Highlights - Actress CATHERINE CURTIN (Orange is the New Black) & Artistic Director KATE MUETH (Director, Educator, Choreographer)

Highlights - Actress CATHERINE CURTIN (Orange is the New Black) & Artistic Director KATE MUETH (Director, Educator, Choreographer)

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"I don't know why we would really want to tell stories without being connected to the meaning. And I think that's especially for women, but I do think for human beings, that is how we can work as hard and be able to get up the next morning and keep going. Because we are working through the meaning, and it feeds us as we're like making sense of it all, trying to make sense of it, and for being in community and communion.” - Kate Mueth
”What we've done today is we've made everything so fast and so easy that I think there's something to the creative process about it being a little bit more of an exploration than it is wham bam, it's done. Let's go have lunch. And I think there is something to the creative process where it's allowed to develop. It's called process because it is a process. I'm always glad to just relax in the creative process, and I'm always very grateful for that. I think it's why I do so much indie film because it's really fun.” -Catherine Curtin

Actress CATHERINE CURTIN (Stranger Things) & Artistic Director KATE MUETH (Neo-Political Cowgirls)

Actress CATHERINE CURTIN (Stranger Things) & Artistic Director KATE MUETH (Neo-Political Cowgirls)

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"I don't know why we would really want to tell stories without being connected to the meaning. And I think that's especially for women, but I do think for human beings, that is how we can work as hard and be able to get up the next morning and keep going. Because we are working through the meaning, and it feeds us as we're like making sense of it all, trying to make sense of it, and for being in community and communion.” - Kate Mueth
”What we've done today is we've made everything so fast and so easy that I think there's something to the creative process about it being a little bit more of an exploration than it is wham bam, it's done. Let's go have lunch. And I think there is something to the creative process where it's allowed to develop. It's called process because it is a process. I'm always glad to just relax in the creative process, and I'm always very grateful for that. I think it's why I do so much indie film because it's really fun.” -Catherine Curtin

Highlights - STEPHANIE FELDSTEIN - Population & Sustainability Director, Center for Biological Diversity

Highlights - STEPHANIE FELDSTEIN - Population & Sustainability Director, Center for Biological Diversity

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Population & Sustainability Director of the Center for Biological Diversity
Author of The Animal Lover’s Guide to Changing the World
Take Action: Save Life on Earth

Pretty much everything we do in our lives from the moment we wake up and take a shower, we're using water – that's shared resources. We're using energy that, for most of us, unfortunately, still comes from fossil fuels. We are making decisions about what we eat. We're making purchases that have an impact on the planet and on other animals based on where they came from and what they're made of. There are so many entry points for people to take action and start making changes in their own lives. And that's really important for people to start with what feels right to them. That's a great way to start getting involved in this.

STEPHANIE FELDSTEIN - Author of The Animal Lover’s Guide to Changing the World & Take Action: Save Life on Earth


STEPHANIE FELDSTEIN - Author of The Animal Lover’s Guide to Changing the World & Take Action: Save Life on Earth


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Population & Sustainability Director of the Center for Biological Diversity
Author of The Animal Lover’s Guide to Changing the World
Take Action: Save Life on Earth

Pretty much everything we do in our lives from the moment we wake up and take a shower, we're using water – that's shared resources. We're using energy that, for most of us, unfortunately, still comes from fossil fuels. We are making decisions about what we eat. We're making purchases that have an impact on the planet and on other animals based on where they came from and what they're made of. There are so many entry points for people to take action and start making changes in their own lives. And that's really important for people to start with what feels right to them. That's a great way to start getting involved in this.

Speaking Out of Place: SILVIA FEDERICI discusses Re-enchanting the World: Feminism and the Politics of the Commons

Speaking Out of Place: SILVIA FEDERICI discusses Re-enchanting the World: Feminism and the Politics of the Commons

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Scholar · Educator · Feminist Activist
Author of Caliban and the Witch
Re-enchanting the World: Feminism and the Politics of the Commons

When I came to America I had a shock. I never knew what it meant to be in a country that seems to have no history, being in a place where you feel like you are nowhere, you could have been dropped by a plane in a cultural, historical desert. In the United States, they're destroying historic buildings. They've paved over cemeteries of African slaves. They're changing the environment so that memory is destroyed.

Because you are placing yourself in a broader arc of time, I asked a woman from Guatemala: how can women keep fighting for so much power? And she said, "Because, for us, the dead are not dead." This gives them the courage to go on when everything seems to be lost. I think that this is the kind of struggle that we need to make against war, against the destruction of nature.

Highlights - Nobel Peace Prize-winning Climate Scientist MARK HOWDEN - Director, Climate Change Institute at ANU - Vice Chair of IPCC

Highlights - Nobel Peace Prize-winning Climate Scientist MARK HOWDEN - Director, Climate Change Institute at ANU - Vice Chair of IPCC

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Director of the Climate Change Institute at The Australian National University
Vice Chair of the Intergovernmental Panel on Climate Change (IPCC)
Co-recipient of the 2007 NOBEL PEACE PRIZE

We live in a diverse world, and we're in a funny time where we sometimes see the best of humanity and the worst of humanity. And I think what we need to do is be very strong in wanting to lift the game of each other and ourselves. And so I think that's one of the sort of key things. Particularly, young people should be more demanding that we behave better towards each other and care more about each other and the world that we live in. In terms of these heatwaves, droughts, and fires that the world is seeing, which we thought were going to hit us in 2050 or 2070, are hitting us now in 2023. So, those risks are coming much faster and harder than we thought they were going to come. And so, in many cases, we're unprepared for the severity of these changes.

MARK HOWDEN - Vice Chair, Intergovernmental Panel on Climate Change - Director, Climate Change Institute at The Australian National University

MARK HOWDEN - Vice Chair, Intergovernmental Panel on Climate Change - Director, Climate Change Institute at The Australian National University

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Director of the Climate Change Institute at The Australian National University
Vice Chair of the Intergovernmental Panel on Climate Change (IPCC)
Co-recipient of the 2007 NOBEL PEACE PRIZE

We live in a diverse world, and we're in a funny time where we sometimes see the best of humanity and the worst of humanity. And I think what we need to do is be very strong in wanting to lift the game of each other and ourselves. And so I think that's one of the sort of key things. Particularly, young people should be more demanding that we behave better towards each other and care more about each other and the world that we live in. In terms of these heatwaves, droughts, and fires that the world is seeing, which we thought were going to hit us in 2050 or 2070, are hitting us now in 2023. So, those risks are coming much faster and harder than we thought they were going to come. And so, in many cases, we're unprepared for the severity of these changes.

Highlights - SUE INCHES - Fmr. Director, Maine Department of Marine Resources - Fmr. Deputy Director, State Planning Office


Highlights - SUE INCHES - Fmr. Director, Maine Department of Marine Resources - Fmr. Deputy Director, State Planning Office


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Author of Advocating for the Environment: How to Gather Your Power and Take Action
Environmental Advocate · Educator · Fmr. Director, Maine Department of Marine Resources
Fmr. Deputy Director, State Planning Office

So to me, the connection is just being outdoors. It really brings energy, to my life and it brings energy to my work. And I think for a lot of people, this is true, that nature is kind of the place where they can regenerate their energy. And if people haven't experienced that, I encourage them to try it, because nature can be very restorative. So, absolutely there's a connection between health, the outdoors, and between environmental issues and creating a healthy, clean environment for future generations.

SUE INCHES - Author of Advocating for the Environment: How to Gather Your Power and Take Action

SUE INCHES - Author of Advocating for the Environment: How to Gather Your Power and Take Action

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Author of Advocating for the Environment: How to Gather Your Power and Take Action
Environmental Advocate · Educator · Fmr. Director, Maine Department of Marine Resources
Fmr. Deputy Director, State Planning Office

So to me, the connection is just being outdoors. It really brings energy, to my life and it brings energy to my work. And I think for a lot of people, this is true, that nature is kind of the place where they can regenerate their energy. And if people haven't experienced that, I encourage them to try it, because nature can be very restorative. So, absolutely there's a connection between health, the outdoors, and between environmental issues and creating a healthy, clean environment for future generations.

Highlights - ARNOLD SCHWARZENEGGER: Athlete, Actor, American, Activist - Conversation with Editor DIAN HANSON

Highlights - ARNOLD SCHWARZENEGGER: Athlete, Actor, American, Activist - Conversation with Editor DIAN HANSON

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ATHLETE · ACTOR · AMERICAN · ACTIVIST
DIAN HANSON discusses photographic homage to ARNOLD SCHWARZENEGGER

Why I was different from all the other boys in my town I cannot tell you. I was simply born with the gift of vision.
– ARNOLD SCHWARZENEGGER

It's not just that he grew up in a rural environment too. He was born on July 30th, 1947. And most of us today don't have any understanding or relationship to what Europe was like right after World War II. The winter of 1946/1947 in Austria was the most brutal in decades. The people already had too little food. They were in an occupied country. The summer potato crops failed. As Arnold has said, his mother had to go from farm to farm to farm, begging for food to be able to feed her children. His father, like all the men in the village, was defeated by the war. And he saw them all physically, emotionally, intellectually defeated and taking it out on their wives and children, that he was beaten and his mother was beaten. All the neighbor kids were beaten, and they were beaten into a kind of placid defeat. And he alone would not accept that. He could not see that life for himself. And so he wanted out of that. And as a poor boy, he had nothing but his body to work with. That was it. There was not going to be any college. There was not going to be any of that. There was going to be some kind of menial job, or he could use what he had - his body - to get him out of there.

ARNOLD SCHWARZENEGGER: Athlete, Actor, American, Activist - Conversation with Editor DIAN HANSON

ARNOLD SCHWARZENEGGER: Athlete, Actor, American, Activist - Conversation with Editor DIAN HANSON

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ATHLETE · ACTOR · AMERICAN · ACTIVIST
DIAN HANSON discusses photographic homage to ARNOLD SCHWARZENEGGER

Why I was different from all the other boys in my town I cannot tell you. I was simply born with the gift of vision.
– ARNOLD SCHWARZENEGGER

It's not just that he grew up in a rural environment too. He was born on July 30th, 1947. And most of us today don't have any understanding or relationship to what Europe was like right after World War II. The winter of 1946/1947 in Austria was the most brutal in decades. The people already had too little food. They were in an occupied country. The summer potato crops failed. As Arnold has said, his mother had to go from farm to farm to farm, begging for food to be able to feed her children. His father, like all the men in the village, was defeated by the war. And he saw them all physically, emotionally, intellectually defeated and taking it out on their wives and children, that he was beaten and his mother was beaten. All the neighbor kids were beaten, and they were beaten into a kind of placid defeat. And he alone would not accept that. He could not see that life for himself. And so he wanted out of that. And as a poor boy, he had nothing but his body to work with. That was it. There was not going to be any college. There was not going to be any of that. There was going to be some kind of menial job, or he could use what he had - his body - to get him out of there.

Highlights - DAVID FENTON - Author of The Activist’s Media Handbook: Lessons From 50 Years as a Progressive Agitator

Highlights - DAVID FENTON - Author of The Activist’s Media Handbook: Lessons From 50 Years as a Progressive Agitator

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Author of The Activist’s Media Handbook: Lessons From 50 Years as a Progressive Agitator
Founder of Fenton Communications: The Social Change Agency
JStreet · Climate Nexus · The Death Penalty Information Center

It sounds like a cliche, but it really is true that history moves in pendulums and waves. And whatever is happening today is not going to last. It will change. So you have periods of concentrations of wealth and power, and then you have periods of rebellion. And I'm quite sure we're headed for another period of rebellion. You can see it a little bit now in the labor strife in the United States and the strikes. You can certainly see it in the massive demonstrations in France and Israel. Excessive concentrations of power breeds rebellion, and that's just inevitable. And the climate crisis is going to cause a lot of rebellion as people figure this out. And I think it's coming very soon, actually, because as you've noticed, the weather is getting very bad. It's become a non-linear accelerating phenomenon. And people will wake up to that. I just hope they wake up in time.

DAVID FENTON - Founder of Fenton Communications, Author of The Activist’s Media Handbook: Lessons From 50 Years as a Progressive Agitator

DAVID FENTON - Founder of Fenton Communications, Author of The Activist’s Media Handbook: Lessons From 50 Years as a Progressive Agitator

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Author of The Activist’s Media Handbook: Lessons From 50 Years as a Progressive Agitator
Founder of Fenton Communications: The Social Change Agency
JStreet · Climate Nexus · The Death Penalty Information Center

It sounds like a cliche, but it really is true that history moves in pendulums and waves. And whatever is happening today is not going to last. It will change. So you have periods of concentrations of wealth and power, and then you have periods of rebellion. And I'm quite sure we're headed for another period of rebellion. You can see it a little bit now in the labor strife in the United States and the strikes. You can certainly see it in the massive demonstrations in France and Israel. Excessive concentrations of power breeds rebellion, and that's just inevitable. And the climate crisis is going to cause a lot of rebellion as people figure this out. And I think it's coming very soon, actually, because as you've noticed, the weather is getting very bad. It's become a non-linear accelerating phenomenon. And people will wake up to that. I just hope they wake up in time.

SIMON DALBY - Author of Pyromania: Fire and Geopolitics in a Climate-Disrupted World

SIMON DALBY - Author of Pyromania: Fire and Geopolitics in a Climate-Disrupted World

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Author of Pyromania: Fire and Geopolitics in a Climate-Disrupted World
Professor Emeritus at Wilfrid Laurier University

We also need to note most people move locally rather than globally. In the discussions about climate refugees, people are going to be dislocated. There are obviously going to be places that are going to become quite literally uninhabitable because they're too hot and too dry, or they've been flooded so frequently that they're just not sustainable. That said it is also worth pointing out that this climate change process is playing out in a global economy, which is also changing where people live and how people live very rapidly. the migration from rural areas to urban systems has been massive over the last couple of generations. We became an urban species.

Speaking Out of Place: JENNIFER JACQUET discusses The Playbook: How to Deny Science, Sell Lies, and Make a Killing in the Corporate World

Speaking Out of Place: JENNIFER JACQUET discusses The Playbook: How to Deny Science, Sell Lies, and Make a Killing in the Corporate World

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Author of The Playbook: How to Deny Science, Sell Lies, and Make a Killing in the Corporate World

They weren't able to employ scientists to not find a fingerprint of anthropogenic climate change. They weren't able to pull that off, and when they're not able to do that, what they do instead is create an arsenal of expertise who just create the illusion of disagreement, and they were so successful at doing that with climate change that it's remarkable because there actually was scientific consensus. There wasn't this giant rift in the scientific community, and for decades, they created an illusion of disagreement that we all bought. And they're able to do that using Stanford University, Rockefeller University, these names of institutions as well as individuals, but they're not actually publishing science. And so I think it deserves a kind of special carve out of all of the tactics because it really says: actually these systems are working pretty well. You're just not getting the right information. And they do that again through the media and PR firms and controlling the dialogues and press releases and journals, and especially their relationship with the media, is very, very privileged.

Highlights - JERICHO BROWN - Pulitzer Prize-winning Poet - Editor of How We Do It: Black Writers on Craft, Practice, and Skill

Highlights - JERICHO BROWN - Pulitzer Prize-winning Poet - Editor of How We Do It: Black Writers on Craft, Practice, and Skill

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Pulitzer Prize-winning Poet · Director of Creative Writing Program · Emory University
Editor of How We Do It: Black Writers on Craft, Practice, and Skill

As writers, it's our job to write what will become clichés. Not to write clichés, but to be original enough that we make something that people are still saying for hundreds of years to come. And if that's what you're doing, that's pretty powerful. When I'm writing a poem I'm making a world. And if I can stick to that, then I have to believe that once a poem is out in the world, another world has been made, another way of living, another way of thinking, another way of seeing things.

JERICHO BROWN - Pulitzer Prize-winning Poet - Editor of “How We Do It: Black Writers on Craft, Practice, and Skill”

JERICHO BROWN - Pulitzer Prize-winning Poet - Editor of “How We Do It: Black Writers on Craft, Practice, and Skill”

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Pulitzer Prize-winning Poet · Director of Creative Writing Program · Emory University
Editor of How We Do It: Black Writers on Craft, Practice, and Skill

As writers, it's our job to write what will become clichés. Not to write clichés, but to be original enough that we make something that people are still saying for hundreds of years to come. And if that's what you're doing, that's pretty powerful. When I'm writing a poem I'm making a world. And if I can stick to that, then I have to believe that once a poem is out in the world, another world has been made, another way of living, another way of thinking, another way of seeing things.

Highlights - ERICA BERRY - Author of Wolfish: Wolf, Self, and the Stories We Tell About Fear

Highlights - ERICA BERRY - Author of Wolfish: Wolf, Self, and the Stories We Tell About Fear

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Author of Wolfish: Wolf, Self, and the Stories We Tell About Fear

And I think the ways that wolves converse with one another, there's also so much there that really conjures the way that we humans do. And I was trying to piece together: why did we feel so threatened by wolves? In part, I think because there's a sort of uncanny mirror that humans have seen in a wolf. And I'll give an example. Wolf packs will form a diversity of family structures very often. So they will have a nuclear family where you'll have two breeders, but they can also have an extended family where there's sort of aunts and uncles in the pack. Or (these are the biologist's names) they'll call it a step-family if a wolf pack welcomes an outside breeder. A foster family, if they welcome another outsider. And I think the way that a pack is its own ecosystem: if one wolf dies, there's one wolf in this pack that might be the one that teaches how to move through the territory. And if that one wolf dies, the whole pack has a much higher likelihood of disbanding. And so this idea that the interconnectivity between the packs and the individuality of the wolves is so critical. It is so beautiful, and you see that studying these different wolves, they have personalities.

ERICA BERRY - Author of Wolfish: Wolf, Self, and the Stories We Tell About Fear

ERICA BERRY - Author of Wolfish: Wolf, Self, and the Stories We Tell About Fear

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Author of Wolfish: Wolf, Self, and the Stories We Tell About Fear

And I think the ways that wolves converse with one another, there's also so much there that really conjures the way that we humans do. And I was trying to piece together: why did we feel so threatened by wolves? In part, I think because there's a sort of uncanny mirror that humans have seen in a wolf. And I'll give an example. Wolf packs will form a diversity of family structures very often. So they will have a nuclear family where you'll have two breeders, but they can also have an extended family where there's sort of aunts and uncles in the pack. Or (these are the biologist's names) they'll call it a step-family if a wolf pack welcomes an outside breeder. A foster family, if they welcome another outsider. And I think the way that a pack is its own ecosystem: if one wolf dies, there's one wolf in this pack that might be the one that teaches how to move through the territory. And if that one wolf dies, the whole pack has a much higher likelihood of disbanding. And so this idea that the interconnectivity between the packs and the individuality of the wolves is so critical. It is so beautiful, and you see that studying these different wolves, they have personalities.

Highlights - TOM LIN - Author of The Thousand Crimes of Ming Tsu - Andrew Carnegie Medal for Excellence in Fiction 2022

Highlights - TOM LIN - Author of The Thousand Crimes of Ming Tsu - Andrew Carnegie Medal for Excellence in Fiction 2022

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Author of The Thousand Crimes of Ming Tsu
Winner of the Andrew Carnegie Medal for Excellence in Fiction 2022

When I was growing up, it was all about representation. I think that was the thing that was being championed: we need more people of color in books, movies, across all media. And then I think what we saw was an extremely cynical and capitalistic-minded ruthless optimization of that, where someone said: Oh, you want representation? Then we'll just throw in token people of color into projects. And then we'll check that box. And I think that became so prevalent in so many pieces of media that that became what we thought of as representation. I think it's a salvageable concept because, I mean, when I encountered books growing up, they were all with white people in them. Front to back, start to finish. It was just white characters. And so when I started writing stories of my own in school as a middle schooler they - surprise - they had white people in them, right? There were just white people talking about other white people. I went to public school in Queens. I knew very few white people. And so I think what representation does at its best is that it informs the boundaries of possibility. By seeing yourself represented in media, you become able to imagine your own stories transpiring in media and being made available for everybody else to witness.

And so I think the point of representation is not just if we do a checklist of this piece of media, can we find a person of color. But I think the idea of representation is more that we want to be expanding the realm of storytelling, expanding what's possible by telling these stories that are not normally told.