN H. PILKEY