Poet
I wrote "I the People" in about 1985. I was living in New York and it was one of those years when it was an anniversary of the Constitution…My first husband had died a few years previously, and I didn't feel like I was part of any "we." But I did feel that I was "the people," somehow. So, I just changed it to "I the People." It seemed to me that that could be something that anyone might say to themselves, I the people.
Poet
It's all-inclusive – poetry– and everything is poetry in a certain way, and poetic measure is like what we're composed of. It's what we are. I mean, we're poetry.
Comedian & Host of Awakening Orientation Dept. & Soberish
That’s just always been something that’s been inspiring to me which is helping people from the wrong side of the tracks, the misunderstood, the addicted, helping people step into their power and believe in themselves.
Comedian & Host of Awakening Orientation Dept. & Soberish
That’s just always been something that’s been inspiring to me which is helping people from the wrong side of the tracks, the misunderstood, the addicted, helping people step into their power and believe in themselves.
Writer · Producer · Director
Sex and the City, Modern Family, Everybody Loves Raymond, Otherhood
It was a long journey because I think I've been writing television now twenty-five years. I never really had the directing bug. I always loved writing and I like being behind the scenes and, in television, writers have so much control anyway to rise up the ranks and run the show and hire the directors, so I mostly had just great collaborations with directors.
Writer · Producer · Director
Sex and the City, Modern Family, Everybody Loves Raymond, Otherhood
It was a long journey because I think I've been writing television now twenty-five years. I never really had the directing bug. I always loved writing and I like being behind the scenes and, in television, writers have so much control anyway to rise up the ranks and run the show and hire the directors, so I mostly had just great collaborations with directors.
Author & Mystery Writers of America “Grand Master”
I started writing out of a desire to counter stereotypes of the roles that women traditionally played in crime fiction, in which case they were wicked. They used their bodies to do good boys to do bad things. Or they were virgins who couldn’t tie their shoes couldn’t tie their shoes without adult supervisions. Or they were victims, most often. And so I wanted a detective who was like the women that I knew who could solve their own problems, who didn’t need to be rescued, who could have a sex life that didn’t make her a bad person…
Sara Paretsky is the author of nineteen books, including sixteen V.I. Warshawski novels. She was named 2011 Grand Master by the Mystery Writers of America and is the winner of many awards, including the Cartier Diamond Dagger Award for lifetime achievement from the British Crime Writers' Association and the CWA Gold Dagger for Blacklist.
This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Lilian Liu. Digital Media Coordinator is Hannah Story Brown.
Mia Funk is an artist, interviewer and founder of The Creative Process.
Deputy Director of Curatorial Affairs & Chief Curator Museum of Arts and Design
So the Museum of Arts and Design historically, for me, is part of a New York avantgarde scene. It's just that it was dedicated to artists working in these historically-marginalized materials. And it continues to do that. That mission has never changed.
Deputy Director of Curatorial Affairs & Chief Curator Museum of Arts and Design
So the Museum of Arts and Design historically, for me, is part of a New York avantgarde scene. It's just that it was dedicated to artists working in these historically-marginalized materials. And it continues to do that. That mission has never changed.
Award-Winning Memoirist, Author & Educator
What interested me about this particular experience is that I didn’t have the language to attach to it in the way I had the language to attach to a later experience that I would have no trouble calling rape, but happened to me and I call Mark in the book. I didn’t know what to call that for the longest time, so I didn’t know what to feel about it, and so as a writer that interests me. When I don’t have the words for something, when I sense that inevitably I’m going to fail.
Award-Winning Memoirist, Author & Educator
What interested me about this particular experience is that I didn’t have the language to attach to it in the way I had the language to attach to a later experience that I would have no trouble calling rape, but happened to me and I call Mark in the book. I didn’t know what to call that for the longest time, so I didn’t know what to feel about it, and so as a writer that interests me. When I don’t have the words for something, when I sense that inevitably I’m going to fail.
The Creative Process: Podcast Interviews & Portraits of the World’s Leading Authors & Creative Thinkers
Inspiring Students – Encouraging Reading - Connecting through Stories
The Creative Process exhibition is traveling to universities and museums. The Creative Process exhibition consists of interviews with over 100 esteemed writers, including Joyce Carol Oates, Hilary Mantel, Neil Gaiman, Viet Thanh Nguyen, Tobias Wolff, Richard Ford, Junot Díaz, Marie Darrieussecq, Michel Faber, T.C. Boyle, Jay McInerney, George Saunders, Geoff Dyer, Etgar Keret, Douglas Kennedy, Sam Lipsyte, and Yiyun Li, among others. Artist and interviewer: Mia Funk.
