KAREN M. McMANUS

KAREN M. McMANUS

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NYTimes Bestselling Author of Nothing More to Tell, One of Us is Lying

Well, I had a wonderful teacher in second grade who kind of inspired me to start writing and really stuck with me through elementary school and beyond as I made attempts to find my voice, but think part of the reason it never really went anywhere for me as a young person was because I was too afraid to share that with anyone except for that one teacher. I never showed friends. I didn't even really show family. I just always felt that it wasn't quite good enough. And so the thing I always tell writers now if they ask for, you know, "What's one tip?" It's let someone else tell you no, because I just told myself no for pretty much my entire young adulthood. And once I let other people tell me no, they did a lot, you know, but that is how I got better.

KEN CHENG

KEN CHENG

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Writer & Executive Producer of Easter Sunday starring Jo Koy, Jimmy O’Yang, Tia Carrere, Tiffany Haddish
Co-Founder of Crab Club, Inc.

I think there's this belief that creativity requires our ability to think outward and extrapolate beyond our own experiences and think of the world in imaginative new ways - which is true in a lot of cases - but I also believe in creativity as the ability to access inward and look introspectively at our own personal experiences and mine those experiences in ways that aren't necessarily one to one copies of our lives, but that we can extrapolate themes and lessons, comedy, drama, humor...into new works.

DAVID FARRIER

DAVID FARRIER

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Author of Footprints: In Search of Future Fossils · Anthropocene Poetics
Professor of Literature & the Environment · University of Edinburgh.

Just thinking about how our actions play out over multiple generations who will have to live with the consequences of these decisions. I think we need to stretch our sense of time, and within that stretch our sense of empathy. The philosopher Roman Krznaric talks about that in his book The Good Ancestor, that we need a more elastic sense of empathy that can encompass not just those close to us or living alongside us, but those who have yet to be born will have to inherit the world that we passed down to them. But I think in stretching that sense of empathy and stretching that sense of the times that we touch, if you like, because all of us are engaged in activities that will lead long legacies, long tails, in terms of the fossil fuels we're consuming. And so, alongside that, I think we need to accept that the time we live in is a strange one, and time itself is doing strange things in the anthropocene.

BRUCE PIASECKI

BRUCE PIASECKI

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NYT Bestselling Author of Doing More with One Life
Founder of AHC Group

I concluded that stress is good for a creative person and that we, in fact, flower under stress. We bloom under stress: A father's death. He would never finish this thought path because he had so little to go on. For decades, he had blamed everyone he knew for his father’s death. Having been raised by his grandmother, mother, and sister, he had to invent his masculinity—from muscle and bone to making his place in a world of markets.

BRUCE PIASECKI

BRUCE PIASECKI

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NYT Bestselling Author of A New Way to Wealth · Doing More with Teams
Founder of AHC Group

Each day you wake up you make decisions that shape your own fate, your ascent, position, your own creativity. I like to think of it as fate is a personal construct. When I was at Cornell they had me teach an Emerson essay called “Freedom and Fate” where he said that fate was so overwhelming in some traditions that it’s as though we were each involved in a shipwreck and we were each thrown off the ship and all we had a chance to do was look at each other. I’ve come to believe is that not only is the future near you can design your own life.