Creative Responses to Interviews · Emma Veon · Podcaster at George Washington University

Creative Responses to Interviews · Emma Veon · Podcaster at George Washington University

Dr. Dwandalyne Reece & Smithsonian Institute’s National Museum of African American History and Culture
The National Museum of African American History and Culture combines past and present in its exhibitions, encouraging both remembrance and interaction from its visitors. I love museums, especially art museums where the “Please don’t touch signs” are big, bold, and everywhere. The experience of traipsing through a salon-style hallway bedecked in nineteenth-century masterpieces, engaging with the material through my eyes and mind, is exhilarating; I nearly cried from excitement when I got to see some of my favorite pieces at the Louvre this winter. Reverent observation is great, and, when art is produced for an audience of informed critics and appreciators, sometimes that art is best experienced through silent concentration.

But at the NMAAHC, art and cultural objects are alive. They touch all lives. The museum is full of symbols of African American culture that aren’t just meant to be seen, they’re meant to be touched, laughed at, cried over, tasted, tried on, and, in the “Musical Crossroads” exhibition, heard.

Dr. Dwandalyne Reece draws from her personal experiences as a vocalist and active member of the national arts community to inform her incredible exhibition. “Musical Crossroads” celebrates black artists and their invaluable contributions to all genres of music ranging from pop music to opera, funk to country and bluegrass. Not only does she do an impressive job of covering the room in instruments, sheet music, awards, and photographs in traditional museum format, she also features mannequins dressed in original costuming. We see a sweet yellow dress worn by Ella Fitzgerald and a beautiful flowery gown that belonged to Dionne Warwick. Chuck Berry’s cherry red Cadillac greets all guests at the entrance of the exhibition. The objects she choses aren’t relics of the past, they’re the iconic symbols that we recognize as people in the present - they’ll even touch us in the future! Jimmi Hendrix is certainly a permanent fixture in music culture, and his contributions will not soon be forgotten.

Dr. Reece gives visitors to the museum a space to talk and play. In two interactive elements, we can even choose which music we’d like to listen to! Yes, quiet study is important, especially in the museum world, but now more than ever it's important to remember that we need each other. I’m recording from my home that I haven’t left in two weeks during the COVID-19 pandemic. Even though we can’t be together physically, our communities have become increasingly important as we move further apart, and the value of engaging with those communities, past and present, is emphasized in “Musical Crossroads.” Check out the NMAAHC website for more information about the institution, the exhibition, and Dr. Reece, who is really incredible. Stay safe, stay connected.

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Kate Mueth & The Neo-Political Cowgirls

Kate Mueth pairs activism and art in her creative output, challenging issues of female sexualization, racial bigotry, and the unjust treatment of immigrants in order to uplift and inspire her audience. The Neo Political Cowgirls, a non-profit theater company dedicated to projecting the female voice and establishing points of intersection in our shared human experiences, serves women, men, non-binary and gender-noncomforming people, alike. Ms. Mueth promotes love and a diverse narrative in her performances, showing both the people who attend her shows and the members of her company that we all belong in this world. January Girls, a program focused on providing immigrants with a safe and creative space to explore their journey, furthers the mission of Neo Political Cowgirls. Ms. Mueth effectively pairs talent with passion and ends up with a fantastic organization that benefits all members of her community, proving that social change is achievable through any avenue.

Ms. Mueth speaks about the anxieties of a younger generation of women bearing the burden of social media standards and professional pressures to alter oneself in order to win a role, maintaining that her company was founded on values of honesty and self-love rather than superficial competition. She creates more than beautiful dance, shaping a safe space for women-identifying people and their supporters. Ms. Mueth noticed the needs of her small town and filled them. She is an inspiring force, and I look forward to hearing more about this powerful and compassionate leader and her future projects.

Creative Works Curator & Podcaster · Chapman University · Tommy Sherk

Creative Works Curator & Podcaster · Chapman University · Tommy Sherk

I wholeheartedly believe that storytelling is one of the most important mediums of journalism and communication today. While we are constantly exposed to this overload of quickheadlines and clickbait articles, deeper meanings (and the truth) are regularly lost. Yet, people still are hungry for the inspiration and information that stories can convey; I mean, it shows me a lot about our society that people who blast through hundreds of social media posts a day also take the time to consume three-hour podcasts. I always retain the most information when I am taught through a story – it’s an inherently human trait. And storytelling is often paired best with a good dose of creativity. Much like exercise, creativity is a muscle that must be worked on for a balanced life, but is often pushed to the side in our busy lives.

So, access to good storytelling and a creative outlet is what attracts me to The Creative Process. I really value these things because of how they’ve impacted my life so far, and would love to apply them to my career. The added benefit of collaborating with The Creative Process is the notion that I would be able to help generate and spread creative storytelling to others which would be nothing but fulfilling.

I always found that the professional and personal experiences in which I am most fulfilled are when I am creating some sort of content. I believe that most people never even have the chance to find this out about themselves – I’m a lucky one. My luck came in the form of my time on The Harbinger, a nationally-renowned high school newspaper. Through my four years of journalistic duty, rising to the rank of Editor-in-Chief, I discovered a passion for writing, visual media, working with technology, and simply talking to people I would never normally have the chance to meet. Since then, I have explored different realms of content creation outside of journalism, marketing for small businesses, working at a video production startup, and starting my own drone videography company. These sort of creative projects form the foundation of my future career path. While my graduation from Chapman University this May approaches fast, I am looking for a job that allows me to combine my skill set with something I love, which happens to be podcasts.
tommysherk.com

Associate Podcast Producer · Johns Hopkins University · Analucia Reid

Associate Podcast Producer · Johns Hopkins University · Analucia Reid

I am a writer at heart and have been my entire life. I am also a musician (marching band, pit orchestra, concert ensemble, jazz band) and an avid lover of all arts, which I was lucky enough to educate myself about at a performing arts high school. There, I became head copy editor at the newspaper, stage manager for multiple theatrical productions, and began my own business called Kaizer’s Hand (a reference to one of my favorite movies, The Usual Suspects); it is a proofreading and editing business for students and young professionals, including proposals, cover letters, resumes, etc. I have been using the website Fiverr as my start up location but am working on creating my own website and expanding my operation. I am also in the process of becoming an editor at the Zeniada Magazine at Johns Hopkins, which was unfortunately postponed due to the coronavirus crisis. I have several short stories, poems, and a short novel which I plan to publish within the next few months, currently being edited or revised. I’m not 100% sure what I want to do in the future because there are so many things I love. I have completely immersed myself in the arts and I can see myself writing a Broadway musical, writing for a fashion magazine, becoming a novelist, or even starting an organization like The Creative Process. My main plan for the future is to be a creative force that can spread a message throughout the world and make an impact, regardless of the industry.

My band director used to say, “Math, science, and all other topics are what makes the world run. The arts is what makes the world worth living in.” To me, creativity is at the heart of humanity, an intrinsic instinct that even the most right-brained people can access and use. The ability to create emotions, depth, and imagination is an integral part of society, a way to release the inner workings of our minds and hearts, which is what storytelling and creativity allows us to do. It makes life fascinating, to see the self expressions and inner workings of another’s mind, and it connects us as human beings, taking us to other worlds and realities we may not have even been able to imagine. I want to tap into this incredible resource more. Learning from others is the key to growth and I want to immerse myself with people and places that inspire me and can inspire others. I want to know more stories and more people and learn as much as possible about the creative process (no pun intended).

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Blue Tornado
by Analucia Reid

The underside of my bed had a lot of dust. I could see the bunnies dancing on and above the wooden slats of the bed frame, some dangling down and others hovering suspended in midair, frozen in time. It was stuffy and dusty, but somehow, I could breathe better below. The mounted twin XL was almost high enough for me to sit cross-legged underneath without hunching, but not quite. I had access to a phone charger and headphones, and I could reach into my minifridge if I really stretched. There was no imminent need to uncurl myself from fetal position and exit my reprieve; I often mused that if I did die, whoever came looking might have a hard time finding me.

I thought of death every day. Sometimes it would just be a daydream, an image of myself getting hit by a car, contracting a deadly virus, falling to my death. Other times I would see or hear of death and wish I was in their shoes, that I could trade the life I didn’t want for the death they weren’t expecting and did not desire. My eyes were shut tight and I started daydreaming again; did I have enough pills to actually kill myself or just permanently damage my internal organs? I had no access to rope, I would have to buy some, but where could I hang myself that was high enough to snap my neck?

The more options I crossed off my mental list, the more discouraged I got. Death is a tricky business, and I was terrified of trying and failing. I turned to my other side and checked my phone. 12:17pm. Time was an endless series of busy nothings that flowed cyclically; as my depression worsened, I could see clearly just how much of an illusion it was. I had been thrown from the cycle, desperately clinging to a tangible reality that contained things like the sun, darkness, and rain. Mainly, it’s because I was always so tired, sagging from one place to another in a daze like an insomniac. I quickly learned that too much sleep is just as bad as none, but my sleep dependency exceeded 11 hours a day, minimum.

One moment didn’t flow into the next, they just happened without my knowledge until I had a lucid moment where reality suddenly came hurtling towards me. Beneath my bed was the twilight zone; time had no place and there was nothing tangible to ground me other than the dust. I could hear music coming from the wall beside me, undoubtedly in the adjacent suite where my roommates lived. I could feel the vibrations through the wall, and I reached up to grab a pillow to put my head under. Noise was another thing that didn’t agree with me and why I rarely ventured into the public. Everyone sounded like the adults in Charlie Brown cartoons, just womp womp wowomp womp.

Chatter, laughter, it all sounded like a foreign language, an inside joke that the entire planet was in on but me. When I walked to class, if I even went to class, I often felt confusion; why is everyone so happy? How is everyone so awake? The weight of other’s emotions felt like a car crushing me, even when I wasn’t directly interacting with anyone. Even just hearing the chuckling and singing of my suitemates was enough to send me spiraling, I had to block it out. They couldn’t care less about me, they just used my dishes and my coffeemaker. I squeezed the pillow tighter against my ears, but I could still hear the music.

I was getting irrationally angry, as though the notes and lyrics were an attack against me, a personal vendetta. I threw the pillow violently and started beating the drywall between us with my fists; after a few moments, the music got louder, and they banged on the wall back. I rolled over flat, staring at the wooden slats again. My hands were trembling, and I could feel the salty water in the corners of my eyes, ready to gush down my flushed and twitching face. My tear ducts constantly held me hostage, I could cry at any moment of any day and be completely unable to explain it. First came the stinging, the prickly pokey feeling behind and beneath the eyelids, then the welling, where the tears began to clump and gather for the final waterfall.

Crying always made me feel guilty, because I was hyperaware of the fact that there was no reason; visions of homeless people and starving children would attack my frontal lobe and create a guilt about the superiority of my circumstances juxtaposed by my pathetic tears, which made me feel worse, which made me cry even more. The hot tears streaming down my face flowed silently and my throat was tightening like a vice. I wanted to have an outburst, scream, break something, hurt somebody; at least then I’d be feeling something, I’d be alive, I’d be human. I am not human anymore. I am the shell of a homo sapien, the husk of a living creature with no soul, no free will. I am more akin to an animal than a human being, simply a slave to my biological urges and environment.

The urge I was having right now was the same I always did when I felt the blue tornado begin to sweep me away – to do something drastic, to throw myself down a flight of stairs or jump in front of a moving vehicle or maybe go out late at night and pray for a maniac on the loose. My throat felt like it was going to snap in half from the inside out and I realized I wasn’t breathing. I swallowed a gulp of air and let it whoosh right back out of me. Depression can also render you immobile, trap you and your psyche with psychological chains that are heavier and more real than the physical metal links. I couldn’t move if I wanted to, so I just closed my eyes; when I opened them again, it was pitch black.

Hours had passed but I don’t remember sleeping. Sleep was my standby mode, the black screen with abstract shapes forming and shifting on a laptop left sitting too long. My mouth was incredibly dry, I had cried out the last of the water in my system and was left with just dry flesh and bones. I slowly rolled over and crawled towards my small fridge; it was barren, save an expired quart of milk, spoiled Chinese food, and an almost empty jug of water. I sipped the last drops feverishly while the dehydration made my head, my eyes, my everything hurt.

I would have to reenter the world of the living and journey to the water fountain if I was going to survive. My heart began to pound at the thought of leaving or running into another person, god forbid someone I knew. I crawled and stood up for the first time that day and my legs buckled beneath me. Television static buzzed inside my lower limbs, the blood rushing to them quickly as I braced myself on the chair in front of me. I set the jug down and grabbed a stray hoodie on the floor, pulling the hood and drawstring so tight only my eyes were visible. I wasn’t wearing any pants and I dropped to my knees to sift through the hills and valleys of clothing making up the landscape of my floor.

I couldn’t find anything but jeans and I refused to put them on; too much work. The ratty and holey panties I had one weren’t going to cut it, so I removed my hoodie and put on a robe. Since there was a community bathroom, walking around near naked was standard practice, but this meant my unkempt curls and sunken, shallow face would be exposed; a necessary sacrifice. I grabbed the jug and took three deep breaths, staring at the wooden door in front of me. I grabbed the doorknob, opened the door, and broke into a full-on sprint. Out the second door to the common space, down the hall, past the corner by the bathrooms, until finally, the fountain. I tilted the plastic container beneath the gushing water and tried to breath normally. I could hear a door opening somewhere and immediately capped the jug.

Associate Podcaster & Assistant Forecaster · Chapman University · Savin Damkar

Associate Podcaster & Assistant Forecaster · Chapman University · Savin Damkar

Storytelling is arguably the root of many fields. When we explain current events, we need to create a framework that accurately tells events as they are such that the the audience can be informed of what is actually occurring; when we teach students about any subject, there needs to be a “story” in the way we transmit knowledge (lest we risk overwhelming them with too much information and no supportive structure; when we wish to convey insight, experiences, issues, or other necessary information, there needs to be a story to allow others to competently understand their importance and consequences. It would appear then that storytelling-even in a loose definition-allows for us to transmit knowledge with the appropriate gravity it deserves.

Even by strict standards, storytelling is foundational. It is storytelling that allows us to understand much more than the story being told: morals, cultures, histories, observations, truths. All of these understandings enrich our lives with both a story and expanded knowledge.

Intertwined with storytelling, creativity is just as foundational. It is what allows us to express sensations for which there isn’t necessarily a concrete object. For instance, we could say we feel an emotion, say, anger. But feeling anger could be turned into a passionate symphony that creates an object that can be understood and shared. In a sense, then, creativity allows for expression and a sort of understanding or sympathizing.

I hope to always learn more from different experiences, acquire a greater understanding of story and creativity, enrich my own personal knowledge. I hope any experience-especially one collaborating with The Creative Process-can allow a bidirectional exchange of knowledges and understandings.

I like to consider myself a jack of all trades. As a teenager, I thought being proficient in a variety of arts, skills, and knowledges was beneficial. As I got older, I had more of an ability to learn, understand, and explore more fields of interest. Today, I find myself constantly inspired to do creative projects in different fields.

Among all interests, cooking takes precedence. I always find myself watching videos, reading books or articles, or experimenting with some new technique, dish, or ingredient. Earlier this year, I made a list of goals for new projects on which I wanted to embark. Being in quarantine has only inspired me further. There have been many I tried: fermenting black garlic at home, curing egg yolks and duck breast “prosciutto”, fermenting kimchi, perfecting Neapolitan pizza, and cooking a sous-vide duck confit. Although satisfied to some degree with my results, I find myself wanting to improve these, but also wanting to try: perfecting wet-hydration bread doughs, reverse spherification, cheese-making, and fermenting plums into maesil-cheong.

Cooking, although creative and satisfying both physically and mentally, is not enough to completely scratch the creative itch. Though it is constructive and allows for creating, cooking does not necessarily satisfy the desire to create something more lasting and practical. Woodworking, however, does.

My father and I took courses in woodworking. After they were over, we imagined a miniature woodworking lab in our backyard with all the tools featured in our course. With this, we could make more spoons, mirrors, pizza peels, and ornate boxes, but also move on to more advanced projects. We are still planning that laboratory. Meanwhile, we’ve been brainstorming the best design for a Chinese style tea table-one with minimal decoration, optimum design, and the necessary draining tubes that allow for making exquisite Chinese tea (another beloved hobby). As to when this project will be completed, I am not sure, but the thought of combining tea and woodworking is alluring.

Like cooking or any other hobby, woodworking comes with limitations of expression. With both woodworking and cooking, there is a pseudo-requirement for more specialized tools. More than that, however, it is not an expression of thoughts in the same way writing is. With writing, I can make visceral sensations something more concrete, even if still abstract. For me, there is a certain joy in writing about food, restaurants, or other experiences I’ve had the pleasure of feeling. My completed works catalog is disappointingly small, but I hope to expand it with further restaurant experiences, funny anecdotes, poetry, or any other work drawing from actual circumstances.

There are several more fields I wish to explore further. As it is, I have my plate full-both metaphorically and physically-with other hobbies and the daily motions of life. Perhaps, someday soon, I can delve into them. Hopefully, I can enrich myself with other experiences in the meanwhile.

Chinese-style teapot · A box I made from recycled redwood fence boards · Photos Savin Damkar

Review of the The Slanted Door Restaurant
Situated at the very end of the Old Ferry Building in San Francisco, The Slanted Door proves to be romantic and scenic. What better a place to celebrate my twenty-fifth birthday with my family. Upon arriving, I notice beautiful wood-slab tables before minimalist, leather couches. Staff members with business-like manners greet me. This is not to say they are cold, rather they are not ones for unnecessary pleasantries. Indeed, the staff fits well into the minimalist décor.

They seat us in a picturesque spot, albeit one that proved cramped spatially. Again, I notice right away simple, minimal décor at the tables. The menus, both in design and content, are consistent with this running theme: uncomplicated, modern, and simple. I, a fan of elegant aesthetics, am enjoying this.

My father graciously dropped us off at the restaurant, and then parked the car, meaning that we are short one member. While we wait, I take a moment to observe and consciously take in the setting of the locale. Although rather loud, it is oddly serene, even though the people next to me shove their groins in my face as they wiggle into their table.

A jovial woman attentively checks on us and has no issue with us waiting for our absent diner. I find this surprising. Usually, restaurants of this nature- the kind with coat checks and bathroom attendants- are keen on having every diner present.

I spend the time waiting and ruminating on what combination of items would taste best. My mother, though not a vegetarian, has a fondness and proclivity for vegetables. She suggests the five-spice cauliflower featuring Chinese bacon. My sister, having a preference towards shrimp, requests the gulf shrimp. I am a fan of most things; an adventurer in cuisine without many dislikes or restrictions. I suggest the imperial and spring rolls, as both are perennial favorites at other Vietnamese locales.

I want to get a cocktail, as I understand they are superb. Instead, I look to the tea menu. Coming from extensive tea menus, like that of the teahouse at which I work, and the connoisseurship of tea, I am not used to a simple menu like this. In spite of its simplicity, the menu features remarkably sophisticated teas known for being favorites among connoisseurs. For instance, they feature a 2017 Phoenix Honey Orchid oolong and maocha from 2013. I’m impressed.

My mother commands that I order everything, as she feels that I know the restaurant and cuisine best. Regardless of whether or not it is true, I accept. Ordinarily, I would not be as willing to take on the task, but today is my birthday, and I still accept the praise.

We then discuss tea and beverage options. My mother tells me she is considering the Gua Pian “Melon Seed” green, again, a well-known tea. I am considering maocha, as we have a hearty meal ahead of us, and pu-erh soothes me after dinner. My sister opts out of tea, as it is too late in the evening, and decides on a pineapple spritzer, which, admittedly, sounds delicious.

My father arrives, guided by the staff. I appreciate their courtesy and organization. Much like myself, my father is not one for pickiness or fuss, especially in food. He tells me he trusts my tastes.

With everyone now present, we decide on our menu for the evening: daikon rice cakes, spring rolls, imperial rolls, five-spice cauliflower, clay pot chicken, and gulf shrimp. My parents both order the Gua Pian, and I decide on the maocha for our accompanying teas.

Our server returns fairly soon to take our order, an accomplishment during a packed Sunday evening on the weekend before Valentine’s Day. A few moments later, staff members bring us our teas. To my surprise, they are not served in gaiwans, gong-fu style pots, or even small, restaurant-style metal teapots. Instead, they serve them in Hario glass pitchers-like those coffee shops use for pour-over coffee- containing metal tea balls and the respective teas. I feel perplexed.

According to The Slanted Door cookbook, chef de cuisine and owner Charles Phan met both Roy Fong and David Lee Hoffman, both of whom he cites as being pioneers and progenitors of both his own “tea program” and the larger tea industry. He also cites Fong as a personal mentor in tea, and describes his experiences in learning about it. Phan continues by saying that his education with Fong opened his eyes to the vast and beautiful world it offers. Consequentially, he wishes for guests to have the same experience of good tea, and mentions the frustrations with its at-the-time small presence. He even explicitly mentions and refers to his serving of high quality teas as his “tea program”.

Assuming all of these to be accurate, I feel disappointed already, albeit in something peripheral to the culinary experience. I am a firm believer that there isn’t a wrong or right form of brewing tea, even if it is in something unconventional like Hario pitchers and tea balls. I stand by that.

Nevertheless, I do take issue with an aspect of our tea experience: when my tea arrived, the staff gave me no sort of instructions on brewing guidelines. Though not necessarily a complete issue, it does make me question the customer experience of those unfamiliar with tea. My specific worry is that this style of brewing posits a scenario in which a customer unknowingly brews tea in such a fashion that isn’t doing it justice. As a result, they cannot understand and experience the complexity of tea- a contradiction to the aforementioned goal of serving the guest tea in an artful and enjoyable way.

Before I come off as overly critical, I present a few points in defense of the restaurant. First, due to my own self interest and career in serving tea, I tinkered with the brewing set-up and parameters to get a nice steeping. It wasn’t very much work. Second, it is a busy night. I know from personal serving experience that when the order of operations in serving is constantly in flux you, unfortunately, have to prioritize. It is entirely possible that the staff is diligent in their communication with the guest about the way to serve tea. Third, according to their website, The Slanted Door offers an afternoon tea service. I did not experience it; therefore, I cannot make harsh critiques of the tea program. Perhaps this teatime is more relaxed and focused on the tea experience, and can provide a better chance to drink it. Fourth, tea service in a restaurant setting-especially one such as this- provides challenges. A friend and I discussed this in detail before I began writing about my experience. Here are some of the challenges we covered: providing hot water; explanation to the guest on the brewing process and characteristics of each tea; formal staff training and education; serving size; tea ware; and integration with the cuisine, both in providing teas that pair well and ensuring that it does not interfere with the dining experience in any regard. Lastly, I still enjoyed my tea, even if in a context that I don’t prefer. While the tea did pose some challenges, I do not intend to judge the restaurant by its tea program. I digress. 

(Note: Having voiced my complaints, I do plan a follow-up visit for tea so I can fully understand the scope of the restaurant).

After a surprisingly short wait, our first courses arrived. All of them are excellent. The daikon rice cake is well seasoned, and has a perfect texture. The spring and imperial rolls, although small, are vibrant and complex, but simultaneously so simple of a dish. They all disappear with great haste from our plates into our stomachs.

I enjoy hosting people, which means I have a habit of checking in with my guests. Even when I am not cooking for others, it is still of the utmost importance to me that everyone enjoys their experience. Despite the fact that I think I know the answer, I check with family. No surprise, everyone enjoys everything. In fact, all of us agree that there is no clear winner as they are all outstanding.

The tea is enjoyable, I have nowhere to be, I am 25, and the first courses piqued my interest and appetite. Our main courses arrive, though we did wait a bit longer than before. I don’t mind. We feast.

One aspect of our dinner that I notice right away is the seasoning in each dish. It is perfect: never too spicy or skewed in a particular direction, but always flavorful. None of these dishes ever contrasts each other in a negative way, yet they each stand out as distinct. I always appreciate this in food. Of the three, I found the clay pot chicken to be the most remarkable, as it has an extremely succulent texture in every bite.

If there were a dish that I would call my least favorite, I would chose the gulf shrimp. This is not to say they tasted bad, on the contrary, they were delicious. I simply feel that the clay pot chicken overshadows both the shrimp and the cauliflower, as delicious as they may be.    

As we finish the last morsels, I check with my family again. We all agree upon the claypot chicken being excellent, but I know that my sister secretly feels the shrimp to be the best. I digress. Now it is time for dessert.

I always find myself torn after dinner. I enjoy many indulgences –after dinner coffee, desserts of all sorts, and digestives- but I have always preferred savory dishes. Although, tonight, I have especially conflicted as our options include: honey mousse, featuring pistachio butter cake, passionfruit gelée, and honey pistachio crisps; beignets with dulce de leche crema; and vanilla bean cheesecake with whipped greek yogurt, burnt honey cremeux, cointreau macerated blood oranges, and salted honeycomb crunch. Can you see my dilemma?

My parents, not one for heavy desserts, opt for coffee-a usual occurrence on their part. I finish the remnants of my tea, somehow both full and unsatisfied. I end up deciding against dessert, as I have cake at home. Perhaps I will return for teatime and enjoy one of their heavenly-sounding desserts. It is now time to go.

On my drive home, I consider every aspect of my experience: service, taste, creativity, atmosphere- all of the aspects that influence our gastronomic experience, and, ultimately, whether or not we return another day to enjoy ourselves. I find myself thinking of the expectations I previously held, and then compare that to the actuality of my experience. I acknowledge that this mindset does have flaws. In particular, we end up obsessing over why the result differed from the expectation. Though I keep telling myself not to, I cannot stop considering the discrepancy.

When I had first heard about The Slanted Door, I heard it hailed as the paragon of fine Vietnamese cuisine. I even heard it being described as “world class”. Even the reviews of it featured in the eponymous cookbook refer to it as such. Other critics professed Phan’s excellence in bringing Vietnamese dishes to the minds, mouths, and stomachs of American diners unfamiliar with the rich, dynamic cuisine. In simple words, it seemed to be the destination to experience it at its finest.

I, however, question that description. I did thoroughly enjoy my dinner, but I felt puzzled by its perceived excellence and its cost. Something- I wasn’t sure what, exactly-felt off.

After my two hour car ride and mental parsing out of the experience, I came to my overall conclusion: The Slanted Door, although modern and delicious, did not seem as innovative as I had thought. Furthermore, the price did not seem to match my expectations or the overall experience I had. In short, for the price we paid (~$200), I expected something similar to ADEGA, a wonderful restaurant with one Michelin star at which I have dined.

I realize this may come with controversy. But the fact is that many of the dishes, even the ones I had, could be found in similar or near identical forms at smaller, less-refined, even potentially-violating-health-code locales. Hell, my local Cambodian restaurant has a plate similar to the clay pot chicken at one third of the price, and is similar in taste. Although they may have been instrumental in exposing the zeitgeist to quality Vietnamese food in its earlier years, today they appear as an aging giant showing themselves as something larger than they really are.

I want to note: I am not dissatisfied with my experience. It was wonderful. Nevertheless, I am dubious of calling something “world class” and excellent when other establishments serve similar dishes at better prices. While this critique does discredit the veneer of a Michelin-esque restaurant setting and aesthetic, it is not to say the experience is all-bad. If you have the ability to afford it, do not deprive yourself of a good experience.

Associate Podcast Producer · Johns Hopkins University · Isabel Sumardi

Associate Podcast Producer · Johns Hopkins University · Isabel Sumardi

I am not sure where the future will take me, but I know that, professionally, I want to work in a field that truly fulfils me. There are many jobs that would do this for me, but many of them are highly creative. The Creative Process definitely satisfies this goal. Though I have always loved the humanities, whether it be creative writing, French, or graphic design, I have been afraid to truly embrace them as a professional path. But after a freshman year full of self-discovery, I realize more than ever that it is something worth pursuing, no matter how risky.

When I reflect on times when I have felt the most inspired – most passionate, it all revolves around a common factor: people. The people I care about inspire me with all their unique characteristics that make me love them so much: surprising amounts of compassion, excitement for mundane things in the world that most people overlook, etc. Very often, people I don’t know inspire me through their creative projects. And though I think everyone is creative in different ways, whether you are a police officer trying to decipher how a crime was committed or a mathematician trying to tackle a new proof, it is the creative projects that are most completely, wholly someone’s own that often have the most impact on me: movies, books, music. Projects like this are especially powerful because they exhibit what the human mind is capable of, to be able to conjure worlds, plotlines, and melodies that can move people so much. When heartbroken, people often turn to music for consolation. Frank Ocean has definitely been a source of understanding and comfort for me, and many artists have fans that would say, at one point or another, “you saved me when I needed it the most,” and that is the importance of creativity. And this all goes back to how much people have inspired me. All these powerful creations come from people. Whether nonfiction or fiction, everyone has stories to tell, and I’ve never heard a story or gotten to know someone better and regretted it. Because no matter how well I think I know myself or other people, no one ever loses the capability to surprise you. So the importance of storytelling and creativity lies in that feeling that every individual can get from being known through knowing other people and the art which they makThrough collaborating with The Creative Process, I hope to get to know other creators well and showcase their talents to leave a positive impact on wide range of people. I also hope to see what it is like to work in a highly creative field, for I have always thought the chance of getting to do that is quite low. It would also be great to see what impact my work could have on others as much of what I have created in the past has not reached a great deal of people.

This past January, I interviewed for and edited one podcast episode on the Research Director for Leaders of a Beautiful Struggle, a Baltimore-based non-profit that helps empower black youth. I am currently working on a completely original podcast called “What the Sky is Made of,” and it will be based in narratives from multiple people that revolve around one specific element for each episode (sky, ocean, rain, etc.) I am an editor for Zenaida, Johns Hopkins’ intercollegiate arts and writing magazine, and we are currently finalizing our publication choices. A continuous project that I do for fun is called Cups Across Coasts, which is a Youtube channel I share with my best friend who goes to school on the opposite side of the country as me (https://www.youtube.com/channel/UCL3btAGEfEQP9m3s2F5MTRQ?view_as=subscriber). Last, I am always working on my creative writing, mainly through short stories.

Associate Podcast Producer · University of Iowa · Ella Boyd-Wong

Associate Podcast Producer · University of Iowa · Ella Boyd-Wong

Storytelling and creativity, at the very least, is invaluable to me and my personal interests, ideals, morals, and well-being, but it goes so much further than that. This particular point in history is a perfect example – with the rise of COVID-19 and many people around the world being stuck inside, what many people are turning to for entertainment, connection, and distractions are the very things this question addresses – storytelling and creativity. Films, television, books, video games, painting, writing, social media production – these all stem from storytelling and creativity, and may be some of the only things keeping people stuck in place afloat, which proves that the importance of such things is deeply rooted in stimulating the mind and allowing for inspiration of continued creativity.

With The Creative Process, I am gaining insight into the networking and connection of creative people and institutions, learning more about the creative process of podcast creation. Working at something interesting that’s actually in my field and being able to make a wonderful addition to my resume, helps me make connections with creative genius.

For the last few years I’ve been finishing my undergrad, I haven’t had time for a lot of non-school-related personal creative projects, but I have found fulfilment in the large creative undertakings I have come to produce through my courses. In the last few years, I feel the most proud to report that I’ve created two full-length scripts, one for screen and one for stage, both loose adaptations. I’ve also written several short stories, workshopped and revised in several different courses by groups by like-minded literary peers. Additionally, although it’s not my specialization, I’ve had poems featured in literary publications on campus,

Associate Podcast Producer · UC Berkeley · Iris Kwok

Associate Podcast Producer · UC Berkeley · Iris Kwok

As a solo, chamber, and orchestral musician, my goal in each performance is to tell a compelling story, as that allows me to connect with my audience on a deeper, more emotional level. I cherish my role as a museum gallery guide because it gives me the opportunity to meet and exchange stories with museum visitors. In my collaborations with The Creative Process, I would like to—through meeting and interviewing artists, writers, and thinkers, and compiling and sharing their stories with a wider audience—help emphasize the constant and absolute necessity of the arts in our ever-changing world.

My immediate plans for the future include finishing my minor in journalism this coming summer and continuing to write on my personal blog on Medium. Since August 2018, I have been a gallery guide for the Phoebe A. Hearst Museum of Anthropology; the museum’s current exhibit, Cloth that Stretches: Weaving Community Across Time and Space, showcases textiles from around the world. I will continue to perform as a cellist in various music ensembles including Celli@Berkeley, UC Berkeley Symphony Orchestra, and the San Francisco Symphony Orchestra, and will be graduating from UC Berkeley with a Political Science and Music double major in May 2022.

My quartet’s December 2019 performance at UC Berkeley’s 68th Annual Noon Concert Series at Hertz Hall (https://youtu.be/_hTyeBUE9I)

Caroline Dougherty · Performing Arts Liaisons & Associate Interviewer

Caroline Dougherty · Performing Arts Liaisons & Associate Interviewer

I think for me it was really rewarding I met with Jill Johnson who’s the director of Harvard's Dance Program and Seán Curran, who is the director of the dance department of NYU. I had known so much about them before from reading their biographies, but to go there and meet with them was a really transformative experience. And they were so enthusiastic when they said they received the request and the list of questions because they were asked things they were never asked before and really liked that and so they knew they had to do it and really wanted to be a part of it and add their voice to The Creative Process because they know it’s so necessary to connect students and get them involved in the arts and humanities. For me, I left the interviews feeling so fulfilled. So many thoughts in my mind. I felt they were so honest, raw; they really didn’t hold back. It was like they wanted to share these things, and it meant a lot for them to go to that deeper level that in a normal interview they wouldn’t go to. So, for me to see that, I knew we were doing something right. This is what The Creative Process is about. These kinds of deep conversations and not ones on just on the surface level but below that. Like I’ve said, for me it has been so fulfilling and it’s changed me for the better. I think sharing with others helps build your confidence. I have to say when Mia and I collaborated on questions, and she asked me to conduct the interviews because I was going to New York at the time, I didn’t think I could do it with people of that caliber, but it turned out to be incredibly rewarding. And I would tell any student, if you have the opportunity to connect with notable people like this project does, you’ll find it’s just super rewarding, even if you find it a little scary at first. But these artists are very accommodating and enjoy sharing ideas and discussing creativity and the humanities and the importance of it, so it feels more like a conversation. 

I think now more than ever the arts are really necessary and the world needs to remember that and not lose sight of that. If there’s no art in the world, it's not the world I want to live in. You know there are all these horrible things happening in the world, but we will always have art. And art is so powerful. It’s able to tell a story unlike anything else, so it’s really something that we need to be promoting. And you know having discussions about ideas, stimulating students and bringing them together with these notable figures and having talks about creativity and finding out who we are is really important for us all. Really all that matters is that you have some appreciation for the arts, and you can share your inner voice in a way. That’s what The Creative Process is all about.