Highlights - STEPHANIE FELDSTEIN - Population & Sustainability Director, Center for Biological Diversity

Highlights - STEPHANIE FELDSTEIN - Population & Sustainability Director, Center for Biological Diversity

Population & Sustainability Director of the Center for Biological Diversity
Author of The Animal Lover’s Guide to Changing the World
Take Action: Save Life on Earth

Pretty much everything we do in our lives from the moment we wake up and take a shower, we're using water – that's shared resources. We're using energy that, for most of us, unfortunately, still comes from fossil fuels. We are making decisions about what we eat. We're making purchases that have an impact on the planet and on other animals based on where they came from and what they're made of. There are so many entry points for people to take action and start making changes in their own lives. And that's really important for people to start with what feels right to them. That's a great way to start getting involved in this.

STEPHANIE FELDSTEIN - Author of The Animal Lover’s Guide to Changing the World & Take Action: Save Life on Earth


STEPHANIE FELDSTEIN - Author of The Animal Lover’s Guide to Changing the World & Take Action: Save Life on Earth


Population & Sustainability Director of the Center for Biological Diversity
Author of The Animal Lover’s Guide to Changing the World
Take Action: Save Life on Earth

Pretty much everything we do in our lives from the moment we wake up and take a shower, we're using water – that's shared resources. We're using energy that, for most of us, unfortunately, still comes from fossil fuels. We are making decisions about what we eat. We're making purchases that have an impact on the planet and on other animals based on where they came from and what they're made of. There are so many entry points for people to take action and start making changes in their own lives. And that's really important for people to start with what feels right to them. That's a great way to start getting involved in this.

Speaking Out of Place: SILVIA FEDERICI discusses Re-enchanting the World: Feminism and the Politics of the Commons

Speaking Out of Place: SILVIA FEDERICI discusses Re-enchanting the World: Feminism and the Politics of the Commons

Scholar · Educator · Feminist Activist
Author of Caliban and the Witch
Re-enchanting the World: Feminism and the Politics of the Commons

When I came to America I had a shock. I never knew what it meant to be in a country that seems to have no history, being in a place where you feel like you are nowhere, you could have been dropped by a plane in a cultural, historical desert. In the United States, they're destroying historic buildings. They've paved over cemeteries of African slaves. They're changing the environment so that memory is destroyed.

Because you are placing yourself in a broader arc of time, I asked a woman from Guatemala: how can women keep fighting for so much power? And she said, "Because, for us, the dead are not dead." This gives them the courage to go on when everything seems to be lost. I think that this is the kind of struggle that we need to make against war, against the destruction of nature.

Highlights - SUE INCHES - Fmr. Director, Maine Department of Marine Resources - Fmr. Deputy Director, State Planning Office


Highlights - SUE INCHES - Fmr. Director, Maine Department of Marine Resources - Fmr. Deputy Director, State Planning Office


Author of Advocating for the Environment: How to Gather Your Power and Take Action
Environmental Advocate · Educator · Fmr. Director, Maine Department of Marine Resources
Fmr. Deputy Director, State Planning Office

So to me, the connection is just being outdoors. It really brings energy, to my life and it brings energy to my work. And I think for a lot of people, this is true, that nature is kind of the place where they can regenerate their energy. And if people haven't experienced that, I encourage them to try it, because nature can be very restorative. So, absolutely there's a connection between health, the outdoors, and between environmental issues and creating a healthy, clean environment for future generations.

SUE INCHES - Author of Advocating for the Environment: How to Gather Your Power and Take Action

SUE INCHES - Author of Advocating for the Environment: How to Gather Your Power and Take Action

Author of Advocating for the Environment: How to Gather Your Power and Take Action
Environmental Advocate · Educator · Fmr. Director, Maine Department of Marine Resources
Fmr. Deputy Director, State Planning Office

So to me, the connection is just being outdoors. It really brings energy, to my life and it brings energy to my work. And I think for a lot of people, this is true, that nature is kind of the place where they can regenerate their energy. And if people haven't experienced that, I encourage them to try it, because nature can be very restorative. So, absolutely there's a connection between health, the outdoors, and between environmental issues and creating a healthy, clean environment for future generations.

Speaking Out of Place: SUSAN ALBUHAWA discusses “Palestine Writes”

Speaking Out of Place: SUSAN ALBUHAWA discusses “Palestine Writes”

Novelist · Poet · Essayist · Scientist · Mother · Activist
Organizer of “Palestine Writes” · the only North American literature festival celebrating Palestinian Writers & Artists
Founder of the Children’s Organization Playgrounds for Palestine

Palestinians have been facing erasure for decades. There's the physical erasure of our villages, the names of our villages, the erasure of the word Palestine from the map, erasure of our identities. And now there's this kind of colonization of our narratives, of our stories, and our history. And Palestine Writes is part of a counterforce against this new form of colonization. The Zionist colonial narrative has always shifted with shifting wind, depending on what's in vogue at the time. Initially, it was a sort of romantic ending to Europe's genocide of its own Jewish population. And there was this epic myth of "a land without people for a people without land". And of course that was unsustainable.

Highlights - ERICA BERRY - Author of Wolfish: Wolf, Self, and the Stories We Tell About Fear

Highlights - ERICA BERRY - Author of Wolfish: Wolf, Self, and the Stories We Tell About Fear

Author of Wolfish: Wolf, Self, and the Stories We Tell About Fear

And I think the ways that wolves converse with one another, there's also so much there that really conjures the way that we humans do. And I was trying to piece together: why did we feel so threatened by wolves? In part, I think because there's a sort of uncanny mirror that humans have seen in a wolf. And I'll give an example. Wolf packs will form a diversity of family structures very often. So they will have a nuclear family where you'll have two breeders, but they can also have an extended family where there's sort of aunts and uncles in the pack. Or (these are the biologist's names) they'll call it a step-family if a wolf pack welcomes an outside breeder. A foster family, if they welcome another outsider. And I think the way that a pack is its own ecosystem: if one wolf dies, there's one wolf in this pack that might be the one that teaches how to move through the territory. And if that one wolf dies, the whole pack has a much higher likelihood of disbanding. And so this idea that the interconnectivity between the packs and the individuality of the wolves is so critical. It is so beautiful, and you see that studying these different wolves, they have personalities.

ERICA BERRY - Author of Wolfish: Wolf, Self, and the Stories We Tell About Fear

ERICA BERRY - Author of Wolfish: Wolf, Self, and the Stories We Tell About Fear

Author of Wolfish: Wolf, Self, and the Stories We Tell About Fear

And I think the ways that wolves converse with one another, there's also so much there that really conjures the way that we humans do. And I was trying to piece together: why did we feel so threatened by wolves? In part, I think because there's a sort of uncanny mirror that humans have seen in a wolf. And I'll give an example. Wolf packs will form a diversity of family structures very often. So they will have a nuclear family where you'll have two breeders, but they can also have an extended family where there's sort of aunts and uncles in the pack. Or (these are the biologist's names) they'll call it a step-family if a wolf pack welcomes an outside breeder. A foster family, if they welcome another outsider. And I think the way that a pack is its own ecosystem: if one wolf dies, there's one wolf in this pack that might be the one that teaches how to move through the territory. And if that one wolf dies, the whole pack has a much higher likelihood of disbanding. And so this idea that the interconnectivity between the packs and the individuality of the wolves is so critical. It is so beautiful, and you see that studying these different wolves, they have personalities.

Speaking Out of Place: CYNTHIA G. FRANKLIN discusses “Narrating Humanity: Life Writing and Movement Politics from Palestine to Mauna Kea”

Speaking Out of Place: CYNTHIA G. FRANKLIN discusses “Narrating Humanity: Life Writing and Movement Politics from Palestine to Mauna Kea”

Author of Narrating Humanity: Life Writing and Movement Politics from Palestine to Mauna Kea
Professor of English at University of Hawai'i · Coeditor of the journal Biography

I posit narrated humanity as a lens through which to study how narratives participate in struggles to conceive human being beyond juridical and narrative humanity. What I was thinking about was just the kind of narrative codes and conventions and genres that help us to understand who counts as human in ways that people who are fighting for human rights as a thing that you have to do, even as there are all kinds of critiques that can and have been made rightly so of human rights, but that you have to do it.

MARCIA DeSANCTIS - Author of “A Hard Place to Leave: Stories from a Restless Life"

MARCIA DeSANCTIS - Author of “A Hard Place to Leave: Stories from a Restless Life"

Journalist, Essayist, Author of A Hard Place to Leave: Stories from a Restless Life
100 Places in France Every Woman Should Go

I started looking over the stories that I had done. I would say the majority of the essays were not really about travel. They were more about aging and marriage and memory and all of those things, but I did find in the travel essays those kernels of things that I wanted to explore - bigger kernels of things that were sort of scratching at me from the inside like a piece of sand in my pocket that was irritating me and that I wanted to explore. What I found was that the theme of coming and going, the theme of arrivals and departures, the theme of entrances and exits, and the theme of home and away seemed to repeat itself. I felt that whenever I was somewhere, there was always a tide home. And when I was home, there was always the urge for going. And so I just weeded out and weeded out and really wanted to keep this theme of home and away.

MARGE PIERCY - NYTimes Bestselling Novelist, Poet & Activist

MARGE PIERCY - NYTimes Bestselling Novelist, Poet & Activist

Novelist, Poet & Activist

People who take care of sick people and AIDS and teachers and garbage collectors and people who work in daycare…all the things that have to happen in society we pay shit for. We pay an enormous amount of money to people who can throw a ball through a hoop. We pay an enormous amount of hedge fund people. All the people who take over corporations go in and destroy get immensely rich while the people who do what we actually need doing, what we must have to survive, the people who grow food, the independent farmers that used to exist…

LAURIE ANDERSON - DICKIE LANDRY - "HOME OF THE BRAVE"

LAURIE ANDERSON - DICKIE LANDRY - "HOME OF THE BRAVE"

I still have problems today. Some people call it stage fright. I don't know what it is, but I'm always right before a concert thinking, Why am I doing this? I should be doing this. I should be doing that. Why am I here? What am I going to do? And I walk up to the microphone, I'm still thinking this, and I start playing. And I'm still thinking, What am I doing here? Why, why, why? All the questions of how I'm going to sustain playing for 45 minutes or an hour, and I'm still playing and playing. And then all of a sudden I go, Well, Mr. Landry, you've got people sitting in the audience. You're getting paid for this. So enjoy yourself. So the next thing I know, the concert is over, and I don't know where I've been.

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Speaking Out of Place: DR. JENNIFER M. GÓMEZ discusses “The Cultural Betrayal of Black Women and Girls”

Speaking Out of Place: DR. JENNIFER M. GÓMEZ discusses “The Cultural Betrayal of Black Women and Girls”

Author of The Cultural Betrayal of Black Women and Girls: A Black Feminist Approach to Healing from Sexual Abuse
Assistant Professor in the School of Social Work · Faculty Affiliate at the Center for Innovation in Social Work & Health at Boston University,

So many of us have experienced things along this vein, and when we know that, then the feelings of isolation can be interrupted with this understanding that many of us have been through these things. And if that person over there can experience joy, well maybe I can experience joy too, and maybe this is a different kind of harm and cultural betrayal. Sexual trauma and abuse as a collective community-level harm, that means community-level healing and personal healing.

Highlights - JANE ALEXANDER - Tony & Emmy Award-Winning Actress, Conservationist, Author

Highlights - JANE ALEXANDER - Tony & Emmy Award-Winning Actress, Conservationist, Author

Tony & Emmy Award-Winning Actress · Conservationist
Chairman of the National Endowment for the Arts 1993-97

I did not seek out these roles like All the President's Men. I know that I was very interested in social and political issues from childhood. I don't know whether there was something in me that translated that I was politically and socially conscious when I was a young actress because these roles came to me. I didn't go out begging for them. And I was so grateful to have them because I thought they had a depth to them.

JANE ALEXANDER- Tony & Emmy Award-Winning Actress, Conservationist, Author

JANE ALEXANDER- Tony & Emmy Award-Winning Actress, Conservationist, Author

Tony & Emmy Award-Winning Actress, Conservationist, Author
Chairman of the National Endowment for the Arts 1993-97

I did not seek out these roles like All the President's Men. I know that I was very interested in social and political issues from childhood. I don't know whether there was something in me that translated that I was politically and socially conscious when I was a young actress because these roles came to me. I didn't go out begging for them. And I was so grateful to have them because I thought they had a depth to them.

ALICE FULTON - Poet - Recipient of MacArthur “Genius”, NEA & Guggenheim Fellowships

ALICE FULTON - Poet - Recipient of MacArthur “Genius”, NEA & Guggenheim Fellowships

Alice Fulton’s books include Barely Composed, a poetry collection; The Nightingales Of Troy, linked stories; and Cascade Experiment: Selected Poems. Her book Felt received the Bobbitt Prize from the Library of Congress, awarded to the best book of poems published within a two-year period. She has received an American Academy of Arts and Letters Award in Literature and fellowships from the MacArthur Foundation, National Endowment for the Arts, Guggenheim Foundation, and Ingram Merrill Foundation.  Her other books include Sensual Math, Powers Of Congress, Palladium, Dance Script With Electric Ballerina, and an essay collection, Feeling As A Foreign Language. She lives in Ithaca, NY. 

E.J. KOH - Award-Winning Memoirist & Poet - “The Magical Language of Others”, “A Lesser Love”

E.J. KOH - Award-Winning Memoirist & Poet - “The Magical Language of Others”, “A Lesser Love”

Award-winning Memoirist & Poet
The Magical Language of Others · A Lesser Love

I had delayed speech, and I had quite a bit of trouble with speaking. I think I must have been five before I was uttering some of my first words and trying to articulate. Simple communication was very difficult for me and my family, especially in a family where we were speaking several languages. They hoped to instill English. It’s the language of survival. There was a lot of frustration and fear in my relationship to language, and the relationship these languages had to each other, that was something I felt very sensitive to since I was young. Since before I could speak.

Highlights - DITTE LYSGAARD VIND - Circular Economy & Design Expert - Founder of The Circular Way

Highlights - DITTE LYSGAARD VIND - Circular Economy & Design Expert - Founder of The Circular Way

Circular Economy & Design Expert · Founder of The Circular Way
Author of Danish Design Heritage & Global Sustainability

Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions.

DITTE LYSGAARD VIND - Circular Economy & Design Expert - Author of Danish Design Heritage & Global Sustainability

DITTE LYSGAARD VIND - Circular Economy & Design Expert - Author of Danish Design Heritage & Global Sustainability

Circular Economy & Design Expert · Founder of The Circular Way
Author of Danish Design Heritage & Global Sustainability

Putting design first, it really enables us to shape a future that we don't yet know. But we need to be super tactile and practical about it as well. And then seeing that is something that design very much has the ability to do. And at the same time, having this growing frustration that wherever you go, wherever you talk about sustainability, it was a compromise. It was something that meant uglier, less convenient, more expensive, all these different things, but then diving into the Danish Design heritage, seeing that what set them apart was that after the World Wars, they had a social purpose of democratizing and rebuilding the welfare state, and that was not something that lessened the final result. On the contrary, it heightened the ambition, the final design, and the solutions.