Professor of Cultural Studies at the University of Leuven
The humanities are vital in this regard because they can bring together the best of two worlds: content and form. Humanists create new content because they are open to the challenges of changing forms and vice versa.
In a way, I sometimes think that it’s when the divergences from what really happened are quite small that it calls for the services of a very scrupulous and clever biographer. Certainly the stuff you get about me from my books it’s not–how can I put it?–it’s not reliable as evidence in any court of law. I’m very conscious that I’m not under oath when I’m writing.
I sort of think we’re all kind of a swirl of everything we’ve read, the art we’ve looked at or heard, the life we’ve led, the people we know, the stories we’ve heard, the stories we’ve lived through and the stories we’ve heard secondhand, the fears we’ve had, the desires we’ve had, it’s kind of just swirling around, so when you’re writing it’s not that you’re channeling it in a completely unthinking way, but when I write I’m just sort of moving fence to fence and seeing what bubbles up.
Writer
And it's something every writer carries in them in their heart. Carries–it's a big statement, but there's a small truth within the kernel of it–carries the history, the geography, the rules and the songs of the place they come from. It's inescapable. And to throw it away or to lose it is a tragedy. And to throw it away is a crime. So, for all my complaints about my native land, I am glad to be in there on that bus because it was a lovely thing to have. There are lot of them driving that bus, I'm just one of the passengers.
All Is Forgotten, Nothing Is Lost was a departure. It’s actually my favorite because it was just a huge pleasure to write. So much fun to write. Nothing to do with my background, my family, it’s all about lived experience and observations I made coming up as a writer. Because for me becoming a writer went hand in hand with me becoming a person.
I’ve never really written a roman à clef, you know, something directly from my experience. [...] And yet again, you are always writing about yourself. Even if you’re not writing about something you’ve actually lived, you’re dealing with your own internal weather system, as I’ve said, and we all have one. And you’re also dealing with the things that keep you up at night, the things that worry you, the things you haven’t been able to get right. Your fears. And everyone has fears and they all come into play.
I feel like anybody can make a church or a garden spiritual, but for me the more interesting thing is to see if you can make holy or spiritual things that are just very ordinary. […] There’s all sorts of places that are holy, not just the ones that are defined that way by the culture. That’s always been a part of my work. From the very beginning
The Creative Process: Interviews & Portraits of the World’s Leading Authors & Creative Thinkers
Inspiring Students – Encouraging Reading - Connecting through Stories
The Creative Process exhibition is traveling to universities and museums. The Creative Process exhibition consists of interviews with over 100 esteemed writers, including Joyce Carol Oates, Hilary Mantel, Neil Gaiman, Viet Thanh Nguyen, Tobias Wolff, Richard Ford, Junot Díaz, Marie Darrieussecq, Michel Faber, T.C. Boyle, Jay McInerney, George Saunders, Geoff Dyer, Dave Eggers, Etgar Keret, Douglas Kennedy, Sam Lipsyte, and Yiyun Li, among others. Artist and interviewer: Mia Funk.
