Highlights - Dr. Charles D. Koven - Lead Author - IPCC Report - Earth System Scientist

Highlights - Dr. Charles D. Koven - Lead Author - IPCC Report - Earth System Scientist

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Earth System Scientist, Climate Sciences Department, Lawrence Berkeley National Laboratory
Lead Author on the IPCC Report

Looking into the future, as a scientist, what I've learned how to do is hold multiple futures in my head at the same time because we just don't know. We don't know what the future holds. We need to fight for the futures that we want, and against the futures that we don't want. All I can really say is that it's up to us. It's up to us to fight and advocate for the future we want, and what does that look like, and how do we get there?

Dr. Charles D. Koven - Earth System Scientist - Lead Author on the IPCC Report

Dr. Charles D. Koven - Earth System Scientist - Lead Author on the IPCC Report

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Earth System Scientist, Climate Sciences Department, Lawrence Berkeley National Laboratory
Lead Author on the IPCC Report

Looking into the future, as a scientist, what I've learned how to do is hold multiple futures in my head at the same time because we just don't know. We don't know what the future holds. We need to fight for the futures that we want, and against the futures that we don't want. All I can really say is that it's up to us. It's up to us to fight and advocate for the future we want, and what does that look like, and how do we get there?

Highlights - Cynthia Daniels - Grammy - Emmy Award-winning Producer, Engineer, Composer

Highlights - Cynthia Daniels - Grammy - Emmy Award-winning Producer, Engineer, Composer

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Grammy & Emmy Award-winning Producer, Engineer, Composer

We all are looking for a little magic in our lives, and I think that's what art and the creative process allow for, above all. In a world that can be either way too predictable and mundane and create tedium, the creative mind, for me, is the curious mind and the mind that's always learning and allowing yourself to make mistakes. To generate from your core, from your soul, and from your experience something new and experimental and something that is unique to yourself.

Cynthia Daniels - Grammy and Emmy Award-winning Producer, Engineer, Composer

Cynthia Daniels - Grammy and Emmy Award-winning Producer, Engineer, Composer

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Grammy & Emmy Award-winning Producer, Engineer, Composer

We all are looking for a little magic in our lives, and I think that's what art and the creative process allow for, above all. In a world that can be either way too predictable and mundane and create tedium, the creative mind, for me, is the curious mind and the mind that's always learning and allowing yourself to make mistakes. To generate from your core, from your soul, and from your experience something new and experimental and something that is unique to yourself.

Highlights - Roy Scranton - Author of “Learning to Die in the Anthropocene”

Highlights - Roy Scranton - Author of “Learning to Die in the Anthropocene”

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Author of Learning to Die in the Anthropocene & We’re Doomed, Now What?
Director of the Notre Dame Environmental Humanities Initiative

It seems irresponsible to me to downplay the possible consequences of climate change. It seems irresponsible to assume that we're going to fix it. And so I think it's absolutely a responsibility for the people who are talking about it and thinking about it, to look at the worst-case scenario and to look at the current trajectories, absent technologies for carbon scrubbers, to look at where we're actually headed, the worst-case scenarios, and address that and bring that to each other and to our children and to our students. When you really look at the situation, it's scary and terrifying, and it upends everything that we've been told to make sense of life.

Roy Scranton - Author of “Learning to Die in the Anthropocene” - “We’re Doomed, Now What?”

Roy Scranton - Author of “Learning to Die in the Anthropocene” - “We’re Doomed, Now What?”

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Author of Learning to Die in the Anthropocene & We’re Doomed, Now What?
Director of the Notre Dame Environmental Humanities Initiative

It seems irresponsible to me to downplay the possible consequences of climate change. It seems irresponsible to assume that we're going to fix it. And so I think it's absolutely a responsibility for the people who are talking about it and thinking about it, to look at the worst-case scenario and to look at the current trajectories, absent technologies for carbon scrubbers, to look at where we're actually headed, the worst-case scenarios, and address that and bring that to each other and to our children and to our students. When you really look at the situation, it's scary and terrifying, and it upends everything that we've been told to make sense of life.

Highlights - David A. Banks - Dir. of Globalization Studies - SUNY Albany

Highlights - David A. Banks - Dir. of Globalization Studies - SUNY Albany

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Director of Globalization Studies University of Albany at SUNY
Author of The City Authentic: How the Attention Economy Builds Urban America (forthcoming)

I think that is often what tourism is starting to move towards. Is this existential authentic? And what that means is that you're not even really looking to meet expectations or validate that the thing in front of you is what it says it is. You are trying to recreate who you think you should be in a time that is disconnected from your usual life. Because we're a pretty jaded and suspicious society now. “Is it a deep fake?”We live in this world of make-believe and fakeness, and you want to get to something that's real. And what's more real than yourself and the story that you tell to yourself about yourself. And if you can really connect to that, you'll feel really good.

David A. Banks - Dir. of Globalization Studies - SUNY Albany - Author of “The City Authentic”

David A. Banks - Dir. of Globalization Studies - SUNY Albany - Author of “The City Authentic”

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Director of Globalization Studies University of Albany at SUNY
Author of The City Authentic: How the Attention Economy Builds Urban America (forthcoming)

Author of “The City Authentic”I think that is often what tourism is starting to move towards. Is this existential authentic? And what that means is that you're not even really looking to meet expectations or validate that the thing in front of you is what it says it is. You are trying to recreate who you think you should be in a time that is disconnected from your usual life. Because we're a pretty jaded and suspicious society now. “Is it a deep fake?” We live in this world of make-believe and fakeness, and you want to get to something that's real. And what's more real than yourself and the story that you tell to yourself about yourself. And if you can really connect to that, you'll feel really good.

Highlights - KC Legacion on Degrowth, Technology and Social Media

Highlights - KC Legacion on Degrowth, Technology and Social Media

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Member of Web Collective degrowth.info
Master of Environmental Studies candidate, University of Pennsylvania

Degrowth as an idea has intellectual roots in the environmental critiques of the sixties and seventies found in landmark works like Rachel Carson's Silent Spring, the Club of Rome's Limits to Growth report, Nicholas Georgescu-Roegen's The Entropy Law and the Economic Process, which was a seminal piece of economic theory that applied the laws of thermodynamics to the economy and was very influential for ecological economics, which is intertwined with degrowth. Degrowth was first formulated in 1972 by French philosopher André Gorz in a public debate where he used the term décroissance to question whether planetary stability was compatible with capitalism.

KC Legacion on Degrowth, Technology and Social Media

KC Legacion on Degrowth, Technology and Social Media

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Member of Web Collective degrowth.info
Master of Environmental Studies candidate, University of Pennsylvania

Degrowth as an idea has intellectual roots in the environmental critiques of the sixties and seventies found in landmark works like Rachel Carson's Silent Spring, the Club of Rome's Limits to Growth report, Nicholas Georgescu-Roegen's The Entropy Law and the Economic Process, which was a seminal piece of economic theory that applied the laws of thermodynamics to the economy and was very influential for ecological economics, which is intertwined with degrowth. Degrowth was first formulated in 1972 by French philosopher André Gorz in a public debate where he used the term décroissance to question whether planetary stability was compatible with capitalism.

Highlights - Chris Funk - Dir., Climate Hazards Center - Author of “Drought, Flood, Fire…”

Highlights - Chris Funk - Dir., Climate Hazards Center - Author of “Drought, Flood, Fire…”

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Director of the Climate Hazards Center at UC Santa Barbara
Author of Drought, Flood, Fire: How Climate Change Contributes to Recent Catastrophes

The work that we're doing here at the Climate Hazards Center is trying to build out the science to cope with a two-degree world. And I think that we can do that. It's not going to be easy, but I think that's definitely within our capabilities, and it is already making human beings be smarter together in very empowering ways. And these are examples of people in Boulder, Colorado getting ready for the next big flood event and having conversations between the National Weather Service and local communities, or me on a zoom call at seven in the morning with my friends in East Africa as they're getting ready to cope with the next extreme. There are great examples of radio clubs in Niger who are working with their meteorological agencies and local farming communities that are pulling data that we're producing here in Santa Barbara, precipitation estimates, but then using them to decide whether they should fertilize their millet crops or not. And so there are ways that we can counter climate hazards and weather hazards by being smarter.

Chris Funk - Director, Climate Hazards Center - Author of “Drought, Flood, Fire…”

Chris Funk - Director, Climate Hazards Center - Author of “Drought, Flood, Fire…”

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Director of the Climate Hazards Center at UC Santa Barbara
Author of Drought, Flood, Fire: How Climate Change Contributes to Recent Catastrophes

The work that we're doing here at the Climate Hazards Center is trying to build out the science to cope with a two-degree world. And I think that we can do that. It's not going to be easy, but I think that's definitely within our capabilities, and it is already making human beings be smarter together in very empowering ways. And these are examples of people in Boulder, Colorado getting ready for the next big flood event and having conversations between the National Weather Service and local communities, or me on a zoom call at seven in the morning with my friends in East Africa as they're getting ready to cope with the next extreme. There are great examples of radio clubs in Niger who are working with their meteorological agencies and local farming communities that are pulling data that we're producing here in Santa Barbara, precipitation estimates, but then using them to decide whether they should fertilize their millet crops or not. And so there are ways that we can counter climate hazards and weather hazards by being smarter.

Highlights - Yee Lee - Chief of Growth at Terraformation

Highlights - Yee Lee - Chief of Growth at Terraformation

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Chief of Growth at Terraformation · Silicon Valley Entrepreneur

We're trying to help the world's forestry organizations collectively plant a trillion trees in the next decade and cover 3 billion acres of net new forest. That's a very, very large number. Some of the very largest tree-planting organizations in the world collectively plant something like half a billion to three-quarters of a billion trees per year. And even that number sounds large, too, but then you realize that's actually three full orders of magnitude smaller than the actual number we need to hit in the next decade. So we actually need to take all of the world's largest forestry organizations as a group and multiply by a thousand their efforts. So that's a very large undertaking, and I just can't underscore enough the scale at which we as a human species seeks to operate when we talk about tree-planting and forestry operations.

Yee Lee - Chief of Growth at Terraformation - Silicon Valley Entrepreneur

Yee Lee - Chief of Growth at Terraformation - Silicon Valley Entrepreneur

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Chief of Growth at Terraformation · Silicon Valley Entrepreneur

We're trying to help the world's forestry organizations collectively plant a trillion trees in the next decade and cover 3 billion acres of net new forest. That's a very, very large number. Some of the very largest tree-planting organizations in the world collectively plant something like half a billion to three-quarters of a billion trees per year. And even that number sounds large, too, but then you realize that's actually three full orders of magnitude smaller than the actual number we need to hit in the next decade. So we actually need to take all of the world's largest forestry organizations as a group and multiply by a thousand their efforts. So that's a very large undertaking, and I just can't underscore enough the scale at which we as a human species seeks to operate when we talk about tree-planting and forestry operations.

Highlights-Sir Geoff Mulgan, Author of “Another World is Possible”

Highlights-Sir Geoff Mulgan, Author of “Another World is Possible”

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Author of Another World is Possible: How to Reignite Social & Political Imagination
Professor of Collective Intelligence, Public Policy & Social Innovation at University College London

The great thing about a complex society is there is space for lots of different kinds of people. There's space for wildly visionary poets and accountants and actuaries and engineers. And they all have a slightly different outlook, but it's the combination of this huge diversity, which makes our societies work. But what we probably do need a bit more of are the bilingual people, the trilingual people who are as at ease spending a day, a week, a year designing how a criminal justice system could look in 50 years and then getting back to perhaps working in a real court or real lawyer's office.

Sir Geoff Mulgan, Author of “Another World is Possible”

Sir Geoff Mulgan, Author of “Another World is Possible”

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Author of Another World is Possible: How to Reignite Social & Political Imagination
Professor of Collective Intelligence, Public Policy & Social Innovation at University College London

The great thing about a complex society is there is space for lots of different kinds of people. There's space for wildly visionary poets and accountants and actuaries and engineers. And they all have a slightly different outlook, but it's the combination of this huge diversity, which makes our societies work. But what we probably do need a bit more of are the bilingual people, the trilingual people who are as at ease spending a day, a week, a year designing how a criminal justice system could look in 50 years and then getting back to perhaps working in a real court or real lawyer's office.

Derrick Emsley · Co-founder & CEO of veritree - Data-driven Restorative Platform & tentree Apparel

Derrick Emsley · Co-founder & CEO of veritree - Data-driven Restorative Platform & tentree Apparel

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Co-founder & CEO of veritree - Data-driven Restorative Platform & tentree Apparel Co.

I think what's powerful about a tree is it's tangible and it's symbolic in a lot of ways. We as humans naturally have this emotional connection, I think, to trees, and so particularly when you think of our ability to take action within the climate crisis conversation, a tree is this really powerful symbol and vehicle because it's a lot easier to understand a tree than it is to understand a pound or two of CO2 that's floating in the air. So for us, tree planting is just the start of the communication, just the start of the impact. Really if all it was was to get a stick in the ground that wouldn't have the long-term impact, whether that be carbon, whether that be socioeconomic impact, and things like that. So really for us, veritree helps us collect all that data and create the operating system to pull in the data on everything from planting forms and field updates that are coming in, survivability analysis, and different updates on things like biodiversity. We're partnering with some groups to test underwater sensors in some of these planting sites. We're collecting socioeconomic surveys and things like that to try to attach the impact to the community and back to the planting that's happening.

(Highlights) Derrick Emsley · Co-founder & CEO of veritree - Data-driven Restorative Platform & tentree Apparel Co.

(Highlights) Derrick Emsley · Co-founder & CEO of veritree - Data-driven Restorative Platform & tentree Apparel Co.

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Co-founder & CEO of veritree - Data-driven Restorative Platform & tentree Apparel Co.

I think what's powerful about a tree is it's tangible and it's symbolic in a lot of ways. We as humans naturally have this emotional connection, I think, to trees, and so particularly when you think of our ability to take action within the climate crisis conversation, a tree is this really powerful symbol and vehicle because it's a lot easier to understand a tree than it is to understand a pound or two of CO2 that's floating in the air. So for us, tree planting is just the start of the communication, just the start of the impact. Really if all it was was to get a stick in the ground that wouldn't have the long-term impact, whether that be carbon, whether that be socioeconomic impact, and things like that. So really for us, veritree helps us collect all that data and create the operating system to pull in the data on everything from planting forms and field updates that are coming in, survivability analysis, and different updates on things like biodiversity. We're partnering with some groups to test underwater sensors in some of these planting sites. We're collecting socioeconomic surveys and things like that to try to attach the impact to the community and back to the planting that's happening.

(Highlights) Petra Cortright · Digital Artist

(Highlights) Petra Cortright · Digital Artist

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Artist

I think to pursue mystery and beauty, these things are a bit subjective, so you can't really tell people exactly what it shouldn't be about. And also I have to preserve these things for myself. I primarily make the work for myself, so if I don't have some questions that are unanswered, even for me, then there's not really an interest to like keep going otherwise. So it's also sort of protection and a preservation mindset that I have about leaving things really open for other people and for myself.

Petra Cortright · Digital Artist

Petra Cortright · Digital Artist

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Digital Artist

I think to pursue mystery and beauty, these things are a bit subjective, so you can't really tell people exactly what it shouldn't be about. And also I have to preserve these things for myself. I primarily make the work for myself, so if I don't have some questions that are unanswered, even for me, then there's not really an interest to like keep going otherwise. So it's also sort of protection and a preservation mindset that I have about leaving things really open for other people and for myself.