JOHN PATRICK SHANLEY - Academy Award-winning Writer/Director - Doubt starring Meryl Streep, Philip Seymour Hoffman, Amy Adams - Moonstruck

JOHN PATRICK SHANLEY - Academy Award-winning Writer/Director - Doubt starring Meryl Streep, Philip Seymour Hoffman, Amy Adams - Moonstruck

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Academy Award · Tony · Pulitzer Prize-winning Writer/Director
Doubt starring Meryl Streep, Philip Seymour Hoffman, Amy Adams
Moonstruck · Wild Mountain Thyme · Danny and the Deep Blue Sea · Joe Versus the Volcano

I knew Philip Seymour Hoffman for several years. We went on vacation together. He produced a play of mine. Before we did Doubt, we worked in the same theater company together, and he was, you know, very committed to excellence. And so he could become impatient with anybody who was not committed to excellence, and that could make him a volatile person to deal with. Phil cared. He cared a great deal. And he worked really hard. They're very committed. Like with Viola Davis. Viola had done a decent amount of big work before Doubt, but she was not recognized yet. And she was careful. You know, she certainly wasn't throwing weight around. She was, I'm the new kid on the block, and I'm just here to work and be serious and do my job, keep my head down, and get out. And pretty much that's what I was doing too, you know, because I've got Meryl Streep, I've got Philip Hoffman, who I was friends with, but Phil's not an easy guy to be friends with or was not easy to be friends with. He's a very prickly person prone to getting pissed off about things that you might not expect. And then Amy Adams was somebody who, you know, tried to get along with everybody and Phil would say like, 'You just want everybody to like you.' So, you know, you're in the middle of that group, and you just, you don't want to put yourself in a position where you're trying to prove something. You have to let them...they're very, very smart people, and they're going to figure out whatever it is that you're doing. They're going to figure out whether you are in any way trying to handle that. And that's not going to go well. And so I didn't do that.

Earth Month Stories - Part 2 - Environmentalists, Artists, Students & Teachers Speak Out & Share How We Can Save the Planet

Earth Month Stories - Part 2 - Environmentalists, Artists, Students & Teachers Speak Out & Share How We Can Save the Planet

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Environmentalists, Artists, Students & Teachers share their Love for the Planet

Today we’re streaming voices of environmentalists, artists, students, and teachers with music courtesy of composer Max Richter.

DEBORA CAHN - Showrunner & Executive Producer of Netflix’s The Diplomat starring Keri Russell & Rufus Sewell


DEBORA CAHN - Showrunner & Executive Producer of Netflix’s The Diplomat starring Keri Russell & Rufus Sewell


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Showrunner & Executive Producer of Netflix’s The Diplomat starring Keri Russell & Rufus Sewell
Exec. Producer Homeland · Grey’s Anatomy · Vinyl
Co-Producer The West Wing

So the idea was to look at what it's like to be an ambassador for the United States abroad and to do that in the context of a married couple, both of whom are in the same field. And what kind of tensions come from being in a relationship with somebody where you're both collaborators and personal partners and sometimes competitors? And what does that do to your life? What does it do to your work experience? And it felt like a military alliance and a marriage are not so different in many ways. You know, you get together under certain circumstances, and then time marches on and things change, and both parties change, and you're still in this relationship that either can or can't bend with you.

Special Earth Day Stories - Environmentalists, Artists, Students & Teachers share their Love for the Planet - Part 1

Special Earth Day Stories - Environmentalists, Artists, Students & Teachers share their Love for the Planet - Part 1

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Environmentalists, Artists, Students & Teachers share their Love for the Planet

Today we’re streaming voices of environmentalists, artists, students, and teachers with music courtesy of composer Max Richter.

MAX RICHTER - Award-winning Composer & Pianist

MAX RICHTER - Award-winning Composer & Pianist

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Award-winning Composer & Pianist
His album Sleep is the most streamed classical album of all time
Film & TV scores for Ad Astra · Black Mirror · Shutter Island · The Leftovers · Arrival · Taboo

For me, the creative process is a sort of a continuous thing in the sense that I'm writing kind of all the time, at some level. And that doesn't mean I'm sitting at my desk all the time, but it does mean that I've got a continuous thought process, a continuous engagement with the material I'm trying to shape. And it's many different kinds of processes. First of all, obviously an intention. You need to have an intention. What is it I'm trying to do? But then you get a process of making things, and then you get into a process of dialogue with the things you've made where they start to take on properties and it feels like the material has intentions of its own.

So then you are trying to - it's like herding cats, you know? - sort of corralling this material into some kind of structure, some kind of formed object. Then it becomes like a sculptural process on the large scale.

LOVE - What is love? Filmmakers, poets, aviators, musicians, cave divers, environmentalists, writers, and artists explore what love means to them

LOVE - What is love? Filmmakers, poets, aviators, musicians, cave divers, environmentalists, writers, and artists explore what love means to them

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Filmmakers, poets, aviators, musicians, cave divers, environmentalists, writers, and artists explore what love means to them

HENRY SHUE - Author of “The Pivotal Generation” - Snr. Research Fellow, Centre for International Studies, Oxford

HENRY SHUE - Author of “The Pivotal Generation” - Snr. Research Fellow, Centre for International Studies, Oxford

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Author of The Pivotal Generation: Why We Have a Moral Responsibility to Slow Climate Change Right Now · Basic Rights
Senior Research Fellow · Centre for International Studies · University of Oxford

We can tell from the science that we have to reach zero carbon emissions by 2050. And common sense tells you that bringing them down for the second 50% is going to be harder than the first 50%. So we have to take care of the first 50% by about 2030, and it's 2023 already. We literally must - if we're going to keep climate change from becoming even more dangerous than it is - is to do a very great deal in the next seven or eight years. And a huge amount between now and 2050. So it's not that this problem is the most important of all possible problems. There are other problems like preventing nuclear war, but this is a problem that either we get a grip on it now, or there's a real possibility that it will escape from our control. 

CHRISTOPHER J. GERVAIS - Founder/CEO of Wildlife Conservation Film Festival - Cannes Lions Award-winning Producer

CHRISTOPHER J. GERVAIS - Founder/CEO of Wildlife Conservation Film Festival - Cannes Lions Award-winning Producer

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Founder & CEO of Wildlife Conservation Film Festival
Cannes Lions Award-winning Producer

I've been fortunate over the last 13 years to meet some of the world's leading conservationists. Dr. Sylvia Earl, David Attenborough, Jane Goodall, his Royal Highness Prince Khaled bin Sultan of Saudi Arabia, who came to the film festival in 2014, where we showed some films from his foundation. And there have been a number of others, award-winning filmmakers, and a number of celebrities that have come to the film festival, Academy Award Winner James Cromwell. We've had other celebrities, from Paul Giamatti to Alec Baldwin to Sigourney Weaver, all of whom may have a passion for, if not saving wildlife, then for the environment. And I have found them very humble, very easy to speak to, and I'm immensely grateful that they took the time to come to WCFF from their busy schedule. And we hope to build more relationships.

MICHAEL BEGLER - Showrunner of PERRY MASON starring Matthew Rhys, Juliet Rylance, Shea Whigham, Hope Davis

MICHAEL BEGLER - Showrunner of PERRY MASON starring Matthew Rhys, Juliet Rylance, Shea Whigham, Hope Davis

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Showrunner · Writer & Executive Producer
Perry Mason starring Matthew Rhys, Juliet Rylance, Shea Whigham, Hope Davis
The Knick starring Clive Owen · directed by Steven Soderbergh

Storytelling is our oldest art form. We can't silence the arts and those voices because if we do, we lose something that is so crucial to who we are just as human beings. We want to tell stories. We want to express things. For example, I cannot draw. And one day the teacher wanted us to do negative space drawings. And I said, "What is that?" And they explained that it's looking at what's around the object and not the object. And it clicked, and it made me look at things from a whole different perspective. And you know, what? That became where I was most successful. And so for me, there's are an infinite number of ways to tell a story that you never run out of ideas, that you can always find another road, another way to look at something. That's probably one of the key elements to my career.

PIA MANCINI - Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation - YGL World Economic Forum

PIA MANCINI - Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation - YGL World Economic Forum

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Co-founder/CEO of Open Collective - Chair of DemocracyEarth Foundation
Alum of YC & Young Global Leaders at World Economic Forum

And so I think many of those challenges have to do with the nature of power and how power is conservative and power will do anything in order to stay in power. And the status quo will do anything and make itself look like anything that you want in order to stay in power. And they might change their spots a little bit here or there, but if you look deep enough, it's the same people. It's the same power.

And so for me, that was the big challenge of realizing that we were facing power and power is conservative, and that's not the way to really achieve the change that we wanted to make. I wasn't patient enough for incremental changes. That's not what I'm interested in. So there's one set of challenges that I think is common to anyone in my position trying to do this. With regards to being a young woman, I mean, sure you face the same kind of sexist comments that you would face anywhere else that I face now as a woman CEO. The best thing I can do for that is just occupying the space and keep occupying the space and refusing to move away or let things like that stop me from engaging.

CHAYSE IRVIN - Cinematographer of “Blonde” starring Ana de Armas, “Beyonce: Lemonade”, Spike Lee’s BlacKkKlansman, Kahlil Joseph, The Weekend, Netflix, Charlotte Rampling

CHAYSE IRVIN - Cinematographer of “Blonde” starring Ana de Armas, “Beyonce: Lemonade”, Spike Lee’s BlacKkKlansman, Kahlil Joseph, The Weekend, Netflix, Charlotte Rampling

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Award-winning Cinematographer
Blonde starring Ana de Armas · Beyonce: Lemonade · Spike Lee’s BlacKkKlansman

That's all I can do on a movie. I can't really make a movie good or not because that's decided by the spectator. That's not in my control. All I can do is give it everything that I have. Like that's just the love I have to give. So why bring in all these other things? Just set it up so you can give it everything that you've got each time. In those theoretical considerations about how a scene can function or be rendered or shot or executed or all these things, just think of it as, "Oh, this is the challenge." I want authenticity. How do we create an environment where that's more likely to happen? Because it's never going to be something that I can enforce, and the more I try to enforce it, the less likely it'll happen. For me, the more risky things, the more things that defied expectations are really important to me. I guess it even goes down to just novelty. How do you create a need or a yearning? And the spectator, you create a particular rhythm and then you change that rhythm, and then it's almost like you try to sensitize your spectator to these ideas by defining a particular rhythm that you've set for them.

MANUELA LUCÁ-DAZIO - Executive Director, Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.

MANUELA LUCÁ-DAZIO - Executive Director, Pritzker Architecture Prize - Fmr. Exec. Director of Venice Biennale, Visual Arts & Architecture Dept.

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Executive Director of the Pritzker Architecture Prize
Fmr. Executive Director of Venice Biennale (Dept. of Visual Arts & Architecture)

When I started and I had to decide what to do in life - because I was working with museums, in exhibition design, and on the restoration of buildings - and then at some point, I had the chance to arrive at the Venice Biennale and my whole perspective changed. And it changed because I was working with living artists and architects. Until that moment, I was working around Old Masters, works in museums, and things that were there with the aura of history. And all of a sudden I was dealing with living architects and artists, and this was, for me, the most incredible experience. So I decided to leave all the rest, because I was doing quite a lot at the same time, and to concentrate on the Biennale.

ARMOND COHEN - Executive Director of Clean Air Task Force

ARMOND COHEN - Executive Director of Clean Air Task Force

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Executive Director of Clean Air Task Force

There's no such thing as completely clean energy. We use that term a lot, but it's not really true. We have low carbon energy, and lower carbon energy, but any kind of industrial system has requirements for materials and processing, and nothing is completely natural in the industrial world. If we can electrify transportation, I think we can clean up the grid, and then I think we can deal with these life cycle issues in a way that's responsible, but it'll never be zero. That's impossible. The good thing about technology is it can move very fast. And so my advice would be if you're interested in this topic, if you have a mathematical, scientific, or business orientation, or you just like solving problems, get trained to really be part of the technological business revolution that's going on right now.

AMANDA E. MACHADO - Writer, Public Speaker, Facilitator - Founder of Reclaiming Nature Writing

AMANDA E. MACHADO - Writer, Public Speaker, Facilitator - Founder of Reclaiming Nature Writing

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Writer, Public Speaker, Facilitator · Founder of Reclaiming Nature Writing

So much of the travel industry was built on the idea of colonialism which really makes us all inherit this idea that whatever we need in life is going to come from seeking it elsewhere and grabbing it from somewhere else, I think looking at that, really deeply thinking about what is lost from that mindset and the harm that is caused by it has been something I've been trying to do over the last few years. And a lot of that has to do with land trauma, right? Like really acknowledging where our settlement of land comes from and how we can heal that in the ways that we travel.

HAROLD P. SJURSEN - Professor of Philosophy - Science, Technology, the Arts

HAROLD P. SJURSEN - Professor of Philosophy - Science, Technology, the Arts

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Professor of Philosophy focusing on Science, Technological Ethics, Engineering & the Arts

I have a granddaughter who's just going into high school, and she is filled with idealistic thoughts and is optimistic. She's a person who is both in love with art and in love with science. She's vivacious and just everything about her seems like life is beautiful, and “I'm going to be able to do this and that.” And, of course, when I talk to her, I do everything I can to encourage this kind of openness and optimism, and belief in herself and her ability to do worthwhile things. And not be too concerned about is she going to be able to have a job with enough income to be where she wants to be. And so it’s how to perpetuate and strengthen that kind of spirit and hope, that it can be validated by giving this generation the opportunity to do things. Because I believe that if she and people who think and feel like her were really given the opportunity to be influential and to do things that would have a tremendous shift in the way the world is going. She doesn't think in terms of quarterly profits. She thinks in terms of human happiness and human good, human fairness, and the beauty of nature. I think we need to do. I think the universities can play a part. Schools play a part, but there has to be a broader general sense that this is how we should conceive the future. And, you know, galleries, podcasts, books, newspapers, universities, schools, every kind of institution needs to offer something to help this.

JOY GORMAN WETTELS - Exec. Producer “UnPrisoned” starring Kerry Washington, “13 Reasons Why”, Founder of Joy Coalition

JOY GORMAN WETTELS - Exec. Producer “UnPrisoned” starring Kerry Washington, “13 Reasons Why”, Founder of Joy Coalition

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Award-winning Executive Producer of UnPrisoned starring Kerry Washington & Delroy Lindo
13 Reasons Why · Home Before Dark · Eyes on the Prize: Hallowed Ground
Founder of Joy Coalition

With UnPrisoned and with really my whole body of work as a producer, I'm really drawn to stories that make people feel seen that take issues that have stigma and shame attached to them, and making those issues just more palatable and more human. And few people realize that 50% of American families are touched by incarceration. And when you meet someone like Tracy McMillan, who really is a miracle, this is a woman who's now in her fifties who grew up in 22 different foster homes because her father was incarcerated when she was so little. And yet for all of his mistakes, the fact that he was a career criminal, he still, when he could change her diapers, he was present when he could be there. He braided her hair, and there was real love there. But they were separated not only by his mistakes, but by a system that is really unforgiving and really unfair, especially to black and brown men. So, the idea that we could tell a story where a young woman who was raised that way and by that person turns out to be Kerry Washington. You know, turns out to be somebody who you want to be, turns out to be "Olivia Pope", this woman that we all see as so beautiful and such a hero and so strong and so powerful, I felt was just an incredible opportunity. And when we first put Tracy and Kerry in the same room, Kerry said to Tracy, "You know you're a miracle, right?"

MAGGIE GROUT - Founder & CEO of Thinking Huts tackling Global Education Crisis with 3D Printing

MAGGIE GROUT - Founder & CEO of Thinking Huts tackling Global Education Crisis with 3D Printing

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Founder & CEO of Thinking Huts: tackling the Global Education Crisis with 3D Printing

I think being a young Asian woman and trying to lead people can be difficult in the sense that they have those assumptions in place. I do think the typical archetype of Asian women is that you're supposed to be quiet. And maybe those aren't going to be perceived leadership qualities, but in terms of what I have done to overcome that, I've really focused on building the trust and showing people that I genuinely care about them and valuing long-term relationships, especially on the business side. So with the construction team, just showing them that I'll stand up for them if I see behavior that's not okay in my perception. And just being a good person with ethics, I think is maybe what sets me apart because then people respect that and they'll follow you.

TANSY E. HOSKINS - Author of "The Anti-Capitalist Book Of Fashion” - Freelance Fashion & Beauty Writer Award Winner

TANSY E. HOSKINS - Author of "The Anti-Capitalist Book Of Fashion” - Freelance Fashion & Beauty Writer Award Winner

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Author of The Anti-Capitalist Book Of Fashion · Foot Work · Stitched Up
Freelance Fashion & Beauty Writer Award Winner

I definitely believe at the moment that fashion brands, big fashion in particular, they just exist to exploit people. It's an excuse to exploit the poor, basically. I see fashion as part of this very extractive global economic society where 100, 150 years ago, that extraction was very obvious. You had the enslavement of people. You had taxation. You had literally armies turning up and occupying the land that they wanted and just taking resources or land. These days it's more subtle, but the brands are still following those colonial pathways.

SIR ANDY HAINES - Tyler Prize Award-winner for Environmental Achievement - Prof. Env. Change & Public Health

SIR ANDY HAINES - Tyler Prize Award-winner for Environmental Achievement - Prof. Env. Change & Public Health

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Tyler Prize Award-winner for Environmental Achievement
Professor of Environmental Change & Public Health
Fmr. Chair of WHO World Health Report · Rockefeller /Lancet Commission on Planetary Health

In terms of the impacts of climate change on health when we started 30 years ago, because there was very little data then, so we made suggestions as to what we thought the health outcomes we thought would be affected like vector-borne diseases, crop failures, water availability, sea level rise, increasing disasters related to climatic extreme events, and obviously the effects of extreme heat on vulnerable populations. In particular, elderly people, but not just elderly people. So we suggested a whole range of different health impacts that could occur. And I think, in general, those ideas have stood the test of time, but of course, as the situation has moved on, we've also become much more preoccupied with what kind of action we need to take.

MARK BURGMAN - Author of “Trusting Judgments: How to Get the Best Out of Experts”

MARK BURGMAN - Author of “Trusting Judgments: How to Get the Best Out of Experts”

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Director of the Centre for Environmental Policy, Imperial College London · Editor-in-Chief of Conservation Biology

Author of Trusting Judgments: How to Get the Best Out of Experts

The idea of expertise and expert judgment has been around and has been something that society depends upon for a long time, but there have been no serious empirical explorations of who's an expert, what a domain of expertise is, and what sort of frailties are experts susceptible to. Those things haven't been addressed in an empirical way until the last 30 years. Some of this work began in the fifties with Kahneman and Tversky. They began to explore the things that make people misjudge risky situations, and that led to a body of research on who makes good judgments and under what circumstances for things that might affect us in various ways.