MARILYN MINTER

MARILYN MINTER

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Artist

That's what my work is about. Women owning agency. Any kind. And that's what makes you really excited. Having agency. Sexual agency. Owning sexuality not being the object of it.

I don't really look for inspiration. I just let it come to me, but I don't stop working. So work comes from work. So when I'm stuck I just keep working and make terrible looking things until something else comes out of it. That's the creative process. Work comes from work. You can't think yourself out a right action. You have to act yourself into right thinking. You can't sit there and smoke cigarettes and look at the wall waiting for inspiration.

VIET THANH NGUYEN

VIET THANH NGUYEN

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Pulitzer-Prize Winning Author

Ever since I was a kid, I see this sign in a window near my parents' store. 'Another American Driven Out of Business by the Vietnamese.' And I thought, That's a story. At ten or twelve or whatever, I knew that was a story. And it didn't include me and my parents. But there's a direct connection between that story and Make America Great Again. That's been my life project to say, 'No, we didn't drive you out of your own country.' You know, there's a much more complicated story here about America, about Vietnam, about me, about my people and as American people and Vietnamese people that needs to be told through the arts and the humanities, right? It's a crucial terrain, which is why we keep fighting about it, whether we're Democrats or Republicans, conservatives or liberals. We know that culture is an important place where we define who we are.