精选片段：林闻涛 TOM LIN：华裔小说家

精选片段：林闻涛 TOM LIN：华裔小说家

/

Author of The Thousand Crimes of Ming Tsu
Winner of the Andrew Carnegie Medal for Excellence in Fiction 2022

When I was growing up, it was all about representation. I think that was the thing that was being championed: we need more people of color in books, movies, across all media. And then I think what we saw was an extremely cynical and capitalistic-minded ruthless optimization of that, where someone said: Oh, you want representation? Then we'll just throw in token people of color into projects. And then we'll check that box. And I think that became so prevalent in so many pieces of media that that became what we thought of as representation. I think it's a salvageable concept because, I mean, when I encountered books growing up, they were all with white people in them. Front to back, start to finish. It was just white characters. And so when I started writing stories of my own in school as a middle schooler they - surprise - they had white people in them, right? There were just white people talking about other white people. I went to public school in Queens. I knew very few white people. And so I think what representation does at its best is that it informs the boundaries of possibility. By seeing yourself represented in media, you become able to imagine your own stories transpiring in media and being made available for everybody else to witness.

And so I think the point of representation is not just if we do a checklist of this piece of media, can we find a person of color. But I think the idea of representation is more that we want to be expanding the realm of storytelling, expanding what's possible by telling these stories that are not normally told.

林闻涛 TOM LIN：华裔小说家

林闻涛 TOM LIN：华裔小说家

/

Author of The Thousand Crimes of Ming Tsu
Winner of the Andrew Carnegie Medal for Excellence in Fiction 2022

When I was growing up, it was all about representation. I think that was the thing that was being championed: we need more people of color in books, movies, across all media. And then I think what we saw was an extremely cynical and capitalistic-minded ruthless optimization of that, where someone said: Oh, you want representation? Then we'll just throw in token people of color into projects. And then we'll check that box. And I think that became so prevalent in so many pieces of media that that became what we thought of as representation. I think it's a salvageable concept because, I mean, when I encountered books growing up, they were all with white people in them. Front to back, start to finish. It was just white characters. And so when I started writing stories of my own in school as a middle schooler they - surprise - they had white people in them, right? There were just white people talking about other white people. I went to public school in Queens. I knew very few white people. And so I think what representation does at its best is that it informs the boundaries of possibility. By seeing yourself represented in media, you become able to imagine your own stories transpiring in media and being made available for everybody else to witness.

And so I think the point of representation is not just if we do a checklist of this piece of media, can we find a person of color. But I think the idea of representation is more that we want to be expanding the realm of storytelling, expanding what's possible by telling these stories that are not normally told.

精选片段：马克思·里希特 MAX RICHTER：作曲家与可持续发展创新者

精选片段：马克思·里希特 MAX RICHTER：作曲家与可持续发展创新者

/

Award-winning Composer & Pianist
His album Sleep is the most streamed classical album of all time
Film & TV scores for Ad Astra · Black Mirror · Shutter Island · The Leftovers · Arrival · Taboo

For me, the creative process is a sort of a continuous thing in the sense that I'm writing kind of all the time, at some level. And that doesn't mean I'm sitting at my desk all the time, but it does mean that I've got a continuous thought process, a continuous engagement with the material I'm trying to shape. And it's many different kinds of processes. First of all, obviously an intention. You need to have an intention. What is it I'm trying to do? But then you get a process of making things, and then you get into a process of dialogue with the things you've made where they start to take on properties and it feels like the material has intentions of its own.

So then you are trying to - it's like herding cats, you know? - sort of corralling this material into some kind of structure, some kind of formed object. Then it becomes like a sculptural process on the large scale.

马克思·里希特 MAX RICHTER：作曲家与可持续发展创新者

马克思·里希特 MAX RICHTER：作曲家与可持续发展创新者

/

Award-winning Composer & Pianist
His album Sleep is the most streamed classical album of all time
Film & TV scores for Ad Astra · Black Mirror · Shutter Island · The Leftovers · Arrival · Taboo

For me, the creative process is a sort of a continuous thing in the sense that I'm writing kind of all the time, at some level. And that doesn't mean I'm sitting at my desk all the time, but it does mean that I've got a continuous thought process, a continuous engagement with the material I'm trying to shape. And it's many different kinds of processes. First of all, obviously an intention. You need to have an intention. What is it I'm trying to do? But then you get a process of making things, and then you get into a process of dialogue with the things you've made where they start to take on properties and it feels like the material has intentions of its own.

So then you are trying to - it's like herding cats, you know? - sort of corralling this material into some kind of structure, some kind of formed object. Then it becomes like a sculptural process on the large scale.

精选片段：MASTER SHI HENG YI: 少林寺第35代宗师 - 校长 Shaolin Temple Europe

精选片段：MASTER SHI HENG YI: 少林寺第35代宗师 - 校长 Shaolin Temple Europe

/

35th Generation of Shaolin Masters
Headmaster of the Shaolin Temple Europe

Just getting to know what is Buddhism, which is the foundation of every monastery. The Shaolin Temple is in the core, first of all, it’s a Buddhist monastery and when you are starting to read about Buddhism, one of the key sentences, in the beginning, is: With your thoughts, you are creating the world…So it’s very rarely clearly stated that it is the thoughts that are creating the world. Nevertheless, if you are now looking at the practices that the Shaolin Temple offers, that is quite physical. There is a lot of physicality in there, so you might think but why are you saying with thoughts you create the world, but you have so many different physical activities. It is because if you want to have mental freedom. If you want to approach freedom, you cannot just approach freedom by doing things or trying to chase freedom. The freedom that we are looking for is the type of freedom that is derived and that is very closely related to its counterpart, which is very hard restriction or very hard structure. So if you want to experience what freedom is, look at the restrictions of your life.

MASTER SHI HENG YI: 少林寺第35代宗师 - 校长 Shaolin Temple Europe

MASTER SHI HENG YI: 少林寺第35代宗师 - 校长 Shaolin Temple Europe

/

35th Generation of Shaolin Masters
Headmaster of the Shaolin Temple Europe

Just getting to know what is Buddhism, which is the foundation of every monastery. The Shaolin Temple is in the core, first of all, it’s a Buddhist monastery and when you are starting to read about Buddhism, one of the key sentences, in the beginning, is: With your thoughts, you are creating the world…So it’s very rarely clearly stated that it is the thoughts that are creating the world. Nevertheless, if you are now looking at the practices that the Shaolin Temple offers, that is quite physical. There is a lot of physicality in there, so you might think but why are you saying with thoughts you create the world, but you have so many different physical activities. It is because if you want to have mental freedom. If you want to approach freedom, you cannot just approach freedom by doing things or trying to chase freedom. The freedom that we are looking for is the type of freedom that is derived and that is very closely related to its counterpart, which is very hard restriction or very hard structure. So if you want to experience what freedom is, look at the restrictions of your life.

JEFFREY SACHS：哥伦比亚可持续发展中心主任、联合国可持续发展解决方案网络主席

JEFFREY SACHS：哥伦比亚可持续发展中心主任、联合国可持续发展解决方案网络主席

/

President of UN Sustainable Development Solutions Network
Director of Center for Sustainable Development, Columbia University

The US signed several statements in 2021 confirming that NATO would enlarge. Russia massed troops on its border and put on the table a draft US-Russia security agreement on December 17th, 2021 based on no NATO enlargement. The Biden administration formally replied that it was not willing to negotiate over that issue in a response in January. Then Russia invaded on February 24th, 2022. Four weeks later, Zelenskyy declared that Ukraine was accepting of neutrality. In other words, the initial Russian invasion brought Ukraine to the negotiating table, and during the second half of March, with the Turkish government being the mediators, Russia and Ukraine hammered out a peace agreement. Incredibly, the United States blocked it because the United States told the Ukrainian government: you fight on.

精选片段：尼尔·帕特里克·哈里斯 NEIL PATRICK HARRIS：艾美獎得獎演員

精选片段：尼尔·帕特里克·哈里斯 NEIL PATRICK HARRIS：艾美獎得獎演員

/

Tony & Emmy Award-winning Actor · Comedian · Filmmaker · Magician · Singer · Writer

And I remember I was just the whitest kid ever from small-town New Mexico in this big city of Los Angeles…I'm sitting there watching this play about a lower middle-class African-American man in Pittsburgh and his family. And I just remember being so moved, moved to tears at 13, 14 years old…And it was so moving. And I did think even back then, I recognized the impact that the theater can have on someone that isn't even anything like what they're like.

尼尔·帕特里克·哈里斯 NEIL PATRICK HARRIS：艾美獎得獎演員

尼尔·帕特里克·哈里斯 NEIL PATRICK HARRIS：艾美獎得獎演員

/

Actor · Comedian · Filmmaker · Magician · Singer · Writer

And I remember I was just the whitest kid ever from small-town New Mexico in this big city of Los Angeles…I'm sitting there watching this play about a lower middle-class African-American man in Pittsburgh and his family. And I just remember being so moved, moved to tears at 13, 14 years old…And it was so moving. And I did think even back then, I recognized the impact that the theater can have on someone that isn't even anything like what they're like.

匠心THE CREATIVE PROCESS 艺术 ,文化, 社会 - 提升英语，扩张创意思维，探索这个日益辽阔的世界。

匠心THE CREATIVE PROCESS 艺术 ,文化, 社会 - 提升英语，扩张创意思维，探索这个日益辽阔的世界。

/

匠心将与您一起探索这个辽阔的世界，发觉内在的创想思维，并学习英语。在这个播客中，我们将与您一起与作家、艺术家、环保人士以及科技领域的顶尖思想家讨论他们的生活、工作和艺术实践，带您进入创意人士引人入胜的思想世界。我们的嘉宾包括诺贝尔、奥斯卡、艾美、托尼、普利策、格莱美奖等获奖者，以及学术和社会上各个领域的领袖和公众人物，邀请在此分享他们的真实经历和见解。

匠心播客的知名嘉宾包括：演员与主持人尼尔·帕特里克·哈里斯、欧洲少林方丈释恒毅、著名摄影师 马克·塞利格尔、健美运动员和政治家阿诺德·施瓦辛格、作家尼尔·盖曼、乔伊斯·卡罗尔·奥和雷蒙·斯尼奇等等。参与的博物馆和社会组织包括美国电影艺术与科学学院、联合国教科文组织、联合国、史密森尼博物馆、毕加索博物馆、EARTHDAY-ORG、威尼斯双年展、泰特现代美术、欧洲委员会、地球研究所、卫城博物馆、词曲创作名人堂、普利兹克建筑奖、人类未来研究所、大皇宫、蛇形美术馆、善待动物组织、世界自然基金会、绿色和平组织，以及牛津，斯坦福，哥伦比亚大学等等。

这些访谈由创始人兼教育家、艺术家、及作家Mia Funk主持，并受到全球各地大学与学生的支持和参与。此播客上的采访和讨论也是我们巡回展览的一部分。

www.creativeprocess.info

Improve Your English and Creative Skills As You Learn About the World. Innovative Language Learning Podcast exploring the fascinating minds of creative people.

Conversations with writers, artists, environmentalists, and creative thinkers across the Arts and STEM. We discuss their life, work and artistic practice. Winners of Nobel Prize, Oscar, Emmy, Tony, Pulitzer, Grammy, and other awards. Leaders and public figures share real experiences and offer valuable insights. Notable guests, participating museums & organizations include: Academy of Motion Picture Arts and Sciences, UNESCO, Neil Patrick Harris, United Nations, Smithsonian, Musée Picasso, EARTHDAY-ORG, Venice Biennale, TATE Modern, European Commission, Earth Institute, Columbia University, Neil Gaiman, Joyce Carol Oates, Mark Seliger, Acropolis Museum, Songwriters Hall of Fame, Lemony Snicket, Pritzker Architecture Prize, The Future of Humanity Institute, Oxford, Stanford, Grand Palais, Arnold Schwarzenegger, Serpentine Galleries, Joe Mantegna, PETA, WWF, Greenpeace, and many others. The interviews are hosted by founder and creative educator Mia Funk with the participation of students, universities, and collaborators from around the world. These conversations are also part of our traveling exhibition.

Interviews conducted by artist, writer, and creative educator Mia Funk with the participation of students and universities around the world.

/ /

-

.sqs-block-summary-v2 .summary-block-setting-text-size-small .summary-excerpt p { font-size: 10px; }