Jazz in the Time of the Novel with BRUCE EVAN BARNHART - Highlights

Jazz in the Time of the Novel with BRUCE EVAN BARNHART - Highlights

Author of Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture
Temporal Experiments: Seven Ways of Configuring Time in Art and Literature
Co-director of University of Oslo’s Literature, Rights & Imagined Communities

I really admire how James Baldwin always talks about jazz as a kind of model for his writing style. But music has certainly had a profound influence on the way I see the world, especially in terms of the social world. One of the big problems we have in all sorts of different places around the world is the question of how to coordinate difference. All sorts of people have different modes of living, different cultural rhythms, and different ideas about the future. Jazz is brilliant at a lot of things, but it notably brings together different people and allows them to retain their own sense of time and rhythm while playing together. It's a really profound model of social coordination. Now, of course, it says something particularly pressing about the United States, but I think as a model for how differences go together, jazz is perhaps unparalleled.

BRUCE EVAN BARNHART - Author of “Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture”

BRUCE EVAN BARNHART - Author of “Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture”

Author of Jazz in the Time of the Novel: The Temporal Politics of American Race and Culture
Temporal Experiments: Seven Ways of Configuring Time in Art and Literature
Co-director of University of Oslo’s Literature, Rights & Imagined Communities

I really admire how James Baldwin always talks about jazz as a kind of model for his writing style. But music has certainly had a profound influence on the way I see the world, especially in terms of the social world. One of the big problems we have in all sorts of different places around the world is the question of how to coordinate difference. All sorts of people have different modes of living, different cultural rhythms, and different ideas about the future. Jazz is brilliant at a lot of things, but it notably brings together different people and allows them to retain their own sense of time and rhythm while playing together. It's a really profound model of social coordination. Now, of course, it says something particularly pressing about the United States, but I think as a model for how differences go together, jazz is perhaps unparalleled.

"A Hard Place to Leave", “100 Places in France Every Woman Should Go” - MARCIA DeSANCTIS - Highlights

"A Hard Place to Leave", “100 Places in France Every Woman Should Go” - MARCIA DeSANCTIS - Highlights

Journalist, Essayist, Author of A Hard Place to Leave: Stories from a Restless Life
100 Places in France Every Woman Should Go

I started looking over the stories that I had done. I would say the majority of the essays were not really about travel. They were more about aging and marriage and memory and all of those things, but I did find in the travel essays those kernels of things that I wanted to explore - bigger kernels of things that were sort of scratching at me from the inside like a piece of sand in my pocket that was irritating me and that I wanted to explore. What I found was that the theme of coming and going, the theme of arrivals and departures, the theme of entrances and exits, and the theme of home and away seemed to repeat itself. I felt that whenever I was somewhere, there was always a tide home. And when I was home, there was always the urge for going. And so I just weeded out and weeded out and really wanted to keep this theme of home and away.

MARCIA DeSANCTIS - Author of A Hard Place to Leave: Stories from a Restless Life

MARCIA DeSANCTIS - Author of A Hard Place to Leave: Stories from a Restless Life

Journalist, Essayist, Author of A Hard Place to Leave: Stories from a Restless Life
100 Places in France Every Woman Should Go

I started looking over the stories that I had done. I would say the majority of the essays were not really about travel. They were more about aging and marriage and memory and all of those things, but I did find in the travel essays those kernels of things that I wanted to explore - bigger kernels of things that were sort of scratching at me from the inside like a piece of sand in my pocket that was irritating me and that I wanted to explore. What I found was that the theme of coming and going, the theme of arrivals and departures, the theme of entrances and exits, and the theme of home and away seemed to repeat itself. I felt that whenever I was somewhere, there was always a tide home. And when I was home, there was always the urge for going. And so I just weeded out and weeded out and really wanted to keep this theme of home and away.