We All Live on One Planet We Call Home - Part 4 - Environmentalists, Economists, Policymakers & Architects Share their Stories

We All Live on One Planet We Call Home - Part 4 - Environmentalists, Economists, Policymakers & Architects Share their Stories

Environmentalists, Artists, Students & Teachers share their Love for the Planet

Today we’re streaming voices of environmentalists, artists, students, and teachers with music courtesy of composer Max Richter.

Speaking Out of Place: ASHLEY DAWSON discusses “Environmentalism from Below”

Speaking Out of Place: ASHLEY DAWSON discusses “Environmentalism from Below”

Author of Environmentalism from Below (Haymarket 2024) · Extinction: A Radical History · People’s Power: Reclaiming the Energy Commons · Professor of English at the Graduate Center / CUNY and the College of Staten Island

In this episode of the Speaking Out of Place podcast, Professor David Palumbo-Liu interviews Ashley Dawson, Professor of English at the Graduate Center / City University of New York and the College of Staten Island. Dawson’s recently published books focus on key topics in the Environmental Humanities, and include People’s Power: Reclaiming the Energy Commons (O/R, 2020), Extreme Cities: The Peril and Promise of Urban Life in the Age of Climate Change (Verso, 2017), and Extinction: A Radical History (O/R, 2016). Dawson is the author of a forthcoming book entitled Environmentalism from Below (Haymarket) and the co-editor of Decolonize Conservation! (Common Notions, 2023).

What Kind of World Are We Leaving for Future Generations? - Part 3 - Activists, Environmentalists & Teachers Share their Stories

What Kind of World Are We Leaving for Future Generations? - Part 3 - Activists, Environmentalists & Teachers Share their Stories

Environmentalists, Artists, Students & Teachers share their Love for the Planet

Today we’re streaming voices of environmentalists, artists, students, and teachers with music courtesy of composer Max Richter.

Speaking Out of Place: NAOMI ORESKES discusses “The Big Myth: How American Business Taught Us to Loathe Government & Love the Free Market”

Speaking Out of Place: NAOMI ORESKES discusses “The Big Myth: How American Business Taught Us to Loathe Government & Love the Free Market”

Henry Charles Lea Professor of the History of Science & Affiliated Professor · Earth & Planetary Sciences · Harvard University
Co-author of The Big Myth: How American Business Taught Us to Loathe Government & Love the Free Market

I think the word consortium is a good word. It's not a conspiracy, although at times it takes on conspiratorial elements, but it's a kind of network or consortium of people who are working over a very long period of time, going back to the early 20th century to build an ideology that basically says we should trust the marketplace. That markets are not merely an efficient way of developing and delivering goods and services, but that they're actually playing a crucial role in protecting political freedom, protecting political democracy, and they build that story in order to persuade people that government regulation of the marketplace, whether it's to protect workers, consumers, or the environment - even though it might seem attractive superficially - what they're saying is: yeah, but don't be fooled by that because it will actually undermine freedom and democracy. And it's a very clever move because it takes what is initially a self-interested defense of the prerogatives of the privileged, the prerogatives of the captains of industry, and turns it into a seemingly virtuous defense of democracy. And, of course, who wouldn't want to defend democracy?

EARTH MONTH STORIES - Part 2 - Environmentalists, Artists, Students & Teachers Speak Out & Share How We Can Save the Planet

EARTH MONTH STORIES - Part 2 - Environmentalists, Artists, Students & Teachers Speak Out & Share How We Can Save the Planet

Environmentalists, Artists, Students & Teachers share their Love for the Planet

Today we’re streaming voices of environmentalists, artists, students, and teachers with music courtesy of composer Max Richter.

SPECIAL EARTH DAY STORIES - Environmentalists, Artists, Students & Teachers share their Love for the Planet - Part 1

SPECIAL EARTH DAY STORIES - Environmentalists, Artists, Students & Teachers share their Love for the Planet - Part 1

Environmentalists, Artists, Students & Teachers share their Love for the Planet

Today we’re streaming voices of environmentalists, artists, students, and teachers with music courtesy of composer Max Richter.

Highlights - MAX RICHTER - Award-winning Composer - Pianist - Environmentalist

Highlights - MAX RICHTER - Award-winning Composer - Pianist - Environmentalist

Award-winning Composer & Pianist
His album Sleep is the most streamed classical album of all time
Film & TV scores for Ad Astra · Black Mirror · Shutter Island · The Leftovers · Arrival · Taboo

For me, the creative process is a sort of a continuous thing in the sense that I'm writing kind of all the time, at some level. And that doesn't mean I'm sitting at my desk all the time, but it does mean that I've got a continuous thought process, a continuous engagement with the material I'm trying to shape. And it's many different kinds of processes. First of all, obviously an intention. You need to have an intention. What is it I'm trying to do? But then you get a process of making things, and then you get into a process of dialogue with the things you've made where they start to take on properties and it feels like the material has intentions of its own.

So then you are trying to - it's like herding cats, you know? - sort of corralling this material into some kind of structure, some kind of formed object. Then it becomes like a sculptural process on the large scale.

MAX RICHTER - Award-winning Composer - Pianist - Environmentalist

MAX RICHTER - Award-winning Composer - Pianist - Environmentalist

Award-winning Composer & Pianist
His album Sleep is the most streamed classical album of all time
Film & TV scores for Ad Astra · Black Mirror · Shutter Island · The Leftovers · Arrival · Taboo

For me, the creative process is a sort of a continuous thing in the sense that I'm writing kind of all the time, at some level. And that doesn't mean I'm sitting at my desk all the time, but it does mean that I've got a continuous thought process, a continuous engagement with the material I'm trying to shape. And it's many different kinds of processes. First of all, obviously an intention. You need to have an intention. What is it I'm trying to do? But then you get a process of making things, and then you get into a process of dialogue with the things you've made where they start to take on properties and it feels like the material has intentions of its own.

So then you are trying to - it's like herding cats, you know? - sort of corralling this material into some kind of structure, some kind of formed object. Then it becomes like a sculptural process on the large scale.

HENRY SHUE - Author of “The Pivotal Generation” - Snr. Research Fellow, Centre for International Studies, Oxford

HENRY SHUE - Author of “The Pivotal Generation” - Snr. Research Fellow, Centre for International Studies, Oxford

Author of The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right Now · Basic Rights
Senior Research Fellow · Centre for International Studies · University of Oxford

We can tell from the science that we have to reach zero carbon emissions by 2050. And common sense tells you that bringing them down for the second 50% is going to be harder than the first 50%. So we have to take care of the first 50% by about 2030, and it's 2023 already. We literally must - if we're going to keep climate change from becoming even more dangerous than it is - is to do a very great deal in the next seven or eight years. And a huge amount between now and 2050. So it's not that this problem is the most important of all possible problems. There are other problems like preventing nuclear war, but this is a problem that either we get a grip on it now, or there's a real possibility that it will escape from our control. 

HENRY SHUE - Author of “The Pivotal Generation” - Snr. Research Fellow, Centre for International Studies, Oxford

HENRY SHUE - Author of “The Pivotal Generation” - Snr. Research Fellow, Centre for International Studies, Oxford

Author of The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right Now · Basic Rights
Senior Research Fellow · Centre for International Studies · University of Oxford

We can tell from the science that we have to reach zero carbon emissions by 2050. And common sense tells you that bringing them down for the second 50% is going to be harder than the first 50%. So we have to take care of the first 50% by about 2030, and it's 2023 already. We literally must - if we're going to keep climate change from becoming even more dangerous than it is - is to do a very great deal in the next seven or eight years. And a huge amount between now and 2050. So it's not that this problem is the most important of all possible problems. There are other problems like preventing nuclear war, but this is a problem that either we get a grip on it now, or there's a real possibility that it will escape from our control. 

Highlights - CHRISTOPHER GERVAIS - Founder/CEO of Wildlife Conservation Film Festival - Cannes Lions Award-winning Producer

Highlights - CHRISTOPHER GERVAIS - Founder/CEO of Wildlife Conservation Film Festival - Cannes Lions Award-winning Producer

Founder & CEO of Wildlife Conservation Film Festival
Cannes Lions Award-winning Producer

I've been fortunate over the last 13 years to meet some of the world's leading conservationists. Dr. Sylvia Earl, David Attenborough, Jane Goodall, his Royal Highness Prince Khaled bin Sultan of Saudi Arabia, who came to the film festival in 2014, where we showed some films from his foundation. And there have been a number of others, award-winning filmmakers, and a number of celebrities that have come to the film festival, Academy Award Winner James Cromwell. We've had other celebrities, from Paul Giamatti to Alec Baldwin to Sigourney Weaver, all of whom may have a passion for, if not saving wildlife, then for the environment. And I have found them very humble, very easy to speak to, and I'm immensely grateful that they took the time to come to WCFF from their busy schedule. And we hope to build more relationships.

CHRISTOPHER J. GERVAIS - Founder/CEO of Wildlife Conservation Film Festival - Cannes Lions Award-winning Producer

CHRISTOPHER J. GERVAIS - Founder/CEO of Wildlife Conservation Film Festival - Cannes Lions Award-winning Producer

Founder & CEO of Wildlife Conservation Film Festival
Cannes Lions Award-winning Producer

I've been fortunate over the last 13 years to meet some of the world's leading conservationists. Dr. Sylvia Earl, David Attenborough, Jane Goodall, his Royal Highness Prince Khaled bin Sultan of Saudi Arabia, who came to the film festival in 2014, where we showed some films from his foundation. And there have been a number of others, award-winning filmmakers, and a number of celebrities that have come to the film festival, Academy Award Winner James Cromwell. We've had other celebrities, from Paul Giamatti to Alec Baldwin to Sigourney Weaver, all of whom may have a passion for, if not saving wildlife, then for the environment. And I have found them very humble, very easy to speak to, and I'm immensely grateful that they took the time to come to WCFF from their busy schedule. And we hope to build more relationships.

Highlights - PIA MANCINI - Co-founder/CEO, Open Collective - Chair, DemocracyEarth Foundation - YGL World Economic Forum

Highlights - PIA MANCINI - Co-founder/CEO, Open Collective - Chair, DemocracyEarth Foundation - YGL World Economic Forum

Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation
Alum of YC & Young Global Leaders at World Economic Forum

And so I think many of those challenges have to do with the nature of power and how power is conservative and power will do anything in order to stay in power. And the status quo will do anything and make itself look like anything that you want in order to stay in power. And they might change their spots a little bit here or there, but if you look deep enough, it's the same people. It's the same power.

And so for me, that was the big challenge of realizing that we were facing power and power is conservative, and that's not the way to really achieve the change that we wanted to make. I wasn't patient enough for incremental changes. That's not what I'm interested in. So there's one set of challenges that I think is common to anyone in my position trying to do this. With regards to being a young woman, I mean, sure you face the same kind of sexist comments that you would face anywhere else that I face now as a woman CEO. The best thing I can do for that is just occupying the space and keep occupying the space and refusing to move away or let things like that stop me from engaging.

PIA MANCINI - Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation - YGL World Economic Forum

PIA MANCINI - Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation - YGL World Economic Forum

Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation
Alum of YC & Young Global Leaders at World Economic Forum

And so I think many of those challenges have to do with the nature of power and how power is conservative and power will do anything in order to stay in power. And the status quo will do anything and make itself look like anything that you want in order to stay in power. And they might change their spots a little bit here or there, but if you look deep enough, it's the same people. It's the same power.

And so for me, that was the big challenge of realizing that we were facing power and power is conservative, and that's not the way to really achieve the change that we wanted to make. I wasn't patient enough for incremental changes. That's not what I'm interested in. So there's one set of challenges that I think is common to anyone in my position trying to do this. With regards to being a young woman, I mean, sure you face the same kind of sexist comments that you would face anywhere else that I face now as a woman CEO. The best thing I can do for that is just occupying the space and keep occupying the space and refusing to move away or let things like that stop me from engaging.

Highlights - MANUELA LUCÁ-DAZIO - Exec. Director of Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.

Highlights - MANUELA LUCÁ-DAZIO - Exec. Director of Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.

Executive Director of the Pritzker Architecture Prize
Fmr. Executive Director of Venice Biennale (Dept. of Visual Arts & Architecture)

When I started and I had to decide what to do in life - because I was working with museums, in exhibition design, and on the restoration of buildings - and then at some point, I had the chance to arrive at the Venice Biennale and my whole perspective changed. And it changed because I was working with living artists and architects. Until that moment, I was working around Old Masters, works in museums, and things that were there with the aura of history. And all of a sudden I was dealing with living architects and artists, and this was, for me, the most incredible experience. So I decided to leave all the rest, because I was doing quite a lot at the same time, and to concentrate on the Biennale.

MANUELA LUCÁ-DAZIO - Executive Director, Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.

MANUELA LUCÁ-DAZIO - Executive Director, Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.

Executive Director of the Pritzker Architecture Prize
Fmr. Executive Director of Venice Biennale (Dept. of Visual Arts & Architecture)

When I started and I had to decide what to do in life - because I was working with museums, in exhibition design, and on the restoration of buildings - and then at some point, I had the chance to arrive at the Venice Biennale and my whole perspective changed. And it changed because I was working with living artists and architects. Until that moment, I was working around Old Masters, works in museums, and things that were there with the aura of history. And all of a sudden I was dealing with living architects and artists, and this was, for me, the most incredible experience. So I decided to leave all the rest, because I was doing quite a lot at the same time, and to concentrate on the Biennale.

Highlights - ARMOND COHEN - Executive Director of Clean Air Task Force

Highlights - ARMOND COHEN - Executive Director of Clean Air Task Force

Executive Director of Clean Air Task Force

There's no such thing as completely clean energy. We use that term a lot, but it's not really true. We have low carbon energy, and lower carbon energy, but any kind of industrial system has requirements for materials and processing, and nothing is completely natural in the industrial world. If we can electrify transportation, I think we can clean up the grid, and then I think we can deal with these life cycle issues in a way that's responsible, but it'll never be zero. That's impossible. The good thing about technology is it can move very fast. And so my advice would be if you're interested in this topic, if you have a mathematical, scientific, or business orientation, or you just like solving problems, get trained to really be part of the technological business revolution that's going on right now.

ARMOND COHEN - Executive Director of Clean Air Task Force

ARMOND COHEN - Executive Director of Clean Air Task Force

Executive Director of Clean Air Task Force

There's no such thing as completely clean energy. We use that term a lot, but it's not really true. We have low carbon energy, and lower carbon energy, but any kind of industrial system has requirements for materials and processing, and nothing is completely natural in the industrial world. If we can electrify transportation, I think we can clean up the grid, and then I think we can deal with these life cycle issues in a way that's responsible, but it'll never be zero. That's impossible. The good thing about technology is it can move very fast. And so my advice would be if you're interested in this topic, if you have a mathematical, scientific, or business orientation, or you just like solving problems, get trained to really be part of the technological business revolution that's going on right now.

LISA JACKSON PULVER - Deputy Vice-Chancellor, University of Sydney's Indigenous Strategy and Services

LISA JACKSON PULVER - Deputy Vice-Chancellor, University of Sydney's Indigenous Strategy and Services

Deputy Vice-Chancellor University of Sydney's Indigenous Strategy & Services

We come from the land, and we go back to the land. Aboriginal people have been on this land for at least 60,000 years in some of the most extreme conditions on Earth and survived. And over the last 230 years, the most catastrophic events have occurred to this land because people didn't listen to ancient Aboriginal cultures and knowledge. So my question is, if people were able to look after this place for 60,000 years and thrive, what have we done to ensure that we have a healthy fit world for the next 60,000 years?