MARTIN RUHE

MARTIN RUHE

Martin Ruhe is the internationally-acclaimed German cinematographer behind the Netflix film The Midnight Sky directed by and starring George Clooney. Previously, Ruhe worked on Catch-22, also directed by Clooney, as well as the critically acclaimed Counterpart, Run All Night with Liam Neeson, and the British Independent film award winner Control. Ruhe photographed the dark spy thriller Page Eight for BBC Films, directed by David Hare. The film earned him an American Society of Cinematographers Outstanding Achievement in Cinematography in Motion Picture/Miniseries Television Award for his work on the film.

Working closely with director Anton Corbijn, Ruhe photographed The American. Starring Clooney as an aging assassin on an assignment to create a specialized weapon, Ruhe’s meticulously arranged shots helped to build the tone of The American, while reviews applauded the film’s beauty. Ruhe lensed Harry Brown, a Michael Caine-starring vigilante thriller which premiered at 2009’s Toronto International Film Festival. His photography on Harry Brown received critical acclaim; Joe Leydon of Variety saying, “The moody lensing by Martin Ruhe vividly conveys the no-hope squalor of a contemporary urban wasteland.” Combining the best cultural influences from the U.S. and Europe, Ruhe is fluent in English, German and Spanish. He loves stills photography and travel.

MARTIN RUHE

Early on in my career, I met a cameraman called Mike Southon. When I was working as a runner in London, on weekends I would try to go to shoots and see as many shoots as I could. Mike once told me our job would be. 10% is craft, 10% is talent, and 80% would be diplomacy. It’s actually interesting because quite often we caught in-between producers telling you, “Oh, you can’t have this.” Or, you have to do this. Or this is the framework. And then directors telling you, “I want to see the whole world at night.” And you go, “That’s a lot of money...” So, I think that’s one interesting thing I learned early on.

There are many people you meet along the way and you pick up things from them. I loved when I started working with Anton Corbijn. His photography is so…he mainly uses one lens. One camera. It’s not complicated, but he gets intimate with people in the way he is with them. That’s why his portrait photography is so stunning. Over the years, it’s relevant because he’s curious, he’s open, and he just allows things to happen. I love that. I love creative things.

Early on, I did some workshops with some of the great DPs like Robby Müller. And then you watch films, you read, you listen to what people have to say about them.


This interview was conducted by Mia Funk with the participation of collaborating universities and students. Associate Interviews Producer on this podcast was Bret Young. Digital Media Coordinator is Yu Young Lee. 

Mia Funk is an artist, interviewer and founder of The Creative Process.

Find us on Apple Podcasts, Spotify, Google Podcasts, Podcast Addict, Pocket Casts, Breaker, Castbox, TuneIn, Overcast, RadioPublic, Podtail, and Listen Notes, among others. 

(Highlights) AVI LOEB

(Highlights) AVI LOEB

Harvard Astronomer · Theoretical Physicist
NY Times Bestselling Author of Extraterrestrial, The First Sign of Intelligent Life Beyond Earth

If we are not open to discover wonderful things, we will never discover them. It very much depends on us allowing ourselves to explore and find new things. My mother used to tell me when I was a kid that when I was born as an infant I was very different from the other babies in the room. I was looking around with open eyes, and I should say that’s where it all started. Once I got out of the womb of my mother and I started looking around, I was very curious. The great privilege of being a scientist is that you don’t need to give up on that curiosity. You can maintain your childhood curiosity.

AVI LOEB

AVI LOEB

Harvard Astronomer · Theoretical Physicist
NY Times Bestselling Author of Extraterrestrial, The First Sign of Intelligent Life Beyond Earth

If we are not open to discover wonderful things, we will never discover them. It very much depends on us allowing ourselves to explore and find new things. My mother used to tell me when I was a kid that when I was born as an infant I was very different from the other babies in the room. I was looking around with open eyes, and I should say that’s where it all started. Once I got out of the womb of my mother and I started looking around, I was very curious. The great privilege of being a scientist is that you don’t need to give up on that curiosity. You can maintain your childhood curiosity.

(Highlights) ROBERT J. LANG

(Highlights) ROBERT J. LANG

Master Origamist, Physicist & Author

In origami design, historically people have always used their intuition. They probably started by folding traditional shapes or folding designs by others, developed an intuitive understanding of how the paper behaves and then from there they can explore that intuition to create new shapes. That was the way design worked for years and years, that was the way it worked for me, but I eventually hit a limit to what I could do with my intuition and so part of my motivation for exploring mathematical methods was to externalise some of the design process. If I could get some of the design process on paper in a meaningful way, then I could handle more complicated goals than I could just fit in my brain.

ROBERT J. LANG

ROBERT J. LANG

Master Origamist, Physicist & Author

In origami design, historically people have always used their intuition. They probably started by folding traditional shapes or folding designs by others, developed an intuitive understanding of how the paper behaves and then from there they can explore that intuition to create new shapes. That was the way design worked for years and years, that was the way it worked for me, but I eventually hit a limit to what I could do with my intuition and so part of my motivation for exploring mathematical methods was to externalise some of the design process. If I could get some of the design process on paper in a meaningful way, then I could handle more complicated goals than I could just fit in my brain.

(Highlights) CARLOS SOUZA, JR.

(Highlights) CARLOS SOUZA, JR.

Senior Research Associate at Imazon
Technical & Scientific Coordinator at MapBiomas

Find a balance. Use technology. And connect with nature. I think that’s really critical. There is big hope for your generation because you have better environmental education. I can see this. You are more aware of these issues. In terms of the environmental issues that we face now, we need to connect more with nature, to open up your heart for that. You have this amazing opportunity to reach out information to explore technologies through the Internet. What you choose now what we’re going to focus on, it’s really critical.

CARLOS SOUZA, JR.

CARLOS SOUZA, JR.

Senior Research Associate at Imazon
Technical & Scientific Coordinator at MapBiomas

Find a balance. Use technology. And connect with nature. I think that’s really critical. There is big hope for your generation because you have better environmental education. I can see this. You are more aware of these issues. In terms of the environmental issues that we face now, we need to connect more with nature, to open up your heart for that. You have this amazing opportunity to reach out information to explore technologies through the Internet. What you choose now what we’re going to focus on, it’s really critical.

(Highlights) TANNER WOODFORD

(Highlights) TANNER WOODFORD

Tanner Woodford is founder and executive director of the Design Museum of Chicago. He teaches at the School of the Art Institute of Chicago and paints large scale typographic murals across public spaces. As a designer, educator, and entrepreneur, he has taught, lectured, and led workshops on design issues, social change, and design history in classrooms and at conferences. He is happy to be scrappy, irrepressibly optimistic, and believes design has the capacity to fundamentally improve the human condition. He lives and works in Chicago, Ill.

TANNER WOODFORD

TANNER WOODFORD

Tanner Woodford is founder and executive director of the Design Museum of Chicago. He teaches at the School of the Art Institute of Chicago and paints large scale typographic murals across public spaces. As a designer, educator, and entrepreneur, he has taught, lectured, and led workshops on design issues, social change, and design history in classrooms and at conferences. He is happy to be scrappy, irrepressibly optimistic, and believes design has the capacity to fundamentally improve the human condition. He lives and works in Chicago, Ill.

(Highlights) RON GONEN

(Highlights) RON GONEN

Founder & CEO of Closed Loop Partners
Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYC

We live in buildings and cities because that’s what generates a living for a lot of people, but where we’re most comfortable as humans is when we’re in nature. Your generation owns this. Don’t let anybody take it from you or damage it because you own it. The next generation is the one that owns it and view it with a sense of ownership and a sense of pride and a sense of protection because there are a lot of benefits you get from nature.


RON GONEN

RON GONEN

Founder & CEO of Closed Loop Partners
Former Deputy Commissioner of Sanitation, Recycling & Sustainability, NYC

We live in buildings and cities because that’s what generates a living for a lot of people, but where we’re most comfortable as humans is when we’re in nature. Your generation owns this. Don’t let anybody take it from you or damage it because you own it. The next generation is the one that owns it and view it with a sense of ownership and a sense of pride and a sense of protection because there are a lot of benefits you get from nature.


(Highlights) KATHLEEN ROGERS

(Highlights) KATHLEEN ROGERS

President · EARTHDAY.ORG

On the Importance of Climate Literacy & Training Programs
Not a single country in the world makes–probably one of the most important skills you’ll ever have–which is understanding the planet, a requirement. Nobody graduates from our high schools having those skills.

KATHLEEN ROGERS

KATHLEEN ROGERS

President · EARTH DAY.org


On the Importance of Climate Literacy & Training Programs
Not a single country in the world makes–probably one of the most important skills you’ll ever have–which is understanding the planet, a requirement. Nobody graduates from our high schools having those skills.

(Highlights) TIEMEN TER HOEVEN

(Highlights) TIEMEN TER HOEVEN

Founder & CEO of Roetz · Manufacturer of Circular Bicycles & e-Bikes

I think the next crisis is going to be a materials crisis. The whole point of moving from a zero-sum game–like who makes the best cheapest product at the lowest price and can find lowest labor somewhere around the world so someone can be happy with a new laundry machine and buy another one in five years–that’s not going to work for us.

TIEMEN TER HOEVEN

TIEMEN TER HOEVEN

Founder & CEO of Roetz · Manufacturer of Circular Bicycles & e-Bikes

I think the next crisis is going to be a materials crisis. The whole point of moving from a zero-sum game–like who makes the best cheapest product at the lowest price and can find lowest labor somewhere around the world so someone can be happy with a new laundry machine and buy another one in five years–that’s not going to work for us.

(Highlights) ALAN JACOBSEN

(Highlights) ALAN JACOBSEN

Director of Photography
Emmy & Sundance Special Jury Award-Winning & Oscar Nominated Documentaries

I hope that film and the story can help people get their heads around these huge ideas that are pretty terrifying and almost hopeless to think about. What can we do? Are we on this track? What have we done to the earth? I think scientists are very much starting to agree that it’s getting to the point where it’s almost too late. So can humans see that far ahead? Can we understand the track we’re on in time? I don’t know, but I’m willing to use whatever tools possible to try to help that conversation happen.

ALAN JACOBSEN

ALAN JACOBSEN

Director of Photography
Emmy & Sundance Special Jury Award-Winning & Oscar Nominated Documentaries

I hope that film and the story can help people get their heads around these huge ideas that are pretty terrifying and almost hopeless to think about. What can we do? Are we on this track? What have we done to the earth? I think scientists are very much starting to agree that it’s getting to the point where it’s almost too late. So can humans see that far ahead? Can we understand the track we’re on in time? I don’t know, but I’m willing to use whatever tools possible to try to help that conversation happen.

(Highlights) TIES VAN DER HOEVEN

(Highlights) TIES VAN DER HOEVEN

Creative Director & Co-founder of The Weather Makers holistic engineering company

The story behind The Weather Makers and the whole intention is that five years by accident, I was working in a dredging company and one of the commercial people from Egypt approached me on a question about a lagoon where the fish were disappearing. So we started with this very small thing and set up a whole flow modelling approach, so really from the hydraulics, we could determine what would happen with the fish. And that really was the regretting the Sinai could have a very big impact on the world.

TIES VAN DER HOEVEN

TIES VAN DER HOEVEN

Creative Director & Co-founder of The Weather Makers holistic engineering company

The story behind The Weather Makers and the whole intention is that five years by accident, I was working in a dredging company and one of the commercial people from Egypt approached me on a question about a lagoon where the fish were disappearing. So we started with this very small thing and set up a whole flow modelling approach, so really from the hydraulics, we could determine what would happen with the fish. And that really was the regretting the Sinai could have a very big impact on the world.

(Highlights) HANS BRUYNINCKX

(Highlights) HANS BRUYNINCKX

Executive Director · European Environment Agency

I'm a deep believer in the values of democracy, human rights, and the system where civil society and people play a key role in the discussions about society and also assuming responsibility, whether it's through labor unions, youth organizations…I think one key solution at the level of society is more equality. More equal societies bring a lot of advantages. I think that is a critical component to building a sustainable society. We cannot pretend that the current distribution of wealth on this planet between countries and within countries is a fertile ground for longterm sustainability. It isn’t.